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For super-dog Bolt, every day is filled with adventure, danger and intrigue - at least until the cameras stop rolling. When the canine star of a hit TV show is accidentally shipped from his Hollywood soundstage to New York City, he begins his biggest adventure yet - a cross-country journey ( more)
For super-dog Bolt, every day is filled with adventure, danger and intrigue - at least until the cameras stop rolling. When the canine star of a hit TV show is accidentally shipped from his Hollywood soundstage to New York City, he begins his biggest adventure yet - a cross-country journey through the real world. Armed only with the delusions that all his amazing feats and powers are real, and with the help of two unlikely traveling companions - a jaded, abandoned housecat named Mittens and TV-obsessed hamster in a plastic ball named Rhino - Bolt discovers he doesn't need superpowers to be a hero.
Also Known As: American Dog
Bolt
Bolt, Formerly American Dog
Production Status: In Production/Awaiting Release
Genres: Action/Adventure, Comedy and Animation
Release Date: November 26th, 2008 (wide)
Distributors: Walt Disney Pictures
Production Co.: Walt Disney Feature Animation, Stormcoast Pictures
Studios: Walt Disney Pictures
Produced in: United States ( less)
Runtime: 02:31
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The full music video of the theme song. Go here http://www.megavideo.com/?v=O5JMK1QC for the full music video of the SUB-THEME SONG!!!
The full music video of the theme song. Go here http://www.megavideo.com/?v=O5JMK1QC for the full music video of the SUB-THEME SONG!!!
Runtime: 03:45
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Previously known as "The Most Beautiful Seventh Day"
Sales Presentation
Previously known as "The Most Beautiful Seventh Day"
Sales Presentation
Runtime: 01:16
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adem aydaş fox tv ses tv kanal 7 seda sayan uzun hava bozlak oyun havası saz baglama türkü neşet ertaş tufan altaş ekrem çelebi taner olgun sezen aksu ibrahim tatlısesAdnan Şenses
Ajda Pekkan
Alihan
Arif Sağ
Askın Nur Yengi
Asya
Atilla Taş
Athena
Aydın
Ayna
Ayşen
Azer ( more)
adem aydaş fox tv ses tv kanal 7 seda sayan uzun hava bozlak oyun havası saz baglama türkü neşet ertaş tufan altaş ekrem çelebi taner olgun sezen aksu ibrahim tatlısesAdnan Şenses
Ajda Pekkan
Alihan
Arif Sağ
Askın Nur Yengi
Asya
Atilla Taş
Athena
Aydın
Ayna
Ayşen
Azer Bülbül
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Amos Lee
Ahmed Ahmedov
Abdullah Uyanık
Aşkın Nur Yengi
Asya
Aşkın Nur Yengi - Rafet El Roman
Aşık Ali Metin
Ahmet Yaşar Bektaş
Atlan Koparan
Aslı Özel
Ağırkapı Roman Orkestrası
Akatay Project
Ahmet Kaya-Koro
Agire Jiyan
Albina-Ishtar
Antonis Remos
Angela Dimitriou
Athena - Aylin Aslım - Bülent Or
Alp Aslan
Ali Kırca
Alpay
Asuman Aslım Görgün
Aytaç Ergen
Ayhan Çakar
Ali Milli
Aylin Vatankoş
Anıl Savaş Kılıç
Armağan Sönmez
Atlas
Aysun Gültekin
Ali Asker
Ali Can
Aylin Şeşen
Aida Nadeem
Amila
Ardjan Trebicka
Amira Ahmed
Ayhan Candemir
Alperen
Abdurrahman Bal
Abdullah Özer
Ali Seçkiner Alıcı
Abdülkerim Kaçar
Abdullah Akınlar
Ali Demir
Aghapios Tomboulis
Andonis Dalgas
Ap.Hatzikhritos
Ali Erkan
Andonis Kalivopoulos - Yiovan Ts
Ahmet Çiçek
A. Celal Tokses
Alaaddin Us-Çiğdem-Koro
Adil Arslan
Ayşegül
Atilla Kaya
Aziz İhsan Bey
Aka Gündüz Kutbay
Aka Gündüz Kutbay - Niyazi Sayın
Ayhan Anıl
Anline Barthelemy
Athina Korsavidou
Ay-feri
Abdullah Karaman
Anna Oxe
Anna Vissi
Anggun
A. Şenol Filiz Birol Yayla Samim
Antonis Dalgas
Ahmet Turan Şan
Aysun Gültekin - İlhan Harmancı
Aşık Ferrahi
Aziz Şenses
Ali Arık
Ali İboş - Necdet Eşkinat
Aysun Gültekin - Zara
Aysun Gültekin - Ömer Şan - Elva
Ali Osman Erbaşı-Koro
Aynur Doğan
Adile Yargı
Adamo
Alihan Samedov
A. Kadri Rizeli - Şehnaz Uğurel
Autopilot
Afterlife
Adani - Wolf
Armin Van Buuren
Andre Previn
Armand Van Helden
Asrın
Art Of Trance
Astrud Gilberto
Astral Projection
Antonie Clamaran
Alter Ego
Aventura
Afropeans
Auf Der Maur
Arif Susam
Alpha Blondy
Art Tatum
Ali Rıza Albayrak - Hüseyin Alba
Andy Stewart
Asiaminor
Ann Philips
Alma Cogan
Alihan
Art Blakey
Ana Beck
Alliance Ethnik
Albinoni
Armstrong
Adam Faith
Abuzer Karakoç
Arrested Devolopment
Ali Nihat Çınar
Amos Milburn
Albert Collins
Aylin Aslım - Ayben Özçalkan
Ablaye Mbaye
Angelo
Agricantus
Antique
Aisha Kandishas Jarring Effects
Air
Arnett Cobb
Anita Baker
Amanda Homi
Aiwa
Andy
Azzddine - Bill Laswell
Alan Hawshaw
Art Pepper
Angela Mccluskey
Amparanoia
Angélique Kidjo
Alabina
Aco Bocina
Albert Ammons
All Good Funk Alliance
Athletic Mic League
Art Farmer
Ahmad Jamal
Amos Miburn
Ace Harris
Azdavaylı Safiye
Antoine
Aretha Franklin-George Michael
Aretha Franklin-Luther Vandross
Angela Carassco
Aldemaro Romero
Angela Maria
Alaide Costa
Altan
Ali Rıza Kartal
Angus Lyon
Ali Aslan
Aşık Ali İzzet Özkan
Anne Marie David
Aziibi and Vimana
Al Yaman Feat. Ashwag Abdulla Ku
Ali Aksoy
Anima Sound System
Audio Bullys-Nancy Sinatra
Akın Eldes-Serhat Ersöz
Awilo Longomba
Af
Ayşe Egesoy
Alamda Costa
Angelica Agurbash
Asian Heart
Aslıhan
Ali Rıza Gündoğdu
Ali Demirhan
Ali Çağlayan
Ayşegül Yordam Tansal
Africando Featuring Amadou Balak
Ayşe Tunalı
Amina
Ahmet Özhan
Ali Cihat Aşkın
Arif Sağ - Gül Sorgun
A. Çetin
A Capella Boğaziçi
Abidin
Alper Tunga
Adem Aslandoğan
Ari Rıza Gündoğdu
Ayça Feat Umut Ertek
Ak-rap Feat Umut Ertek
Atakan Akdaş
Arzu Kopuz
Aslı Gün
Atakan Aktaş
Ajda Pekkan - Tanju Okan
Ayla Algan
Aziz Şenol Filiz-Birol Yayla
A. Kadir - Ezginin Günlüğü
A.Thiam-L.Golding-N.Staples-T.Ha
Anıl Savaş Kılıç Featuring Emir
Abdurrahman Kızılay
Atilla Kaya - Zihni Cinan
Ayhan Yener
Alycia Stefano
Aynur Karadoğan
A. Balbuena
Albarn - Hewlett - Burton
A. Thiam - B. Vinton - G. Allen
Ashar Labef
Aşık Meçhuli
Adem Sevinç
Ali Doğan
Ayfer Düzdaş
Ali Geçimli
Ayfer
Abdülkadir Şehitoğlu
Ahmed Şahin
Alaaddin Us
Ahmet Karacan
Alican
Aynur Güneş
Ali Nurşani
Ankaralı Kadriye
Ayşe Şan
Ali Baran
Ahmet Aslan
Aşık Derviş Baba
Akif Sadıgov
Alper Demiryürek
Aslika Qadir
Armanc
Ali İhsan Doğan
Aziz Duran
Anima
Asi ve Sert
Ahmet Yakup
Adnan Kılıç
Aşık Erol Ergani
Aslıgül
Abbas Doğanay
Ali Bedir
Ali Metin - Sultan Bilgin
Aşık Rahim Sağlam
Aslı Asiye Ergül
Azize Gencebay
Archilleas Poulos
Audio Fact
Aşık İhsan Yavuzer
Ali Emektar
Ankaralı Turan
Ali Albay
Ali Yaprak
Ali Tekin
Arkabahçe
Abgar
Amsterdam Klezmer Band
Aşık Murat Boydaş
Ali Akgünler - Abdullah Akgünler
Akkuşlu Metin
Aşık Kul Nuri
Aslan Yardım
Azdavaylı Safiye - Kemaneci Mura
Ahmet Dumlupınar
Azam Ali
Ann-Margret
A Man
Anthony Perkins
Angel City - Lara Mc Allen
Ahmet Koç
Alacran
Alfredo Rey E La Sua Orchestra
Andres Linetzky & Ernesto Romeo
Abwards
Alessandro Boschi
Arnica Montana
Alejandro De Pinedo
Andre Andreo
Aytun Ede
Alexander Hacke
Abidin - Firdevs - Bayhan - Barı
Attila Özdemiroğlu
Ada
Aşık Ali Nurşani
Ali Dedeoğlu - Ali Matur
Ali Matur
Aboud Abdelal
Actitud Maria Marta
Asilo 38
Arakatuba - Liliana Chachian
Arik Einstein
A Studio - Polina
Anaklein
Alex Bueno
Africanism
Afro Medusa
Armand Mestral
Antaeus
Alhoeverah
Angel Tears
Alberto Beto Una
Adriano Celentano
Aydoğan Tayfur
Angela Amico
Ari-A
Ahmet Baydaroğlu
Alessio Caraturo
A. Studio Feat. Polina
Ali Kocatepe
Aysun Kocatepe
Ayşegül Aldinç - Neşet Ruacan -
Aylin Vatankoş - Erdinç - Özcan
Anastacia Azevedo
Africando
Arif Altunkaya
Ali Kınık
ABC
All About Eve
Appleton
Aqua
Artvizyon Saz Sanatçıları
Amir
Abidin Biter
Alya Kanıbelli
Aşık Hayati Yıldırım
Ali Yalçın
Ankaralı Turgut
Aşık Yorguni
Ahmet Güzelses
Ali Karaaslan
Abdullah Çatlım
Ali Baştuğ
Aşık Emrah
Aykut - Hakan - Ayşe
Ayşe
Alexkid
Adani & Wolf Featuring I. Raful
Aydın Öztürk
Aşık Veysel
Ayhan Sicimoğlu & Istanbul Latin
Altay
Aldo Ranks
Angel Lopez
Ayten Kaplan
Astor Piazzolla With Gerry Mulli
Arnan
Antoine Clamaran
Archie Shepp
Archie Shepp - Mal Waldron
Abdullah İbrahim
Adem Yazıcı
Anaconda
Ali Kızıltuğ
Alabina Feat. Ishtar & Los Ninos
Aylin Şengün Taşçı
Ahmet Yenilmez
Andrea Parodi
Abdou
Ashanti
Alper Asutay
Avani
Andreus
Antilop Sa Feat. Jango Jack
Aslıhan Erkişi
A Tribe Called Es
Afro Dynamic
Alpha
Alaska
Aqua Bassino
Ahmet Meter
Aşık İmami
A Tribe Called Es Feat. Jaquita
Abdurrahman Karaca
Antoine Clamaran Pres. Different
Arzu Bacı
Accident In Paradise
Al Ferox
Africanism By Dr Kucho
Antoine Clamaran Pres. Rituel
Adrian Gurvitz
Afshin Feat. Amir
Albert Kuvazin - Yat-Kha
Ashkhabad
Ali Haydar Timisi
Alekos Zazopoulos
Ahmet Kuşgöz ve Arkadaşları
Ahmet Mukhtar
Abidin
Akın Eldes
Alain Delon
Annie Cordy
Akay
Aykut Alan
Adalet Büyükkaya
Ahmet Hatipoğlu
Arda
Aydın Tansel
A.Dalkıran
Arzu - Murat
Aguş Gümüş Ve Arkadaşları
Ayhan Sicimoğlu
Adem Arslandoğan
Azdavaylı Şen Kardeşler
Ali Nafile
Akcent
Ali Rıza Aksoy
Asuman Krause
Arif Azertürk - Terane Abbaszade
Ayşegül Aldinç - Mehmet Teoman
Atilla Taş
Ali Gül
Ayhan Sicimoğlu - Özkan Uğur
Arthur Prysock
Aaron Neville
Angelique Kidjo
Ali İbicek
Ahura
Aşık Nuri Yücel
A. Özcan Ertekuş ve Grubu
Ayhan Aşan
Ahmet Kalo
Alif Tree
Alihan Samedov - Hüsnü Şenlendir
Alihan Samedov - Sadrettin Özçim
A-Man feat. T.Mike
Arzu
Atalay
Ahmet Yazmaz
Arzu Ece
Ayşen
Aşık Şeref Taşlıova
Ahmet Kanneci - Turgay Erdener
Aşık Şinasi Koç
Ankaralı Yılmaz Yıldız
Aziza A.
Alien The Dj
Alev Soylu
Ali Kayacı
Ahmet Şahin
Abdullah Papur
Aslı Hünel
Aslı Hünel - Doğuş
Albert Vartanyan
Abdel Halim Hafez
Abdelwahab Doukali
Africanism - Yves Larock
Ali Rihai
Arsenium
Adem Temirel
Ahmet Sazlı
Atilla - İbo
Ali Taşan
Ali Seven
Aslıhan Öncü
Atılgan Gümüş
Alaeddin Yavaşça
Aycan Tezel
Alechos Haralambidis - Kostas Fa
Anna Mpithikotsi - Pete Giatrako
Alexis Boulgourtzis
Arif Çelik
Aşık Ereni
Antonio El Agujetas - Jose Serra
Aykut Kuşkaya
Asef
Alex Gaudino
Aleyna
Atrium
Ahmet Sezgin
Ankaralı Yasemin
Adnan Yavuzer
Ahmet Cennetoğlu
Ali Ekber Eren
Aşık Gülabi
Aşkın Deniz
Aydın Demiroğlu
Ali Önder
Ali Murtaza Topal
Ali Gedik
Ali Gencebay
Ankaralı Turgut - Ankaralı Yasem
Ahmet Erkek
Ahmet Kaya - Ferhat Tunç - Hasan
Aşık Yoksuli
Ali Çelik
Asım Kuzuluk
Akif Çekirge
Ahmet Kaya
Coşkun Şamiloğlu
Cüneyt Tunçel
Coşkun Güla
Cemal Ünlü
Cüneyd Orhon
Cemocan
Cavit Fidan
Cinuçen Tanrıkorur
Craig Harris
Cihan Yıldız
Cüneyt Tek
Cansu Koç - Alp Murat Alper
Cimilli İbo
Cem Adrian
Cengiz Ay
Cengiz Yıldırım
Cemal Çınarlı
Celaleddin Ada
Cuma Yolaçan
Cemal Kuru - Feyzullah Koç
Cemal (Divani) Alper
Cemal Kuru
Cem Kervanı
Cüneyt Şentürk
Coşkun Demir
Cem Yılmaz
Cafer Altun
Cengiz Yurtseven
Cevdet Kuroğlu (Şahe Bedo)
Cem Nasuhoğlu
Can Şengün
Coşkun Sabah
Cengiz Çeliker
Celalettin Şensoy
Cesaria Evora
Ciccolini
Charlie Mariano - Quioue Sinesi
Charlie Mariano
Craig Armstrong
Chloe Hanslip - London Symphony
Chicago
Chemical Brothers
Chet Baker
Chat Baker
Carmen Mcrae
Carol Sloane
Courtney Pine
Charlie Paker
Clifford Brown
Chucho Valdes
Caterina Valente
Circle II Circle
Coen Bais-Jons Pistoor-John Van
Control Denied
Cassandra Wilson - Troublemakers
Cassiano
Charlie Hunter
Cihan Ünal
Cemil Dildar
Cem Karaca
Caesars
Can
Charles Aznavour
Chroma Key
Cahit Hakan Aysev
Cemal Tosun
Crosby - Stills-Nash
Ciara
Carlos Santana
Charles Mingus
Chet Atkins
Christina Aguilera
Cahit İzci
Cenk Sönmez - Barış Orhan - Tolg
Claire David
Coşkun Yılmaz
Cebrail Kalın
Cihan Çelik
Cemal Fırat
Cumali Yılmazcan
Coldplay
Canyürek
Can Yücel
C. Demirkesen - E. Koşar - Bilgi
Cihan Çakmakçı
Cumali Atilla
Coşkun Demir ve Grup G.A.K.
Cengiz Bayraktar
Cem Yıldız - Cebrail Kalın - Hür
Cevdet Canel - Çeşitli Sanatçıla
Cemil Kaya
Cemodoğan
Cemile Gülbudak
Cane
Cengiz İmren
Cenk Taner
Can Kan
Can Hatipoğlu - Mehmet Cavcı
Ciwan Haco
Cengiz Baysal
Cahit Berkay
Celal Özsarı
Cenk
Candan Erçetin
Cevdet Erek
Cengiz Kurtoğlu
Cem Ömeroğlu
Celal Bakar
Cem Bezeyiş
Christophe Goze
Claudia
Cengizhan Sönmez
Cebrail Kalın - Özden Özoğul - H
Cenk Eren
Cevdet Demirkapı
Can Tufan
Cansu Koç
Cici Kızlar
Canel
Canan Kılınç
Cabir Kökten
Cem Yıldız
Ceza
Cay Taylan
Collective Sound Members
Ciannad
Colin Farrell
Conjure 1
Chet Baker
Corderoy
Ceasars
Calexico
Carole Samaha
Cheb Mami
Coleman Hawkins
Cem - Kutsal
Can Afacan
Cassandra Wilson
Cutty Ranks
Count Basıe
Copacabana
Coen Bais
Cypress Hill
Ceyhun Şişmanoğlu
Craig Douglas
Cilla Black
Charles - Eddie
Chumbawumba
Canned Heat
Cutting Crew
Crystal Gayle
Cyril Morin
Cheb Tarik
Charlie Ventura
Clotaire K.
Carlos Campos - Amr Ismail
Chumbawamba
Culture Musical Club oder Mila n
Cavit Karabey
Charlie Parker
Curtis Fuller
Chico Hamilton
Charlie Rouse
Charlie Hunter-Norah Jones
Charles Farmbrough - Kenny Garre
Charles Frambrough
Costo Rico
Carmen Gonzales
Celia Cuz
Crazy Ken Band
Context
Charlie Christian
Charly Shavers
Cengiz Özkan
Cat Anderson
Cootie Williams
Conte Candoli
Clark Terry
Charlie Byrd
Claude Bolling
Chick Corea
Champion Jack Dupree
Cecil Gant
Crown Prince Waterford
Cab Calloway
Clarence Samuels
Clarance Brown
Cotus
Clannad
Capercaillie
Corun
Canterach
Claude François
Cosmic Rocker
Celal Köker
Constantinos Christoforou
Charlene Holloway
Chiara
Cengizhan Akar
Cubismo
Chico Alvarez
Cheb Jilani
Can Yürek
Can Atilla - Ayça Dönmez - Faria
Can Atilla - Faria
Can Atilla - Aslı Gültekin
Can Atilla - Faria - Özlem Ünald
Can Atilla - Özlem Ünaldı
Cantekin
Charlie Haden
Cem Bülbülleri
C.Jackson-S.Storch
C.Barbosa-E.Chisolm
C.Hawkins-E.Brennan-E.Sermon-M.C
Cemal Kurtoğlu
Carolina Marquez
Cafe Negro
CH.A.O. Petters - Ch. Petters -
C. Çetinkaya
Cemal Karakuş
Cejno
Cavit Tebrizli
Can Şengün - Cihan Okan - Çelik
Cömert
Cevad Merwani
Cash Flow
Cash Flow Feat. Emir
Cash Flow Feat. Hakan MC
Cash Flow Feat. Kerem
Cemal Özcan
Cem Kadırgan
Cinan Erbay
Cangül
Cevdet Kozanoğlu
Cahit Gözkan
Cankat Erdoğan
Cewad Merwani
Cesim Bager
Cem Okan
Cüneyt Sepetçi - İsmail Kıvrak
Cemal Akkiraz
Catherine Deneuve
Clarika
Charles Dumont
Cdm
Charanga Cakewalk
Children Of The Revolution
Christine Kane
Charles Webster
Carl Douglas
Coma
Cengiz Fırat
Cengizhan Arslan
Chacka
Chava Alberstein
Chanel
Chab - JD Davis
C-Mos
Cenin
Cecile Deville
Cubanito
Can Atilla
Chris Lake
Claude Vonstroke
Cirez D
Cerena
Claude Barzotti
Carla Bissi
Christian
Carlotta
Carla Angeli
Claudia Donato
Club House
Chris Coco - Afterlife
Chango Spasiuk
Cat Stevens
Cher
Chris De Burgh
Connie Francis
Cemil Sarılar
Cengiz Coşkuner
Cem Akgün
Ciguli
Chacker Yack
Chris Rea
Carla Alexander
C. J. Chenier
Craig Harris - Barbaros Erköse
Cemal Sarı
Claude Challe
Casa Mecca
Conya Doss
Corneille
Cenk Celasin
Cemile Sönmez
Charles Schillings
Cansever
Chateau Flight
Chic Flowerz Feat. F. Medjane
Century
Celloman
Charbel
Cüneyt Yamaner - Engin Kapsız
Christos Dantis - Elena Paparizo
Charbel Rouhana
Christophe
Charlelie Couture
Catherine Sauvage
Charles Trenet
Cihat Aşkın
Cem Özer
Cem Çelebi
Cengizhan Kavalcı
Cevdet Bağçağ
Candy
Chakla Phepsam
Cem Özkan
Chalf Hassan
Cahit Oben
Cihan Akerson
Chet Baker - Paul Desmond
Candido Fabre
Cyminology
Costica Olan
Cem Sinan
Christina Maragozi
Celal Özer
Celine Dion
Cengiz Özkan-Muharrem Temiz
Cobla De Barcelone
Cengiz Onural
Cem Yıldız feat. Hüsnü Şenlendir
Cem Yıldız feat. Adile Yadırgı
Cem Yıldız feat. Ercan Irmak
Cahit Berkay & Grup Zan
Chris Brown
Cyndi Lauper
Cevdet Bağca
C-Side
Copyright feat. Imaani
Chris Lawyer & Dj. Thomy
Celal Bağlan
Ceylan
Celal Güzelses
Cüneyt Şahin
Celal Yarıcı
Celal İnce
Coşkun Arslan
Davut Güloğlu
Devrim Erden
D-100
Deniz Uğur
Derya Baykal
Destur
Deniz Gündüz-Murat Gündüz-Ulaş G
Deniz Seki
Dursun Kement
Doğan Duru - Güneş Duru - Berke
Diler Ebeperi
Dilek Şeniz
Dr. M Bülent Gündem
Demir Demirkan
Deniz Çelik
Devrim Yücel
Despina Vandi
Dido
Dio
Divna
Duke Ellington
Doves
Dark At Dawn
Doro
Destruction
Die Apocalyptischen Reiter
Death Angel
Daft Punk
Deine Lakaien
Dr. John
Dietrich Fischer-Dieskau - Danie
Deep Purple
David Bowie
Dejuvar
Dijwar
Dündar Yıldız
Damien Rise
Don Omar
Diago Torres
Dolly Parton
Dr. Alban
Dionne Warwick
Dodan Project
Doğan Nuh
Duman
Dean Martin
Daniel Powter
Dursun Aktürk
Diyar - Xelil Xemgin
Du Pre - Barenboim
Duran Duran
Dream Theater
Dany Brillant
Diana Krall
David Sanborn
Deladap
Dzihan - Kamien
Dorfmeister - Mdla
Deli Selim
Direc - T
Dersimli Ayşe Eren İkilisi
Deniz Şamdereli
Duygu Koçak
Dj Burak Yeter
Doğu
Dengbej Zahiro
Derweş Serhedi
Dila
David Hill
Deniz Erdoğan - Yılmaz Erdoğan
Deha
Deniz Türkali
Derya Artemel - Burak Sergen
Dellal Metin
DJ Rakun
DJ. Fex
DJ. Kambo
Dulce
Deen
Dengbêj Fadil
Dilber Ay
Doğuş
Devran Çağlar
Doğan Ergin
Demirhan Baylan
Dilek Aktaşoğlu
Deniz Gündüz
Dario Moreno
Danny Brillant
Dimitris Atroidis
Dutch - Crystal Waters
Drummers Of Love
Duoud
Dj Awal
Demarkus Lewis
Dos Hombres
Dexter Gordon
Dave McKenna
Danni Minoque
Delerium
Doğan Canku
Dj Raxx
Deep Dish
Dj Fist
Dj Joe K.
Depeche Mode
David Guetta
Dj Casper
Don Nelson
Dynastie Crisis
Dave Grusin
David Byrne
Dawn Penn
Dave Brubeck
Darine
Dinah Washington
Danny Williams
Dinah Shore
Donald Byrd
Delibes
Dursun Özdil
Dr. Feelgood
Dr. Hook
Deana Carter
Dottie West
Dar Beide 04 feat. Amina Annabi
Dissidenten
D. Cup feat. Audrey
Dirty Vegas
Don Byas
Dj Edson X
Dandy Warhols
Djamel Laroussi
Dennis Farnon
Dominic Sands
Dexer Gordon
Deyirman - Leyla
Duke Pearson
Donald Harrison
Dr. Calypso
Deste Günaydın
Dania
Debayres
DJ Cam feat. Guru
DJ Cam
DJ Bookie
Django Reinhardt
Dave Bartholomew
Doc Pomus
Dizzy Gillespie
Dizzy Gillespie - Roy Eldridge
Duke Jones
Dick Davis
Duke Henderson
Dallas Symphony Orchestra
Dik Dik
Desi Arnaz
Dave Bainbridge Feat. Joanne Hog
Dick Gaughan
Davy Spillane
Dao
Dilşad
Dick Farney
Deniz
Donna And Joe
Deniz Arcak
Dündar Yıldız
Deftones
Disturbed
Dark New Day
Dead Or Alive
Darren Haves
Duygu
Dianne Reeves
Dominica
Denjer
Dimitri - Jaimy
D.Rambo-J.Richmond-L.Freese-M.Mc
D.Kontopoulos-N.Gritsos
Deniz Erdoğan - Yıldıray Gürgen
Deniz Erdoğan
Dj U.S.Y.
Dht
Dannii Minogue
Dj Akman
Diyar
Dursun Bedirhan
Delil Dilanar
Dılovan
Dino
Deniz Kızı Eftalya
Dilber Ay - Halit Arapoğlu - Hal
Derviş Abdullah Efendi
Davut Sulari
Dilemma
Devrim
Dut Ağacı
Dursune Bacı
Durmuş Kalan - Selda
Duygu Rüzgar
Devrim Kaya Türenç
Dj. Ross
Deux
Dj. Style - Mc Loran
Dimitri From Paris Feat. Pink Ma
Deepak Chopra Featuring Adriana
Duke Heitger And His Swing Band
Daniele Silvestri
Doctor Krapula
Danovan Barrıe Mıxon
Deep Dish vs Dire Straits
Dahool
Dj Gregory
Digitalism
Dj Bool presents Jerk House Conn
Dan Marciano
Domenico Modugno
Drupi
Davide De Marinis
Dero
Derdiyoklar Ali
Dostlar Korosu
Dannii Minogue - Flower Power
Demirkan
Daniel Bedingfield
David Essex
Del Amitri
Diana Ross
Dina Carroll
Donna Summer
Dilberay
Deniz Amado - Selen Amado
Deniz Amado - Miraç Şimal Yalçın
Deyampert
Dani Siciliano
Dertli Divani
Digby Jones
Dab
Defne Samyeli
Dj Kun
Dave McCuellen
Danzel
Disco Queen Feat. Luisa Pepe
Dj Stanley Feat. Leke
Dennis Ferrer
Djaimin
Dave Douglas
Dr. Bob Jones & The Interns Feat
David Vendetta
Dune
Dance Arabian Nights
David Vendetta Feat. Oz
Dionigi
Dennis Taylor
De La Soul
Dr Dre
Da Hypnotik
David Mc Cullen
Didier Sinclair & Dj Chris Pi
Disco Kings
D.S Jones
Diesler
Didem Kurt - Süleyman Erkişi
Didem Kurt
Dj Sammy
Dj Rooster & Sammy Peralta
Didier Sinclair & Dj Chris Pi &
David Duriez
Dj F.E.X
David Carretta & Al Ferox
Dj Fist Pres. Tabasco EP
Dana Dawson
Dursun Dereli
Don Shiva
Dj. Flex - Sandy W
Daemonia Nymphe
Djivan Gasparyan - Micheal Brook
Dimitra Galani
Djivan Gasparian
D. Perez Prado
Daniel Guichard
Deniz Gençay
Dengbej Reber
Deniz Çetin
Dos Morenos
Dj Ross vs Dy
Dursun Kul
Drechang Silma
Didjitalis
DANdadaDAN
Dinmeyen
Donny Hathaway
Diogal
Dobet Gnahore
Djelimady Tounkara
Dead Can Dance
Dee Felice Trio
Dan Armeanca Band
Djako
Deep Dish feat.Stevie Nicks
Dj Dero feat.Leee John
D.O.N.S
Danzel - Dj F.R.A.N.K
Dj Style - Mc Loran
Da Fresh
Dj Furax - Redshark
Demir
Dj Chris feat. Dee Dee Abella
David Kane
Dj Kolesky
Dorian
Derya Türkan feat.Renaud Garcia
Doruk Onatkut Orkestrası
Darvaş
Djelem
Dahmane El Harrachi
Dons Feat. Technotronic
Dimension X
Dr. Kucho
Dj Yalçın, Hsyn Krdy Feat. Funky
Dilek Türkan
Deniz Toprak
David Lynch
Duygu Korosu
Dixie Chicks
David Vendetta feat. Akram
Dj. Disciple feat. Dawn Tallman
Dada feat. Sandy Rivera & Trix
Dj. Falk
Djuma Soundsystem
De Souza feat. Shena
Deli
Daimi Özdoğan
Demet Akalın
Damla Yıldırım
Demet
Eyüp Nazlı
Emel Taşcıoğlu
Emirkan
Elif Güreşçi
Erol
Emine Genç
Emre Aracı - Cihat Aşkın - Londr
Ercan Irmak
Erol Köker
Eren Kazım Akay
Efkan Şeşen
Erkan Oğur - Okan Murat Öztürk
Ebru Pala
Ebru Yaşar
Ebru Şimşek
Erci Ergün (Erci E)
Eda Özülkü
Elvan Uray
Erdinç Şahin
Ergün Atasoy
Esat Kabaklı
Esra Keskin
Erdinç Gültepe
Ersen Kutluk - Bora Taştan - Onu
Esra Balamir
Ebru Kasap
Eren Bakıcı - Cemre Kemer - Gülç
Erkan Erol - Ali Özgür Erol
Ethem Yeşiltaş
Esin Alp
Erdal Kızıltaş
Ekrem Pehlivan
Ezgi Avni Anıl
Elvis Presley
Edith Piaf
Eazy-E
Eric Clapton
Erik Truffaz
Eugen Jochum
Erinç Köker
Ella Fıtzgerald
Emre Altuğ
Enver Çelik
Ed Harcourt
Eloy
Eroica Trio
Edguy
Ensemble Hüseyin Türkmenler
Everything But The Girl
Erdal Akkaya
Ege
Europa Galante - Fabio Biondi
Edip Emre
Ercan Papur
Ertuğ Ergin
Enstrümantal
Ennio Morricone
Elisabeth Scwarzkopf
Emrah Mahzuni
Ercan Seyhan
Eyyüp Kesenci
Eros Ramazotti
Eamon
Elie Semoun
Etta James
E.Efe - A.Yiğit - F.Sezer - u.Ka
Engin Kızılay
Ebru Özpirinç-Uğurcan Sezen
Engin Kızılay-Yılmaz Şanlıel
Elif Can
E. Öztekin - Ankaralı Turgut - A
Ezginin Günlüğü
Elif Beyza
Ergin İrin
Ergin Çetinkaya - Gazi Ataş
Ercan Dursun
Enver Merallı
Evren Salepçi - Emin Yasin Vural
Emel Örgün
Elastic Band
Erhan Şakar
Emine Akbaba
Ersen Varlı
Egoist
Emre Saltık - Metin Karataş - Za
Ebru Destan
Emrah Şimşek
Erenler İkilisi
Esengül
Ercüment Batanay
Erol Çöke
Ergün Şenlendirici
Erol Pekcan - Tuna Ötenel - Kudr
Efkari
Ege Çubukçu
Emre Aracı - Prag Senfoni Orkest
Erdoğan Demir
Erhan Gökçen
Esra Ateş
Ege Bülbülleri Ali Ve Abdullah A
Eyüp Bozdağ
Engin Gürkey
Erdinç Buruç
Ezgi Anıl
Engin Alptekin
Engin Sar
Esef Selçuker
Ethem Adnan Ergil
Erkin Koray
Ebru Gündeş
Esin Afşar
Ercan Aydın
Ekrem Ataer
Erdal Güney
Ergin Özler
Emrullah Karaman
Emel Müftüoğlu
Elçin
Esma Başbuğ
Ece Uslu
Erkekler Korosu
Emin İgüs
Esra Sarı
Emrah Altınok
Ercan Saatçi
Ekrem Düzgünoğlu
Eyal Shachar
Ercan Saatçi - Grup Düş
Ercan Saatçi - Hande Yener - Gru
Ercüment Vural
Ercüment Vural - C. Okan - S. Gü
Ebru Ethredge
Elena
Ebru Okay
Elvan Erbaşı
Edip Akbayram
Ece İdil - Seher Tanrıyar
Erkan Oğur - İsmail H.Demircioğl
Emre Gültekin
Erkan Oğur - Djivan Gasparyan
Engin Aslan - Ulaş Özdemir
Ebru Bilgin
Erkan Oğur - Bedih Yoluk
Erkan Oğur - Uğur Yücel
Erol Evgin
Erkan Oğur
Erdinç Ünlü
Eustathios Mihailidis
Erol Köker-Olcay Köker
Erol Köker - Olcay Köker - Zara
Erol Köker - Zeynep Atagür - Cel
Ezgi Köker
Erol Köker - Zeynep Atagür
Erol Köker - Zara - Orhan Hakalm
Elvan Erbaşı-Zara
Eniz Özsoy
Esmeray
Earth Wind-Fire
Engin Şenkan
Emrah - Ayça Altuğ
Esoinjim
Eighty Mile Beach
Ellis Larkins
Eric Prydz
Energy 52
Elissa
Errol Garner
E.L.O.
Evanescence
Eliane Elias
Earl Klugh
Eartha Kitt
Evert Woud
Erkan Ocaklı
Elgar
Eternal
Elisabeth Schwarzkopf
Erich Kunz
Emmy Loose
Eastenders
Earl Bostic
Elli Kokkinou
Emre Saltık
Eddie Gale
Earl Hines
Eddie Lang
Erroll Garner
Eddie Heywood
Erkan Su
Ezgi Mert
Eddie Mack
Evelyn Glennie
Equipe 84
Enzo Janacci
Enrique Jorrin
Enrique Jorrin Y Su Orquesta - A
Elba Ramalho
Eva Cassidy
Emrah Keskin
Eve Angeli
Emrah
Erkut Taçkın
Ercan Turgut
Erol Büyükburç
Elefteria Arvanitaki
Enzo Avitable feat. Amina
Ensemble Ethnique
Erol Köker - Arzu Arıkan
Erol Köker - Gülay Özer
Elena Paparizou
Emanuelhle Degli Angeli
Eternal Groove
Erica Jennings
Eumir Deodato
Eastenders Feat. Shady Sheha
Ezgi Köker - Erol köker
Emrullah Yıldız
Elvis Costello-The Imposters
Emre Aracı
Ekrem Özel
Engin Evin
Eddy Grant
E.Iglesias-G.Chambers
Erol Erdinç
El Chombo
Ersan Erdura
Esin Engin
Ergin Kızılay
Elif Nun
Eşqa Welat
Eyaz Yusiv
Elya
Esker Demirbaş
Efendi Koç
Emel Esen
Erdoğan Doğan
Egide Cimo
Erol Parlak Bağlama Beşlisi
Esrari
Erdem Yener
Edibe Sulari
Emre Kartarı
Erkan Oğur - İlkin Deniz - Turgu
Eser Bayar
Edirneli Haim Efendi
En Chordais
Emirgan Ensemble
Ender Akay
Engin Arslan - Ulaş Özdemir
Ergün
Eryamanlı Ferhat
Ekrem Düzgünoğlu - Gaye Aksu
Elcho
Emad Sayyah
Elizabeth Mitchell - Daniel Litt
Eric Bibb
El Payo Feat. Marga Nero
Emine Muktat
Esmehan Yılmaz - Fatma Aktaş
El Otro Yo Del Otro Yo
Eastern Eagle Singers
Eyabay
Emil Zrihan
Elio Riso - Raffunk
Elize
Ernesto vs Bastian
Eddy Herrera
El Medico Feat. El Brujo
Ernie Ford Tennessee
Eddie Barclay
El Medico
El Medico Feat. Tok
Erkan Güleryüz
Emekçi
Elkin Marin
Efe
Elio Gandolfi
Eren Erdoğan
Eda - Metin Özülkü
Emin Arbani
Ella Fitzgerald - Buddy Bregman
Elton John
Emilia
Engelbert Humperdinck
Extreme
Emel Sayın
Engin Nurşani
Ertan Ersoylu
Echomen
Ezgi Mutlu
Eda Zari
Ersin Ersavaş
Emmanuel Santaromana Feat. Hadja
Earl Zinger
Ertuğrul Erkişi
Erdal Erzincan
Erick Morillo Feat. Terra Deva
Elliot Dukuai & Bruce
Erkan Yılmaz
Eastenders Feat. Sultan-Tunc
Eric Prydz feat. Adeva
Eleni Vitali
Erol Parlak
Eleni Karoasaki
Eleni Peta
Emre Saltık - Metin Karataş - Şa
Enzo Enzo
Erensoy Akkaya
Enver Yılmaz
Erdal Şahin
Erkan Koç
Eylem
Erkan
Erdoğan Erol
Elif Altıntaş
Ertuğrul Polat
Erdal Bayrakoğlu
Emre Aydın
Edirneli Yüksel Ve Arkadaşları
Ebru Kayhan
emreaydın
Erkan Oğur
Essam Rashad
Ece İdil - Metin Ülkü
Erdinç
Ege - Rika Zarai
Ege - Gypsy Kings
Eneida Marta
Elza Soares
Ebi
Esma Redzepova & Ensemble Teodos
Emir Kusturica & The No Smoking
Ekrem & Gypsy Groovz
Esma Redzepova
Electroluxe Family
Enbe Orkestrası
Ender Doğan - Yahya Soyyiğit - V
Ender Doğan
Erkan & Serkan
Evrim Demirel
Eric Prydz Vs. Floyd
Ekremo
Elif Yıldız
Ekrem & Gültekin
Ebru Berker
Edis İlhan
Erol Deran
Erol Aykan
Ergin Kızılay - Rıfat Şanlıel
Ersan Tekin
Erhan Gündem
Erdal Güney - Hilmi Yarayıcı
Eylem Aktaş - Erdal Güney
Eylül Metin
Esra Sönmez
Ehab Akram
Ersen Özpirinçci
Erick E
Ercan Övek
Emre Gültekin - Lütfü Gültekin
Edirneli Kadir Ürün - Meriçli Ca
Enver Demirağ
Erzincanlı Hafız Şerif
Ekrem Çelebi
Erhan Güleryüz
Ekrem Oruç
Edirneli Kadir Ürün
Fikret Arifoğlu
Fatih Korkmaz
Ferdi Tayfur
Fikret Otyam
Feyzi Aslangil
Filiz
Franco-Serdar Erbaşı
Fahrettin Karaardıç
Ferda Anıl Yarkın
Ferman
Faruk Yılmaz
Fikret Alper
Fikret Ural
Fehmi Ünyayla
Faruk K
Folk Dances From Anatolıa
Feridun Düzağaç
Fikret Erkaya
Fahriye Güney
Fuat Ergin
Ferdi Özbeğen
Fahriye Özay
Fikret Ünal
Ferda Doğan
Funda Aksoy
Fatma Yaşar
Ferdi Korkmaz
Faruk Tınaz
Fuat Aslan
Fatoş
Feyzi Güden
Fahir Atakoğlu
Faris Büyükdoğu
Fate
Fehmi Çavtekin
Feyzi Aslan
Fermanlı Durmaz
Fulden Uras
Frank Sinatra
Fairuz Derin Bulut
Faithless
Fatih Erkoç
Fischerspooner
Fevzi Kuş
Ferah Sezer
Fuat
Furtwangler
Fırat Başkale
Falco
Fairground Attraction
Fourplay
Fikret Kızılok
Ferhan Şensoy
Frederick Rousseau
Faith Evans
Funda Arar
Fatma Çal
Figen Özgüzel
Fedon
Fahrettin Çimenli
Ferdi Tayfur - Huri Sapan
Feride
Fikret Karakaya
Funda Akpınar
Feyzullah Toprak
Fatoş Kaya
Fransuvaz-Mahmut
Fatih Eti
Fehmi Günaydın
Ferhat Göçer
Figen Genç
Fevzi Temelli
Fahir Atakoğlu - Horacio El Negr
Feridun Hürel
Ferhat Kılıç
Ferhat Tunç
Fatih Mühürdar
Funda Görgülü
Filiz Şatıroğlu
Faruk Salgar
Füsun Kostak
Faul
Furkan Biçer
Fikriye
Fady
Fuat Saka
Fahrettin Sönmez
Fehnaz Rizeli Gündoğdu
Fatoş Aşçıoğlu
Fevzi Üreten
Fransuvaz
Feridun Hürel
Ferahnaz Gündoğdu
French Affair
Flunk
Fragile State
Fonda 500
Frances Wayne
Fred Astaire
Fadja El-Hage
Füsun Önal
Flavio Bolto
Freddy Hubbard
Freddie Roach
Fiona Kennedy
Frankie Vaughan
Frank Ifield
Flute - Harp Concerto
Freddie - The Dreamers
Freddie King
Floyd Dixon
Fuat Feat. Ayben
Fuat Feat. Sahtiyan
Fuat Feat. Ceza - Ayben
Fuat Feat. Dj Funky C
Fuat Feat. Civciv - Selo - Anali
Fuat Feat. Azra
Frank Foster
Faltriqueira
Funda İzgi
Fusing Naked Beats
Freddie Hubbard
Frank Morgan
Fats Waller
Fats Navarro
Freddie Mitchell
Fafa De Belem
Fiona Joyce
Fabienne Thibeault
Frederic Lerner
Funda
Feminnem
Fuman Freak
F. Erdem
Faudel
Fab For
Fuat Güner
Fatih Turan Bayburt
Fikret Aslan
Fatih Kısaparmak
Fethi Perilioğlu - Birsen Sabah
Fadime Akpınar
Firdews Feat Umut Ertek
Farqin
Fahrettin Sönmez-Mustafa Yıldızd
Fatma Dönmez
Faik İnce
Faik İnce-Hüseyin Demir
Feyzullah Eti
Ferhat Güneyli
Fedai
Fahrettin Kaya
Fahri Kopuz
Fenomen
Ferman Zine
Fesih
Fanfare Ciocarlia
Fehmi Ünlüyayla - Remzi Çetin
Free Masons - Amanda Wilson
Francoise Hardy & Etienne Daho
Federico Aubele
Fred Buscaglione
Francesca M.
Friction
Feride Demirel
Firdevs Yağici
Facteur X Feat. Lnd
Firdevs
Fairmont
Fred Nasen
Fuad İspir
Fausto Leali
Flavio
Flavia Fortunato
Franco Battiato
Finzi Contini
Fun Fun
Fevzi Çoban
Filiz Karatoprak
Fertile Ground
Faze Action
Flora Purim
Facteur X
Funky 4+1
Fatma Tütüncüoğlu - Levent Saraç
Freeform Five
Fred Pellichero
Fusing Naked Feat. Najma Akhtar
Farolfi & Gambafreaks vs Moloko
Felix Da Housecat
Francoise Hardy
Feyzullah Çınar
Felix Leclerc
Fecri Ebcioğlu
Forty Thieves
Frankie Laine
Faya Tess - Lokua Kanza
Farhad Besharati
Faramarz Aslani
Ferhat Sağlam
Fulgerica & The Mahala Gypsies
Ferus Mustafov & Milan Safkov
Famille Lela De Permet
Freedom Dub
Faruk Demir
Faruk Demir - Gülşen Kutlu
Faruk Demir - Musa Eroğlu
Fedde Le Grand
Fish Go Deep
Fedo
Francesca
Fikret Kızılok & Edip Akbayram
Ferhat Livaneli
Fuchs & Berna Keser
Fatoş İncegüzel
Fairouz
Farid El Atrache
Frank Ti-Aya
Fikret Ceylan
Franz Ferdinand
Fatih Ahıskalı
Fulya
F.Dönmez
Fehmi Ünlüyayla
Fahri Barış
Feryal Öney
Feyzan
Grup Yağmur
Gamzegül
Grup Şinanay
Grup Yol
Gülşen Kutlu
Gizem İrem Gürel
Güllü
Grup Türkiyem
Grup Knar
Grup Metropolis
Gülabi Gültekin
Gülçin
Gökhan Kırdar
Grup Yankı
Günay Yetiz - Bahar Göksu - Ayşe
Günel Zeynelova
Grup Gündoğarken
Gülcihan Koç
Gönül Yazar
Gülhan
Gürkan
Güla Serhade
Gülşen Keserci
Gökhan Güney
Gülbahar Uluer
Grup Laçin
Gülnaz Küçükelçi
Güçlü Soydemir
Gökhan Birben
Grup Beyoğlu Mızıkacıları
Grup Catafalque
Gani Mirzo
Gökhan Ay
Grup Mecaz
Gürkan Yüksel
Gültekinler
Gülden Karaca
Grup Hilal
Grup 7
Groza-Bahadır Uludağlar
Grup Black Omen
Gripin
Grup Westlife
Guano Apes
Grup Delta Goodrem
Gavrilov
Güher - Süher Pekinel
Giya Kancheli
Grup Robert Casadesus - Gaby Cas
Grup Bruggen Kuikens Bylsma Leon
Geri Allen
G. Johnson - P. Pierlot - J. Ram
Grup Eugene Omandy - Cyrill Ritc
Grup Eugene Istomin Isaac Stern
Grup Pinchas Zukerman
Grup George Szell Eugene - Orman
Grup Gustay Leonhardt
Gökhan Semiz
Gökhan Şeşen
Grant Green
Gonzalo Rubalcaba
Grup Maya
Gülben Ergen
Grup İstasyon
Goldfinger
Grup Il Divo
Gallis
Genesis
Grup Hasat
Gavin Degraw
George Winston
Galway Marriner
Groove Armada
Grup Eye Of The Tiger
Glenn Miller
Grup Toots Thielemans
Grup Foo Fighters
Garou
Grup Good Charlotte
Grup Karakedi
Günay
Grup Lifeline
Güler Aktaş
Gülbeyaz
Gorillaz
Garbage
Gönül Şeker
Gülcan Karaböcek
G.Uğur Atalay
Gülcihan Koç - Deste Günaydın -
Göknur Karadağ
Gülhan Aydın
Gamze Sayın
Grup Turnalar
Gardelli - Marriner
Gavrilov - Richter
Giulini
Grup Backstreet Boys
Göksel
Gülten Akın
Gülay Eren
G.M. G.
Genç Ahmet
Gökhan Ketenci - Mehmet Çelik -
Günola
Grup Şirvan
Gül Sorgun
Grup Yarınlar
Grup Ege
Grup Aslar
Gülden Karaböcek
Grup Bağdaş
Güngör Salman
Grup Güvercinler
Gülser Keserci
Gültekin Pehlivan-Ekrem Pehlivan
Gazanfer Özcan - Halide Yoldüz
Grup Küçükeller
Gülcan Gülerman
Gitarcı
Grup Moe-joe
Gülçin Alpöge
Gültekin İpekel
Gültekin İpekel - Ekrem
Gülsen Tuncer
Gülriz Sururi
Gülçiçek
Grup Revan
Grup Çığ
Gülşah Dilek
Gazin
Gürol Ağırbaş
Grup Özgürlük
Grup Eylül
Grup Munzur
Gönül Usta
Germencikli Tibet Ve Arkadaşları
Gül Yazıcı
Gönül Gündüz
Güzin Değişmez
Güknaz Atam
Gül Göre
Gökhan Ketenci
Grup Yorum
Gülay
Gül Oban
Gülnaz Rizeli
Gönül Sürücüoğlu
Güler Basu Şen
Gülten Yıldırım
Günther
Grup Ychorus
Goran Karan
Grizu
Gülnaz Rizeli ? Koro
Güngör Gençay
Gönül Akkor
Gülseren Tatlıpınar
Göknur Okur
Gökçe Köroğlu
Grup Lodos
Grup Dostyürek
Gönül Turgut
Gökhan
Gipsy Kings
G.Vidalis
Gülay Özer
Gökmen Ürü
Gülseren Erdağ
Gökhan Seyhan
Grup Kırmızı Balon
Gladys Knight-The Pips
Gulîstan Periver
Goldtrix-Andrea Brown
Goapele
Gerry Mulligan
Gillespie
Gadjo
Gabin
Graham Coxon
Gomez
George Wassouf
Good Size
Green Day
Gretchen Wilson
Gorjusrex
Gary Moore
Gerry - The Pacemakers
Geri Halliwell
George Smith
Gary Moore - BB King
George Thorogood
Gökhan Tepe
Glen Campbell
George Jones
Gayan Uttejak Orchestra
Ghalia Benali - Timnaa
George Cehanovsky - Richard Wrig
Goldfrapp
Gene Ammons
Gnawa Impulse
Gündoğar
Gene Harris
Gaye Aksu
George Shearing
George Jenkins
Göksel Baktagir
George Miller - His Mid-Driffs
Gülay Sezer
Gouinda
Govinda
Gianni Morandi
Gerard Lenorman
Generazione Italia
Gülistan Yaşar
Grup Ak-Rap
Ganja Guru feat Ruby - J. Smooth
George Dalaras
Grup Düş
Groove Cutters
Ghorwane
Global Kryner
Gracia
Geir Rönning
Glennis Grace
Gülseren
Greenjolly
Grup Değişim
Gülgün Ural
Gönül Şenay
Göçmek Aka Sarı Zeybek
Göksel Kartal
Grup Nefes
Gökhan Abur
G. Kingsley
Garip Dost
Genim
Gölge
Gülsen Bütün
Gülcan Opel
Gülüzar Akkuş
Gülenaz
Grup Sır
Gülbahar
Grişe Riza
Guldesteyek
Gülistan
Göçmen
Gamze Amus
Gamze Amus - Erdem Yener
Gulizer
Grup Telden Dile
Grup As
Gece Yolcuları
Grup Abdülkadir
Gülay Doğan
Grup Gökçen
Güven Aydın
Grup Dem
Gule
Gule - Önder Deniz
Gökhan Özen
Gülizar Akkuş
Güler Yaman
Giorgio Conte
Gianmaria Testa
Güven Kıraç
Gigi
Golden Horn
Grup Ekin
Gülşah Buzlu
Güllü Özcan - Sevim Tunç
Gülay Sürmeli
Grup Aura
Gülderen Erdoğmuş
Global Deejays
Grup Balkan Ekspres
Guylaine Guy
Gerardo Frisina
Gülnaz
Gepy - Gepy
Gianni Mazza
Giorgo Gaber
Gazebo
Gabin - Dee Dee Bridgewater
Gregor Salto - Saxlive
Grup Gurbetçiler
Gabrielle - London Session Orche
Gary Moore Featuring Phil Lynott
Girls Aloud
Gwen Stefani
Grup Doğanay
Grup Sılam
Gizem Özdilli
Gate Eight
Göksel Feat. Omega Vibes
Guanros Del Puerto
Grupo Batuque
Gönül Maraşlı
Giampiero Ponte Feat. Moran
Gage
Grup Golden Horn Ensamble
George Thompson
Gotan Project Meet. Chet Baker
Gül Ahmet Yiğit
Göksel Baktagir - Ceyhun Çelikte
Greens Keepers Feat. Colette
G Punkt
Gulfstream
Gino Vanelli
Groove Lickers vs. Irene Cara
George Theodorakis
Georges Brassens
Gilbert Becaud
Güzide Kasacı
Gülderen Gül
Grup Su
Genco
Grup Çinko
Gewgewe
Grup Yansımalar
Gülten
George Michael Feat. Mutya
Gülşen
Gülşen Feat. Mr. Freeman
Göktan
Gergerli Saçar
Gavur Hacı
Gabriela Mendes
Güler Duman
Googoosh
Gürcan Erdaş
Gülen Gül
Goran Bregovic Feat. Saban Baira
Gabi Lunca & Ensemble Ion Onoriu
Gotan Project
Greg Cerrone
Günther - The Sunshine Girls
Gripin - emreaydın
Gripin - Pamela
Gripin - Ferman Akgül
Göksun Kemal Çavdar
Güray
Grup Merhaba
Grup Net
Grup Seyran
Gülay Yüce
Grup Yol Arkadaşları
Göksel - Ferman Akgül - Teoman
G. Polymenakos - K. Logothetidis
Giorghos Stavrianos
Güladiye Meydan
Gypsy Ramla
Good Charlotte
Gülşen Altun
Gülhan Pars
Grup Anadolu
Grub Anılar
Grup Sentez
Gamze
Herman Kevork Hıdıroğlu
Halil Karaduman
Hakan Aliç
Hafız Dursun Akterazi
Hasan Köprülü
Halil Kendirli - İsmail Akagün
Hilmi Yarayıcı
Hakan Şensoy - Zeynep Yamantürk
Hüseyin Güneş
Huri Sapan
Hacı Taşan
Hüsetin Erbaş
Hasan Öztürk
Hilal Çalıkoğlu
Hisarlı Ahmet
Harun Kolçak
Hüseyin Tatlı
Hüseyin Altın
Hüner Coşkuner
Huri Sapan - Ali Sapan
Hasan Yılmaz
Halil Yılmaztürk
Hüseyin Polater
Herdi Selah
Hüseyin Doğan
Hamit Baydaroğlu
Hasan Eker
Hasan Sil
Hıdır Roman
H.İkbal Dönmez
Haydar Ulaş
Hüseyin Akpınar
Haydar Öztürk
Hidayet Işınkol
Hüseyin El
Hüseyin Yılmaz
Hamit Çicek
Hakan Kılıç
Hasan Avcı
Hasan Kılkışlıoğulları
Hasan Tuncel
Hüseyin Yalın
Hüseyin Eryılmaz
Harika Avcı
Hasan Ünlü - Şevket Kesmen
Haydar Demir
Haluk Levent
Hülya Altunbaş
Hank Mobley
Hasan Cihat Örter - Akın Ok
Horace Silver
Herbie Hancock
Hasan Cihat Örter
Hello Young Lovers
Heart Of The Dragon Ensemble
Huysuz Virjin
Hasan Yükselir
Haşim Akten
Hayko Cepkin
Hakan Yeşilyurt
Harry Belafonte
Heifetz Piatigorsky Reiner Walle
Him
Harvey Mason
Halit Arapoğlu
Hüseyin Fındık
Haşim Koç
Hazmi Orzan
Hüseyin Yıldırım
Handel
Hot Hot Heat
Hasan Karakılıç
Hüsamettin Subaşı
Hüseyin Alan
Hüseyin Akkaş
Hatice Aral
Hüseyin Bıçak
Halise Sezer
Hasan Saltık
Hülya Avşar
Hülya Bozkaya
Hamiyet
Hakan Öztürk
Hakkı Terzioğlu - Şevket Doğan -
Hülye Süyen
Hasan Nergis
Hüseyin Tekin
Hakan
Hayri Şahin
Hüseyin Karadayı
Hasan Sağ
Hacı Bayrak
Hasan Akalın
Hüseyin Fırtına
Halil Taşkın
Harun Atmaca
Hasan Tercan
Haydar Şahin
Hasan Mutlucan
Haluk Özkan
Hassan Mücail
Hakan Öztürkoğlu
Hüsnü Şenlendirici
Hüseyin Taşçeşme
Hüzün
Hozan Cane
Hazal
Hafız İsmail Coşar - Trt İzmir R
Hakan Sarıca
Hakan Altun
Hülya
Haramiler
Hatice Ahu Sağlam
Halil Altıngöz
Hatice - Güney
Hakan Yavaş - Volkan Severcan
Hakan Özlev
Hüseyin Tuncel
Hasan Çanakkaleli
Hafız İsmail Coşar
Hüseyin Güleç
Hedef 12
Hava Karakaş
Hüseyin Özkılıç
Havva
Hamza Şenses
Hazır
Hilal Cebeci
Haluk Çetin
Hace Abdülkadir Meragi
Hayali Küçük Ali
Haralambos Panayis
Hafız Kemal
Hafız Burhan
Hüseyin Hüsnü Bey
Hafız Sami
Hafız Ahmet
Hafız Aşir
Hafız Yaşar
Hafız Osman-Mesut Cemil
Hafız Osman
Hafız Memduh İmre
Hamiyet Yüceses
Hamdi Bilgin
Hicabi Bey
Halil Can
Halil Dikmen
Hayri Tümer
Hasret
Hafız Abbas Nazai
Hatice
Halil Atılgan
Hümeyra
Holden - Thompson
Harry Carney
Hank Jones
Hakan Can
Houston
Havana Funk
Houssam Habib
Hüsnü Kızılçay
Herbıe Hanckock
Haris Alexiou
Hakan Peker
Hipnoze
Harem Percussion Group
Hamid Baroudi
Hakan Bilal
Haven
Hasna - Ilhaim Al Madfai
Horace Parlan
Herbie Honcock
Harem IV feat. Nery
Horace X
Havana
Harry James
Hot Lips Page
Hal Singer
Harold Burrage
Howard McGhee - Fats Navarro
Herb Ellis
Hamza Dekeli
Hüseyin Albayrak
H. Mustafa Arı
Hande Yener
Hülya Süer
Hatice Zengin
Hikmet Talu
Halil Kenderli-İsmail Akagün-Erg
Har Mar Superstar
Habib Koite - Bamada
Hüseyin Demirbilek
Hadise
Hugo - Stefani - Williams
H. Faltermeier
Hermann - Mateus - Marchesini
Hikmet Günsel
Hakan Kara
HGS Kardeşler
Hüseyin Demir
Hemdem
Hüseyin Karakuş
Haydar Bayar
Hakkı Şimşek
Hüseyin Doğanay
Hatice Duran
Hülya Karakoç
Hozan Mistefa
Hasan Keskinbıçak
Hemide Mecid
Huseyne Omeri
Hesen Şerif
Heme Haci
Harun Tekin
Hakan Eyiden
Hakan Güray
Hasan Durak
Halil Arapoğlu - Halime Arapoğlu
Halime Arapoğlu
Hafız Mustafa Efendi
Haluk Bilginer
Haluk Bilginer - Şebnem Dönmez
Hikmet Emektar - Kazım Emektar
Hulisi Öktem Korosu
Hekim Sefkan
Hewar u Gazin
Hawar ü Gazin
Hayrettin Tarhan
Haydar Ağbaba
Hi - Tack
Haydar Tatlıyay
Hasret Gültekin
Hüsnü Arıkan
Holger Hiller
Hadag Nahash
Hasan Esen
House Of Gypsies
Henry Salvador
Hug
Hüseyin Çırakman
Handsome Boy Modeling School - J
Howard Maple - Anja Oyen Vister
Hüsnü Şenlendirici - Laço Tayfa
Halil Kumova
Herencia
Hasan Basri
Haiducii
Hatice İntaç
Hüseyin Öksüz
Hakan Demir
Haluk Şahin
Hakkı Bulut
Henrik T
Harem IV
Halil Kendirli-İsmail Akagün ve
Hector Y Tito Feat. Don Omar
Hancel
Hector Y Tito
Hıdır Dündar
Hitmakers
Hanley & Russel
Hulusi Babalık
Halil Necipoğlu
Huong Thanh
Hasna
Harri Kakoalli
Hikmet Hükümenoğlu
Hubert Von Goisern
Hosoo - Transmongolia
Huun-Huur Tu
Hüseyin Türkmenler
Hossein Farjami
Hossam Ramzy
Hisham Abbas - Jayashree
Hubert - Felix Thiefaine
Herbert Leonard
Hepsi
Hayko
Handan Kara
Hasan Gülen
Hüdai Aksu
Hülya Polat
Hipno
Hayri Süt
Hüseyin Erbaş
Hasan Er
Hürol - Gürol Herkesecan
Hossam Ramzy - Jose Luis Monton
Hasan Çakan
Hasan Çakan - Osman Çakan - Tame
Hasan Çakan - Osman Çakan - Tame
Haydar Tezel
Hasan Karabaş
Herem
Hayri Küçükdeniz - Münib Engin N
Hacer
Hüseyin Karadayı vs. Dj Funky C
Hüseyin ve Hayal
Habib Koite
Haryou Percussion Group
Homayra
Hamza Akbaba - Müslüm Akbaba
Hesen Cizrawi
Huseyne Muşi
Hawin
Hande Dalkılıç
Hüseyin Turan
Hubyarlı Murat Yıldırım
Havva Karadaş - Doğan Özden
Halit Nart
Hilal Çalıkoğlu & Baki Duyarlar
Halil Darvaş
Halil Karaduman - Ercüment Batan
Hilal Çalıkoğlu - İlyas Tetik
Harem Feat. Despina Vandi - Diva
Harem Feat. Nery
Harem Feat. Diva D
Harem Feat. Nisan
Harem Feat. Despina Vandi
Hakim Abdullayev
Hamdi Özbay
Hasan Akıncı
Hedi Jouini
Hüseyin Uğurlu
Hakan Tunçbilek
Hüseyin Sezer Kokşa
Hege Rimestad
Hakan Polat
Hülya Sözer
Hasan Bitmez
Hale Gür
Hayalet Tren
Hasan Hüseyin Demirel
Hasan Rıfkı Özgen
Hasan Erdoğan
Hilmi Şahballı
Halis Bütünley
Hüseyin Kaya
Hafız Sadettin Kaynak
Hakan Taşıyan
Halit Saruhan
Hazan Aaron Kohen Yasak
Hadass Pal-Yarden
Haluk Akay
Halil Sezgin
Hülya Karakaş
Halil Kendirli
Hasan Keşkek
İbrahim Ezmez
İsmail Dibiç
İbrahim Bala
İsmail Erdoğan
İsmail Kaya
İbrahim Sinaloğlu
İbrahim Özbayrak
İsmail Havuz
İsmail Sırtlı
İsmail YK
İsmail Hazar
İnci Türkay
İzak Algazi Efendi
İlhan Erşahin
İlhan Erten
İsmail Arslan
İsmail Badıllı - Muzaffer Badıll
İlhan Söyleyen
İlknur Zeynep Yakupoğlu
İsmail Karakaş
İsmail Karahan
İsmail Türüt - Hüseyin Bıçak - H
İsmail Muratdağı
İsmail Aydın Alşan
İsrafil Daştan
İlyas Özcan
İrfan Kurak
İbrahim Çakır
İkram Kaya
İzzet Aktaş
İbrahim Aktaş
İstanbul Tarihi Türk Müziği
İlkay Akaya
İskender Paydaş
İlhan Erşahin - Erik Truffaz -Th
İbrahim Kılıç
İzel
İsmail Önül
İsmet Arıcı
İlker Çelik
İsmet Zengin
İlyas Şehirli
İbrahim Çelik
İsmail Beyhan
İsmail Cumhur
İbrahim Bilkiç
İ. Hakkı Çopuroğlu - Nurşen Asla
İsrafil Öztürk
İbrahim Sinan
İpek Pınar
İhsan Aydın
İbrahim Dağ - Y. Nalbantoğlu - M
İlhan Yolcu
İntizar
İrfan Özbakır
İsmet Bayraktar
İsmail Özan
İlhan Tek
İpek Oteli (Cem-Tevfik-Mertol)
İlhan Erkuş
İlda
İlkay Akkaya-Birol Topaloğlu-Arz
İhsan Mendeş
İsmail Kadıoğlu
İksir
İmam Çetin
İhsan Güvercin
İlkay Akkaya
İlhan Yazıcı
İlknur Elbilsin
İnci Yaman
İsmail Hakkı Fencioğlu
İsmail Olgay
İstanbul Blues Kumpanyası
İhtiyaç Molası
İbrahim Erkal - Zara
İbrahim Erkal
İhsan Çölemerikli
İhsan Çölemerikli - Kerem Çapik
İsife Mehemed
İhsan
İlter Burak Kalay
İbrahim Koç
İlham Gencer
İlhan Harmancı
İnci Türkay - Yıldız Asyalı - Bo
İskender Doğan
İpek Bilgin
İbrahim Erkal - Neşe Yılmaz
İskender Ulus
İsmail Türüt
İnan
İlhan Erşahin feat. Bora Uzer
İzzet Altınmeşe
İstambul Cafe
İlhan Şeşen
İlknur Kaplan
İsmail İlknur
İlhan İrem
İncesaz
İsmail İpek
İbrahim Rojhilat
İsmail Polat
İbrahim Macit
İsmail Işık - Mücahit Işık
İbrahim Ziya Bey
İnci Çayırlı - Hilmi Yavuz - Gön
İbrahim Özgür
İncesaz - Dilek Türkan
İbo
İlknur Sezer
İlke Türkdoğan
İbrahim Yavuz Yükselsin
İrini Boyacı
İrem
İhsan Özgen
İlyas Salman
İnegöllü Nedim Ve Arkadaşları
İnci
İlhan Erşahin Feat. Dilara Sakpı
İsmail Hakkı Demircioğlu
İlhan Erşahin - Kenny Wollesen -
İhsan Kara
İbrahim Tatlıses
İbiza
İsmet Mesut Bingöl
İrfan Gürdal
İlyas Tetik
İbrahim Kavraz
İrşadi Kılıç
İsmet Karataş
İlda Top
İskender Şencemal - Belgin Tunçb
İleri İkili
İsmail Özden
İbrahim Dülger
İhsan Göğercin
İbrahim Erkal - Gaye Aksu
İskender Ulus - Turan Ulus
İlkay Akkaya feat. Kazım Koyuncu
İbrahim Kavala
İstanbul Attack
İbrahim Sadri
İ. Metin Uğur
İdris Çakmaktaş
İsmail Demircioğlu
İbrahim Dizlek
İbrahim Şirin
İnci Çayırlı
İbrahim Can
İsmail Bülbül
İstanbul Klasik T. M. Korosu
İzzet Yıldızhan
İsmail Badıllı
Janusz Szprot
Jale
Jan Axin
Jay Jay Johanson
Jansons
Jennifer Lopez
John Frusciante - Josh Klinghoff
Josh Groban
Jon Brion
John Frusciante
Jason Miles
Judas Priest
Joe Lavano
Jesse Cook
John Hammond
Johnny Coles
John Williams
Jason Moran
Jeff Lorber
John Coltrane
Johnny Winter
Julie London - Minnie Riperton -
Joao Donato
Joe Williams
Joan Beaz
Jose Feliciano
James Galway
Jacques Loussier
John Legend
Jimmy Somerville
Joe Dassin
Jeff Buckley
Jamiroquai
Joe Fallisi
James Blunt
Jacqueline Du Pre
John Hughes
Joe Lovano
Joni Mitchell
Jesse McCartney
Jochum
Jamie Cullum
Jack White
Janet - Jak Esim
Jale
Jehat
Jamie Lewis-DJ. Pippi
Jellena
Jason Ames
Junior Jack
Janis Joplin
Johnny Hodges
John Murphy
Jimmy Rowles
Jan Johnston
Jackie Cain
Jade Villalon - Mustafa Doğan Di
Joss Stone
Jamelia
Jawad At All
Junoon
John Schroeder
Junior Murvin
Jimmy Smith
Jimmy McGriff - Various Artists
Jimmy Logan
John Mayer
Jerry Buther
Josef Locke
Jesse Owens
Julie London
June Christy
Jack Jones
Judy Garland
Joe Henderson
Jons Pistoor
John Van Der Veer
Joe Cocker
J.S.Bach
Jesus Jones
Jimmy Rogers
John Lee Hooker
Jane Wiedlin
Joe South
Juice Newton
Jacky Jayet
Juanito
Jussi Björling
James Moody - Art Blakey
Jackjaw Davis
Jony Iliev - Band
James Moody
Jacky Terrasson
Jackie McLean
Jacky Terasson
Jason Moran
Jelly Roll Morton
Joe Sullivan
Junior Freak
Jimmy Yancey
Jay McShann
Jay Dee feat. Frank-n-Dank
Jmdee - Beat feat. Tassel - Natu
Jabbo Smith
Joe Turner
Johnny Otis
Jonah Jones
Jimmy Raney
Johnny Smith
Joe Gordon
Jim Wynn
Joey Thomas
Jimmie Maddin
Jack McVea
Jor Lutcher
Jack Wilkins
Jimmy Liggins
Johnny Griffin
Joe Lutcher
Johnny Wicks
Joe Liggins
Jacques Fray
Jimmy Fontana
Johnny Des ( less)
Runtime: 03:37
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adem aydaş Adnan Şenses
Ajda Pekkan
Alihan
Arif Sağ
Askın Nur Yengi
Asya
Atilla Taş
Athena
Aydın
Ayna
Ayşen
Azer Bülbül
Bendeniz
Beyaz
Bora Öztoprak
Bulutsuzluk Özlemi
Burhan Çaçan
Burak Kut
Bülent Ortaçgil
Candan Erçetin
Cansever
Cem Yılmaz
Cengiz ( more)
adem aydaş Adnan Şenses
Ajda Pekkan
Alihan
Arif Sağ
Askın Nur Yengi
Asya
Atilla Taş
Athena
Aydın
Ayna
Ayşen
Azer Bülbül
Bendeniz
Beyaz
Bora Öztoprak
Bulutsuzluk Özlemi
Burhan Çaçan
Burak Kut
Bülent Ortaçgil
Candan Erçetin
Cansever
Cem Yılmaz
Cengiz Kurtoğlu
Coskun Sabah
Çelik
Demet
Doguş
Ebru Gündeş
Ebru Aydın
Edip Akbayram
Ercan Saatçi
Erci-E
Erol Evgin
Berrin Sulari
Barış Öz
Burhan Öçal - Pete Namlook
Badan
Başak Tekçe
Bora Meriç
Banu
Bremen Dayanışma Korosu
Burhan Öçal
Bosphorus Topluluğu
Bektaş Bahtiyar
Brenna MacCrimmon - Selim Sesler
Bayram Koca
Banu Kaynar
Bursa Balıkesir Ekibi
Bolulu Ama Rasim
Bay Çene
Belkıs Akkale-İzzet Altınmeşe
Bengin
Biricik
Barış Akarsu
Brooklyn Funk Essentials
Bilo
Bedirhan Gökçe
Bayram Şenpınar
Burak Kut
Brenna Katherine MacCrimmon
Bizim Yaşar
Barış Eken
Barış - Pınar A. - Cenk - Elçin
Bizim Ökkeş
Başar Dikici-Bülent Altınbaş
Bağlama Grubu
Burgazlı K. Hasan Çakan-Osman Ça
Beydilli Sadık Kör
Bahadır
Burhan Bayar
B. Aksoy
Bora Emin Meriç
Brian Mcfadden
Brıtney Spears
Blue
Bebo Cigala
Bob Sinclair
Barenboim
Benedictine Monks Of Santo Domin
Berliner Philharmoniker - Rattle
Birol Ağırbaş
Bobby Darin
Bıllıe Holiday
Berksan
Blues Explosion
Balanescu Quartet
Ben Harper
Ben Harper-The Blind Boys Of Ala
Bodies Without Organs
Boris Christoff
Brian Eno
Billy Dean
Benjamin Biolay
Bryan Ferry-Billy Idol-Meat Loaf
Burak
Barış Balcı
Burak Canözer
Belcea Quartet
Brader
Bahri Pehlivan
Bruce Springteen
Ben Webster
Bonnie Tyler
Busta Rhymes
Barney Wilen
Bağdagül
Bill Withers
Bayram Gezer
Bakır Karadağlı
Bekir Çiçek
Bilen Yıldırır
Boys Anılar
Brandy
Bonnie McKee
Bergüzar Eyün
Bayram Denizoğlu
Balık Ayhan
Bomba
Bengü
Bilal Ercan
Barbirolli - Berglund
Beecham
Beroff - Corlard
Black Sabbath
Billy Ocean
Burçin Birben
Burhan Çaçan
Baha Boduroğlu
Bilgesu Erenus
Başkal
Burak Aziz
Bülent Gökçe
Burhan Orhan
Baykan Aktaş
Bilal Tombak
Batı Karadeniz Halk Oyunları Eki
Beysülen
Bahadır Tatlıöz-Yasin Bozkurt
Baymelon
Boran
Beysun Yıldız
Beysun Yıldız - Minör
Banu Alkan
Badem
Birol Yıldırım
Beyaz
Barış Aryay
B-Kir
Beşköylü Adem
Binay Koçak
Bektaş Ve Sırtlan
Beytocan
Bedil
Barış Manço
Bülent Ortaçgil
Burak Aydos
Banu Akın
Burhan Berken
Burhan Şeşen
Bergen
Brian Eno
Baha
Bülent Serttaş
Bora Ebeoğlu
Burcu
Bora Sivri
Bekir Ünlüataer
Brilliant
Bettyween
Bilgehan Öziş
Baran
Brooklyn Funk Essentials-Laço Ta
Barış
Buhurizade Mustafa Itri
Bursalı Hamid Dikses Bey
Bahriyeli Şehab
Baki Süha Ediboğlu
Burhanettin Ökte
Bulut
Bekir Küçükay
Brenna MacCrimmon - Sumru Ağıryü
Bulutsuzluk Özlemi
Birsen Sabah
Bora Ayanoğlu
Beyhan Karslı
Birsel Acar
Balık Ayhan Ve Grubu
Boğaçhan Sözmen
Boğaçhan Sözmen - Gökhan Seyhan
Beyonce - Jay-z
Berkant
Beyaz Kelebekler
Burhan Öçal -The Trakya All Star
Batu Mutlugil
Benny Blanko
Break Reform
Buds Not Bombs
Blue Six
Betty Carter
Bobby Blanco
Blend
Benny Carter
Beck
Brian Wilson
Beastie Boys
Bud Shank
Birelli Lagrene
Brook Benton
Benny Goodman
Bıll Evans
Benny Benassi
Bridie Gallagher
Bing Cosby
Buckshot Lefonque
Blues
Buscemi
Beetoven
Bruch
Bobbie Gentry
Bobby Vee
Beş Yıl Önce On Yıl Sonra
Belinda Carlisle
Blondie
Bryan Ferry
Billy Idol
Barbaros Erköse Ensemble
Boubacar Mendy
Boban Markovic Orkestar
Bulgarian Voices ANGELITE - Seze
Beth Orton
Blur
Beridy
Burhanettin Talip Özkan
Baljit Dhillon
Ben Wabster
Boby Mcferrin
Bally Sagoo
Bayram Bilge Tokel
Bobbi Humphrey
Bobby Hutcherson
Bobby Mcferrin
Bobi Cespedes
Billy Kyle
Bun-T
Bill Coleman
Bill Davison
Bobby Hackett
Buck Clayton
Bunny Berigan
Bix Beiderbecke
Bud Powell
Big Bob Dougherty - The Kampus K
Bullmoose Jackson
B.B.King
Bill Johnson
Bumps Myers - The King Porter Or
Bahadır Aydoğan
Bob Gaddy
Billy Wright
Barney Kessel
Birol Topaloğlu
Billy Bauer
Benny Bailey
Baden Powel
Billy Taylor
Big Mama Thornton
Big Jay McNeely
Big Bertha Henderson
Bayram Aracı
Boston Symphony Orchestra
Boston Pops Orchestra
Boby Solo
Beny More
Beth Carvalho
Balarısı Ahmet
Brian Kenndy
Bernard Lavilliers
Barbara
Banco De Gaia
Birsen Tezer
Birsel Yeşilyurt
Bezmara Topluluğu
Buddy Rich Big Band
Boris Novkovic Feat. Lado Member
Barbaros Erköse
Bert Joris
Bloodsimple
Barış Gedik
Boubacar Traore
Beyhan Karslı - H. Mustafa Arı
Big Brovaz
Brio From Rio
Burçin Büke
Badi Assad-Edmilson Cappelupi-We
Burhan Tüzer - Koro
Baki Duyarlar
Briggs-Derrick-Jason Neville-Tay
Bayhan
Bekçi Bakır(Yurtsever)
Beste Temur
Bülent Turan
Bülent
Burçin Orhon
Bilgitay Aktaş
Birgitay Aktaş
Berivan Aral
Berivan
Bülent Yiğit
Bedia Akartürk
Beypazarlı Halil
Beser Şahin
Bekir Tuğrul
Bedil Dilanar
Beşir Pale
Beşir Kaya
Burhan Alakuş
Banu Zorlu
Bedri Ergül
Bilal Yarıcı
Belkıs Özener
Beyazıt Öztürk
Beyazıt Öztürk - Haluk Bilginer
Birsen Hanım
Bucovina Club - Taraf De Haidouk
Balkan Beat Box
Baba Zula - Oral Günüç Ve Ula Ma
Black Box Recorder
Bertrand Belin Feat. Acacio Andr
Blank - Jones
Bebe
Bunbury
Birthday Party
Bang Bang
Behçet
Bayan S.
Berta Aguado - Hadass Pal-Yarden
Babilonya
Belkıs Akkale
Bostich
Bustan Abraham
Benassi Bros Feat. Dhany
Blaze Pres. Uda Feat. B. Tucker
Bob Sinclar Feat. Gary Pine
Buy Now
Belladonna
Bongoloverz - Ursula Cuesta
Biber
Bobby Solo
Burhan Öçal - Trakya All Stars
Benji De La House
Betty Miranda
Bengü - Neco
Bengü - Emre Altuğ - Keremcem -
Bellanova
Bakslash
Burhan Topal
Barry White
Billie Holiday
Billy Fury
Billy Ray Cyrus
Boyzone
Buddy Holly
Busted
Banu Kanıbelli
Banu Kanıbelli - Koro
Banu Kanıbelli - Bülent Ortaçgil
Burcu Çetinkaya
Betül Çetinkaya Ilık
Betül Demir
Bugge Wesseltoft
Burhan Öçal & İstanbul Orient En
Bob Sinclar
Bagatelle Feat. Guem
Bahri Turan
Berdan Mardini
Bel Amour
Benjamin Balensin Vs Mone
Back To Basics
Babylon Experience
Barrio Chino
Boys II Men
Baz
Başar Dikici
Benjamin Devigne
Beatfanatic
Bing Bang Feat. Jessica Lauren
Benny Sings
Beat Assaillant
Barbara Tucker
Black Strobe
Blackjoy
Berlin
Baba Çay
Burak Demir Feat. Beyza Durmaz
Black Star Liner
Bz Jam feat. Jessi Kah
Bahramji - Maneesh De Moor
Bashir Abdel Al
Benigno Echemendia
Barış Ayyıldız
Berwar - Rubar
Birol Can
Beyoncé
Behzat Gerçeker
Bloke
Bloke - Hipno
Bloke - Scd
Bloke - Madkhan
Banu Kalender
Bertuğ Cemil
Balalaika Ensemble
Burcu Güneş
Beyhan Doru
Bebel Gilberto
Bahram Sadeghian & Shahla Nikfal
Brother To Brother feat.Roxana
Barlas
Babano Markovic Orkestar Feat. M
Boban Markovic Orkestar Feat. Ma
Burhan Öçal & İstanbul Oriental
Bodyrox
Bayar Şahin
Barkın
Bora Gencer
Burhan Öçal - Jamaladeen Tacumaf
Beyhan Aksoy
Bülent Ortaçgil - Teoman
Bizum Gönül
Badalian
Birsen Özen
Boşluk
Bülent Ersoy
Bayram Kantar
Bora Öztoprak
Burcu Güven
Burçin
Bedük
Bedriye Alkan
Binali Selman
Behçet Baydar
Burdurlu Hafız Rıza Yağız
Behiye Aksoy
Beşi Bir Yerde
Baba Zula
Bünyamin Olguncan
Bilgin Kılıç
Bedriye Teke
Burcu Başak
Emrah
Elif Karlı
Erkin Koray
Fahir Atakoğlu
Fasıl
Fatih Erkoç
Fatih Kısaparmak
Fedon
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Ferdi Tayfur
Ferhat Tunç
Fikret Alper
Fikret Kızılok
Gökhan Tepe
Grup Gündoğarken
Güler Duman
Gülşen
Hakan Peker
Hakan Taşıyan
Hayko
Haluk Levent
Harun Kolcak
Hülya Avşar
Hümeyra
İbrahim Erkal
İbrahim Sadri
İbrahim Tatlıses
İlhan İrem
İzel
Kayahan
Kenan Dogulu
Kubat
Leman Sam
Levent Yüksel
Mahsun Kırmızıgül
Mansur Ark
Mavi Sakal
Meltem Cumbul
Metin Arolat
Mezdeke
M.F.Ö.
Metin Şentürk
Mine Koşan
Mirkelam
Moğollar
Muazzez Ersoy
M.Göğebakan
Mustafa Sandal
Mutaf
Müslüm Gürses
Nalan
Neşe Karaböcek
Nilüfer
Nükhet Duru
Nuri Sesigüzel
Orhan Gencebay
Özcan Deniz
Özlem Tekin
Pınar Aylin
Rafet El Roman
Reyhan Karaca
Rober Hatemo
Safiye Soyman
Seda Sayan
Seden Gürel
Serdar Ortaç
Sertap Erener
Sezen Aksu
Sibel Bilgiç
Sibel Can
Sinan Özen
Soner Arıca
Songül Karlı
Suat Suna
Tarkan
Teoman
Ümit Besen
Yaşar
Yavuz Bingöl
Yeni Türkü
Yeşim Salkım
Yılmaz Morgül
Yıldız Tilbe
Yonca Evcimik
Zafer Peker
Zara
Zuhal Olcay
Abdullah Tatyuz
Adem Gocer
Ahmet Oduk
Ali Arslan
Ali Yaprak
Arif Delen
Asik Gulfani
Asik Mahzuni Serif
Aydin Erturk
Aytug Ozdemir
Bahri Altas
Bayram Araci
Bedia Akarturk
Bulent Ayguner
Burhan Ertas
Cavit Karabey
Cekic Ali
Cengiz Karaca
Cevdet Babacan
Dede Bekar
Dursun Ucar
Ela Kocak
Ercan Bilen
Erol Coke
Erol Sanli
Ethem Yesiltas
Fatih Demirhan
Fuat Ozok
Gul Ahmet Yigit
Guler Duman
Gülay
Haci Tasan
Hakan Akgun
Hakan Tasiyan
Halil Erkal
Hamza Dagseven
Hasan Keşkil
Hayati Aladag
Haydar Arafa
Hayri Kucuk
Hudai Sahin
Huseyin Tekin
Ilhami Kilinc
Ismail Ok
Kadir Elbegi
Kazanli Volkan
Kazim Birlik
Keskin Davul Zurna
Kirikkaleli Metin & Resul
Kubat
Leyla Ertas
Mehmet Bozdogan
Mehmet Eglenen
Memleketim Turkuleri ( Corum )
Mesut Donmez
Metin Isik
Muammer Oztas
Muharem Ertas
Murat Ates
Murat Karaca
Mustafa Kutuk
Muzaffer Akgun
Necati Coskunses
Neset Celebi
Neset Ertas
Nigdeli Recep
Oksuz Mustafa
Orhan Hakalmaz
Osman Ozdemir
Ozdemir Erdogan
Pecenekli Suleyman
Refik Basaran
Riza Konyali
Sami Yalcin
Sebahat Akkiraz
Sekip Sahadogru
Semsi Yastiman
Serhat Torun
Seyfettin Tasan
Sibel Pamuk
Soner Keskil
Sukriye Tutkun
Suleyman Oruc
Tas Plak
Tufan Altas
Tuncer Balci
Ustalar Toplulugu
Veli Ertem
Veysel Saygili
Volkan Uygurtas
Yıldırım Babacan
Yilmaz Ipek
Yuksel Sahin
Zafer Ertas
Zekeriya Bozdag
Zengenli Mustafa
Ziya Dalkilic
Adem Aydas
Adnan Kucukerdem
Ahmet Savaş
Ali Manaz
Arafa Akyol
Asık Veysel
Asik Haydar Ozturk
Aşık Gülabi
Aytac
Baba Album
Baki Kilicaslan
Bayram Kamiscı
Besim Bal
Burdurlu Sadik Altindal
Cahit Garip
Cavit Kılınç
Celil Sag
Cetin Cezik
Davut Keles
Dursun Akturk
Ekrem Celebi
Emrah Kara
Erdogan Gunes
Erol Parlak
Ersoy Savas
Fahri Celebi
Feramuz Sefer
Garip Huseyin
Gulagacli Nihat
Gungor Onurlula
Habib
Haci Ucar
Hakan Gider
Hakan Yucekaya
Halit Arapoglu
Hasan Bayburt
Hasan Meral
Haydar Akyol
Haydar Vedat Coke
Hidir Dundar
Huseyin Oksuz
Huseyin Turan
Ismail Kacmaz
Kadir Demirtas
Kamil Abalioglu
Kazim Alkar
Kazim Kara
Kirikkaleli Besir
Kivircik Ali
Kul Mustafa
Mehmet Ali Kocak
Mehmet Demirtas
Mehmet Kayik
Mesut Dagli
Metin Elcin
Meyhane Aksamlari
Muhammed Arslantas
Muhlis Akarsu
Murat Bal
Musa Eroglu
Mustafa Lal
Nazli Oksuz
Neset Abalioglu
Neset Elcin
Nida Tufekci
Nuh Akgun
Omer Sahin
Osman Demir
Oyun Havasi
Ozlem Ozdil
Recep Kaymak
Resul Sahin
Salih Elcin
Savas Gocer
Seckin Cicek
Selahattin Boluk
Serhan Ilbeyi
Serkan Akdemir
Seyit Cevik
Sinan Saydam
Songul Karli
Suleyman Kotan Eserleri
Taner Olgun
Tasan Kardesler
Tunay Coke
Turan Deniz
Vedat Gultepe
Veysel Gungorer
Veysel Uluagac
Yasar Yolcu
Yilmaz Alper
Yuksel Nihal
Yusuf Ozdemir
Zaralı Halil (Söyler)
Zekeriya Koca
Ziya Aktas
Akkuş Metin -Damla Yıldırım
Alaattin Gelen
Akkuşlu Kaymakam
Ali Sultan
Abdullah Gündüz
Adem Demir
Adem Karabulut
Ahmet Yıldız
Akif Eriş
Amir Ateş
Ayça Yeşim
Arif Sağ-Belkıs Akkale
Arkın Allen
Ankaralı Namık
Azad Abilov
Arto
Aziz Şimşek
Akrep Nalan
Aydın Aydın
Ali Yılmaz
Ali Dizmen
Aşka Özlem
Ayşe Altan
Arif Şentürk
A. Fikret Köse
Ayşe Mine
Ahmet Gazi Ayhan
Ahmet Turgut
Ali Direk
Adnan Önder
Ali Ekber Doğan
Avni Pınar
Arif Nazım Çiftçi
Al-Bay
Aysegül
Aydın Karlıbel
Asena
Abdurrahman Kepekçi
Ayhan Keser
Azad
Atilla Vural
Aria
Aydın Esen
Anadolu Ekspresi
Aydın
Ali Altay
Ali Güven
Aşkın Vokal Grubu - Gülşen Keser
Ahmet Şafak
Aşkın Tuna
Ati
Akıllı Selim
Ali Çınar
Alişan
Aysel Şeker
Ali Turaç
Ayhan Alptekin
Ali İskender Paydaş - Ayça Tekin
Ali Bilgin
Ahmet Çalışır
Ahmet Alıcı
Ayla Dikmen
Alp İlker Ersil
Aslı
Abdülhamit Tutkun
Alaaddin Şensoy
A. Murat Köseoğlu - Zeynep Cemil
Ali Sezer
Abdurrahman Önül
Aşık Kul Veysel
Adalet Erkuş-Saadettin Karaaslan
Ali Can Yıldırım
Adnan Şenses
Ahmet İzci
Azizcan
Ata Demirer - Deniz Erdoğan
Arif Sağ
Ahmet Satılmış
Ahmet Özer
Ahmet Şenyüz
Ayten Tavacı
Ali Toprak
Ahmet Uygun-Hicabi Adalı-Osman F
Abubekir Avcı
Ahamet Bozkurt - Ercan Bakay
Aliekber Şahin
Ahmet Sayar-Ertan Dağ-Taylan Bin
Akkaya-Oğuz Aksaç
Ahmet Yıldırım
Ayşe Güzin Sokullu - Baha Boduro
Ahmet Feyzi
Ahmet Yılmaz
Ağadadaş Ağayev
Ayşe Yıldız Kenter
Ali Ercan
Ahmet Duyar
Ahmet Poyrazoğlu
Aydın - Çekiç - Veli Ertem - Bur
Ahmet Cemil Demirbakan - Kutlu Ö
Ali Osman Kargın
Aydın Akçay
Amr Diab
Avril Lavigne
Aretha Franklın
Ahırkapı Büyük Roman Orkestrası
Al Martino
Alban Berg Quartett
Andy Williams
Ali Farka Toure
Alicia Keys
A Perfect Circle
Ayreon
A.Kadri Rizeli
Ayça
Angela Gheorghiu
Alberto Iglesias
Art Blakey - Jazz Messengers
Asian Dub Foundation
Athlete
Ac - Dc
Ahmet Kanneci
Astor Piazzolla
Annihilator
At Vance
Avantasia
Armenian Navy Band-Arto Tunçboya
Axxis
Arto Tunçboyaciyan - Vahagn Hayr
Aiko Hasegawa
Arto Tunçboyaciyan - Ara Dinkjia
Ana Beck-Jons Pistoor-Richard Do
Anthrax
Al Green
Andsnes-Bostridge
Anga Diaz
Akın
Ayşegül Ve Yağız
Aylin Aslım
Aylin Alaz
Abdullah Sevinçkan
Ahmet Güloğlu
Alâeddin Yavaşça
Aziz Koç
Ayhan Kırbaş
Acoustic Alchemy
Al Di Meola
Arena
Arametigran
Ali Haydar Can
Azdavaylı Safiye - Grup Aslar
Auracle
Al Bano Power - Romina Power
Alan Parsons
Air Suppy
Aşık Mahzuni Şerif
Alessandro Safina
Ahmet Öztekin
Arzu Bacı - Aşık İmami
Ahmet Güven
Atilla Atasoy
Abdülkadir Gökbalık
Aytekin Altundağ
Aydın Güner
Ali Öztürk
Ali Direk - Burhan Gülalan
Arapgirli Mehmet Sucu
Arif Delen-Aydın Ertürk-Baki Kıl
Atomic Kitten
Ayşegül Aldinç
Ali Kırca - Ayna- Cahit Berkay -
Amadou - Mariam
Arto Tunçboyacıyan
Anjelika Akbar
A. Kadir
Ahmet Özcan Ertekuş
Abdullah Turan
Athena
Ahmet Kurt
Alladdin Us - Cabrail Kalın
Ali Özel
Ali Kaya
Amel Bent
Ali Çağan
Arif Damar
Ataol Behramoğlu
Adrenalin
Alev Akıllıoğlu
Ayhan Sesver
A. Adnan Akbulut
Adile Yadırgı
Ahmet Güçlüer
Arif Sağ - Emre Saltık - Talip Ş
Adıyaman Harfane Grubu
Ali Ötünç
Aşık Kazanoğlu
Abdurrahman Değermenci
Ahmet Selçuk İlkan
Arif Sami Toker
Aysun Yıldız
Atilla Yılmaz
Ayarcı Mahmut
Aşık Meftuni
Ama Rasim-Sebenli Cemal
Ali İhsan Tepe
Ayaz Kaplı
Ali Avaz
Avrasya
Ayna
Adnan Varveren Ve Grubu
Adnan Aslan
Aşina
Ali Dedeoğlu
Ateş
Aydan
Ayşegül Abadan
Aykut
Anatolia
Akif Biricik
Aziz Türk Sanat Müziği Grubu
Aynur
Arslan Yiğit
Ahmet Çelik
Ahmad Munır Assam
Alaattin Bayraktar
Ahmet Çetintaş
Abdülkadir Karakuş
Abidin Arslantaş
Ali Emre Önbayraktar
Aram Tigran
Ali Ekber Çiçek
Ahmed Xelil
Ayşe Şan - Şehriban - Gazin - Ca
Ali Razı Binboğa
Asu Maralman
Ajda Pekkan
Alâaddin Us
Ayşe Tütüncü
Arzu Görücü
Aslı Gökyokuş
A.Şenol Filiz-Birol Yayla-Samim
Abbas Ahmet
Ayten Alpman
Amos Lee
Ahmed Ahmedov
Abdullah Uyanık
Aşkın Nur Yengi
Asya
Aşkın Nur Yengi - Rafet El Roman
Aşık Ali Metin
Ahmet Yaşar Bektaş
Atlan Koparan
Aslı Özel
Ağırkapı Roman Orkestrası
Akatay Project
Ahmet Kaya-Koro
Agire Jiyan
Albina-Ishtar
Antonis Remos
Angela Dimitriou
Athena - Aylin Aslım - Bülent Or
Alp Aslan
Ali Kırca
Alpay
Asuman Aslım Görgün
Aytaç Ergen
Ayhan Çakar
Ali Milli
Aylin Vatankoş
Anıl Savaş Kılıç
Armağan Sönmez
Atlas
Aysun Gültekin
Ali Asker
Ali Can
Aylin Şeşen
Aida Nadeem
Amila
Ardjan Trebicka
Amira Ahmed
Ayhan Candemir
Alperen
Abdurrahman Bal
Abdullah Özer
Ali Seçkiner Alıcı
Abdülkerim Kaçar
Abdullah Akınlar
Ali Demir
Aghapios Tomboulis
Andonis Dalgas
Ap.Hatzikhritos
Ali Erkan
Andonis Kalivopoulos - Yiovan Ts
Ahmet Çiçek
A. Celal Tokses
Alaaddin Us-Çiğdem-Koro
Adil Arslan
Ayşegül
Atilla Kaya
Aziz İhsan Bey
Aka Gündüz Kutbay
Aka Gündüz Kutbay - Niyazi Sayın
Ayhan Anıl
Anline Barthelemy
Athina Korsavidou
Ay-feri
Abdullah Karaman
Anna Oxe
Anna Vissi
Anggun
A. Şenol Filiz Birol Yayla Samim
Antonis Dalgas
Ahmet Turan Şan
Aysun Gültekin - İlhan Harmancı
Aşık Ferrahi
Aziz Şenses
Ali Arık
Ali İboş - Necdet Eşkinat
Aysun Gültekin - Zara
Aysun Gültekin - Ömer Şan - Elva
Ali Osman Erbaşı-Koro
Aynur Doğan
Adile Yargı
Adamo
Alihan Samedov
A. Kadri Rizeli - Şehnaz Uğurel
Autopilot
Afterlife
Adani - Wolf
Armin Van Buuren
Andre Previn
Armand Van Helden
Asrın
Art Of Trance
Astrud Gilberto
Astral Projection
Antonie Clamaran
Alter Ego
Aventura
Afropeans
Auf Der Maur
Arif Susam
Alpha Blondy
Art Tatum
Ali Rıza Albayrak - Hüseyin Alba
Andy Stewart
Asiaminor
Ann Philips
Alma Cogan
Alihan
Art Blakey
Ana Beck
Alliance Ethnik
Albinoni
Armstrong
Adam Faith
Abuzer Karakoç
Arrested Devolopment
Ali Nihat Çınar
Amos Milburn
Albert Collins
Aylin Aslım - Ayben Özçalkan
Ablaye Mbaye
Angelo
Agricantus
Antique
Aisha Kandishas Jarring Effects
Air
Arnett Cobb
Anita Baker
Amanda Homi
Aiwa
Andy
Azzddine - Bill Laswell
Alan Hawshaw
Art Pepper
Angela Mccluskey
Amparanoia
Angélique Kidjo
Alabina
Aco Bocina
Albert Ammons
All Good Funk Alliance
Athletic Mic League
Art Farmer
Ahmad Jamal
Amos Miburn
Ace Harris
Azdavaylı Safiye
Antoine
Aretha Franklin-George Michael
Aretha Franklin-Luther Vandross
Angela Carassco
Aldemaro Romero
Angela Maria
Alaide Costa
Altan
Ali Rıza Kartal
Angus Lyon
Ali Aslan
Aşık Ali İzzet Özkan
Anne Marie David
Aziibi and Vimana
Al Yaman Feat. Ashwag Abdulla Ku
Ali Aksoy
Anima Sound System
Audio Bullys-Nancy Sinatra
Akın Eldes-Serhat Ersöz
Awilo Longomba
Af
Ayşe Egesoy
Alamda Costa
Angelica Agurbash
Asian Heart
Aslıhan
Ali Rıza Gündoğdu
Ali Demirhan
Ali Çağlayan
Ayşegül Yordam Tansal
Africando Featuring Amadou Balak
Ayşe Tunalı
Amina
Ahmet Özhan
Ali Cihat Aşkın
Arif Sağ - Gül Sorgun
A. Çetin
A Capella Boğaziçi
Abidin
Alper Tunga
Adem Aslandoğan
Ari Rıza Gündoğdu
Ayça Feat Umut Ertek
Ak-rap Feat Umut Ertek
Atakan Akdaş
Arzu Kopuz
Aslı Gün
Atakan Aktaş
Ajda Pekkan - Tanju Okan
Ayla Algan
Aziz Şenol Filiz-Birol Yayla
A. Kadir - Ezginin Günlüğü
A.Thiam-L.Golding-N.Staples-T.Ha
Anıl Savaş Kılıç Featuring Emir
Abdurrahman Kızılay
Atilla Kaya - Zihni Cinan
Ayhan Yener
Alycia Stefano
Aynur Karadoğan
A. Balbuena
Albarn - Hewlett - Burton
A. Thiam - B. Vinton - G. Allen
Ashar Labef
Aşık Meçhuli
Adem Sevinç
Ali Doğan
Ayfer Düzdaş
Ali Geçimli
Ayfer
Abdülkadir Şehitoğlu
Ahmed Şahin
Alaaddin Us
Ahmet Karacan
Alican
Aynur Güneş
Ali Nurşani
Ankaralı Kadriye
Ayşe Şan
Ali Baran
Ahmet Aslan
Aşık Derviş Baba
Akif Sadıgov
Alper Demiryürek
Aslika Qadir
Armanc
Ali İhsan Doğan
Aziz Duran
Anima
Asi ve Sert
Ahmet Yakup
Adnan Kılıç
Aşık Erol Ergani
Aslıgül
Abbas Doğanay
Ali Bedir
Ali Metin - Sultan Bilgin
Aşık Rahim Sağlam
Aslı Asiye Ergül
Azize Gencebay
Archilleas Poulos
Audio Fact
Aşık İhsan Yavuzer
Ali Emektar
Ankaralı Turan
Ali Albay
Ali Yaprak
Ali Tekin
Arkabahçe
Abgar
Amsterdam Klezmer Band
Aşık Murat Boydaş
Ali Akgünler - Abdullah Akgünler
Akkuşlu Metin
Aşık Kul Nuri
Aslan Yardım
Azdavaylı Safiye - Kemaneci Mura
Ahmet Dumlupınar
Azam Ali
Ann-Margret
A Man
Anthony Perkins
Angel City - Lara Mc Allen
Ahmet Koç
Alacran
Alfredo Rey E La Sua Orchestra
Andres Linetzky & Ernesto Romeo
Abwards
Alessandro Boschi
Arnica Montana
Alejandro De Pinedo
Andre Andreo
Aytun Ede
Alexander Hacke
Abidin - Firdevs - Bayhan - Barı
Attila Özdemiroğlu
Ada
Aşık Ali Nurşani
Ali Dedeoğlu - Ali Matur
Ali Matur
Aboud Abdelal
Actitud Maria Marta
Asilo 38
Arakatuba - Liliana Chachian
Arik Einstein
A Studio - Polina
Anaklein
Alex Bueno
Africanism
Afro Medusa
Armand Mestral
Antaeus
Alhoeverah
Angel Tears
Alberto Beto Una
Adriano Celentano
Aydoğan Tayfur
Angela Amico
Ari-A
Ahmet Baydaroğlu
Alessio Caraturo
A. Studio Feat. Polina
Ali Kocatepe
Aysun Kocatepe
Ayşegül Aldinç - Neşet Ruacan -
Aylin Vatankoş - Erdinç - Özcan
Anastacia Azevedo
Africando
Arif Altunkaya
Ali Kınık
ABC
All About Eve
Appleton
Aqua
Artvizyon Saz Sanatçıları
Amir
Abidin Biter
Alya Kanıbelli
Aşık Hayati Yıldırım
Ali Yalçın
Ankaralı Turgut
Aşık Yorguni
Ahmet Güzelses
Ali Karaaslan
Abdullah Çatlım
Ali Baştuğ
Aşık Emrah
Aykut - Hakan - Ayşe
Ayşe
Alexkid
Adani & Wolf Featuring I. Raful
Aydın Öztürk
Aşık Veysel
Ayhan Sicimoğlu & Istanbul Latin
Altay
Aldo Ranks
Angel Lopez
Ayten Kaplan
Astor Piazzolla With Gerry Mulli
Arnan
Antoine Clamaran
Archie Shepp
Archie Shepp - Mal Waldron
Abdullah İbrahim
Adem Yazıcı
Anaconda
Ali Kızıltuğ
Alabina Feat. Ishtar & Los Ninos
Aylin Şengün Taşçı
Ahmet Yenilmez
Andrea Parodi
Abdou
Ashanti
Alper Asutay
Avani
Andreus
Antilop Sa Feat. Jango Jack
Aslıhan Erkişi
A Tribe Called Es
Afro Dynamic
Alpha
Alaska
Aqua Bassino
Ahmet Meter
Aşık İmami
A Tribe Called Es Feat. Jaquita
Abdurrahman Karaca
Antoine Clamaran Pres. Different
Arzu Bacı
Accident In Paradise
Al Ferox
Africanism By Dr Kucho
Antoine Clamaran Pres. Rituel
Adrian Gurvitz
Afshin Feat. Amir
Albert Kuvazin - Yat-Kha
Ashkhabad
Ali Haydar Timisi
Alekos Zazopoulos
Ahmet Kuşgöz ve Arkadaşları
Ahmet Mukhtar
Abidin
Akın Eldes
Alain Delon
Annie Cordy
Akay
Aykut Alan
Adalet Büyükkaya
Ahmet Hatipoğlu
Arda
Aydın Tansel
A.Dalkıran
Arzu - Murat
Aguş Gümüş Ve Arkadaşları
Ayhan Sicimoğlu
Adem Arslandoğan
Azdavaylı Şen Kardeşler
Ali Nafile
Akcent
Ali Rıza Aksoy
Asuman Krause
Arif Azertürk - Terane Abbaszade
Ayşegül Aldinç - Mehmet Teoman
Atilla Taş
Ali Gül
Ayhan Sicimoğlu - Özkan Uğur
Arthur Prysock
Aaron Neville
Angelique Kidjo
Ali İbicek
Ahura
Aşık Nuri Yücel
A. Özcan Ertekuş ve Grubu
Ayhan Aşan
Ahmet Kalo
Alif Tree
Alihan Samedov - Hüsnü Şenlendir
Alihan Samedov - Sadrettin Özçim
A-Man feat. T.Mike
Arzu
Atalay
Ahmet Yazmaz
Arzu Ece
Ayşen
Aşık Şeref Taşlıova
Ahmet Kanneci - Turgay Erdener
Aşık Şinasi Koç
Ankaralı Yılmaz Yıldız
Aziza A.
Alien The Dj
Alev Soylu
Ali Kayacı
Ahmet Şahin
Abdullah Papur
Aslı Hünel
Aslı Hünel - Doğuş
Albert Vartanyan
Abdel Halim Hafez
Abdelwahab Doukali
Africanism - Yves Larock
Ali Rihai
Arsenium
Adem Temirel
Ahmet Sazlı
Atilla - İbo
Ali Taşan
Ali Seven
Aslıhan Öncü
Atılgan Gümüş
Alaeddin Yavaşça
Aycan Tezel
Alechos Haralambidis - Kostas Fa
Anna Mpithikotsi - Pete Giatrako
Alexis Boulgourtzis
Arif Çelik
Aşık Ereni
Antonio El Agujetas - Jose Serra
Aykut Kuşkaya
Asef
Alex Gaudino
Aleyna
Atrium
Ahmet Sezgin
Ankaralı Yasemin
Adnan Yavuzer
Ahmet Cennetoğlu
Ali Ekber Eren
Aşık Gülabi
Aşkın Deniz
Aydın Demiroğlu
Ali Önder
Ali Murtaza Topal
Ali Gedik
Ali Gencebay
Ankaralı Turgut - Ankaralı Yasem
Ahmet Erkek
Ahmet Kaya - Ferhat Tunç - Hasan
Aşık Yoksuli
Ali Çelik
Asım Kuzuluk
Akif Çekirge
Ahmet Kaya
Coşkun Şamiloğlu
Cüneyt Tunçel
Coşkun Güla
Cemal Ünlü
Cüneyd Orhon
Cemocan
Cavit Fidan
Cinuçen Tanrıkorur
Craig Harris
Cihan Yıldız
Cüneyt Tek
Cansu Koç - Alp Murat Alper
Cimilli İbo
Cem Adrian
Cengiz Ay
Cengiz Yıldırım
Cemal Çınarlı
Celaleddin Ada
Cuma Yolaçan
Cemal Kuru - Feyzullah Koç
Cemal (Divani) Alper
Cemal Kuru
Cem Kervanı
Cüneyt Şentürk
Coşkun Demir
Cem Yılmaz
Cafer Altun
Cengiz Yurtseven
Cevdet Kuroğlu (Şahe Bedo)
Cem Nasuhoğlu
Can Şengün
Coşkun Sabah
Cengiz Çeliker
Celalettin Şensoy
Cesaria Evora
Ciccolini
Charlie Mariano - Quioue Sinesi
Charlie Mariano
Craig Armstrong
Chloe Hanslip - London Symphony
Chicago
Chemical Brothers
Chet Baker
Chat Baker
Carmen Mcrae
Carol Sloane
Courtney Pine
Charlie Paker
Clifford Brown
Chucho Valdes
Caterina Valente
Circle II Circle
Coen Bais-Jons Pistoor-John Van
Control Denied
Cassandra Wilson - Troublemakers
Cassiano
Charlie Hunter
Cihan Ünal
Cemil Dildar
Cem Karaca
Caesars
Can
Charles Aznavour
Chroma Key
Cahit Hakan Aysev
Cemal Tosun
Crosby - Stills-Nash
Ciara
Carlos Santana
Charles Mingus
Chet Atkins
Christina Aguilera
Cahit İzci
Cenk Sönmez - Barış Orhan - Tolg
Claire David
Coşkun Yılmaz
Cebrail Kalın
Cihan Çelik
Cemal Fırat
Cumali Yılmazcan
Coldplay
Canyürek
Can Yücel
C. Demirkesen - E. Koşar - Bilgi
Cihan Çakmakçı
Cumali Atilla
Coşkun Demir ve Grup G.A.K.
Cengiz Bayraktar
Cem Yıldız - Cebrail Kalın - Hür
Cevdet Canel - Çeşitli Sanatçıla
Cemil Kaya
Cemodoğan
Cemile Gülbudak
Cane
Cengiz İmren
Cenk Taner
Can Kan
Can Hatipoğlu - Mehmet Cavcı
Ciwan Haco
Cengiz Baysal
Cahit Berkay
Celal Özsarı
Cenk
Candan Erçetin
Cevdet Erek
Cengiz Kurtoğlu
Cem Ömeroğlu
Celal Bakar
Cem Bezeyiş
Christophe Goze
Claudia
Cengizhan Sönmez
Cebrail Kalın - Özden Özoğul - H
Cenk Eren
Cevdet Demirkapı
Can Tufan
Cansu Koç
Cici Kızlar
Canel
Canan Kılınç
Cabir Kökten
Cem Yıldız
Ceza
Cay Taylan
Collective Sound Members
Ciannad
Colin Farrell
Conjure 1
Chet Baker
Corderoy
Ceasars
Calexico
Carole Samaha
Cheb Mami
Coleman Hawkins
Cem - Kutsal
Can Afacan
Cassandra Wilson
Cutty Ranks
Count Basıe
Copacabana
Coen Bais
Cypress Hill
Ceyhun Şişmanoğlu
Craig Douglas
Cilla Black
Charles - Eddie
Chumbawumba
Canned Heat
Cutting Crew
Crystal Gayle
Cyril Morin
Cheb Tarik
Charlie Ventura
Clotaire K.
Carlos Campos - Amr Ismail
Chumbawamba
Culture Musical Club oder Mila n
Cavit Karabey
Charlie Parker
Curtis Fuller
Chico Hamilton
Charlie Rouse
Charlie Hunter-Norah Jones
Charles Farmbrough - Kenny Garre
Charles Frambrough
Costo Rico
Carmen Gonzales
Celia Cuz
Crazy Ken Band
Context
Charlie Christian
Charly Shavers
Cengiz Özkan
Cat Anderson
Cootie Williams
Conte Candoli
Clark Terry
Charlie Byrd
Claude Bolling
Chick Corea
Champion Jack Dupree
Cecil Gant
Crown Prince Waterford
Cab Calloway
Clarence Samuels
Clarance Brown
Cotus
Clannad
Capercaillie
Corun
Canterach
Claude François
Cosmic Rocker
Celal Köker
Constantinos Christoforou
Charlene Holloway
Chiara
Cengizhan Akar
Cubismo
Chico Alvarez
Cheb Jilani
Can Yürek
Can Atilla - Ayça Dönmez - Faria
Can Atilla - Faria
Can Atilla - Aslı Gültekin
Can Atilla - Faria - Özlem Ünald
Can Atilla - Özlem Ünaldı
Cantekin
Charlie Haden
Cem Bülbülleri
C.Jackson-S.Storch
C.Barbosa-E.Chisolm
C.Hawkins-E.Brennan-E.Sermon-M.C
Cemal Kurtoğlu
Carolina Marquez
Cafe Negro
CH.A.O. Petters - Ch. Petters -
C. Çetinkaya
Cemal Karakuş
Cejno
Cavit Tebrizli
Can Şengün - Cihan Okan - Çelik
Cömert
Cevad Merwani
Cash Flow
Cash Flow Feat. Emir
Cash Flow Feat. Hakan MC
Cash Flow Feat. Kerem
Cemal Özcan
Cem Kadırgan
Cinan Erbay
Cangül
Cevdet Kozanoğlu
Cahit Gözkan
Cankat Erdoğan
Cewad Merwani
Cesim Bager
Cem Okan
Cüneyt Sepetçi - İsmail Kıvrak
Cemal Akkiraz
Catherine Deneuve
Clarika
Charles Dumont
Cdm
Charanga Cakewalk
Children Of The Revolution
Christine Kane
Charles Webster
Carl Douglas
Coma
Cengiz Fırat
Cengizhan Arslan
Chacka
Chava Alberstein
Chanel
Chab - JD Davis
C-Mos
Cenin
Cecile Deville
Cubanito
Can Atilla
Chris Lake
Claude Vonstroke
Cirez D
Cerena
Claude Barzotti
Carla Bissi
Christian
Carlotta
Carla Angeli
Claudia Donato
Club House
Chris Coco - Afterlife
Chango Spasiuk
Cat Stevens
Cher
Chris De Burgh
Connie Francis
Cemil Sarılar
Cengiz Coşkuner
Cem Akgün
Ciguli
Chacker Yack
Chris Rea
Carla Alexander
C. J. Chenier
Craig Harris - Barbaros Erköse
Cemal Sarı
Claude Challe
Casa Mecca
Conya Doss
Corneille
Cenk Celasin
Cemile Sönmez
Charles Schillings
Cansever
Chateau Flight
Chic Flowerz Feat. F. Medjane
Century
Celloman
Charbel
Cüneyt Yamaner - Engin Kapsız
Christos Dantis - Elena Paparizo
Charbel Rouhana
Christophe
Charlelie Couture
Catherine Sauvage
Charles Trenet
Cihat Aşkın
Cem Özer
Cem Çelebi
Cengizhan Kavalcı
Cevdet Bağçağ
Candy
Chakla Phepsam
Cem Özkan
Chalf Hassan
Cahit Oben
Cihan Akerson
Chet Baker - Paul Desmond
Candido Fabre
Cyminology
Costica Olan
Cem Sinan
Christina Maragozi
Celal Özer
Celine Dion
Cengiz Özkan-Muharrem Temiz
Cobla De Barcelone
Cengiz Onural
Cem Yıldız feat. Hüsnü Şenlendir
Cem Yıldız feat. Adile Yadırgı
Cem Yıldız feat. Ercan Irmak
Cahit Berkay & Grup Zan
Chris Brown
Cyndi Lauper
Cevdet Bağca
C-Side
Copyright feat. Imaani
Chris Lawyer & Dj. Thomy
Celal Bağlan
Ceylan
Celal Güzelses
Cüneyt Şahin
Celal Yarıcı
Celal İnce
Coşkun Arslan
Davut Güloğlu
Devrim Erden
D-100
Deniz Uğur
Derya Baykal
Destur
Deniz Gündüz-Murat Gündüz-Ulaş G
Deniz Seki
Dursun Kement
Doğan Duru - Güneş Duru - Berke
Diler Ebeperi
Dilek Şeniz
Dr. M Bülent Gündem
Demir Demirkan
Deniz Çelik
Devrim Yücel
Despina Vandi
Dido
Dio
Divna
Duke Ellington
Doves
Dark At Dawn
Doro
Destruction
Die Apocalyptischen Reiter
Death Angel
Daft Punk
Deine Lakaien
Dr. John
Dietrich Fischer-Dieskau - Danie
Deep Purple
David Bowie
Dejuvar
Dijwar
Dündar Yıldız
Damien Rise
Don Omar
Diago Torres
Dolly Parton
Dr. Alban
Dionne Warwick
Dodan Project
Doğan Nuh
Duman
Dean Martin
Daniel Powter
Dursun Aktürk
Diyar - Xelil Xemgin
Du Pre - Barenboim
Duran Duran
Dream Theater
Dany Brillant
Diana Krall
David Sanborn
Deladap
Dzihan - Kamien
Dorfmeister - Mdla
Deli Selim
Direc - T
Dersimli Ayşe Eren İkilisi
Deniz Şamdereli
Duygu Koçak
Dj Burak Yeter
Doğu
Dengbej Zahiro
Derweş Serhedi
Dila
David Hill
Deniz Erdoğan - Yılmaz Erdoğan
Deha
Deniz Türkali
Derya Artemel - Burak Sergen
Dellal Metin
DJ Rakun
DJ. Fex
DJ. Kambo
Dulce
Deen
Dengbêj Fadil
Dilber Ay
Doğuş
Devran Çağlar
Doğan Ergin
Demirhan Baylan
Dilek Aktaşoğlu
Deniz Gündüz
Dario Moreno
Danny Brillant
Dimitris Atroidis
Dutch - Crystal Waters
Drummers Of Love
Duoud
Dj Awal
Demarkus Lewis
Dos Hombres
Dexter Gordon
Dave McKenna
Danni Minoque
Delerium
Doğan Canku
Dj Raxx
Deep Dish
Dj Fist
Dj Joe K.
Depeche Mode
David Guetta
Dj Casper
Don Nelson
Dynastie Crisis
Dave Grusin
David Byrne
Dawn Penn
Dave Brubeck
Darine
Dinah Washington
Danny Williams
Dinah Shore
Donald Byrd
Delibes
Dursun Özdil
Dr. Feelgood
Dr. Hook
Deana Carter
Dottie West
Dar Beide 04 feat. Amina Annabi
Dissidenten
D. Cup feat. Audrey
Dirty Vegas
Don Byas
Dj Edson X
Dandy Warhols
Djamel Laroussi
Dennis Farnon
Dominic Sands
Dexer Gordon
Deyirman - Leyla
Duke Pearson
Donald Harrison
Dr. Calypso
Deste Günaydın
Dania
Debayres
DJ Cam feat. Guru
DJ Cam
DJ Bookie
Django Reinhardt
Dave Bartholomew
Doc Pomus
Dizzy Gillespie
Dizzy Gillespie - Roy Eldridge
Duke Jones
Dick Davis
Duke Henderson
Dallas Symphony Orchestra
Dik Dik
Desi Arnaz
Dave Bainbridge Feat. Joanne Hog
Dick Gaughan
Davy Spillane
Dao
Dilşad
Dick Farney
Deniz
Donna And Joe
Deniz Arcak
Dündar Yıldız
Deftones
Disturbed
Dark New Day
Dead Or Alive
Darren Haves
Duygu
Dianne Reeves
Dominica
Denjer
Dimitri - Jaimy
D.Rambo-J.Richmond-L.Freese-M.Mc
D.Kontopoulos-N.Gritsos
Deniz Erdoğan - Yıldıray Gürgen
Deniz Erdoğan
Dj U.S.Y.
Dht
Dannii Minogue
Dj Akman
Diyar
Dursun Bedirhan
Delil Dilanar
Dılovan
Dino
Deniz Kızı Eftalya
Dilber Ay - Halit Arapoğlu - Hal
Derviş Abdullah Efendi
Davut Sulari
Dilemma
Devrim
Dut Ağacı
Dursune Bacı
Durmuş Kalan - Selda
Duygu Rüzgar
Devrim Kaya Türenç
Dj. Ross
Deux
Dj. Style - Mc Loran
Dimitri From Paris Feat. Pink Ma
Deepak Chopra Featuring Adriana
Duke Heitger And His Swing Band
Daniele Silvestri
Doctor Krapula
Danovan Barrıe Mıxon
Deep Dish vs Dire Straits
Dahool
Dj Gregory
Digitalism
Dj Bool presents Jerk House Conn
Dan Marciano
Domenico Modugno
Drupi
Davide De Marinis
Dero
Derdiyoklar Ali
Dostlar Korosu
Dannii Minogue - Flower Power
Demirkan
Daniel Bedingfield
David Essex
Del Amitri
Diana Ross
Dina Carroll
Donna Summer
Dilberay
Deniz Amado - Selen Amado
Deniz Amado - Miraç Şimal Yalçın
Deyampert
Dani Siciliano
Dertli Divani
Digby Jones
Dab
Defne Samyeli
Dj Kun
Dave McCuellen
Danzel
Disco Queen Feat. Luisa Pepe
Dj Stanley Feat. Leke
Dennis Ferrer
Djaimin
Dave Douglas
Dr. Bob Jones & The Interns Feat
David Vendetta
Dune
Dance Arabian Nights
David Vendetta Feat. Oz
Dionigi
Dennis Taylor
De La Soul
Dr Dre
Da Hypnotik
David Mc Cullen
Didier Sinclair & Dj Chris Pi
Disco Kings
D.S Jones
Diesler
Didem Kurt - Süleyman Erkişi
Didem Kurt
Dj Sammy
Dj Rooster & Sammy Peralta
Didier Sinclair & Dj Chris Pi &
David Duriez
Dj F.E.X
David Carretta & Al Ferox
Dj Fist Pres. Tabasco EP
Dana Dawson
Dursun Dereli
Don Shiva
Dj. Flex - Sandy W
Daemonia Nymphe
Djivan Gasparyan - Micheal Brook
Dimitra Galani
Djivan Gasparian
D. Perez Prado
Daniel Guichard
Deniz Gençay
Dengbej Reber
Deniz Çetin
Dos Morenos
Dj Ross vs Dy
Dursun Kul
Drechang Silma
Didjitalis
DANdadaDAN
Dinmeyen
Donny Hathaway
Diogal
Dobet Gnahore
Djelimady Tounkara
Dead Can Dance
Dee Felice Trio
Dan Armeanca Band
Djako
Deep Dish feat.Stevie Nicks
Dj Dero feat.Leee John
D.O.N.S
Danzel - Dj F.R.A.N.K
Dj Style - Mc Loran
Da Fresh
Dj Furax - Redshark
Demir
Dj Chris feat. Dee Dee Abella
David Kane
Dj Kolesky
Dorian
Derya Türkan feat.Renaud Garcia
Doruk Onatkut Orkestrası
Darvaş
Djelem
Dahmane El Harrachi
Dons Feat. Technotronic
Dimension X
Dr. Kucho
Dj Yalçın, Hsyn Krdy Feat. Funky
Dilek Türkan
Deniz Toprak
David Lynch
Duygu Korosu
Dixie Chicks
David Vendetta feat. Akram
Dj. Disciple feat. Dawn Tallman
Dada feat. Sandy Rivera & Trix
Dj. Falk
Djuma Soundsystem
De Souza feat. Shena
Deli
Daimi Özdoğan
Demet Akalın
Damla Yıldırım
Demet
Eyüp Nazlı
Emel Taşcıoğlu
Emirkan
Elif Güreşçi
Erol
Emine Genç
Emre Aracı - Cihat Aşkın - Londr
Ercan Irmak
Erol Köker
Eren Kazım Akay
Efkan Şeşen
Erkan Oğur - Okan Murat Öztürk
Ebru Pala
Ebru Yaşar
Ebru Şimşek
Erci Ergün (Erci E)
Eda Özülkü
Elvan Uray
Erdinç Şahin
Ergün Atasoy
Esat Kabaklı
Esra Keskin
Erdinç Gültepe
Ersen Kutluk - Bora Taştan - Onu
Esra Balamir
Ebru Kasap
Eren Bakıcı - Cemre Kemer - Gülç
Erkan Erol - Ali Özgür Erol
Ethem Yeşiltaş
Esin Alp
Erdal Kızıltaş
Ekrem Pehlivan
Ezgi Avni Anıl
Elvis Presley
Edith Piaf
Eazy-E
Eric Clapton
Erik Truffaz
Eugen Jochum
Erinç Köker
Ella Fıtzgerald
Emre Altuğ
Enver Çelik
Ed Harcourt
Eloy
Eroica Trio
Edguy
Ensemble Hüseyin Türkmenler
Everything But The Girl
Erdal Akkaya
Ege
Europa Galante - Fabio Biondi
Edip Emre
Ercan Papur
Ertuğ Ergin
Enstrümantal
Ennio Morricone
Elisabeth Scwarzkopf
Emrah Mahzuni
Ercan Seyhan
Eyyüp Kesenci
Eros Ramazotti
Eamon
Elie Semoun
Etta James
E.Efe - A.Yiğit - F.Sezer - u.Ka
Engin Kızılay
Ebru Özpirinç-Uğurcan Sezen
Engin Kızılay-Yılmaz Şanlıel
Elif Can
E. Öztekin - Ankaralı Turgut - A
Ezginin Günlüğü
Elif Beyza
Ergin İrin
Ergin Çetinkaya - Gazi Ataş
Ercan Dursun
Enver Merallı
Evren Salepçi - Emin Yasin Vural
Emel Örgün
Elastic Band
Erhan Şakar
Emine Akbaba
Ersen Varlı
Egoist
Emre Saltık - Metin Karataş - Za
Ebru Destan
Emrah Şimşek
Erenler İkilisi
Esengül
Ercüment Batanay
Erol Çöke
Ergün Şenlendirici
Erol Pekcan - Tuna Ötenel - Kudr
Efkari
Ege Çubukçu
Emre Aracı - Prag Senfoni Orkest
Erdoğan Demir
Erhan Gökçen
Esra Ateş
Ege Bülbülleri Ali Ve Abdullah A
Eyüp Bozdağ
Engin Gürkey
Erdinç Buruç
Ezgi Anıl
Engin Alptekin
Engin Sar
Esef Selçuker
Ethem Adnan Ergil
Erkin Koray
Ebru Gündeş
Esin Afşar
Ercan Aydın
Ekrem Ataer
Erdal Güney
Ergin Özler
Emrullah Karaman
Emel Müftüoğlu
Elçin
Esma Başbuğ
Ece Uslu
Erkekler Korosu
Emin İgüs
Esra Sarı
Emrah Altınok
Ercan Saatçi
Ekrem Düzgünoğlu
Eyal Shachar
Ercan Saatçi - Grup Düş
Ercan Saatçi - Hande Yener - Gru
Ercüment Vural
Ercüment Vural - C. Okan - S. Gü
Ebru Ethredge
Elena
Ebru Okay
Elvan Erbaşı
Edip Akbayram
Ece İdil - Seher Tanrıyar
Erkan Oğur - İsmail H.Demircioğl
Emre Gültekin
Erkan Oğur - Djivan Gasparyan
Engin Aslan - Ulaş Özdemir
Ebru Bilgin
Erkan Oğur - Bedih Yoluk
Erkan Oğur - Uğur Yücel
Erol Evgin
Erkan Oğur
Erdinç Ünlü
Eustathios Mihailidis
Erol Köker-Olcay Köker
Erol Köker - Olcay Köker - Zara
Erol Köker - Zeynep Atagür - Cel
Ezgi Köker
Erol Köker - Zeynep Atagür
Erol Köker - Zara - Orhan Hakalm
Elvan Erbaşı-Zara
Eniz Özsoy
Esmeray
Earth Wind-Fire
Engin Şenkan
Emrah - Ayça Altuğ
Esoinjim
Eighty Mile Beach
Ellis Larkins
Eric Prydz
Energy 52
Elissa
Errol Garner
E.L.O.
Evanescence
Eliane Elias
Earl Klugh
Eartha Kitt
Evert Woud
Erkan Ocaklı
Elgar
Eternal
Elisabeth Schwarzkopf
Erich Kunz
Emmy Loose
Eastenders
Earl Bostic
Elli Kokkinou
Emre Saltık
Eddie Gale
Earl Hines
Eddie Lang
Erroll Garner
Eddie Heywood
Erkan Su
Ezgi Mert
Eddie Mack
Evelyn Glennie
Equipe 84
Enzo Janacci
Enrique Jorrin
Enrique Jorrin Y Su Orquesta - A
Elba Ramalho
Eva Cassidy
Emrah Keskin
Eve Angeli
Emrah
Erkut Taçkın
Ercan Turgut
Erol Büyükburç
Elefteria Arvanitaki
Enzo Avitable feat. Amina
Ensemble Ethnique
Erol Köker - Arzu Arıkan
Erol Köker - Gülay Özer
Elena Paparizou
Emanuelhle Degli Angeli
Eternal Groove
Erica Jennings
Eumir Deodato
Eastenders Feat. Shady Sheha
Ezgi Köker - Erol köker
Emrullah Yıldız
Elvis Costello-The Imposters
Emre Aracı
Ekrem Özel
Engin Evin
Eddy Grant
E.Iglesias-G.Chambers
Erol Erdinç
El Chombo
Ersan Erdura
Esin Engin
Ergin Kızılay
Elif Nun
Eşqa Welat
Eyaz Yusiv
Elya
Esker Demirbaş
Efendi Koç
Emel Esen
Erdoğan Doğan
Egide Cimo
Erol Parlak Bağlama Beşlisi
Esrari
Erdem Yener
Edibe Sulari
Emre Kartarı
Erkan Oğur - İlkin Deniz - Turgu
Eser Bayar
Edirneli Haim Efendi
En Chordais
Emirgan Ensemble
Ender Akay
Engin Arslan - Ulaş Özdemir
Ergün
Eryamanlı Ferhat
Ekrem Düzgünoğlu - Gaye Aksu
Elcho
Emad Sayyah
Elizabeth Mitchell - Daniel Litt
Eric Bibb
El Payo Feat. Marga Nero
Emine Muktat
Esmehan Yılmaz - Fatma Aktaş
El Otro Yo Del Otro Yo
Eastern Eagle Singers
Eyabay
Emil Zrihan
Elio Riso - Raffunk
Elize
Ernesto vs Bastian
Eddy Herrera
El Medico Feat. El Brujo
Ernie Ford Tennessee
Eddie Barclay
El Medico
El Medico Feat. Tok
Erkan Güleryüz
Emekçi
Elkin Marin
Efe
Elio Gandolfi
Eren Erdoğan
Eda - Metin Özülkü
Emin Arbani
Ella Fitzgerald - Buddy Bregman
Elton John
Emilia
Engelbert Humperdinck
Extreme
Emel Sayın
Engin Nurşani
Ertan Ersoylu
Echomen
Ezgi Mutlu
Eda Zari
Ersin Ersavaş
Emmanuel Santaromana Feat. Hadja
Earl Zinger
Ertuğrul Erkişi
Erdal Erzincan
Erick Morillo Feat. Terra Deva
Elliot Dukuai & Bruce
Erkan Yılmaz
Eastenders Feat. Sultan-Tunc
Eric Prydz feat. Adeva
Eleni Vitali
Erol Parlak
Eleni Karoasaki
Eleni Peta
Emre Saltık - Metin Karataş - Şa
Enzo Enzo
Erensoy Akkaya
Enver Yılmaz
Erdal Şahin
Erkan Koç
Eylem
Erkan
Erdoğan Erol
Elif Altıntaş
Ertuğrul Polat
Erdal Bayrakoğlu
Emre Aydın
Edirneli Yüksel Ve Arkadaşları
Ebru Kayhan
emreaydın
Erkan Oğur
Essam Rashad
Ece İdil - Metin Ülkü
Erdinç
Ege - Rika Zarai
Ege - Gypsy Kings
Eneida Marta
Elza Soares
Ebi
Esma Redzepova & Ensemble Teodos
Emir Kusturica & The No Smoking
Ekrem & Gypsy Groovz
Esma Redzepova
Electroluxe Family
Enbe Orkestrası
Ender Doğan - Yahya Soyyiğit - V
Ender Doğan
Erkan & Serkan
Evrim Demirel
Eric Prydz Vs. Floyd
Ekremo
Elif Yıldız
Ekrem & Gültekin
Ebru Berker
Edis İlhan
Erol Deran
Erol Aykan
Ergin Kızılay - Rıfat Şanlıel
Ersan Tekin
Erhan Gündem
Erdal Güney - Hilmi Yarayıcı
Eylem Aktaş - Erdal Güney
Eylül Metin
Esra Sönmez
Ehab Akram
Ersen Özpirinçci
Erick E
Ercan Övek
Emre Gültekin - Lütfü Gültekin
Edirneli Kadir Ürün - Meriçli Ca
Enver Demirağ
Erzincanlı Hafız Şerif
Ekrem Çelebi
Erhan Güleryüz
Ekrem Oruç
Edirneli Kadir Ürün
Fikret Arifoğlu
Fatih Korkmaz
Ferdi Tayfur
Fikret Otyam
Feyzi Aslangil
Filiz
Franco-Serdar Erbaşı
Fahrettin Karaardıç
Ferda Anıl Yarkın
Ferman
Faruk Yılmaz
Fikret Alper
Fikret Ural
Fehmi Ünyayla
Faruk K
Folk Dances From Anatolıa
Feridun Düzağaç
Fikret Erkaya
Fahriye Güney
Fuat Ergin
Ferdi Özbeğen
Fahriye Özay
Fikret Ünal
Ferda Doğan
Funda Aksoy
Fatma Yaşar
Ferdi Korkmaz
Faruk Tınaz
Fuat Aslan
Fatoş
Feyzi Güden
Fahir Atakoğlu
Faris Büyükdoğu
Fate
Fehmi Çavtekin
Feyzi Aslan
Fermanlı Durmaz
Fulden Uras
Frank Sinatra
Fairuz Derin Bulut
Faithless
Fatih Erkoç
Fischerspooner
Fevzi Kuş
Ferah Sezer
Fuat
Furtwangler
Fırat Başkale
Falco
Fairground Attraction
Fourplay
Fikret Kızılok
Ferhan Şensoy
Frederick Rousseau
Faith Evans
Funda Arar
Fatma Çal
Figen Özgüzel
Fedon
Fahrettin Çimenli
Ferdi Tayfur - Huri Sapan
Feride
Fikret Karakaya
Funda Akpınar
Feyzullah Toprak
Fatoş Kaya
Fransuvaz-Mahmut
Fatih Eti
Fehmi Günaydın
Ferhat Göçer
Figen Genç
Fevzi Temelli
Fahir Atakoğlu - Horacio El Negr
Feridun Hürel
Ferhat Kılıç
Ferhat Tunç
Fatih Mühürdar
Funda Görgülü
Filiz Şatıroğlu
Faruk Salgar
Füsun Kostak
Faul
Furkan Biçer
Fikriye
Fady
Fuat Saka
Fahrettin Sönmez
Fehnaz Rizeli Gündoğdu
Fatoş Aşçıoğlu
Fevzi Üreten
Fransuvaz
Feridun Hürel
Ferahnaz Gündoğdu
French Affair
Flunk
Fragile State
Fonda 500
Frances Wayne
Fred Astaire
Fadja El-Hage
Füsun Önal
Flavio Bolto
Freddy Hubbard
Freddie Roach
Fiona Kennedy
Frankie Vaughan
Frank Ifield
Flute - Harp Concerto
Freddie - The Dreamers
Freddie King
Floyd Dixon
Fuat Feat. Ayben
Fuat Feat. Sahtiyan
Fuat Feat. Ceza - Ayben
Fuat Feat. Dj Funky C
Fuat Feat. Civciv - Selo - Anali
Fuat Feat. Azra
Frank Foster
Faltriqueira
Funda İzgi
Fusing Naked Beats
Freddie Hubbard
Frank Morgan
Fats Waller
Fats Navarro
Freddie Mitchell
Fafa De Belem
Fiona Joyce
Fabienne Thibeault
Frederic Lerner
Funda
Feminnem
Fuman Freak
F. Erdem
Faudel
Fab For
Fuat Güner
Fatih Turan Bayburt
Fikret Aslan
Fatih Kısaparmak
Fethi Perilioğlu - Birsen Sabah
Fadime Akpınar
Firdews Feat Umut Ertek
Farqin
Fahrettin Sönmez-Mustafa Yıldızd
Fatma Dönmez
Faik İnce
Faik İnce-Hüseyin Demir
Feyzullah Eti
Ferhat Güneyli
Fedai
Fahrettin Kaya
Fahri Kopuz
Fenomen
Ferman Zine
Fesih
Fanfare Ciocarlia
Fehmi Ünlüyayla - Remzi Çetin
Free Masons - Amanda Wilson
Francoise Hardy & Etienne Daho
Federico Aubele
Fred Buscaglione
Francesca M.
Friction
Feride Demirel
Firdevs Yağici
Facteur X Feat. Lnd
Firdevs
Fairmont
Fred Nasen
Fuad İspir
Fausto Leali
Flavio
Flavia Fortunato
Franco Battiato
Finzi Contini
Fun Fun
Fevzi Çoban
Filiz Karatoprak
Fertile Ground
Faze Action
Flora Purim
Facteur X
Funky 4+1
Fatma Tütüncüoğlu - Levent Saraç
Freeform Five
Fred Pellichero
Fusing Naked Feat. Najma Akhtar
Farolfi & Gambafreaks vs Moloko
Felix Da Housecat
Francoise Hardy
Feyzullah Çınar
Felix Leclerc
Fecri Ebcioğlu
Forty Thieves
Frankie Laine
Faya Tess - Lokua Kanza
Farhad Besharati
Faramarz Aslani
Ferhat Sağlam
Fulgerica & The Mahala Gypsies
Ferus Mustafov & Milan Safkov
Famille Lela De Permet
Freedom Dub
Faruk Demir
Faruk Demir - Gülşen Kutlu
Faruk Demir - Musa Eroğlu
Fedde Le Grand
Fish Go Deep
Fedo
Francesca
Fikret Kızılok & Edip Akbayram
Ferhat Livaneli
Fuchs & Berna Keser
Fatoş İncegüzel
Fairouz
Farid El Atrache
Frank Ti-Aya
Fikret Ceylan
Franz Ferdinand
Fatih Ahıskalı
Fulya
F.Dönmez
Fehmi Ünlüyayla
Fahri Barış
Feryal Öney
Feyzan
Grup Yağmur
Gamzegül
Grup Şinanay
Grup Yol
Gülşen Kutlu
Gizem İrem Gürel
Güllü
Grup Türkiyem
Grup Knar
Grup Metropolis
Gülabi Gültekin
Gülçin
Gökhan Kırdar
Grup Yankı
Günay Yetiz - Bahar Göksu - Ayşe
Günel Zeynelova
Grup Gündoğarken
Gülcihan Koç
Gönül Yazar
Gülhan
Gürkan
Güla Serhade
Gülşen Keserci
Gökhan Güney
Gülbahar Uluer
Grup Laçin
Gülnaz Küçükelçi
Güçlü Soydemir
Gökhan Birben
Grup Beyoğlu Mızıkacıları
Grup Catafalque
Gani Mirzo
Gökhan Ay
Grup Mecaz
Gürkan Yüksel
Gültekinler
Gülden Karaca
Grup Hilal
Grup 7
Groza-Bahadır Uludağlar
Grup Black Omen
Gripin
Grup Westlife
Guano Apes
Grup Delta Goodrem
Gavrilov
Güher - Süher Pekinel
Giya Kancheli
Grup Robert Casadesus - Gaby Cas
Grup Bruggen Kuikens Bylsma Leon
Geri Allen
G. Johnson - P. Pierlot - J. Ram
Grup Eugene Omandy - Cyrill Ritc
Grup Eugene Istomin Isaac Stern
Grup Pinchas Zukerman
Grup George Szell Eugene - Orman
Grup Gustay Leonhardt
Gökhan Semiz
Gökhan Şeşen
Grant Green
Gonzalo Rubalcaba
Grup Maya
Gülben Ergen
Grup İstasyon
Goldfinger
Grup Il Divo
Gallis
Genesis
Grup Hasat
Gavin Degraw
George Winston
Galway Marriner
Groove Armada
Grup Eye Of The Tiger
Glenn Miller
Grup Toots Thielemans
Grup Foo Fighters
Garou
Grup Good Charlotte
Grup Karakedi
Günay
Grup Lifeline
Güler Aktaş
Gülbeyaz
Gorillaz
Garbage
Gönül Şeker
Gülcan Karaböcek
G.Uğur Atalay
Gülcihan Koç - Deste Günaydın -
Göknur Karadağ
Gülhan Aydın
Gamze Sayın
Grup Turnalar
Gardelli - Marriner
Gavrilov - Richter
Giulini
Grup Backstreet Boys
Göksel
Gülten Akın
Gülay Eren
G.M. G.
Genç Ahmet
Gökhan Ketenci - Mehmet Çelik -
Günola
Grup Şirvan
Gül Sorgun
Grup Yarınlar
Grup Ege
Grup Aslar
Gülden Karaböcek
Grup Bağdaş
Güngör Salman
Grup Güvercinler
Gülser Keserci
Gültekin Pehlivan-Ekrem Pehlivan
Gazanfer Özcan - Halide Yoldüz
Grup Küçükeller
Gülcan Gülerman
Gitarcı
Grup Moe-joe
Gülçin Alpöge
Gültekin İpekel
Gültekin İpekel - Ekrem
Gülsen Tuncer
Gülriz Sururi
Gülçiçek
Grup Revan
Grup Çığ
Gülşah Dilek
Gazin
Gürol Ağırbaş
Grup Özgürlük
Grup Eylül
Grup Munzur
Gönül Usta
Germencikli Tibet Ve Arkadaşları
Gül Yazıcı
Gönül Gündüz
Güzin Değişmez
Güknaz Atam
Gül Göre
Gökhan Ketenci
Grup Yorum
Gülay
Gül Oban
Gülnaz Rizeli
Gönül Sürücüoğlu
Güler Basu Şen
Gülten Yıldırım
Günther
Grup Ychorus
Goran Karan
Grizu
Gülnaz Rizeli ? Koro
Güngör Gençay
Gönül Akkor
Gülseren Tatlıpınar
Göknur Okur
Gökçe Köroğlu
Grup Lodos
Grup Dostyürek
Gönül Turgut
Gökhan
Gipsy Kings
G.Vidalis
Gülay Özer
Gökmen Ürü
Gülseren Erdağ
Gökhan Seyhan
Grup Kırmızı Balon
Gladys Knight-The Pips
Gulîstan Periver
Goldtrix-Andrea Brown
Goapele
Gerry Mulligan
Gillespie
Gadjo
Gabin
Graham Coxon
Gomez
George Wassouf
Good Size
Green Day
Gretchen Wilson
Gorjusrex
Gary Moore
Gerry - The Pacemakers
Geri Halliwell
George Smith
Gary Moore - BB King
George Thorogood
Gökhan Tepe
Glen Campbell
George Jones
Gayan Uttejak Orchestra
Ghalia Benali - Timnaa
George Cehanovsky - Richard Wrig
Goldfrapp
Gene Ammons
Gnawa Impulse
Gündoğar
Gene Harris
Gaye Aksu
George Shearing
George Jenkins
Göksel Baktagir
George Miller - His Mid-Driffs
Gülay Sezer
Gouinda
Govinda
Gianni Morandi
Gerard Lenorman
Generazione Italia
Gülistan Yaşar
Grup Ak-Rap
Ganja Guru feat Ruby - J. Smooth
George Dalaras
Grup Düş
Groove Cutters
Ghorwane
Global Kryner
Gracia
Geir Rönning
Glennis Grace
Gülseren
Greenjolly
Grup Değişim
Gülgün Ural
Gönül Şenay
Göçmek Aka Sarı Zeybek
Göksel Kartal
Grup Nefes
Gökhan Abur
G. Kingsley
Garip Dost
Genim
Gölge
Gülsen Bütün
Gülcan Opel
Gülüzar Akkuş
Gülenaz
Grup Sır
Gülbahar
Grişe Riza
Guldesteyek
Gülistan
Göçmen
Gamze Amus
Gamze Amus - Erdem Yener
Gulizer
Grup Telden Dile
Grup As
Gece Yolcuları
Grup Abdülkadir
Gülay Doğan
Grup Gökçen
Güven Aydın
Grup Dem
Gule
Gule - Önder Deniz
Gökhan Özen
Gülizar Akkuş
Güler Yaman
Giorgio Conte
Gianmaria Testa
Güven Kıraç
Gigi
Golden Horn
Grup Ekin
Gülşah Buzlu
Güllü Özcan - Sevim Tunç
Gülay Sürmeli
Grup Aura
Gülderen Erdoğmuş
Global Deejays
Grup Balkan Ekspres
Guylaine Guy
Gerardo Frisina
Gülnaz
Gepy - Gepy
Gianni Mazza
Giorgo Gaber
Gazebo
Gabin - Dee Dee Bridgewater
Gregor Salto - Saxlive
Grup Gurbetçiler
Gabrielle - London Session Orche
Gary Moore Featuring Phil Lynott
Girls Aloud
Gwen Stefani
Grup Doğanay
Grup Sılam
Gizem Özdilli
Gate Eight
Göksel Feat. Omega Vibes
Guanros Del Puerto
Grupo Batuque
Gönül Maraşlı
Giampiero Ponte Feat. Moran
Gage
Grup Golden Horn Ensamble
George Thompson
Gotan Project Meet. Chet Baker
Gül Ahmet Yiğit
Göksel Baktagir - Ceyhun Çelikte
Greens Keepers Feat. Colette
G Punkt
Gulfstream
Gino Vanelli
Groove Lickers vs. Irene Cara
George Theodorakis
Georges Brassens
Gilbert Becaud
Güzide Kasacı
Gülderen Gül
Grup Su
Genco
Grup Çinko
Gewgewe
Grup Yansımalar
Gülten
George Michael Feat. Mutya
Gülşen
Gülşen Feat. Mr. Freeman
Göktan
Gergerli Saçar
Gavur Hacı
Gabriela Mendes
Güler Duman
Googoosh
Gürcan Erdaş
Gülen Gül
Goran Bregovic Feat. Saban Baira
Gabi Lunca & Ensemble Ion Onoriu
Gotan Project
Greg Cerrone
Günther - The Sunshine Girls
Gripin - emreaydın
Gripin - Pamela
Gripin - Ferman Akgül
Göksun Kemal Çavdar
Güray
Grup Merhaba
Grup Net
Grup Seyran
Gülay Yüce
Grup Yol Arkadaşları
Göksel - Ferman Akgül - Teoman
G. Polymenakos - K. Logothetidis
Giorghos Stavrianos
Güladiye Meydan
Gypsy Ramla
Good Charlotte
Gülşen Altun
Gülhan Pars
Grup Anadolu
Grub Anılar
Grup Sentez
Gamze
Herman Kevork Hıdıroğlu
Halil Karaduman
Hakan Aliç
Hafız Dursun Akterazi
Hasan Köprülü
Halil Kendirli - İsmail Akagün
Hilmi Yarayıcı
Hakan Şensoy - Zeynep Yamantürk
Hüseyin Güneş
Huri Sapan
Hacı Taşan
Hüsetin Erbaş
Hasan Öztürk
Hilal Çalıkoğlu
Hisarlı Ahmet
Harun Kolçak
Hüseyin Tatlı
Hüseyin Altın
Hüner Coşkuner
Huri Sapan - Ali Sapan
Hasan Yılmaz
Halil Yılmaztürk
Hüseyin Polater
Herdi Selah
Hüseyin Doğan
Hamit Baydaroğlu
Hasan Eker
Hasan Sil
Hıdır Roman
H.İkbal Dönmez
Haydar Ulaş
Hüseyin Akpınar
Haydar Öztürk
Hidayet Işınkol
Hüseyin El
Hüseyin Yılmaz
Hamit Çicek
Hakan Kılıç
Hasan Avcı
Hasan Kılkışlıoğulları
Hasan Tuncel
Hüseyin Yalın
Hüseyin Eryılmaz
Harika Avcı
Hasan Ünlü - Şevket Kesmen
Haydar Demir
Haluk Levent
Hülya Altunbaş
Hank Mobley
Hasan Cihat Örter - Akın Ok
Horace Silver
Herbie Hancock
Hasan Cihat Örter
Hello Young Lovers
Heart Of The Dragon Ensemble
Huysuz Virjin
Hasan Yükselir
Haşim Akten
Hayko Cepkin
Hakan Yeşilyurt
Harry Belafonte
Heifetz Piatigorsky Reiner Walle
Him
Harvey Mason
Halit Arapoğlu
Hüseyin Fındık
Haşim Koç
Hazmi Orzan
Hüseyin Yıldırım
Handel
Hot Hot Heat
Hasan Karakılıç
Hüsamettin Subaşı
Hüseyin Alan
Hüseyin Akkaş
Hatice Aral
Hüseyin Bıçak
Halise Sezer
Hasan Saltık
Hülya Avşar
Hülya Bozkaya
Hamiyet
Hakan Öztürk
Hakkı Terzioğlu - Şevket Doğan -
Hülye Süyen
Hasan Nergis
Hüseyin Tekin
Hakan
Hayri Şahin
Hüseyin Karadayı
Hasan Sağ
Hacı Bayrak
Hasan Akalın
Hüseyin Fırtına
Halil Taşkın
Harun Atmaca
Hasan Tercan
Haydar Şahin
Hasan Mutlucan
Haluk Özkan
Hassan Mücail
Hakan Öztürkoğlu
Hüsnü Şenlendirici
Hüseyin Taşçeşme
Hüzün
Hozan Cane
Hazal
Hafız İsmail Coşar - Trt İzmir R
Hakan Sarıca
Hakan Altun
Hülya
Haramiler
Hatice Ahu Sağlam
Halil Altıngöz
Hatice - Güney
Hakan Yavaş - Volkan Severcan
Hakan Özlev
Hüseyin Tuncel
Hasan Çanakkaleli
Hafız İsmail Coşar
Hüseyin Güleç
Hedef 12
Hava Karakaş
Hüseyin Özkılıç
Havva
Hamza Şenses
Hazır
Hilal Cebeci
Haluk Çetin
Hace Abdülkadir Meragi
Hayali Küçük Ali
Haralambos Panayis
Hafız Kemal
Hafız Burhan
Hüseyin Hüsnü Bey
Hafız Sami
Hafız Ahmet
Hafız Aşir
Hafız Yaşar
Hafız Osman-Mesut Cemil
Hafız Osman
Hafız Memduh İmre
Hamiyet Yüceses
Hamdi Bilgin
Hicabi Bey
Halil Can
Halil Dikmen
Hayri Tümer
Hasret
Hafız Abbas Nazai
Hatice
Halil Atılgan
Hümeyra
Holden - Thompson
Harry Carney
Hank Jones
Hakan Can
Houston
Havana Funk
Houssam Habib
Hüsnü Kızılçay
Herbıe Hanckock
Haris Alexiou
Hakan Peker
Hipnoze
Harem Percussion Group
Hamid Baroudi
Hakan Bilal
Haven
Hasna - Ilhaim Al Madfai
Horace Parlan
Herbie Honcock
Harem IV feat. Nery
Horace X
Havana
Harry James
Hot Lips Page
Hal Singer
Harold Burrage
Howard McGhee - Fats Navarro
Herb Ellis
Hamza Dekeli
Hüseyin Albayrak
H. Mustafa Arı
Hande Yener
Hülya Süer
Hatice Zengin
Hikmet Talu
Halil Kenderli-İsmail Akagün-Erg
Har Mar Superstar
Habib Koite - Bamada
Hüseyin Demirbilek
Hadise
Hugo - Stefani - Williams
H. Faltermeier
Hermann - Mateus - Marchesini
Hikmet Günsel
Hakan Kara
HGS Kardeşler
Hüseyin Demir
Hemdem
Hüseyin Karakuş
Haydar Bayar
Hakkı Şimşek
Hüseyin Doğanay
Hatice Duran
Hülya Karakoç
Hozan Mistefa
Hasan Keskinbıçak
Hemide Mecid
Huseyne Omeri
Hesen Şerif
Heme Haci
Harun Tekin
Hakan Eyiden
Hakan Güray
Hasan Durak
Halil Arapoğlu - Halime Arapoğlu
Halime Arapoğlu
Hafız Mustafa Efendi
Haluk Bilginer
Haluk Bilginer - Şebnem Dönmez
Hikmet Emektar - Kazım Emektar
Hulisi Öktem Korosu
Hekim Sefkan
Hewar u Gazin
Hawar ü Gazin
Hayrettin Tarhan
Haydar Ağbaba
Hi - Tack
Haydar Tatlıyay
Hasret Gültekin
Hüsnü Arıkan
Holger Hiller
Hadag Nahash
Hasan Esen
House Of Gypsies
Henry Salvador
Hug
Hüseyin Çırakman
Handsome Boy Modeling School - J
Howard Maple - Anja Oyen Vister
Hüsnü Şenlendirici - Laço Tayfa
Halil Kumova
Herencia
Hasan Basri
Haiducii
Hatice İntaç
Hüseyin Öksüz
Hakan Demir
Haluk Şahin
Hakkı Bulut
Henrik T
Harem IV
Halil Kendirli-İsmail Akagün ve
Hector Y Tito Feat. Don Omar
Hancel
Hector Y Tito
Hıdır Dündar
Hitmakers
Hanley & Russel
Hulusi Babalık
Halil Necipoğlu
Huong Thanh
Hasna
Harri Kakoalli
Hikmet Hükümenoğlu
Hubert Von Goisern
Hosoo - Transmongolia
Huun-Huur Tu
Hüseyin Türkmenler
Hossein Farjami
Hossam Ramzy
Hisham Abbas - Jayashree
Hubert - Felix Thiefaine
Herbert Leonard
Hepsi
Hayko
Handan Kara
Hasan Gülen
Hüdai Aksu
Hülya Polat
Hipno
Hayri Süt
Hüseyin Erbaş
Hasan Er
Hürol - Gürol Herkesecan
Hossam Ramzy - Jose Luis Monton
Hasan Çakan
Hasan Çakan - Osman Çakan - Tame
Hasan Çakan - Osman Çakan - Tame
Haydar Tezel
Hasan Karabaş
Herem
Hayri Küçükdeniz - Münib Engin N
Hacer
Hüseyin Karadayı vs. Dj Funky C
Hüseyin ve Hayal
Habib Koite
Haryou Percussion Group
Homayra
Hamza Akbaba - Müslüm Akbaba
Hesen Cizrawi
Huseyne Muşi
Hawin
Hande Dalkılıç
Hüseyin Turan
Hubyarlı Murat Yıldırım
Havva Karadaş - Doğan Özden
Halit Nart
Hilal Çalıkoğlu & Baki Duyarlar
Halil Darvaş
Halil Karaduman - Ercüment Batan
Hilal Çalıkoğlu - İlyas Tetik
Harem Feat. Despina Vandi - Diva
Harem Feat. Nery
Harem Feat. Diva D
Harem Feat. Nisan
Harem Feat. Despina Vandi
Hakim Abdullayev
Hamdi Özbay
Hasan Akıncı
Hedi Jouini
Hüseyin Uğurlu
Hakan Tunçbilek
Hüseyin Sezer Kokşa
Hege Rimestad
Hakan Polat
Hülya Sözer
Hasan Bitmez
Hale Gür
Hayalet Tren
Hasan Hüseyin Demirel
Hasan Rıfkı Özgen
Hasan Erdoğan
Hilmi Şahballı
Halis Bütünley
Hüseyin Kaya
Hafız Sadettin Kaynak
Hakan Taşıyan
Halit Saruhan
Hazan Aaron Kohen Yasak
Hadass Pal-Yarden
Haluk Akay
Halil Sezgin
Hülya Karakaş
Halil Kendirli
Hasan Keşkek
İbrahim Ezmez
İsmail Dibiç
İbrahim Bala
İsmail Erdoğan
İsmail Kaya
İbrahim Sinaloğlu
İbrahim Özbayrak
İsmail Havuz
İsmail Sırtlı
İsmail YK
İsmail Hazar
İnci Türkay
İzak Algazi Efendi
İlhan Erşahin
İlhan Erten
İsmail Arslan
İsmail Badıllı - Muzaffer Badıll
İlhan Söyleyen
İlknur Zeynep Yakupoğlu
İsmail Karakaş
İsmail Karahan
İsmail Türüt - Hüseyin Bıçak - H
İsmail Muratdağı
İsmail Aydın Alşan
İsrafil Daştan
İlyas Özcan
İrfan Kurak
İbrahim Çakır
İkram Kaya
İzzet Aktaş
İbrahim Aktaş
İstanbul Tarihi Türk Müziği
İlkay Akaya
İskender Paydaş
İlhan Erşahin - Erik Truffaz -Th
İbrahim Kılıç
İzel
İsmail Önül
İsmet Arıcı
İlker Çelik
İsmet Zengin
İlyas Şehirli
İbrahim Çelik
İsmail Beyhan
İsmail Cumhur
İbrahim Bilkiç
İ. Hakkı Çopuroğlu - Nurşen Asla
İsrafil Öztürk
İbrahim Sinan
İpek Pınar
İhsan Aydın
İbrahim Dağ - Y. Nalbantoğlu - M
İlhan Yolcu
İntizar
İrfan Özbakır
İsmet Bayraktar
İsmail Özan
İlhan Tek
İpek Oteli (Cem-Tevfik-Mertol)
İlhan Erkuş
İlda
İlkay Akkaya-Birol Topaloğlu-Arz
İhsan Mendeş
İsmail Kadıoğlu
İksir
İmam Çetin
İhsan Güvercin
İlkay Akkaya
İlhan Yazıcı
İlknur Elbilsin
İnci Yaman
İsmail Hakkı Fencioğlu
İsmail Olgay
İstanbul Blues Kumpanyası
İhtiyaç Molası
İbrahim Erkal - Zara
İbrahim Erkal
İhsan Çölemerikli
İhsan Çölemerikli - Kerem Çapik
İsife Mehemed
İhsan
İlter Burak Kalay
İbrahim Koç
İlham Gencer
İlhan Harmancı
İnci Türkay - Yıldız Asyalı - Bo
İskender Doğan
İpek Bilgin
İbrahim Erkal - Neşe Yılmaz
İskender Ulus
İsmail Türüt
İnan
İlhan Erşahin feat. Bora Uzer
İzzet Altınmeşe
İstambul Cafe
İlhan Şeşen
İlknur Kaplan
İsmail İlknur
İlhan İrem
İncesaz
İsmail İpek
İbrahim Rojhilat
İsmail Polat
İbrahim Macit
İsmail Işık - Mücahit Işık
İbrahim Ziya Bey
İnci Çayırlı - Hilmi Yavuz - Gön
İbrahim Özgür
İncesaz - Dilek Türkan
İbo
İlknur Sezer
İlke Türkdoğan
İbrahim Yavuz Yükselsin
İrini Boyacı
İrem
İhsan Özgen
İlyas Salman
İnegöllü Nedim Ve Arkadaşları
İnci
İlhan Erşahin Feat. Dilara Sakpı
İsmail Hakkı Demircioğlu
İlhan Erşahin - Kenny Wollesen -
İhsan Kara
İbrahim Tatlıses
İbiza
İsmet Mesut Bingöl
İrfan Gürdal
İlyas Tetik
İbrahim Kavraz
İrşadi Kılıç
İsmet Karataş
İlda Top
İskender Şencemal - Belgin Tunçb
İleri İkili
İsmail Özden
İbrahim Dülger
İhsan Göğercin
İbrahim Erkal - Gaye Aksu
İskender Ulus - Turan Ulus
İlkay Akkaya feat. Kazım Koyuncu
İbrahim Kavala
İstanbul Attack
İbrahim Sadri
İ. Metin Uğur
İdris Çakmaktaş
İsmail Demircioğlu
İbrahim Dizlek
İbrahim Şirin
İnci Çayırlı
İbrahim Can
İsmail Bülbül
İstanbul Klasik T. M. Korosu
İzzet Yıldızhan
İsmail Badıllı
Janusz Szprot
Jale
Jan Axin
Jay Jay Johanson
Jansons
Jennifer Lopez
John Frusciante - Josh Klinghoff
Josh Groban
Jon Brion
John Frusciante
Jason Miles
Judas Priest
Joe Lavano
Jesse Cook
John Hammond
Johnny Coles
John Williams
Jason Moran
Jeff Lorber
John Coltrane
Johnny Winter
Julie London - Minnie Riperton -
Joao Donato
Joe Williams
Joan Beaz
Jose Feliciano
James Galway
Jacques Loussier
John Legend
Jimmy Somerville
Joe Dassin
Jeff Buckley
Jamiroquai
Joe Fallisi
James Blunt
Jacqueline Du Pre
John Hughes
Joe Lovano
Joni Mitchell
Jesse McCartney
Jochum
Jamie Cullum
Jack White
Janet - Jak Esim
Jale
Jehat
Jamie Lewis-DJ. Pippi
Jellena
Jason Ames
Junior Jack
Janis Joplin
Johnny Hodges
John Murphy
Jimmy Rowles
Jan Johnston
Jackie Cain
Jade Villalon - Mustafa Doğan Di
Joss Stone
Jamelia
Jawad At All
Junoon
John Schroeder
Junior Murvin
Jimmy Smith
Jimmy McGriff - Various Artists
Jimmy Logan
John Mayer
Jerry Buther
Josef Locke
Jesse Owens
Julie London
June Christy
Jack Jones
Judy Garland
Joe Henderson
Jons Pistoor
John Van Der Veer
Joe Cocker
J.S.Bach
Jesus Jones
Jimmy Rogers
John Lee Hooker
Jane Wiedlin
Joe South
Juice Newton
Jacky Jayet
Juanito
Jussi Björling
James Moody - Art Blakey
Jackjaw Davis
Jony Iliev - Band
James Moody
Jacky Terrasson
Jackie McLean
Jacky Terasson
Jason Moran
Jelly Roll Morton
Joe Sullivan
Junior Freak
Jimmy Yancey
Jay McShann
Jay Dee feat. Frank-n-Dank
Jmdee - Beat feat. Tassel - Natu
Jabbo Smith
Joe Turner
Johnny Otis
Jonah Jones
Jimmy Raney
Johnny Smith
Joe Gordon
Jim Wynn
Joey Thomas
Jimmie Maddin
Jack McVea
Jor Lutcher
Jack Wilkins
Jimmy Liggins
Johnny Griffin
Joe Lutcher
Johnny Wicks
Joe Liggins
Jacques Fray
Jimmy Fontana
Johnny Desmond - The Crew Chiefs
Johnny Desmond
James Galway - Phil Coulter
Julie Zenatti
Jean-François Michael
Juliet
Juliani - Johnny-Boy - K-Swiss -
Johnny ( less)
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The BeatlesPaul McCartney, Ringo Starr, George Harrison, and John Lennon Origin Liverpool, England Rock/Pop - Years active 1960--1970 Parlophone, Capitol, Apple, Vee-Jay, Polydor, Swan, Tollie Related to Tony Sheridan, The Quarrymen, The Plastic Ono Band, The Dirty Mac, Wings, Traveling Wilburys, ( more)
The BeatlesPaul McCartney, Ringo Starr, George Harrison, and John Lennon Origin Liverpool, England Rock/Pop - Years active 1960--1970 Parlophone, Capitol, Apple, Vee-Jay, Polydor, Swan, Tollie Related to Tony Sheridan, The Quarrymen, The Plastic Ono Band, The Dirty Mac, Wings, Traveling Wilburys, Rory Storm and the Hurricanes, Ringo Starr All-Starr Band, Billy Preston Members - Ever to DateJohn LennonPaul McCartneyGeorge HarrisonRingo Starr Former members Stuart SutcliffePete Best The Beatles were an English rock band from Liverpool whose members were John Lennon, Paul McCartney, George Harrison, and Ringo Starr. They are the most commercially successful and critically acclaimed band in the history of popular music.The Beatles are the best-selling musical act of all time in the United States of America, according to the Recording Industry Association of America, which certified them as the highest selling band of all time based on American sales of singles and albums. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one. This commercial success was repeated in many other countries: their record company, EMI, estimated that by 1985 they had sold over one billion discs and tapes worldwide. In 2004, Rolling Stone Magazine ranked The Beatles #1 on their list of 100 Greatest Artists of All Time. According to that same magazine, their innovative music and cultural impact helped define the 1960s,[2] and their influence on pop culture can still be felt today.The Beatles led the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s.1957--1960: FormationThe QuarrymenIn March 1957, John Lennon formed a skiffle group called The Quarrymen whilst attending Quarry Bank Grammar School in Liverpool.[6] Lennon and the Quarrymen met guitarist Paul McCartney at the Woolton Garden Fête held at St. Peter's Church on 6 July 1957.[7] On 6 February 1958, the young guitarist George Harrison was invited to watch the group (who played under a variety of names) at Wilson Hall, Garston, Liverpool.[8] McCartney had become acquainted with Harrison on the morning school bus ride to the Liverpool Institute, as they both lived in Speke. At McCartney's insistence, Harrison joined the Quarrymen as lead guitarist[9] after a rehearsal in March 1958, overcoming Lennon's initial reluctance because of Harrison's young age.[10] Members continually joined and left the lineup during that period, and in January 1960 Lennon's art school friend Stuart Sutcliffe joined on bass.[11] Lennon and McCartney both played rhythm guitar and the group had a high turnover of drummers.The Quarrymen went through a progression of names — "Johnny and the Moondogs", "Long John and the Beatles", "the Silver Beetles" (derived from Larry Parnes' suggestion of "Long John and the Silver Beetles") — before settling on "The Beatles". There are many theories as to the origin of the name and its unusual spelling. It is usually credited to Lennon, who said that the name was a combination word-play on the insects "beetles" (as a reference to Buddy Holly's band, the Crickets) and the word "beat". Cynthia Lennon suggests that Lennon came up with the name Beatles at a "brainstorming session over a beer-soaked table in the Renshaw Hall bar."[12] Lennon, who was well known for giving multiple versions of the same story joked in a 1961 Mersey Beat magazine article that "It came in a vision — a man appeared on a flaming pie and said unto them, 'From this day on you are Beatles with an A'".[13] During an interview in 2001, Paul McCartney took credit for the peculiar spelling of the name, saying that "John had the idea of calling us the Beetles, I said, 'how about the Beatles; you know, like the beat of the drum?' At the time, everyone was stoned enough to find it hilarious. It's funny how history is made." [14]In May 1960 The Beatles toured northeast Scotland as a back-up band with singer Johnny Gentle.[15] They met Gentle an hour before their first gig, and McCartney referred to the tour as a great experience for the band.[16] For the tour the often drummerless group secured the services of Tommy Moore, who was considerably older than the others.[17] Soon after the tour, however, feeling the age gap was too great Moore left the band and went back to work in a bottling factory as a fork-lift truck driver.[18] Norman Chapman was the band's next drummer, but was called up for National Service in a few weeks. His departure posed a significant problem as the group's unofficial manager, Allan Williams, had arranged for them to perform in clubs on the Reeperbahn in Hamburg, Germany.[19]1960--1970: The BeatlesHamburgOn 15 August 1960, McCartney invited Pete Best to become the group's permanent drummer. He had watched Best play with the Blackjacks[20] in the Casbah Club, owned by Pete's mother, Mona Best. This was a cellar club in West Derby, Liverpool, where The Beatles had played and often visited.[21] In the documentary The Compleat Beatles, Williams said that Best "played not too cleverly, but passable."The Beatles started playing in Hamburg at the Indra and Kaiserkeller bars. They were required to play six or seven hours a night, seven nights a week. Shortly after they began performing at a new venue, the "Top Ten Club",[22] Harrison was deported for having lied to the German authorities about his age.[23] A week later, having started a small fire at their living quarters while vacating it for more luxurious rooms, McCartney and Best were arrested, charged with arson, and deported.[24] Lennon followed the others to Liverpool in mid-December.The reunited Beatles played their first engagement on 17 December 1960 at the Casbah Club and returned to Hamburg in April 1961. Whilst playing at the Top Ten Club they were recruited by singer Tony Sheridan to act as his backing band on a series of recordings for the German Polydor Records label,[25] produced by famed bandleader Bert Kaempfert.[19] Kaempfert signed the group to its own Polydor contract at the first session on 22 June 1961. On 31 October Polydor released the recording "My Bonnie (Mein Herz ist bei dir nur)", which appeared on the German charts under the name "Tony Sheridan and the Beat Brothers", a generic name used for whoever happened to be in Sheridan's backup band.[26] In addition to the legend that this record led to the group's eventual meeting with Brian Epstein, it also resulted in their first mention in the American press. Around the beginning of 1962, Cashbox mentioned "My Bonnie" as the debut of a "new rock and roll team, Tony Sheridan and the Beat Brothers". A few copies were also pressed under the Decca label for U.S. disc jockeys, as American Decca had a distribution deal with Polydor parent Deutsche Grammophon.[27] (This was ironic, considering that by this time the then-unaffiliated British Decca had turned down the group's attempt to gain a recording contract.) When the group returned to Liverpool, Sutcliffe stayed on in Hamburg with his new German fiancee Astrid Kirchherr, [28] and McCartney took over bass duties.[29]Their third stay in Hamburg was from 13 April to 31 May 1962, when they opened The Star Club.[19] Upon their arrival they were informed of Sutcliffe's death from a brain haemorrhage.[30]Epstein took over as the group's manager in January 1962 and led The Beatles' quest for a British recording contract. Epstein had been manager of the record department at North End Music Store (NEMS), an offshoot of his family's furniture store. He played on the status of NEMS as a major record dealer to gain access to producers and recording company executives. In a now-famous exchange, Decca Records A&R executive Dick Rowe turned Epstein down flat, informing him that "Guitar groups are on the way out, Mr. Epstein."[31] While Epstein was negotiating with Decca, he also approached EMI marketing executive Ron White.[32] White (who was not himself a record producer) in turn contacted EMI producers Norrie Paramor, Walter Ridley, and Norman Newell, all of whom declined to record The Beatles.[33] White did not approach EMI's fourth staff producer — George Martin — who was on holiday at the time.[34]Record contractAfter failing to impress Decca Records, Epstein went to the HMV store on Oxford Street in London to transfer the Decca tapes to discs. There, recording engineer Jim Foy referred him to Sid Coleman, who ran EMI's publishing arm. When Coleman heard the demo tapes he suggested taking the tapes to George Martin, who, Coleman explained, "does comedy records" and headed the Parlophone label at EMI. Epstein eventually met with Martin, who signed the group to EMI on a one-year renewable contract and scheduled their first recording session on 6 June at EMI's Abbey Road studios in north London.[35] Martin had not been particularly impressed by the band's demo recordings,[36] but he instantly liked them as people when he met them. He concluded that they had raw musical talent, but said (in later interviews) that what made the difference for him was their wit and humour.[37]Martin did have a problem with Pete Best, [36] whom he criticised for not being able to keep time. He privately suggested to Epstein that the band use another drummer in the studio. Best was good-looking and popular with the group's fans, but the three founding members had become increasingly unhappy with his drumming and his personality.[citation needed] There was speculation by some that Best's popularity[38] with fans was another source of friction. In addition, Epstein had become exasperated with his refusal to adopt the distinctive hairstyle as part of their unified look. Best also had missed a number of engagements because of illness. The three founding members enlisted Epstein to dismiss Best - which he did on 16 August 1962.[39] They asked Ringo Starr (born Richard Starkey), the drummer for one of the top Merseybeat groups, Rory Storm and the Hurricanes, to join the band, as Starr had performed occasionally with The Beatles in Hamburg.[40] The first recordings of Lennon, McCartney, Harrison, and Starr together were made as early as 15 October 1960, in a series of demonstration records privately recorded in Hamburg while acting as the backing group for singer Lu Walters.[41] Starr played on The Beatles' second EMI recording session on 4 September 1962, but Martin hired session drummer Andy White for their next session on 11 September.[42]Their recording contract paid them one penny for each single sold, which was split amongst the four Beatles — one farthing per group member.[43] This royalty rate was further reduced for singles sold outside the UK, on which they received half of one penny (again split between the whole band) per single. Martin said later that it was a "pretty awful" contract.[43] Their publishing contract with Dick James Music (DJM) was also standard for the time: songwriters received the statutory minimum of 50% of the gross monies received, with the publisher retaining the other 50%.[citation needed]The Beatles' first EMI session on 6 June did not yield any releasable recordings but the September sessions produced a minor UK hit, "Love Me Do", which peaked on the charts at number 17.[44] ("Love Me Do" reached the top of the U.S. singles chart over 18 months later in May 1964.) On 26 November they recorded their second single "Please Please Me", which reached no. 2 in the official UK charts and no. 1 in the NME chart. Three months later they recorded their first album (also titled Please Please Me). The band's first televised performance was on the People and Places programme transmitted live from Manchester by Granada Television on 17 October 1962.[45] As The Beatles' fame spread, the frenzied adulation of the group, predominantly from teenage female fans, was dubbed 'Beatlemania'. In November 1963 The Beatles appeared on the Royal Variety Performance and were photographed with Marlene Dietrich, who also appeared on the show.[citation needed]AmericaAlthough the band experienced huge popularity in the UK record charts from early 1963, EMI's American operation, Capitol Records, declined to issue the singles "Please Please Me" and "From Me to You (their first official no. 1 hit in the UK)".[46] Vee-Jay Records, a small Chicago label, issued the singles as part of a deal for the rights to another performer's masters. Art Roberts, music director of Chicago powerhouse radio station WLS, placed "Please Please Me" into radio rotation in late February 1963 making it the first time a Beatles record was heard on American radio. Vee-Jay's rights to The Beatles were later cancelled for non-payment of royalties.[47]In August 1963, Philadelphia-based Swan Records released "She Loves You", which also failed to receive airplay. A testing of the song on Dick Clark's TV show American Bandstand produced laughter from American teenagers when they saw the group's distinctive hairstyles. New York disc jockey Murray the K featured "She Loves You" on his '1010 WINS record revue' show in January.[48] In early November 1963, Brian Epstein persuaded Ed Sullivan to present The Beatles on three editions of his show in February, and parlayed this guaranteed exposure into a record deal with Capitol Records. Capitol committed to a mid-January release for "I Want to Hold Your Hand",[49] On 7 December 1963 a clip of The Beatles was shown on the CBS Evening News (the story originally had been scheduled to air on 22 November and was aired on the CBS Morning News but was pre-empted by the assassination of John F. Kennedy). The clip inspired a teenage girl in Washington, D.C. to request a Beatles song on a local radio station. The station secured an imported copy of "I Want to Hold Your Hand" — forcing Capitol Records to release the song ahead of schedule on 26 December.Several New York radio stations — first WMCA, then WINS (AM) and WABC — began playing "I Want to Hold Your Hand" on its release day. The Beatlemania that had started in Washington was duplicated in New York and quickly spread to other markets. The record sold one million copies in just ten days, and by 16 January, Cashbox magazine had certified the record number one (in the edition marked 23 January). On 3 January 1964 a film of The Beatles performing "She Loves You" was aired on the late-night Jack Paar Show.Beatlemania crosses the AtlanticOn 7 February 1964, a crowd of four thousand fans at Heathrow Airport waved to The Beatles as they took off for their first trip to America as a group.[51] They were accompanied by photographers, journalists (including Maureen Cleave) and Phil Spector, who had booked himself on the same flight.[52] The pilot had radioed ahead, and as they prepared to land said, "Tell the boys there's a big crowd waiting for them." Kennedy International Airport had never experienced such a crowd, estimated at about 3,000 screaming fans.[53] After a press conference (where they first met Murray the K) they were put into limousines and driven to New York. On the way McCartney turned on a radio and listened to a running commentary: "They [The Beatles] have just left the airport and are coming to New York City..."[54] After reaching the Plaza Hotel, they were besieged by fans and reporters. Harrison had a temperature of 102 the next day and was ordered to stay in bed, so Neil Aspinall replaced him for the first television rehearsal.[55]Their first live American television appearance was on the The Ed Sullivan Show on 9 February 1964. The next morning practically every newspaper wrote that The Beatles were nothing more than a "fad", and "could not carry a tune across the Atlantic".[56] Their first American concert appearance was at Washington Coliseum in Washington, D.C. on 11 February.[57]After The Beatles' huge success in 1964, Vee-Jay Records and Swan Records took advantage of their previously secured rights to The Beatles' early recordings and reissued the songs, all of which reached the top ten the second time around. (MGM and Atco also secured rights to The Beatles' early Tony Sheridan-era recordings and had minor hits with "My Bonnie" and "Ain't She Sweet", the latter featuring John Lennon on lead vocal.) In addition to Introducing... The Beatles, which was essentially The Beatles' debut British album with some minor alterations, Vee-Jay also issued an unusual LP called The Beatles Vs The Four Seasons. This 2-LP set paired Introducing... The Beatles and The Golden Hits Of The Four Seasons, another successful act that Vee-Jay had under contract, in a 'contest' (the back cover featured a 'score card'). Another unusual release was the Hear The Beatles Tell All album, which consisted of two lengthy interviews with Los Angeles radio disc jockeys (side one was titled "Dave Hull interviews John Lennon," while side two was titled "Jim Steck interviews John, Paul, George, Ringo"). No Beatles music was included on this interview album, which turned out to be the only Vee Jay Beatles album Capitol Records could not reclaim.The Vee-Jay/Swan-issued recordings eventually ended up with Capitol, who issued most of the Vee-Jay material on the American-only Capitol release The Early Beatles, with three songs left off this final US version of the album. ("I Saw Her Standing There" was issued as the American B-side of "I Want to Hold Your Hand," and also appeared on the Capitol Records album Meet The Beatles. "Misery" and "There's a Place" were issued as a Capitol "Starline" reissue single in 1964, and reappeared on the 1980 Rarities compilation album.) The early Vee-Jay and Swan Beatles records command a high price on the record collectors' market, and all have been copiously bootlegged.[58] The Swan tracks ("She Loves You" and "I'll Get You") were issued on the Capitol LP The Beatles' Second Album. (Swan also issued the German-language version of "She Loves You," called "Sie Liebt Dich." This song later appeared (in stereo) on Capitol's US version of the Rarities compilation album.)In mid-1964 the band undertook their first appearances outside of Europe and North America. They toured Australia and New Zealand without Ringo Starr, who was ill and temporarily replaced by session drummer Jimmy Nicol. In Adelaide they were greeted by over 300,000 people who turned out at Adelaide Town Hall.[59]In June 1965, Her Majesty Queen Elizabeth II appointed the four Beatles Members of the Order of the British Empire, MBE. The band members were nominated by Prime Minister Harold Wilson (who also was the M.P. for Huyton, Liverpool).[60] The appointment — at that time primarily bestowed upon military veterans and civic leaders — sparked some conservative MBE recipients to return their insignia in protest.[61] The first two were returned on 14 June, before The Beatles received theirs on 26 October 1965.[62] On 15 August that year, The Beatles performed the first stadium concert in the history of rock, playing at Shea Stadium in New York to a crowd of 55,600.[63] Their sixth album, Rubber Soul, was released in early December 1965. It was hailed as a major leap forward in the maturity and complexity of the band's music.[64]Backlash and controversyIn July 1966, when The Beatles toured the Philippines, they unintentionally snubbed the nation's first lady, Imelda Marcos, who had expected the group to attend a breakfast reception at the Presidential Palace.[65] When presented with the invitation, Brian Epstein politely declined on behalf of the group, as it had never been the group's policy to accept such "official" invitations.[66] The group soon found that the Marcos regime was unaccustomed to accepting "no" for an answer. After the 'snub' was broadcast on Philippine television and radio, all of The Beatles' police protection disappeared. The group and their entourage had to make their way to Manila airport on their own. At the airport, roadie Mal Evans was beaten and kicked, and the band members were pushed and jostled about by a hostile crowd.[67] Once the group boarded the plane, Epstein and Evans were ordered off, and Evans said, "Tell my wife that I love her."[68] Epstein was forced to give back all the money that the band had earned while they were there before being allowed back on the plane.[69]Almost as soon as they returned from the Philippines, an earlier comment by Lennon made in March that year launched a backlash against The Beatles from religious and social conservatives in the United States. In an interview with British reporter Maureen Cleave,[70] Lennon had offered his opinion that Christianity was dying and that The Beatles were "more popular than Jesus now."[71] Afterwards, a radio station in Birmingham, Alabama, ran a story on burning Beatles records, in what was considered to be a joke. However, many people affiliated with rural churches in the American South started taking the suggestion seriously. Towns across the United States and South Africa started to burn Beatles records in protest. Attempting to make light of the incident, McCartney said, "They've got to buy them before they can burn them." Under tremendous pressure from the American media, Lennon apologised for his remarks at a press conference in Chicago on August 11, the eve of the first performance of what turned out to be their final tour.[72]The group's two-year series of Capitol compilations also took a strange twist in the United States when one of their publicity shots, used for a Yesterday and Today album and a poster promoting the UK release of "Paperback Writer", created an uproar, as it featured the band draped in meat and plastic dolls. Thousands of these copies had to be withdrawn. Years later, the cover shot was linked with the group's interest in German expressionism.[72]Elvis Presley disapproved of The Beatles's anti-war activism and open use of drugs, later asking President Nixon to ban all four members of the group from entering the United States. Peter Guralnick writes, "The Beatles, Elvis said, [...] had been a focal point for anti-Americanism. They had come to this country, made their money, then gone back to England where they fomented anti-American feeling."[73] Guralnick adds, "Presley indicated that he is of the opinion that The Beatles laid the groundwork for many of the problems we are having with young people by their filthy unkempt appearances and suggestive music while entertaining in this country during the early and middle 1960s."[74] Despite Elvis' remarks, Lennon still had some positive feeling towards him: "Before Elvis, there was nothing."[75]The studio years The Beatles at their last concert, Candlestick Park.In April 1966, the group began recording what would be their most ambitious album to date, Revolver. During the recording sessions for the album, tape looping and early sampling were introduced in a complex mix of ballad, R&B, soul and world music.The Beatles performed their last concert before paying fans at Candlestick Park in San Francisco on 29 August 1966.[72] McCartney asked Tony Barrow to tape the event, but the 30-minute tape he used ran out halfway through the last song. The concert lasted a little under 35 minutes.[76]From then on, The Beatles concentrated on recording. Less than seven months after recording Revolver, The Beatles returned to Abbey Road Studios on 24 November 1966 to begin the 129-day recording sessions for their eighth album, Sgt. Pepper's Lonely Hearts Club Band, released on 1 June 1967.On 25 June 1967, The Beatles became the first band globally transmitted on television—before an estimated 400 million people worldwide. The band appeared in a segment within the first-ever worldwide TV satellite hook-up, a show titled Our World. The Beatles were transmitted live from Abbey Road Studios, and their new song "All You Need Is Love" was recorded live during the show.The band's business affairs began to unravel after manager Brian Epstein died of an accidental prescription drug overdose on 27 August 1967 at the age of 32. At the end of 1967, they received their first major negative press in the UK with disparaging reviews of their surrealistic TV film Magical Mystery Tour.[77] Part of the criticism arose because colour was an integral part of the film, but in 1967 few viewers in the UK had colour televisions. The film's soundtrack, which features one of The Beatles' few instrumental tracks ("Flying"), was released in the United Kingdom as a double EP, and in the United States as a full LP (the LP is now the official version).The group spent the early part of 1968 in Rishikesh, Uttar Pradesh, India, studying transcendental meditation with the Maharishi Mahesh Yogi.[78] Upon their return, Lennon and McCartney went to New York to announce the formation of Apple Corps. The middle of 1968 saw the band busy recording the double album The Beatles, popularly known as The White Album because of its plain white cover. These sessions saw deep divisions opening within the band, with Starr temporarily walking out. The band carried on, with McCartney recording the drums on the songs "Martha My Dear", "Wild Honey Pie", "Dear Prudence" and "Back in the USSR". Among the other causes of dissension were that Lennon's new girlfriend, Yoko Ono, was at his side through almost all of the sessions, and that the others felt that McCartney was becoming too dominating.[79] Internal divisions within the band had been a small but growing problem during their early years; most notably, this was reflected in the difficulty that George Harrison experienced in getting his own songs onto Beatles albums.On the business side, McCartney wanted Lee Eastman, the father of his then-girlfriend Linda Eastman, to manage The Beatles, but the other members wanted New York manager Allen Klein. All past Beatles' decisions had been unanimous, but this time the four could not agree. Lennon, Harrison and Starr felt the Eastmans would put McCartney's interests before those of the group. In 1971 it was discovered that Klein, who had been appointed manager, had stolen £5 million from The Beatles' holdings. Years later, during the Anthology interviews, McCartney said of this time, "Looking back, I can understand why they would feel that he [Lee Eastman] was biased against them."Their final live performance was on the rooftop of the Apple building in Savile Row, London, on 30 January 1969, the next-to-last day of the difficult Get Back sessions. Most of the performance was filmed and later included in the film Let It Be. While the band was playing, the local police were called because of complaints about the noise. Although the group was simply asked to end their performance, the band members later remarked in the Anthology video that they were disappointed they were not arrested — pointing out that the police hauling the band members off in handcuffs would have been "an appropriate ending" for the film.The Beatles recorded their final album, Abbey Road, in the summer of 1969. The completion of the song "I Want You (She's So Heavy)" for the album on 20 August was the last time all four Beatles were together in the same studio.Their final new song was Harrison's "I Me Mine", recorded 3 January 1970 and released on the Let It Be album. It was recorded without Lennon, who was in Denmark when the song was recorded.[80]BreakupJohn Lennon announced his departure to the rest of the group on 20 September 1969 but agreed that no announcement was to be publicly made until a number of legal matters were resolved.In March 1970 the Get Back session tapes were given to American producer Phil Spector, who had produced Lennon's solo single "Instant Karma!". Spector's "Wall of Sound" production values went against the original intent of the record, which had been to record a stripped-down live performance. McCartney was deeply dissatisfied with Spector's treatment of "The Long and Winding Road", and unsuccessfully attempted to halt release of Spector's version of the song. McCartney publicly announced the break-up on 10 April 1970, a week before releasing his first solo album, McCartney. Pre-release copies included a press release with a self-written interview explaining the end of The Beatles and his hopes for the future.[81] On 8 May 1970, the Spector-produced version of Get Back was released as Let It Be, followed by the documentary film of the same name. The Beatles' partnership was finally dissolved in 1975.[82]1970--present: After The Beatles Ringo Starr, 1968 Shortly before and after the official dissolution of the group, all four Beatles released solo albums, including Lennon's John Lennon/Plastic Ono Band, McCartney's McCartney, Starr's Sentimental Journey, and Harrison's All Things Must Pass. Some of their albums featured contributions by other former Beatles; Starr's Ringo (1973) was the only one to include compositions and performances by all four, albeit on separate songs.Other than an unreleased jam session in 1974 (later bootlegged as A Toot and a Snore in '74), Lennon and McCartney never recorded together again.In the wake of the expiration in 1975 of The Beatles' contract with EMI-Capitol, the American Capitol label, rushing to cash in on its vast Beatles holdings and freed from the group's creative control, released five LPs: Rock 'n' Roll Music (a compilation of their more uptempo numbers), The Beatles at the Hollywood Bowl (containing portions of two unreleased shows at the Hollywood Bowl), Love Songs (a compilation of their slower numbers), Rarities (a compilation of tracks that either had never been released in the U.S. or had gone out of print), and Reel Music (a compilation of songs from their films). There was also a non-Capitol-EMI release of a show from the group's early days at the Star Club in Hamburg captured on a poor-quality tape. Of all these post-breakup LPs, only the Hollywood Bowl LP had the approval of the group members. Upon the American release of the original British CDs in 1986, these post-breakup Capitol American compilation LPs were deleted from the Capitol catalogue.John Lennon was shot and killed by Mark David Chapman on 8 December 1980 in New York City. Shortly afterward, in 1981, the three surviving Beatles reunited to record "All Those Years Ago", released as a George Harrison solo single. Its original lyrics had been rewritten as a tribute to Lennon.The BBC has a large collection of Beatles recordings, mostly comprising original studio sessions from 1963 to 1968. Much of this material formed the basis for a 1988 radio documentary series The Beeb's Lost Beatles Tapes. In 1989, many outtakes from The Beatles sessions appeared on the radio series The Lost Lennon Tapes. Later, in 1994, the best of the BBC sessions were given an official EMI release on Live at the BBC.In 1988 The Beatles were inducted into the Rock and Roll Hall of Fame as a group (not as individual performers) during their first year of eligibility.[83] On the night of their induction, Harrison and Starr appeared to accept their award along with Lennon's widow Yoko Ono and his two sons. McCartney stayed away, issuing a press release citing "unresolved difficulties" with Harrison, Starr, and Lennon's estate. Solo Beatles later inducted were Lennon in 1994, McCartney in 1999 and Harrison in 2004. Collage of the various covers of the Anthology seriesIn February 1994, the three surviving Beatles reunited to produce and record additional music for a few of Lennon's home recordings. "Free as a Bird" premiered as part of The Beatles Anthology series of television documentaries and was released as a single in December 1995, with "Real Love" following in March 1996. These songs were also included in the three Anthology collections of CDs released in 1995 and 1996, each of which consisted of two CDs of never-before-released Beatles material. Klaus Voormann, who had known The Beatles since their Hamburg days and had previously illustrated the Revolver album cover, directed the Anthology cover concept. 450,000 copies of Anthology 1 were sold on its first day of release. In 2000, a compilation album named 1 was released, containing almost every number-one single released by the band from 1962 to 1970. The collection sold 3.6 million copies in its first week (selling 3 copies a second) and more than 12 million in three weeks worldwide. The collection also reached number one in the United States and 33 other countries and had sold 25 million copies by 2005 (about the ninth best selling album of all time).George Harrison during this time showed his socio-political consciousness and earned respect for his contribution for arranging the Concert For Bangladesh in New York in August 1971 along with sitar maestro Ravi Shankar. Harrison died of lung cancer on 29 November 2001.More recently, in 2006, George Martin and his son Giles Martin remixed original Beatles recordings to create a soundtrack to accompany Cirque du Soleil's theatrical production Love.Musical evolutionThe Beatles' constant demands to create new sounds on every new recording, combined with George Martin's arranging abilities and the studio expertise of EMI staff engineers such as Norman Smith, Ken Townshend and Geoff Emerick, all played significant parts in the innovative sounds of the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967).The Beatles continued to absorb influences long after their initial success, often finding new musical and lyrical avenues by listening to their contemporaries. Among those influences were Bob Dylan, who influenced songs such as "You've Got to Hide Your Love Away" and "Norwegian Wood (This Bird Has Flown)".[84] Other contemporary influences included the Byrds and the Beach Boys, whose album Pet Sounds was a favourite of McCartney's.[85]Along with studio tricks such as sound effects, unconventional microphone placements, tape loops, double tracking and vari-speed recording, The Beatles began to augment their recordings with instruments that were unconventional for rock music at the time. These included string and brass ensembles as well as Indian instruments such as the sitar as in Norwegian Wood (This Bird Has Flown) and the swarmandel as in Strawberry Fields Forever. They also used early electronic instruments such as the Mellotron, with which McCartney supplied the flute voices on the intro to "Strawberry Fields Forever", and the ondioline, an electronic keyboard that created the unusual oboe-like sound on "Baby You're a Rich Man".Beginning with the use of a string quartet (arranged by George Martin with input from McCartney) on "Yesterday" in 1965, The Beatles pioneered a modern form of art song, exemplified by the double-quartet string arrangement on "Eleanor Rigby" (1966), "Here, There and Everywhere" (1966) and "She's Leaving Home" (1967). A televised performance of Bach's Brandenburg Concerto No. 2 directly inspired McCartney's use of a piccolo trumpet on the arrangement of "Penny Lane". The Beatles moved towards psychedelia with "Rain" and "Tomorrow Never Knows" from 1966, and "Lucy in the Sky with Diamonds", "Strawberry Fields Forever" and "I Am the Walrus" from 1967.Influence on popular cultureLifestyleThe Beatles' lifestyles were greatly altered by their success and the income they earned. The availability of the first oral contraceptive and illegal drugs changed many people's opinions — including The Beatles' — about life, marriage, and sexual relationships.[86]Recreational drug useIn Hamburg, The Beatles used "prellies" (Preludin) both recreationally and to maintain their energy through all-night performances.[87] McCartney would usually take one, but Lennon would often take four or five.[87] Bob Dylan introduced them to cannabis during a 1964 visit to New York.[88] McCartney remembered them all getting "very high" and giggling.[89] The Beatles occasionally smoked a spliff in the car on the way to the studio during the filming of Help!, which often made them forget their lines.[90]In April 1965, Lennon and Harrison were introduced to LSD by an acquaintance, dentist John Riley.[91] Lennon in particular became an avid "tripper", claiming in a 1970 interview in Rolling Stone to have taken LSD hundreds of times. McCartney was more reluctant to try the drug, but finally did so in 1966 and was the first Beatle to talk about it in the press.The Beatles added their names to an advertisement in The Times, on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was sponsored by a group called Soma, and was signed by 65 people, including Brian Epstein, Graham Greene, R.D. Laing, 15 doctors, and two MPs.[92] On a sailing trip to Greece, in 1967, the whole band sat around on the boat and took acid.[93]MeditationOn 24 August 1967, The Beatles met the Maharishi Mahesh Yogi at the London Hilton, and a few days later went to Bangor, in North Wales, to attend a weekend 'initiation' conference.[94] There, the Maharishi gave each of them a mantra.[95] Their time in early 1968 at the Maharishi's ashram in India was highly productive from a musical standpoint, as practically all of the songs that would later be recorded for The White Album and Abbey Road were composed there by Lennon, McCartney, and Harrison.[78]DiscographyFurther information: List of Beatles songs by singer, The Beatles record sales, worldwide charts, The Beatles bootlegs, and List of Beatles hit singles Official CD catalogueIn 1987, EMI released all 12 of The Beatles' studio albums — as originally released in the UK — on CD worldwide. (North American releases were on EMI's American subsidiary Capitol Records). It was a considered decision by Apple Corps to standardise The Beatles catalogue throughout the world. Because there were tracks that had been released in the UK on singles and EPs that had not been released on the original UK albums, in order for all their recordings to be available on CD it was necessary to create three further CDs that would contain the missing tracks.One CD was of a 1967 US compilation album that featured the 6-track 1967 UK EP Magical Mystery Tour and the various singles released in that year. The other two CDs were new compilations that gathered together all the other singles, EP tracks and recordings from 1962--1970 that had not been issued on the original British studio albums.Magical Mystery Tour - 8 August 1987[96] Past Masters, Volume One - 7 March 1988 Past Masters, Volume Two - 7 March 1988 According to EMI and the Guinness Book of Records, The Beatles have sold in excess of one billion units (1,010,000,000, including cassettes, records, CDs and bootlegs).Beginning in 2004, the US album configurations were released as a series of box sets from Capitol Records (The Capitol Albums, Volume 1 & Volume 2); these included both stereo and mono versions based on the mixes that were prepared for vinyl at the time of their original 1960s releases.Song catalogueIn 1963 Lennon and McCartney agreed to assign their song publishing rights to Northern Songs, a company created by music publisher Dick James. The company was administered by James' own company Dick James Music. Northern Songs went public in 1965, with Lennon and McCartney each holding 15% of the company's shares whilst Dick James and the company's chairman, Charles Silver, held a controlling 37.5%. In 1969, following a failed attempt by Lennon and McCartney to buy the company, James and Silver sold Northern Songs to British TV company Associated TeleVision (ATV), from which Lennon and McCartney received stock.In 1985, after a short period in which the parent company was owned by Australian business magnate Robert Holmes à Court, ATV Music was sold to Michael Jackson for a reported $47 million (trumping a joint bid by McCartney and Yoko Ono), including the publishing rights to over 200 songs composed by Lennon and McCartney.A decade later Jackson and Sony merged its music publishing businesses. Since 1995, Jackson and Sony/ATV Music Publishing have jointly owned most of the Lennon-McCartney songs recorded by The Beatles. Sony later reported that Jackson had used his share of their co-owned Beatles' catalogue as collateral for a loan from the music company. Meanwhile, Lennon's estate and McCartney still receive their respective songwriter shares of the royalties. (Despite his ownership of most of the Lennon-McCartney publishing, Jackson has only recorded one Lennon-McCartney composition himself, "Come Together" which was featured in his film Moonwalker.)Although the Jackson-Sony catalogue includes most of The Beatles' greatest hits, four of their earliest songs had been published by one of EMI's publishing companies prior to Lennon and McCartney signing with Dick James — and McCartney later succeeded in personally acquiring the publishing rights to "Love Me Do", "Please Please Me", "P.S. I Love You" and "Ask Me Why" from EMI.Harrison and Starr did not renew their songwriting contracts with Northern Songs in 1968, signing with Apple Publishing instead. Harrison later created Harrisongs, his own company which still owns the rights to his post-1967 songs such as "While My Guitar Gently Weeps" and "Something". Starr also created his own company, called Startling Music. It holds the rights to his two post-1967 songs recorded by The Beatles, "Don't Pass Me By" and "Octopus's Garden".The future of The Beatles catalogueThe Beatles are but a few of the major artists (aside from Led Zeppelin and Garth Brooks) who have not to date allowed their entire recorded catalogue to be available through major online music services (iTunes, Napster, etc.). This may be due to the massive royalty fees demanded by the group. As a result, The Beatles' music (both officially and unofficially released) has been made available through illegal music search engines such as eMule and BearShare, and have apparently raised the ire of the entire music industry.However, sure signs that official online distributions may be coming is the fact that the video for Tomorrow Never Knows/Within You Without You (the remix from their album Love) is currently being distributed (as of June, 2007) via Napster, and many Internet radio networks (such as Pandora Internet Radio and Live365.com) are allowing Beatles songs to be broadcasted over the world wide web. There has been talk of negotiations to make such an official online distribution schedule possible. Officials at Apple Corps have hinted at this, as they have confirmed that the entire Beatles catalog has been digitally remastered for online distribution.On filmMain article: The Beatles on filmThe Beatles appeared in several films, all of which featured associated soundtrack albums.The band played themselves in two films directed by Richard Lester, A Hard Day's Night (1964) and Help! (1965). The group produced and starred in the hour-long television movie Magical Mystery Tour (1967), while the documentary Let It Be (released 1970) followed the recording sessions for the Get Back project in early 1969. In addition, the psychedelic animated film Yellow Submarine (1968) followed the adventures of a cartoon version of the band; the members did not provide their own voices, appearing only in a brief live-action epilogue.Other projectsAnthologyMain article: The Beatles AnthologyLoveMain article: Love (Cirque du Soleil)InstrumentationRickenbacker, Gretsch, Epiphone, Gibson, Fender, and C.F. Martin & Company guitars Höfner, Fender and Rickenbacker basses Vox, Fender, and Selmer amplifiers Premier and Ludwig drums Zildjian cymbals Steinway, and Blüthner pianos Hammond, Vox and Lowrey electric organs Fender Rhodes, Wurlitzer, and Hohner Pianet electric pianos Moog Modular synthesiser Mellotron Polyphonic Keyboard Neumann, AKG, and STC microphonesBill StollStollco videotampa fl ( less)
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The BeatlesPaul McCartney, Ringo Starr, George Harrison, and John Lennon Origin Liverpool, England Rock/Pop - Years active 1960--1970 Parlophone, Capitol, Apple, Vee-Jay, Polydor, Swan, Tollie Related to Tony Sheridan, The Quarrymen, The Plastic Ono Band, The Dirty Mac, Wings, Traveling Wilburys, ( more)
The BeatlesPaul McCartney, Ringo Starr, George Harrison, and John Lennon Origin Liverpool, England Rock/Pop - Years active 1960--1970 Parlophone, Capitol, Apple, Vee-Jay, Polydor, Swan, Tollie Related to Tony Sheridan, The Quarrymen, The Plastic Ono Band, The Dirty Mac, Wings, Traveling Wilburys, Rory Storm and the Hurricanes, Ringo Starr All-Starr Band, Billy Preston Members - Ever to DateJohn LennonPaul McCartneyGeorge HarrisonRingo Starr Former members Stuart SutcliffePete Best The Beatles were an English rock band from Liverpool whose members were John Lennon, Paul McCartney, George Harrison, and Ringo Starr. They are the most commercially successful and critically acclaimed band in the history of popular music.The Beatles are the best-selling musical act of all time in the United States of America, according to the Recording Industry Association of America, which certified them as the highest selling band of all time based on American sales of singles and albums. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one. This commercial success was repeated in many other countries: their record company, EMI, estimated that by 1985 they had sold over one billion discs and tapes worldwide. In 2004, Rolling Stone Magazine ranked The Beatles #1 on their list of 100 Greatest Artists of All Time. According to that same magazine, their innovative music and cultural impact helped define the 1960s,[2] and their influence on pop culture can still be felt today.The Beatles led the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s.1957--1960: FormationThe QuarrymenIn March 1957, John Lennon formed a skiffle group called The Quarrymen whilst attending Quarry Bank Grammar School in Liverpool.[6] Lennon and the Quarrymen met guitarist Paul McCartney at the Woolton Garden Fête held at St. Peter's Church on 6 July 1957.[7] On 6 February 1958, the young guitarist George Harrison was invited to watch the group (who played under a variety of names) at Wilson Hall, Garston, Liverpool.[8] McCartney had become acquainted with Harrison on the morning school bus ride to the Liverpool Institute, as they both lived in Speke. At McCartney's insistence, Harrison joined the Quarrymen as lead guitarist[9] after a rehearsal in March 1958, overcoming Lennon's initial reluctance because of Harrison's young age.[10] Members continually joined and left the lineup during that period, and in January 1960 Lennon's art school friend Stuart Sutcliffe joined on bass.[11] Lennon and McCartney both played rhythm guitar and the group had a high turnover of drummers.The Quarrymen went through a progression of names — "Johnny and the Moondogs", "Long John and the Beatles", "the Silver Beetles" (derived from Larry Parnes' suggestion of "Long John and the Silver Beetles") — before settling on "The Beatles". There are many theories as to the origin of the name and its unusual spelling. It is usually credited to Lennon, who said that the name was a combination word-play on the insects "beetles" (as a reference to Buddy Holly's band, the Crickets) and the word "beat". Cynthia Lennon suggests that Lennon came up with the name Beatles at a "brainstorming session over a beer-soaked table in the Renshaw Hall bar."[12] Lennon, who was well known for giving multiple versions of the same story joked in a 1961 Mersey Beat magazine article that "It came in a vision — a man appeared on a flaming pie and said unto them, 'From this day on you are Beatles with an A'".[13] During an interview in 2001, Paul McCartney took credit for the peculiar spelling of the name, saying that "John had the idea of calling us the Beetles, I said, 'how about the Beatles; you know, like the beat of the drum?' At the time, everyone was stoned enough to find it hilarious. It's funny how history is made." [14]In May 1960 The Beatles toured northeast Scotland as a back-up band with singer Johnny Gentle.[15] They met Gentle an hour before their first gig, and McCartney referred to the tour as a great experience for the band.[16] For the tour the often drummerless group secured the services of Tommy Moore, who was considerably older than the others.[17] Soon after the tour, however, feeling the age gap was too great Moore left the band and went back to work in a bottling factory as a fork-lift truck driver.[18] Norman Chapman was the band's next drummer, but was called up for National Service in a few weeks. His departure posed a significant problem as the group's unofficial manager, Allan Williams, had arranged for them to perform in clubs on the Reeperbahn in Hamburg, Germany.[19]1960--1970: The BeatlesHamburgOn 15 August 1960, McCartney invited Pete Best to become the group's permanent drummer. He had watched Best play with the Blackjacks[20] in the Casbah Club, owned by Pete's mother, Mona Best. This was a cellar club in West Derby, Liverpool, where The Beatles had played and often visited.[21] In the documentary The Compleat Beatles, Williams said that Best "played not too cleverly, but passable."The Beatles started playing in Hamburg at the Indra and Kaiserkeller bars. They were required to play six or seven hours a night, seven nights a week. Shortly after they began performing at a new venue, the "Top Ten Club",[22] Harrison was deported for having lied to the German authorities about his age.[23] A week later, having started a small fire at their living quarters while vacating it for more luxurious rooms, McCartney and Best were arrested, charged with arson, and deported.[24] Lennon followed the others to Liverpool in mid-December.The reunited Beatles played their first engagement on 17 December 1960 at the Casbah Club and returned to Hamburg in April 1961. Whilst playing at the Top Ten Club they were recruited by singer Tony Sheridan to act as his backing band on a series of recordings for the German Polydor Records label,[25] produced by famed bandleader Bert Kaempfert.[19] Kaempfert signed the group to its own Polydor contract at the first session on 22 June 1961. On 31 October Polydor released the recording "My Bonnie (Mein Herz ist bei dir nur)", which appeared on the German charts under the name "Tony Sheridan and the Beat Brothers", a generic name used for whoever happened to be in Sheridan's backup band.[26] In addition to the legend that this record led to the group's eventual meeting with Brian Epstein, it also resulted in their first mention in the American press. Around the beginning of 1962, Cashbox mentioned "My Bonnie" as the debut of a "new rock and roll team, Tony Sheridan and the Beat Brothers". A few copies were also pressed under the Decca label for U.S. disc jockeys, as American Decca had a distribution deal with Polydor parent Deutsche Grammophon.[27] (This was ironic, considering that by this time the then-unaffiliated British Decca had turned down the group's attempt to gain a recording contract.) When the group returned to Liverpool, Sutcliffe stayed on in Hamburg with his new German fiancee Astrid Kirchherr, [28] and McCartney took over bass duties.[29]Their third stay in Hamburg was from 13 April to 31 May 1962, when they opened The Star Club.[19] Upon their arrival they were informed of Sutcliffe's death from a brain haemorrhage.[30]Epstein took over as the group's manager in January 1962 and led The Beatles' quest for a British recording contract. Epstein had been manager of the record department at North End Music Store (NEMS), an offshoot of his family's furniture store. He played on the status of NEMS as a major record dealer to gain access to producers and recording company executives. In a now-famous exchange, Decca Records A&R executive Dick Rowe turned Epstein down flat, informing him that "Guitar groups are on the way out, Mr. Epstein."[31] While Epstein was negotiating with Decca, he also approached EMI marketing executive Ron White.[32] White (who was not himself a record producer) in turn contacted EMI producers Norrie Paramor, Walter Ridley, and Norman Newell, all of whom declined to record The Beatles.[33] White did not approach EMI's fourth staff producer — George Martin — who was on holiday at the time.[34]Record contractAfter failing to impress Decca Records, Epstein went to the HMV store on Oxford Street in London to transfer the Decca tapes to discs. There, recording engineer Jim Foy referred him to Sid Coleman, who ran EMI's publishing arm. When Coleman heard the demo tapes he suggested taking the tapes to George Martin, who, Coleman explained, "does comedy records" and headed the Parlophone label at EMI. Epstein eventually met with Martin, who signed the group to EMI on a one-year renewable contract and scheduled their first recording session on 6 June at EMI's Abbey Road studios in north London.[35] Martin had not been particularly impressed by the band's demo recordings,[36] but he instantly liked them as people when he met them. He concluded that they had raw musical talent, but said (in later interviews) that what made the difference for him was their wit and humour.[37]Martin did have a problem with Pete Best, [36] whom he criticised for not being able to keep time. He privately suggested to Epstein that the band use another drummer in the studio. Best was good-looking and popular with the group's fans, but the three founding members had become increasingly unhappy with his drumming and his personality.[citation needed] There was speculation by some that Best's popularity[38] with fans was another source of friction. In addition, Epstein had become exasperated with his refusal to adopt the distinctive hairstyle as part of their unified look. Best also had missed a number of engagements because of illness. The three founding members enlisted Epstein to dismiss Best - which he did on 16 August 1962.[39] They asked Ringo Starr (born Richard Starkey), the drummer for one of the top Merseybeat groups, Rory Storm and the Hurricanes, to join the band, as Starr had performed occasionally with The Beatles in Hamburg.[40] The first recordings of Lennon, McCartney, Harrison, and Starr together were made as early as 15 October 1960, in a series of demonstration records privately recorded in Hamburg while acting as the backing group for singer Lu Walters.[41] Starr played on The Beatles' second EMI recording session on 4 September 1962, but Martin hired session drummer Andy White for their next session on 11 September.[42]Their recording contract paid them one penny for each single sold, which was split amongst the four Beatles — one farthing per group member.[43] This royalty rate was further reduced for singles sold outside the UK, on which they received half of one penny (again split between the whole band) per single. Martin said later that it was a "pretty awful" contract.[43] Their publishing contract with Dick James Music (DJM) was also standard for the time: songwriters received the statutory minimum of 50% of the gross monies received, with the publisher retaining the other 50%.[citation needed]The Beatles' first EMI session on 6 June did not yield any releasable recordings but the September sessions produced a minor UK hit, "Love Me Do", which peaked on the charts at number 17.[44] ("Love Me Do" reached the top of the U.S. singles chart over 18 months later in May 1964.) On 26 November they recorded their second single "Please Please Me", which reached no. 2 in the official UK charts and no. 1 in the NME chart. Three months later they recorded their first album (also titled Please Please Me). The band's first televised performance was on the People and Places programme transmitted live from Manchester by Granada Television on 17 October 1962.[45] As The Beatles' fame spread, the frenzied adulation of the group, predominantly from teenage female fans, was dubbed 'Beatlemania'. In November 1963 The Beatles appeared on the Royal Variety Performance and were photographed with Marlene Dietrich, who also appeared on the show.[citation needed]AmericaAlthough the band experienced huge popularity in the UK record charts from early 1963, EMI's American operation, Capitol Records, declined to issue the singles "Please Please Me" and "From Me to You (their first official no. 1 hit in the UK)".[46] Vee-Jay Records, a small Chicago label, issued the singles as part of a deal for the rights to another performer's masters. Art Roberts, music director of Chicago powerhouse radio station WLS, placed "Please Please Me" into radio rotation in late February 1963 making it the first time a Beatles record was heard on American radio. Vee-Jay's rights to The Beatles were later cancelled for non-payment of royalties.[47]In August 1963, Philadelphia-based Swan Records released "She Loves You", which also failed to receive airplay. A testing of the song on Dick Clark's TV show American Bandstand produced laughter from American teenagers when they saw the group's distinctive hairstyles. New York disc jockey Murray the K featured "She Loves You" on his '1010 WINS record revue' show in January.[48] In early November 1963, Brian Epstein persuaded Ed Sullivan to present The Beatles on three editions of his show in February, and parlayed this guaranteed exposure into a record deal with Capitol Records. Capitol committed to a mid-January release for "I Want to Hold Your Hand",[49] On 7 December 1963 a clip of The Beatles was shown on the CBS Evening News (the story originally had been scheduled to air on 22 November and was aired on the CBS Morning News but was pre-empted by the assassination of John F. Kennedy). The clip inspired a teenage girl in Washington, D.C. to request a Beatles song on a local radio station. The station secured an imported copy of "I Want to Hold Your Hand" — forcing Capitol Records to release the song ahead of schedule on 26 December.Several New York radio stations — first WMCA, then WINS (AM) and WABC — began playing "I Want to Hold Your Hand" on its release day. The Beatlemania that had started in Washington was duplicated in New York and quickly spread to other markets. The record sold one million copies in just ten days, and by 16 January, Cashbox magazine had certified the record number one (in the edition marked 23 January). On 3 January 1964 a film of The Beatles performing "She Loves You" was aired on the late-night Jack Paar Show.Beatlemania crosses the AtlanticOn 7 February 1964, a crowd of four thousand fans at Heathrow Airport waved to The Beatles as they took off for their first trip to America as a group.[51] They were accompanied by photographers, journalists (including Maureen Cleave) and Phil Spector, who had booked himself on the same flight.[52] The pilot had radioed ahead, and as they prepared to land said, "Tell the boys there's a big crowd waiting for them." Kennedy International Airport had never experienced such a crowd, estimated at about 3,000 screaming fans.[53] After a press conference (where they first met Murray the K) they were put into limousines and driven to New York. On the way McCartney turned on a radio and listened to a running commentary: "They [The Beatles] have just left the airport and are coming to New York City..."[54] After reaching the Plaza Hotel, they were besieged by fans and reporters. Harrison had a temperature of 102 the next day and was ordered to stay in bed, so Neil Aspinall replaced him for the first television rehearsal.[55]Their first live American television appearance was on the The Ed Sullivan Show on 9 February 1964. The next morning practically every newspaper wrote that The Beatles were nothing more than a "fad", and "could not carry a tune across the Atlantic".[56] Their first American concert appearance was at Washington Coliseum in Washington, D.C. on 11 February.[57]After The Beatles' huge success in 1964, Vee-Jay Records and Swan Records took advantage of their previously secured rights to The Beatles' early recordings and reissued the songs, all of which reached the top ten the second time around. (MGM and Atco also secured rights to The Beatles' early Tony Sheridan-era recordings and had minor hits with "My Bonnie" and "Ain't She Sweet", the latter featuring John Lennon on lead vocal.) In addition to Introducing... The Beatles, which was essentially The Beatles' debut British album with some minor alterations, Vee-Jay also issued an unusual LP called The Beatles Vs The Four Seasons. This 2-LP set paired Introducing... The Beatles and The Golden Hits Of The Four Seasons, another successful act that Vee-Jay had under contract, in a 'contest' (the back cover featured a 'score card'). Another unusual release was the Hear The Beatles Tell All album, which consisted of two lengthy interviews with Los Angeles radio disc jockeys (side one was titled "Dave Hull interviews John Lennon," while side two was titled "Jim Steck interviews John, Paul, George, Ringo"). No Beatles music was included on this interview album, which turned out to be the only Vee Jay Beatles album Capitol Records could not reclaim.The Vee-Jay/Swan-issued recordings eventually ended up with Capitol, who issued most of the Vee-Jay material on the American-only Capitol release The Early Beatles, with three songs left off this final US version of the album. ("I Saw Her Standing There" was issued as the American B-side of "I Want to Hold Your Hand," and also appeared on the Capitol Records album Meet The Beatles. "Misery" and "There's a Place" were issued as a Capitol "Starline" reissue single in 1964, and reappeared on the 1980 Rarities compilation album.) The early Vee-Jay and Swan Beatles records command a high price on the record collectors' market, and all have been copiously bootlegged.[58] The Swan tracks ("She Loves You" and "I'll Get You") were issued on the Capitol LP The Beatles' Second Album. (Swan also issued the German-language version of "She Loves You," called "Sie Liebt Dich." This song later appeared (in stereo) on Capitol's US version of the Rarities compilation album.)In mid-1964 the band undertook their first appearances outside of Europe and North America. They toured Australia and New Zealand without Ringo Starr, who was ill and temporarily replaced by session drummer Jimmy Nicol. In Adelaide they were greeted by over 300,000 people who turned out at Adelaide Town Hall.[59]In June 1965, Her Majesty Queen Elizabeth II appointed the four Beatles Members of the Order of the British Empire, MBE. The band members were nominated by Prime Minister Harold Wilson (who also was the M.P. for Huyton, Liverpool).[60] The appointment — at that time primarily bestowed upon military veterans and civic leaders — sparked some conservative MBE recipients to return their insignia in protest.[61] The first two were returned on 14 June, before The Beatles received theirs on 26 October 1965.[62] On 15 August that year, The Beatles performed the first stadium concert in the history of rock, playing at Shea Stadium in New York to a crowd of 55,600.[63] Their sixth album, Rubber Soul, was released in early December 1965. It was hailed as a major leap forward in the maturity and complexity of the band's music.[64]Backlash and controversyIn July 1966, when The Beatles toured the Philippines, they unintentionally snubbed the nation's first lady, Imelda Marcos, who had expected the group to attend a breakfast reception at the Presidential Palace.[65] When presented with the invitation, Brian Epstein politely declined on behalf of the group, as it had never been the group's policy to accept such "official" invitations.[66] The group soon found that the Marcos regime was unaccustomed to accepting "no" for an answer. After the 'snub' was broadcast on Philippine television and radio, all of The Beatles' police protection disappeared. The group and their entourage had to make their way to Manila airport on their own. At the airport, roadie Mal Evans was beaten and kicked, and the band members were pushed and jostled about by a hostile crowd.[67] Once the group boarded the plane, Epstein and Evans were ordered off, and Evans said, "Tell my wife that I love her."[68] Epstein was forced to give back all the money that the band had earned while they were there before being allowed back on the plane.[69]Almost as soon as they returned from the Philippines, an earlier comment by Lennon made in March that year launched a backlash against The Beatles from religious and social conservatives in the United States. In an interview with British reporter Maureen Cleave,[70] Lennon had offered his opinion that Christianity was dying and that The Beatles were "more popular than Jesus now."[71] Afterwards, a radio station in Birmingham, Alabama, ran a story on burning Beatles records, in what was considered to be a joke. However, many people affiliated with rural churches in the American South started taking the suggestion seriously. Towns across the United States and South Africa started to burn Beatles records in protest. Attempting to make light of the incident, McCartney said, "They've got to buy them before they can burn them." Under tremendous pressure from the American media, Lennon apologised for his remarks at a press conference in Chicago on August 11, the eve of the first performance of what turned out to be their final tour.[72]The group's two-year series of Capitol compilations also took a strange twist in the United States when one of their publicity shots, used for a Yesterday and Today album and a poster promoting the UK release of "Paperback Writer", created an uproar, as it featured the band draped in meat and plastic dolls. Thousands of these copies had to be withdrawn. Years later, the cover shot was linked with the group's interest in German expressionism.[72]Elvis Presley disapproved of The Beatles's anti-war activism and open use of drugs, later asking President Nixon to ban all four members of the group from entering the United States. Peter Guralnick writes, "The Beatles, Elvis said, [...] had been a focal point for anti-Americanism. They had come to this country, made their money, then gone back to England where they fomented anti-American feeling."[73] Guralnick adds, "Presley indicated that he is of the opinion that The Beatles laid the groundwork for many of the problems we are having with young people by their filthy unkempt appearances and suggestive music while entertaining in this country during the early and middle 1960s."[74] Despite Elvis' remarks, Lennon still had some positive feeling towards him: "Before Elvis, there was nothing."[75]The studio years The Beatles at their last concert, Candlestick Park.In April 1966, the group began recording what would be their most ambitious album to date, Revolver. During the recording sessions for the album, tape looping and early sampling were introduced in a complex mix of ballad, R&B, soul and world music.The Beatles performed their last concert before paying fans at Candlestick Park in San Francisco on 29 August 1966.[72] McCartney asked Tony Barrow to tape the event, but the 30-minute tape he used ran out halfway through the last song. The concert lasted a little under 35 minutes.[76]From then on, The Beatles concentrated on recording. Less than seven months after recording Revolver, The Beatles returned to Abbey Road Studios on 24 November 1966 to begin the 129-day recording sessions for their eighth album, Sgt. Pepper's Lonely Hearts Club Band, released on 1 June 1967.On 25 June 1967, The Beatles became the first band globally transmitted on television—before an estimated 400 million people worldwide. The band appeared in a segment within the first-ever worldwide TV satellite hook-up, a show titled Our World. The Beatles were transmitted live from Abbey Road Studios, and their new song "All You Need Is Love" was recorded live during the show.The band's business affairs began to unravel after manager Brian Epstein died of an accidental prescription drug overdose on 27 August 1967 at the age of 32. At the end of 1967, they received their first major negative press in the UK with disparaging reviews of their surrealistic TV film Magical Mystery Tour.[77] Part of the criticism arose because colour was an integral part of the film, but in 1967 few viewers in the UK had colour televisions. The film's soundtrack, which features one of The Beatles' few instrumental tracks ("Flying"), was released in the United Kingdom as a double EP, and in the United States as a full LP (the LP is now the official version).The group spent the early part of 1968 in Rishikesh, Uttar Pradesh, India, studying transcendental meditation with the Maharishi Mahesh Yogi.[78] Upon their return, Lennon and McCartney went to New York to announce the formation of Apple Corps. The middle of 1968 saw the band busy recording the double album The Beatles, popularly known as The White Album because of its plain white cover. These sessions saw deep divisions opening within the band, with Starr temporarily walking out. The band carried on, with McCartney recording the drums on the songs "Martha My Dear", "Wild Honey Pie", "Dear Prudence" and "Back in the USSR". Among the other causes of dissension were that Lennon's new girlfriend, Yoko Ono, was at his side through almost all of the sessions, and that the others felt that McCartney was becoming too dominating.[79] Internal divisions within the band had been a small but growing problem during their early years; most notably, this was reflected in the difficulty that George Harrison experienced in getting his own songs onto Beatles albums.On the business side, McCartney wanted Lee Eastman, the father of his then-girlfriend Linda Eastman, to manage The Beatles, but the other members wanted New York manager Allen Klein. All past Beatles' decisions had been unanimous, but this time the four could not agree. Lennon, Harrison and Starr felt the Eastmans would put McCartney's interests before those of the group. In 1971 it was discovered that Klein, who had been appointed manager, had stolen £5 million from The Beatles' holdings. Years later, during the Anthology interviews, McCartney said of this time, "Looking back, I can understand why they would feel that he [Lee Eastman] was biased against them."Their final live performance was on the rooftop of the Apple building in Savile Row, London, on 30 January 1969, the next-to-last day of the difficult Get Back sessions. Most of the performance was filmed and later included in the film Let It Be. While the band was playing, the local police were called because of complaints about the noise. Although the group was simply asked to end their performance, the band members later remarked in the Anthology video that they were disappointed they were not arrested — pointing out that the police hauling the band members off in handcuffs would have been "an appropriate ending" for the film.The Beatles recorded their final album, Abbey Road, in the summer of 1969. The completion of the song "I Want You (She's So Heavy)" for the album on 20 August was the last time all four Beatles were together in the same studio.Their final new song was Harrison's "I Me Mine", recorded 3 January 1970 and released on the Let It Be album. It was recorded without Lennon, who was in Denmark when the song was recorded.[80]BreakupJohn Lennon announced his departure to the rest of the group on 20 September 1969 but agreed that no announcement was to be publicly made until a number of legal matters were resolved.In March 1970 the Get Back session tapes were given to American producer Phil Spector, who had produced Lennon's solo single "Instant Karma!". Spector's "Wall of Sound" production values went against the original intent of the record, which had been to record a stripped-down live performance. McCartney was deeply dissatisfied with Spector's treatment of "The Long and Winding Road", and unsuccessfully attempted to halt release of Spector's version of the song. McCartney publicly announced the break-up on 10 April 1970, a week before releasing his first solo album, McCartney. Pre-release copies included a press release with a self-written interview explaining the end of The Beatles and his hopes for the future.[81] On 8 May 1970, the Spector-produced version of Get Back was released as Let It Be, followed by the documentary film of the same name. The Beatles' partnership was finally dissolved in 1975.[82]1970--present: After The Beatles Ringo Starr, 1968 Shortly before and after the official dissolution of the group, all four Beatles released solo albums, including Lennon's John Lennon/Plastic Ono Band, McCartney's McCartney, Starr's Sentimental Journey, and Harrison's All Things Must Pass. Some of their albums featured contributions by other former Beatles; Starr's Ringo (1973) was the only one to include compositions and performances by all four, albeit on separate songs.Other than an unreleased jam session in 1974 (later bootlegged as A Toot and a Snore in '74), Lennon and McCartney never recorded together again.In the wake of the expiration in 1975 of The Beatles' contract with EMI-Capitol, the American Capitol label, rushing to cash in on its vast Beatles holdings and freed from the group's creative control, released five LPs: Rock 'n' Roll Music (a compilation of their more uptempo numbers), The Beatles at the Hollywood Bowl (containing portions of two unreleased shows at the Hollywood Bowl), Love Songs (a compilation of their slower numbers), Rarities (a compilation of tracks that either had never been released in the U.S. or had gone out of print), and Reel Music (a compilation of songs from their films). There was also a non-Capitol-EMI release of a show from the group's early days at the Star Club in Hamburg captured on a poor-quality tape. Of all these post-breakup LPs, only the Hollywood Bowl LP had the approval of the group members. Upon the American release of the original British CDs in 1986, these post-breakup Capitol American compilation LPs were deleted from the Capitol catalogue.John Lennon was shot and killed by Mark David Chapman on 8 December 1980 in New York City. Shortly afterward, in 1981, the three surviving Beatles reunited to record "All Those Years Ago", released as a George Harrison solo single. Its original lyrics had been rewritten as a tribute to Lennon.The BBC has a large collection of Beatles recordings, mostly comprising original studio sessions from 1963 to 1968. Much of this material formed the basis for a 1988 radio documentary series The Beeb's Lost Beatles Tapes. In 1989, many outtakes from The Beatles sessions appeared on the radio series The Lost Lennon Tapes. Later, in 1994, the best of the BBC sessions were given an official EMI release on Live at the BBC.In 1988 The Beatles were inducted into the Rock and Roll Hall of Fame as a group (not as individual performers) during their first year of eligibility.[83] On the night of their induction, Harrison and Starr appeared to accept their award along with Lennon's widow Yoko Ono and his two sons. McCartney stayed away, issuing a press release citing "unresolved difficulties" with Harrison, Starr, and Lennon's estate. Solo Beatles later inducted were Lennon in 1994, McCartney in 1999 and Harrison in 2004. Collage of the various covers of the Anthology seriesIn February 1994, the three surviving Beatles reunited to produce and record additional music for a few of Lennon's home recordings. "Free as a Bird" premiered as part of The Beatles Anthology series of television documentaries and was released as a single in December 1995, with "Real Love" following in March 1996. These songs were also included in the three Anthology collections of CDs released in 1995 and 1996, each of which consisted of two CDs of never-before-released Beatles material. Klaus Voormann, who had known The Beatles since their Hamburg days and had previously illustrated the Revolver album cover, directed the Anthology cover concept. 450,000 copies of Anthology 1 were sold on its first day of release. In 2000, a compilation album named 1 was released, containing almost every number-one single released by the band from 1962 to 1970. The collection sold 3.6 million copies in its first week (selling 3 copies a second) and more than 12 million in three weeks worldwide. The collection also reached number one in the United States and 33 other countries and had sold 25 million copies by 2005 (about the ninth best selling album of all time).George Harrison during this time showed his socio-political consciousness and earned respect for his contribution for arranging the Concert For Bangladesh in New York in August 1971 along with sitar maestro Ravi Shankar. Harrison died of lung cancer on 29 November 2001.More recently, in 2006, George Martin and his son Giles Martin remixed original Beatles recordings to create a soundtrack to accompany Cirque du Soleil's theatrical production Love.Musical evolutionThe Beatles' constant demands to create new sounds on every new recording, combined with George Martin's arranging abilities and the studio expertise of EMI staff engineers such as Norman Smith, Ken Townshend and Geoff Emerick, all played significant parts in the innovative sounds of the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967).The Beatles continued to absorb influences long after their initial success, often finding new musical and lyrical avenues by listening to their contemporaries. Among those influences were Bob Dylan, who influenced songs such as "You've Got to Hide Your Love Away" and "Norwegian Wood (This Bird Has Flown)".[84] Other contemporary influences included the Byrds and the Beach Boys, whose album Pet Sounds was a favourite of McCartney's.[85]Along with studio tricks such as sound effects, unconventional microphone placements, tape loops, double tracking and vari-speed recording, The Beatles began to augment their recordings with instruments that were unconventional for rock music at the time. These included string and brass ensembles as well as Indian instruments such as the sitar as in Norwegian Wood (This Bird Has Flown) and the swarmandel as in Strawberry Fields Forever. They also used early electronic instruments such as the Mellotron, with which McCartney supplied the flute voices on the intro to "Strawberry Fields Forever", and the ondioline, an electronic keyboard that created the unusual oboe-like sound on "Baby You're a Rich Man".Beginning with the use of a string quartet (arranged by George Martin with input from McCartney) on "Yesterday" in 1965, The Beatles pioneered a modern form of art song, exemplified by the double-quartet string arrangement on "Eleanor Rigby" (1966), "Here, There and Everywhere" (1966) and "She's Leaving Home" (1967). A televised performance of Bach's Brandenburg Concerto No. 2 directly inspired McCartney's use of a piccolo trumpet on the arrangement of "Penny Lane". The Beatles moved towards psychedelia with "Rain" and "Tomorrow Never Knows" from 1966, and "Lucy in the Sky with Diamonds", "Strawberry Fields Forever" and "I Am the Walrus" from 1967.Influence on popular cultureLifestyleThe Beatles' lifestyles were greatly altered by their success and the income they earned. The availability of the first oral contraceptive and illegal drugs changed many people's opinions — including The Beatles' — about life, marriage, and sexual relationships.[86]Recreational drug useIn Hamburg, The Beatles used "prellies" (Preludin) both recreationally and to maintain their energy through all-night performances.[87] McCartney would usually take one, but Lennon would often take four or five.[87] Bob Dylan introduced them to cannabis during a 1964 visit to New York.[88] McCartney remembered them all getting "very high" and giggling.[89] The Beatles occasionally smoked a spliff in the car on the way to the studio during the filming of Help!, which often made them forget their lines.[90]In April 1965, Lennon and Harrison were introduced to LSD by an acquaintance, dentist John Riley.[91] Lennon in particular became an avid "tripper", claiming in a 1970 interview in Rolling Stone to have taken LSD hundreds of times. McCartney was more reluctant to try the drug, but finally did so in 1966 and was the first Beatle to talk about it in the press.The Beatles added their names to an advertisement in The Times, on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was sponsored by a group called Soma, and was signed by 65 people, including Brian Epstein, Graham Greene, R.D. Laing, 15 doctors, and two MPs.[92] On a sailing trip to Greece, in 1967, the whole band sat around on the boat and took acid.[93]MeditationOn 24 August 1967, The Beatles met the Maharishi Mahesh Yogi at the London Hilton, and a few days later went to Bangor, in North Wales, to attend a weekend 'initiation' conference.[94] There, the Maharishi gave each of them a mantra.[95] Their time in early 1968 at the Maharishi's ashram in India was highly productive from a musical standpoint, as practically all of the songs that would later be recorded for The White Album and Abbey Road were composed there by Lennon, McCartney, and Harrison.[78]DiscographyFurther information: List of Beatles songs by singer, The Beatles record sales, worldwide charts, The Beatles bootlegs, and List of Beatles hit singles Official CD catalogueIn 1987, EMI released all 12 of The Beatles' studio albums — as originally released in the UK — on CD worldwide. (North American releases were on EMI's American subsidiary Capitol Records). It was a considered decision by Apple Corps to standardise The Beatles catalogue throughout the world. Because there were tracks that had been released in the UK on singles and EPs that had not been released on the original UK albums, in order for all their recordings to be available on CD it was necessary to create three further CDs that would contain the missing tracks.One CD was of a 1967 US compilation album that featured the 6-track 1967 UK EP Magical Mystery Tour and the various singles released in that year. The other two CDs were new compilations that gathered together all the other singles, EP tracks and recordings from 1962--1970 that had not been issued on the original British studio albums.Magical Mystery Tour - 8 August 1987[96] Past Masters, Volume One - 7 March 1988 Past Masters, Volume Two - 7 March 1988 According to EMI and the Guinness Book of Records, The Beatles have sold in excess of one billion units (1,010,000,000, including cassettes, records, CDs and bootlegs).Beginning in 2004, the US album configurations were released as a series of box sets from Capitol Records (The Capitol Albums, Volume 1 & Volume 2); these included both stereo and mono versions based on the mixes that were prepared for vinyl at the time of their original 1960s releases.Song catalogueIn 1963 Lennon and McCartney agreed to assign their song publishing rights to Northern Songs, a company created by music publisher Dick James. The company was administered by James' own company Dick James Music. Northern Songs went public in 1965, with Lennon and McCartney each holding 15% of the company's shares whilst Dick James and the company's chairman, Charles Silver, held a controlling 37.5%. In 1969, following a failed attempt by Lennon and McCartney to buy the company, James and Silver sold Northern Songs to British TV company Associated TeleVision (ATV), from which Lennon and McCartney received stock.In 1985, after a short period in which the parent company was owned by Australian business magnate Robert Holmes à Court, ATV Music was sold to Michael Jackson for a reported $47 million (trumping a joint bid by McCartney and Yoko Ono), including the publishing rights to over 200 songs composed by Lennon and McCartney.A decade later Jackson and Sony merged its music publishing businesses. Since 1995, Jackson and Sony/ATV Music Publishing have jointly owned most of the Lennon-McCartney songs recorded by The Beatles. Sony later reported that Jackson had used his share of their co-owned Beatles' catalogue as collateral for a loan from the music company. Meanwhile, Lennon's estate and McCartney still receive their respective songwriter shares of the royalties. (Despite his ownership of most of the Lennon-McCartney publishing, Jackson has only recorded one Lennon-McCartney composition himself, "Come Together" which was featured in his film Moonwalker.)Although the Jackson-Sony catalogue includes most of The Beatles' greatest hits, four of their earliest songs had been published by one of EMI's publishing companies prior to Lennon and McCartney signing with Dick James — and McCartney later succeeded in personally acquiring the publishing rights to "Love Me Do", "Please Please Me", "P.S. I Love You" and "Ask Me Why" from EMI.Harrison and Starr did not renew their songwriting contracts with Northern Songs in 1968, signing with Apple Publishing instead. Harrison later created Harrisongs, his own company which still owns the rights to his post-1967 songs such as "While My Guitar Gently Weeps" and "Something". Starr also created his own company, called Startling Music. It holds the rights to his two post-1967 songs recorded by The Beatles, "Don't Pass Me By" and "Octopus's Garden".The future of The Beatles catalogueThe Beatles are but a few of the major artists (aside from Led Zeppelin and Garth Brooks) who have not to date allowed their entire recorded catalogue to be available through major online music services (iTunes, Napster, etc.). This may be due to the massive royalty fees demanded by the group. As a result, The Beatles' music (both officially and unofficially released) has been made available through illegal music search engines such as eMule and BearShare, and have apparently raised the ire of the entire music industry.However, sure signs that official online distributions may be coming is the fact that the video for Tomorrow Never Knows/Within You Without You (the remix from their album Love) is currently being distributed (as of June, 2007) via Napster, and many Internet radio networks (such as Pandora Internet Radio and Live365.com) are allowing Beatles songs to be broadcasted over the world wide web. There has been talk of negotiations to make such an official online distribution schedule possible. Officials at Apple Corps have hinted at this, as they have confirmed that the entire Beatles catalog has been digitally remastered for online distribution.On filmMain article: The Beatles on filmThe Beatles appeared in several films, all of which featured associated soundtrack albums.The band played themselves in two films directed by Richard Lester, A Hard Day's Night (1964) and Help! (1965). The group produced and starred in the hour-long television movie Magical Mystery Tour (1967), while the documentary Let It Be (released 1970) followed the recording sessions for the Get Back project in early 1969. In addition, the psychedelic animated film Yellow Submarine (1968) followed the adventures of a cartoon version of the band; the members did not provide their own voices, appearing only in a brief live-action epilogue.Other projectsAnthologyMain article: The Beatles AnthologyLoveMain article: Love (Cirque du Soleil)InstrumentationRickenbacker, Gretsch, Epiphone, Gibson, Fender, and C.F. Martin & Company guitars Höfner, Fender and Rickenbacker basses Vox, Fender, and Selmer amplifiers Premier and Ludwig drums Zildjian cymbals Steinway, and Blüthner pianos Hammond, Vox and Lowrey electric organs Fender Rhodes, Wurlitzer, and Hohner Pianet electric pianos Moog Modular synthesiser Mellotron Polyphonic Keyboard Neumann, AKG, and STC microphonesBill StollStollco videotampa fl ( less)
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The basic recruitment of members to further the Elite's plans is through the secret society network of Freemasonry which is the latest incarnation of the Christian/military order known as the Knights Templars who gained staggering riches and a wealth of esoteric knowledge during the Crusades, ( more)
The basic recruitment of members to further the Elite's plans is through the secret society network of Freemasonry which is the latest incarnation of the Christian/military order known as the Knights Templars who gained staggering riches and a wealth of esoteric knowledge during the Crusades, in which the 'righteous' Christians were dispatched to the Holy Land with free reign to slaughter the Jews and Moslems in a series of campaigns between the 11th and 13th Centuries.The vast majority of members are on the first three rungs of the thirty-three level hierarchy and have no idea of the hidden agenda. Once initiated into the lowest level -- the first of thirty three degrees -- vows are taken to pledge allegiance to the society above all else. Most initiates are willing to do this as the temptation of power, wealth and knowledge is hard to refuse. It is hinted that there are penalties to pay for betraying their society and revealing its secrets but at this level the organisation is viewed by its members as little more than a secretive social club with a morality based upon chivalry. Certain of what appear to be esoteric secrets are revealed to them upon initiation as a 'taster' for what is to come as long as the initiate remains faithful to the order. Money is then paid by the initiate in order to progress to the second degree through a ceremony involving the revelation of yet further secret knowledge with the promise of more to come at each stage. Initiation into higher degrees requires increasingly larger sums of money and still the clues keep coming; promises of wonderful arcane knowledge are continual yet the actual knowledge revealed remains encoded and only serves to whet the appetite. No one is ever given the full scenario, only pieces of what appears to be a picture of the most awesome significance. As more and more is revealed and the higher up the ladder the initiate is allowed, the greater are the personal perks provided and doorways opened in terms of career and social status. Moreover, the warnings against transgression of the secret society's rules become blatant and more sinister at each step. It is impossible to achieve high levels of initiation within Freemasonry unless one is hand picked by those of the higher degrees. In order to do this, one must meet their criteria of wealth, status, social class and character type. By the time the twentieth degree is reached a minimum of professional level income is required to fund progression through the system. The result of this financially dependent progression is that the top level members of the Brotherhood elite are among the richest, and most powerfully influential people in the world. They are also responsible, directly and indirectly for most of the money/power based crime such as the illegal drugs industry, political assassinations, Satanism and mind control which goes on every day, all round the world. At the apex of the pyramid of the Brotherhood are the select few who actually know the full agenda of the organisation. These privileged elite have become known as the 'Illuminati', which is Latin for 'illuminated ones'. All other members (nearly five million world-wide) are ignorant of the true purpose of their individual organisation as a front for the Illuminati. Only the most suitable are selected to rise in the ranks, those recognised as being wealthy, ambitious and corrupt enough to perpetuate the ultimate goal which is world domination. No one but the Illuminati actually knows anything of importance and therefore cannot betray the game plan. Everyone else provides a front, a smoke screen of ignorance and misinformation and all must offer complete obedience to the will of their organisation or be banished (or worse). The same thing also happens in our universities whereby particularly talented scholars are approached with magnificent offers of wealth and status in order to follow unofficial secret research programs into such topics as UFOs, psychic warfare and advanced energy sources.At the same time, Weishaupt ordered Illuminists to infiltrate into the Lodges of "Blue Masonry" and formed their own secret societies within all secret societies. Only Masons who proved themselves internationalists and those whose conduct proved they had defected from God were initiated into the Illuminati.Thenceforth; the conspirators donned the cloak of philanthropy and humanitarianism to conceal their revolutionary and subversive activities.]Betrayal of the Brotherhood is the worst crime possible in the eyes of its members and is ultimately punishable by death. The Brotherhood is all powerful: all top level members of the police and military forces around the world are placed there through the Brotherhood as Brotherhood tools. Judges and lawyers, media moguls, businessmen and politicians are recruited so that no member of the Brotherhood elite is ever in danger of being held accountable by the System for any crime or misdemeanour. The Brotherhood can, and quite literally does, get away with murder because it is also the law which opposes it. If a non-Brotherhood member should slip through the net and achieve high status then there are ways to ensure that such people are unable to achieve their full potential. For example, I doubt if Prince Charles will ever fulfil his right of kingship as he has publicly refused to enrol with the Freemasons. It infiltrates every area of our society at all levels, but at the top, in the highest social and monetary bracket, the Brotherhood prevails almost in total. It is the single largest vehicle for the perpetuation of the Luciferic consciousness on Earth. One of the ways by which the faithfulness of members is ensured, especially in the higher levels is by the insistence that the initiated give details of their most intimate secrets to the organisation, so that if any transgression of the rules were to occur then this information would be revealed and used to publicly destroy the individual concerned. As an example of this, one Masonic branch, the Skull and Bones Society, centred around the Harvard and Yale universities, was founded on opium money, is blatantly racist, has some particularly bizarre rituals including an initiation which includes lying in a coffin with a ribbon tied around the genitalia whilst masturbating and shouting out one's greatest sexual fantasies. It boasts amongst its members (who, remember, swear complete allegiance to the society above all other commitments) George Bush, Percy Rockefeller, Winston Lord (one time CFR chairman) and nine members of the board of the Morgan Guaranty Trust (see House of Rothschild). Also associated with Freemasonry within the Elite's own hierarchy are other esoteric societies such as the Grand Orient Lodges, the Knights of Malta, the Knights Templar, P2 and the Black Nobility. The Brotherhood owns the law, they own the military, they own the oil companies, pharmaceutical companies and just about everything which provides fuel for the status quo. It sets the standards for education, it sets the curriculum, it plants seeds via the media and education systems of what will later become, through tender nurturing, power hungry, dis-satisfied, spiritually unaware slaves to their System. If it was not so sinister it would be purely perfect in its all encompassing design. While the first three degree Masons and Round Table members are raising money for charity and enjoying relatively harmless social events, their superiors in the Craft are organising wars, drug pushing, co-ordinating assassinations, mind-control, raping and murdering young children in Satanic abuse and formulating plans for world domination. History has convinced me that it is possible to get away with virtually any crime as long as it is on a large enough scale. The U.S. presidents, also thirty-third degree Masons, are financed into the position not as leaders of men but as a tool of the Brotherhood. All allegiance come secondary to the bonds within their secret society, on pain of death. Political systems are also a front for the Brotherhood elite. Not as representatives of the people, elected by the people, for the people, but as tools of and for the Brotherhood. Science is controlled to the benefit of the elite, wars are created and manipulated to the benefit of the elite. Every time a bomb is dropped or a tank built, ultimately it is the multi-national businesses who profit, especially the oil industries and world bankers. All is Brotherhood controlled. The scale of the manipulation in all areas of the status quo is almost immeasurable and for this reason virtually unbelievable to most prisoners of the System.By Ivan Frazer and Mark BeestonQUOTES BY ALBERT PIKE, 33rd Degree Freemason and Founder of the KKK."Lucifer, the Light-bearer! Strange and mysterious name to give to the spirit of darkness! Lucifer, The Son of The Morning! [Here Pike is denying Christ as the Light of the world and giving that designation to Lucifer, the Devil] Is it he who bears the light . .? Doubt it Not!" (Pike, op. cit., p. 321. See also A Ralph Epperson, The Unseen Hand: An Introduction to the Conspiratorial View of History, Tucson, Arizona, Publius Press, 1985, p. 224).On July 14, 1889, Pike gave instructions to the 23 Supreme Councils of the World: "That which we must say to the crowd is, We worship a God, but it is the god that one adores without superstition. To you Sovereign Grand Inspectors General (the name of the 33rd degree, the highest degree known to the world in Scottish Rite Masonry), we say this, that you may repeat it to the Brethren of the 32nd, 31st, and 30th degrees. The Masonic Religion should be, by all of us initiates of the high degrees, maintained in the purity of the Luciferian Doctrine . . . Yes, Lucifer is God . . . the pure philosophical religion is the belief in Lucifer . . . Lucifer, God of Light and God of Good . . ." (Decker, op. cit., p. 6). With this admission, is it any wonder that Pike is called the "Pontiff of Luciferian Freemasonry" (Waite, op. cit., Vol. II, p. 253)? "Nothing excites men's curiosity so much as Mystery, concealing things which they desire to know; and nothing so much increases curiosity as obstacles that interpose to prevent them from indulging in the gratification of their desires. Of this the Legislators and Hierophants took advantage, to attract the people to their sanctuaries, and to induce them to seek to obtain lessons from which they would perhaps have turned away with indifference if they had been pressed upon them." (Albert Pike, Morals and Dogma, p. 384)."So Masonry jealously conceals its secrets and intentionally leads conceited interpreters astray . . . If you have been disappointed in the first three degrees, as you have received them . . . remember that . . . symbols were used, not to reveal but to conceal . . . The symbols and ceremonies of Masonry have more than one meaning. They rather conceal than disclose the Truth" (Albert Pike, Morals and Dogma,pp. 105-106; 148)."The Blue Degrees (the first three degrees of Masonry) are but the outer court or portico of the Temple. Part of the symbols are displayed there to the initiate, but he is intentionally misled by false interpretations. It is not intended that he shall understand them; but it is intended that he shall imagine he understands them. Their True explication is reserved for the Adepts (those who have advanced to the highest degrees in Masonry) . . . It is well enough for the mass of those called Masons to imagine that all is contained in the Blue Degrees; and whoso attempts to undeceive them will labor in vain (and any past Mason who has learned the truth, knows the almost complete futility in trying to enlighten his fellow Mason as to truth. For they have been so completely indoctrinated they will not listen, nor examine the evidence presented to them) . . . " (Albert Pike, Morals and Dogma, p. 819)."Masonry, like all the [man-made organised] Religions, all the Mysteries, Hermeticism and Alchemy, conceals its secrets from all except the Adepts and Sages, or the Elect, and uses false explanations and misinterpretations of its symbols to mislead those who deserve only to be misled; to conceal the Truth, which it calls Light, from them, and to draw them away from it. Truth is not for those who are unworthy or unable to receive it, or would pervert it. . . . So Masonry jealously conceals its secrets, and intentionally leads conceited interpreters astray" (Albert Pike, Morals and Dogma, pp. 104-105).The true name of Satan, the Kabalists say, is that of Yahveh reversed; for Satan is NOT a black God..... but the negation of God.... the Devil is the personification of Atheism ....or Idolatry. For the 'Initiates', this is not a person, but a Force, created for GOOD, but which may serve for evil. IT..is the instrument of Liberty or Free Will. They represent this Force, which presides over the physical generation, under the mythological and horned form of the God Pan; thence came the He-Goat of the Sabbat, brother of the Ancient Serpent, and the Light-bearer or Phosphor, of which the poets have made the false Lucifer of the legend. (Albert Pike: Morals and Dogma, p. 172).Offsite links:Freemasonry Watch - Monitoring the Invisible Empire, the World's Largest Secret SocietyThere is an absolute monopoly when it comes to the approved treatments for cancer in the United States, and also in much of the world. This monopoly has prevented better, more effective, more scientific and far more humane treatments from being accepted by the cancer establishment.The truth is, millions have suffered at the hands of their orthodox physicians needlessly. Why? I say the devil made them do it. You are laughing, but hear me out. I say the cancer industry is absolute evil. The reason I chose modern cancer research history to illustrate evil is because the examples are so very clear. To deliberately add to the misery of sick people, as the institutions have done during the past century, requires human operatives with a sense of evil beyond the mere self-serving desires lurking within us all.I say this historic example requires a general aura of evil of a satanic nature that has continued down through time in an institutional form. This history of cancer research illustrates organized institutional evil that can only be a carry-over from the earliest times in man's history when these institutions were under the direct, unchecked influence and direction of Satan himself. I refer to this institutional evil as simply "Masonic."I believe those who fancy themselves philosopher kings or adepts of Masonry tap into traditions of defying God that go all the way back to Nimrod, builder of the Tower of Babel. This is a cabal carrying on a tradition best described as a cult of death. The history of masonry, or organized evil is another subject dealt with elsewhere in this series.Cancer is a hideous, insidious, invasive, and corrosive way to have one's body devoured from the inside out. As this is written in February of 2005, cancer is becoming the number one killer disease of modern America—replacing in statistical ranking heart and artery disease. Both forms of disease, by the way, have the same inherently evil dogmatic monopolistic history. The death and destruction from cancer has progressed in evil harmony with the amount of money society has managed to spend in making war against it. Cancer research and medicine is proof positive of the adage that if you toss more money and bureaucracy at a problem, you will absolutely get more of the problem.In my high school years (1949-53) "everybody knew" that cancer was an incurable disease. This was a lie put forth by the cancer institutions that had already become a financial behemoth based upon emotional propaganda such as "fight cancer with a check-up and a check." This gimmick caused a vicious cycle. Getting a check-up by a physician found more cancer among the people, which enlarged cancer statistics, which were used to scare more people into getting checked up. It has never improved the cure rate, but it increased misery by having more people medicated, burned and cut in futility than ever before.However, by the time I entered high school at the middle of the 20th century there had already been several proved modalities for keeping cancer in check, without writing a blank check. There have been many "alternative therapies" for treating cancer more humanely and sensibly than the cut, burn and poison techniques so dominant in the industry today. Note the word "industry" it will return. But I concentrate on two cases because they illustrate the point most effectively and clearly.In the final decade of the 1800s a Scottish embryologist discovered the basis of what we now call "stem cells" and just before the turn of the century he had elucidated how cancer, in the form of trophoblast cells, which are involved in every pregnancy, served a useful purpose as the chorion envelope surrounding the early fetus. If the invasive cells of the chorion envelope are not wiped out after the 56th day of pregnancy, both the mother and new fetus will die of a horrible form of cancer—chorionepithelioma.Beard learned through animal experiments that the key timing device in switching off this invasive, parasitic envelope, which gives every new embryo its start, was the development of a pancreas gland in the fetus.Nature's solution to this deadly cancer that gives life in the earliest stages, is a digestive enzyme produced by the pancreas— trypsin. To make a long story about years of research and development short, Dr. John Beard, professor at Edinburgh University determined prior to the dawn of the 20th century that this enzyme was capable of devouring and removing cancer cells and tumors. Beard first published his findings in 1902 in the prestigious journal.Beard was a careful and exacting scientist. Flush with his discoveries about enzymes, which were known to biological scientists at that time but were not attracting any attention outside of digestion, Beard injected extract of trypsin in mice with Jenson's sarcoma, and the tumors regressed. This was an extraordinary achievement and should have changed the direction of cancer research and medicine at the time.In fact, other physicians and researchers adopted Beard's magnificent enzyme discovery, and for the next 20 years they published in the top journals, Lancet and British Medical Journal, how successful the enzyme treatments had been on human patients.Godfearing men with good intentions would have joyously set out to verify and utilize this non-toxic, non-invasive treatment for a dread disease. However, the powerful men of the "Crown" running the institutions of Europe and America refused to abandon dogma and viciously attacked Beard and all who spoke well of his work.Beard fought back valiantly, publishing a monograph in 1911 titled The Enzyme Treatment of Cancer, which presented his case impressively. It is said that the "truth will out." And, surely it did in this case—but the establishment monopoly obviously did not want the truth. John Beard died in 1924 a bitter and lonely genius.Evidently the devil loves cruel irony, because the year after Beard published his monograph (1912) the world suddenly learned about Marie Curie and her discovery of the rays emitted by radium. The establishment, directed by those who control the credit required for the financial development of new ideas, leaped aboard the radiation train.Whereas the media of the day had only ridiculed Beard's work, it heralded Madame Curie and radiation. It didn't take long for burning tumors with irradiation to join surgery and dangerous drugs as a popular, but hardly successful, therapy for cancer. The wonderful non- toxic use of trypsin and other enzymes dropped down Orwell's memory hole. The deliberateness of the suppression is what makes this evil. The powers of the dogmatic establishment displayed an evil arrogance by unfairly and dishonestly destroying Beard's enzyme treatment. This same evil arrogance has destroyed many viable cancer alternatives over the past two centuries.Now we must pause to analyze a significant change in the history of cancer research and therapy. Surgery, chemotherapy and radiation, the cut, poison and burn methods for "attacking" cancer rather than treating it, were officially and firmly established by the time John Beard died in 1924. In the United States the medical monopoly of the union doctors—American Medical Association— had been established with state licensing procedures and medical training schools utterly in their power.At about the same time the Federal Food and Drug Agency (FDA) was formed and transformed. It was formed as a reasonable idea for protecting consumers, but it was quickly transformed into a monopoly protection agency. One can read all about it in the book written by the first FDA director, Harvey Wiley MD. The book is titled: The History of a Crime; How Could it Happen.Without exception in my reading of the history of mankind, whenever a good idea becomes institutionalized the good idea takes a back seat and the maintenance and promotion of the institution becomes the reason for existence. Institutionalized "health care" is a classic example of a burial ground for good ideas. In fact by calling it "health care" we are partaking of the Orwellian concept of newspeak. Institutionalized medicine is all about reaping benefit from sickness costs and virtually nothing about true health.The first rule of institutionalization is to become dogmatic and protect your turf at all costs. Few institutions demonstrate this better than the modern medical cabal involving medicine, pharmacy, insurance and government. What this monopoly has truly done, regardless of those cases where genuine cures occurred, is kill more people in more miserable ways (dying of cancer is a horror) than any other do-good institution yet created.Why would anyone be devoted to the darkness of evil in a Creation that begins with light? To me, the only answer that withstands all the challenges of reason, logic, time, human psychology and history is the story of the fall of man presented in Scripture.Many people believe the devil does not exist. Many may believe mention of Satan and Lucifer in the Bible is mere metaphor describing the evil side of man's nature. I disagree, but I can't prove anything; I can only suggest. Personally, I have no doubts about Satan/Lucifer being a real entity rather than a metaphor.The angel of light became the messenger of darkness, and I also believe that the influence of this powerful entity on man's behavior was without checks and balances until the advent of Christ. After Christ established His kingdom (a spiritual realm for those who heard and obeyed) following the fall of Jerusalem in 70 AD, the devil was limited in his ability to directly influence human behavior. Prior to the advent of Christ, Satan could actively participate with man, and form organizations to promulgate his opposition to God. I believe these organizations still exist and still do the devil's work based upon traditions established. Christ spoke firmly against the traditions of men making the word of God of non-effect. Thus, the title of this paper: Cancer Masons.Doing evil in the name of good is the essence of diabolical, a word meaning "of the devil." I heard a pulpit-pounding preacher of the old school give his version of the devil. It is the best explanation of why everything coming out of man's institutions can become exactly the opposite of what is good for humanity. In a nutshell, here's that sermon:According to Scripture it is clear that the devil wants to be God. It is also clear that he is not God and cannot be God, so how in the hell is he going to fool people into thinking he is God? He uses the mirror trick. When we look into a mirror we see ourselves, exactly as we are, down to the pimples and warts. And yet, what we see is exactly the opposite of reality. Our left eye is our right eye; left ear, right ear and so forth. Our reflection comes back to us on the opposite side of reality.Satan "mirrors" God. Where God uplifts and creates, Satan tears down and destroys. This is why so many things are exactly the opposite of what should be. Cancer research should seek cures and comfort for people in desperate condition, but the institution filters out sane, workable discoveries for no logical reason—as happened with Beard's use of enzymes—and conversely promotes insane, destructive procedures of the cut, burn and poison variety knowing full well they do not work. The directors of this monopoly cannot pretend ignorance of the viable alternatives they have deliberately quashed in their support of dogma. And, if they did not act in ignorance, the only explanation for their actions is—evil.Dr. Nicholas Gonzalez of New York has been carrying the banner for Dr. Beard's enzyme therapy in recent years and has written fine articles about Beard's magnificent work a century ago. In a recent article, Dr. Gonzales wrote about the establishment's destruction of Beard's work as follows:"I have often pondered the vitriolic—and irrational—response of so many eminent researchers and scientists to Beard's well-documented approach, reactions that nearly buried the treatment for keeps. He was trained impeccably as a scientist and behaved throughout his life as a true researcher, carefully documenting his laboratory and clinical results in the mainstream medical literature. But, it made no difference at all."The rejection of enzyme therapy 100 years ago had really nothing to do with science but everything to do with politics, psychology and popularity..."Dr. Gonzalez goes on to rationalize the evil that occurred, and I repeat it here. Note, however, that the writer does not necessarily believe nor see the institutional evil, which is the subject of this paper. His rationale is perhaps "acceptable" to many modern Americans. It is unacceptable to me."...Beard was a nerdy ivory tower scientist, who had little patience for his critics whom he saw as unacceptably ignorant. He didn't court the press, didn't care about fame, and didn't seem at all interested in international acclaim. His refusal to play the political game properly, his refusal to court his colleagues and media of the day, I believe worked against him. I also think that his approach was just too simple, perhaps not mysterious enough to enchant his fellow researchers."That simply doesn't wash. Obviously the callers of the shots at the Royal Society and among the institutions of the Crown in England, Europe and the US were not eagerly seeking a simple, clean, elegant solution to cancer, or else they would have leaped into the fray to prove the benefits they were hearing about. It is true that playing the proper politics has a role within institutionalized thinking and doing, but we read how many other researchers verified Dr. Beard's therapy—were all of them reclusive nerds?One also wonders where the eager and active journalists were. Surely they, like me, would have been excited to hear about such an elegant therapy. I'm betting some writers did want to ballyhoo the story in spite of Beard's alleged recalcitrance but they ran into an editor's spike. Nothing is new under the sun, what happened to me surely happened to others.As a reporter for a major newspaper, I personally wanted to tell the stories of viable cancer treatment alternatives, but powerful editors killed the idea and steered me away. The one exception took place in1966 at the small Santa Maria Times in California where I told the story of John Beard's enzymes and other alternatives in a series on the front pages four days running.That series, incidentally, caused the American Cancer Society to sponsor a meeting for doctors in that town, and they called the Times publisher on the carpet for allowing the series. The criticism of the series amounted to nothing of substance, because Beard's work is substantial. The artfully arrogant criticism was—"Tom Valentine is a sports writer who thinks he's a doctor."Wasn't that scientific?The story of John Beard might not make a case for institutional evil all by itself, but there are many such stories—the literature is rich in concrete examples. I will comment only on one more, but there are many books written about how the cancer establishment has unfairly and unscientifically destroyed alternatives that may have profoundly affected their monopoly. "The Cancer Industry," by Dr. Ralph Moss is a good example. "The Burzynski Breakthrough" by Thomas Elias is a recent tale of the same old institutionalized evil.At one time I thought seriously about writing a biography of Dr. William F. Koch, a scientist and physician without peer in the cancer research world of 1919 through the 1950s.Dr. Koch died in exile because the cancer establishment drove him from is native United States. A detailed account of his cancer work is found in a 1968 book, Cancer Cures Crucified, written by Suzanne Caum. She had been a terminal cancer patient who became one of Koch's many successful cancer cures. It was self-published because no publisher dared touch it. You may find many references to Dr. Koch's remarkable work on the Internet.Dr. Koch's ability as a biochemist thrust his thinking decades ahead of his time and the seemingly simple cellular oxidation metabolism therapy, called glyoxylide, he invented was, perhaps, too biochemically advanced for the establishment cranks to understand—yet the facts indicate some of them knew full well he was onto something remarkable. Morris Fishbein, the infamous director of the AMA for decades, knew the value of Koch's discovery—he tried to tie it up, but failed and turned viciously against Koch. The destruction of Koch's reputation and the ruination of his life in America were far too vitriolic and intentional to be mere objection to alleged quackery. Methinks the establishment complained too much.When the institutionalized evil destroyed Dr. Koch, they set molecular biology back by at least half a century. Koch was that far ahead of his peers in understanding free radical, oxidation-reduction molecular biochemistry.In The Cancer Industry, Dr. Moss illustrates how the establishment has managed to destroy innovation over and over again without adequately or fairly investigating it or testing it. The American Cancer Society's list of "unorthodox treatments" has an impressive lineup of ingenious researchers—who were never eagerly nor hopefully investigated. Ironically, Moss tells of one member of the cancer establishment who admitted to him that new ideas for research in our time springs from the denigrated "quacks" of the past.Dr. Moss lists 63 "unproven methods of cancer treatment" and shows the amount of research the establishment used to allege that they were unacceptable to the monopoly. Many ingenious physicians and researchers were tossed unceremoniously and viciously onto the quack heap just to keep the monopoly safe.In 1972, President Richard Nixon focused the vast power of the United States government against cancer by declaring "war" on it. More than three decades later and with more than $30 billion taxpayer dollars spent, after adjusting for longer life span, the incidence of cancer continues to go up. The cancer incidence, for example, rose about 44% between 1950 and 1989. The AMA Journal (pretending to be on the side of truth, honesty, health and public service) published an article in2004 titled: "Are Increasing Five-Year Survival Rates Evidence of Success Against Cancer?" The answer was a resounding "no."Cancer has been with mankind from the beginning. The cancer institutions have only been with us less than two centuries. I say it is a death cult operation. That is the only explanation that truly makes sense. I agree that individuals can be quite evil, destructive and vindictive, but the unreasonably suppressive history of the cancer institutions illustrates that a force like the "hidden hand" of Adam Smith's capitalism manages to arrange individual shortcomings to work together in a concert of evil. There is a powerful cabal controlling all the world's finances, whose members are devoted to the wretched philosophies one can find under the umbrella of masonry. I say they use their power and influence to maintain this destructive monopoly of medicine that kills in the name of healing and public service—the mirror image!In the past, I ascribed humanity's woes to a conspiracy of inbred British aristocrats, their American toadies, Zionists and central bankers. So far I have overlooked the most important ingredient, the "Freemasons" the world's largest secret society with five million members (including three million Americans.) Only their inner circles are aware that the "Craft" is in fact devoted to satanism.The conspirators all belong to it. George W. Bush is a member. As a student at Yale Bush joined its "Skull and Bones" chapter and referred to it in August 2000 in these terms: "My heritage is part of who I am." Dick Cheney and Colin Powell are also high level Freemasons. So is Al Gore and Ariel Sharon. Past Presidents FDR, Harry Truman, Ronald Reagan and Lyndon Johnson were also members. So are Henry Kissinger, Allen Greenspan and World Bank President James Wolfensohn. In fact devil worship seems to be a prerequisite for power and success today. Freemasonry has been blamed for many cases of child sexual abuse and ritual murder. (Search "ritual and sexual abuse + freemasonry" in Google.) There are at least three books out about people who claim to have been brainwashed and sexually exploited as children by certain members of our power elite. "The Franklin Cover-Up" (get the 2nd. Edition, 1996) by John W. DeCamp describes a homosexual and satanic child sex ring based in Omaha, which serviced members of the Reagan administration. In "Trans-formation of America," (1995) Cathy O'Brien describes her experiences as a mind-controlled sex slave with members of the current and past administrations.It gets more bizarre. In addition to oil, the war against Iraq is part of a long-term plan to establish the rule of satan on earth. The New World Order is Masonic in character. Sadaam Hussein (and Islam in general) represent an obstacle to the Masonic plan to rebuild Solomon's Temple on the Temple Mount in Jerusalem. This will be the seat of a new world religion subtly devoted to Lucifer. The war is the latest in a step-by-step plan to enslave humanity. For example, the United Nations' true character is revealed by the fact that the only religious chapel at its headquarters is run by a satanic cult, the "Lucis Trust." The name was changed from Lucifer Trust to make the nature of the organization less conspicuous. For more background, see an online article by Lyndon LaRouche entitled "The Real History of Satanism." (http://www.econcrisis.homestead.com/The _REAL_History_of_Satanism.html)The Satanists disguise their agenda in warm and fuzzy buzzwords like "economic justice" and "international peace." They are drafting a new world constitution called the "Earth Charter" which will have the authority of holy writ. Later this year, the Earth Charter will be presented to the United Nations in a pantheistic 21st Century replica of the Ark of the Covenant. Stephen Rockefeller and the Rockefeller Brothers Fund is behind this initiative. According to Joseph Farah, "these are dangerous and diabolical folks making long-term plans to seize even more power and destroy any vestige of freedom left in the world." (Rockefeller-sponsored Socialism, World Net Daily, Sept. 24) I don't have the heart (or stomach) to explore the philosophy of Freemasonry in detail. I refer you to an excellent web site that contains articles and a list of over 50 books. It is called "Freemason Watch" (http://www.freemasonwatch.freepress- freespeech.com/index.html) I only want to point out the essential difference between a true religion like Islam or *Christianity and a naturalistic cult like Freemasonry.* http://i.am/jah/rabbis.htmA true religion believes that God is the ultimate Reality (Truth, Love) and that man has the Spirit of God within. "God is a spirit and we worship him in spirit and truth." (John 4:24) Liberation is defined as overcoming the limitations of ego. This is what it means to be "born again." Jesus said, "And you shall know the truth, and the truth shall make you free." (John 8:32). Collectively mankind is in a process of transformation, of becoming more God-like or "Real." By loving God and obeying our "higher" self, we outgrow our baser instincts. "Be ye therefore perfect as your Father in heaven is perfect," Jesus said. (Mathew 5:48)Civilized life and culture involve a respectful debate about how to find happiness. I believe everyone must approach God individually, and therefore must be free to choose his own path. In contrast, Freemasonry is a pagan cult that pretends to embrace all religions in order to negate them all. It says there is no God but man. Man not God is the measure of all things. Our lust for more power, money, and sex is unleashed. The lower instincts become the higher.For the last century or more, the world has been subject to a subtle process of Masonic indoctrination. Religion is portrayed as irrelevant and "liberation" is defined as being able to have sex with anyone and to talk about bodily functions in public. Have you noticed how much toilet humor and stupid sexual jokes permeate prime time? This is the slippery slope of consciousness. Recently a reader emailed to object to my "religious fundamentalism" saying that God could not exist or else He would not permit so much suffering.We are God's agents. We embody His spirit to create heaven on earth. God can't do it without us, and He certainly can't do it if we succumb to satan. Modern history is understandable only in terms of the ongoing campaign by the Illuminati (which infiltrated Freemasonry in 1781) to destroy Western Civilization and enslave mankind. Nesta Webster's book "World Revolution" (1921) and John Daniel's "Scarlet and the Beast" (Vol. 1, 1994) both describe this process. Communism has been the main instrument of the Illuminati. (The Communist anniversary May 1st refers to the date the Illuminati was founded in 1776.) The Protocols of the Elders of Zion was probably an Illuminati document disguised as a Jewish one. Certainly, Jews like Karl Marx and Leon Trotsky dominated Communism but they were Freemasons first. They did not represent the Jewish people.John Daniel believes that Bolshevik Russia was a French Orient Masonic state. He says the slaughter of millions of Russians by the CHEKA was Masonic ritual murder. He points to "the numerous Masonic symbols carved into the flesh of victims' heads, faces, necks and torsos." (495) The assassination of Czar Nicholas II and his family was also a Masonic ritual murder (512). We don't hear much about the "holocaust" of educated Russians between 1918 and 1922. The Bolshevik Freemasons slaughtered 3,200,000 people. Husbands, fathers and brothers were compelled to watch as their wives, daughters and sisters were brutally raped. (497) Published in "The Scotsman" on November 7, 1923 are the following counts of the slaughtered to bring about the Craft's "dictatorship of the proletariat":"28 bishops, 1219 priests, 6000 professors and teachers, 9000 doctors, 54,000 officers, 260,000 soldiers, 70,000 policemen, 12,950 property owners, 535,250 members of the intellectual and liberal professions, 193,290 workmen, 618,000 peasants." (495) John Daniel believes that the Second World War was essentially a civil war between two branches of Freemasonry. The English Grand Lodge built up Adolph Hitler in order to destroy Communist Russia, French Grand Orient Freemasonry's creation. After Hitler double-crossed his sponsors and made a pact with Stalin (threatening England), power swung from (English Grand Lodge Mason) Neville Chamberlain to (French Orient Mason) Winston Churchill. Nevertheless the English branch and its Wall Street satrap continued to back Hitler and later helped Nazis war criminals escape. G.K. Chesterton said the study of history should be a study of power elites. Instead historians obscure and deny the truth. The more I read, the more I am convinced that the function of the news media, the arts, education and entertainment is to deceive and make us stupid. While we are numbed and distracted, our leaders carry out their orders under occult discipline (or blackmail.) As human life becomes degraded, it seems less worth saving. The devil is afoot and all-powerful. As long as he uses deceit, good people seem helpless to resist. Three things give me hope. 1) The Constitution gives us the right to own guns. 2) The Internet. (Tyranny has never had to face instant communication.) 3) Our ingrained habit of freedom. We must expose the satanists to the light of day.At the dawn of civilization, the blood rite, in which human blood is drunk from the body of a still-living victim, was known to many tribes. However, only one people, that has never progressed beyond the Stone Age, has continued to practice the blood rite and ritual murder. This people are know to the world as Jews. Arnold Toynbee, a noted scholar, has called the Jews "a fossil people."In so doing, he must have been aware of the fact that they still practice ritual murder and the drinking of human blood (especially Christian blood). As a scholar, he could not have failed to note the many attested incidents of this practice of the Jews, for hundreds of example of ritual murder by the Jews are cited in official Catholic books, in every European literature, and in the court records of all the European nations.It is the official historian of the Jews, (Josef Kastein, in his History of the Jews, who gives the underlying reason for this barbaric custom. On page 173, he says, "According to the primeval Jewish view, the blood was the seat of the soul."Thus it was not the heart which was the seat of the soul, according to the stone-age Jews, but the blood itself. They believed that by drinking the blood of a Christian victim who was perfect in every way, they could overcome their physical short comings and become as powerful as the intelligent civilized beings among whom they had formed their parasitic communities. Because of this belief, the Jews are known to have practiced drinking blood since they made their first appearance in history.Jewish Murder Plan Against White Christians ExposedThe Murderous People: The Jews are under a terrible suspicion the world over, and for good reason. Anyone who does not know this, does not understand the Jewish problem. Anyone who merely see the Jews as "a tribe which secures its existence with exchange and old trousers, and whose uniforms are the long noses," is being misled. But anyone who knows the monstrous accusation which has been raised against the jews since the beginning of time, will view these people in a different light. He will begin to see not only a peculiar, strangely fascinating nation; but criminals, murderers, and devils in human form. He will be filled with holy anger and hatred against these people of Satan. (John 8:44)The suspicion under which the Jews are held is murder. They are charged with enticing White Christian Children (and sometimes blacks to keep them under control - and if necessary they will run black children down in the streets with automobiles to show the blacks their power, and that the blacks had better mind their manners or the same will happen again and again. We all witnessed this a few years ago in New York city when the car of Rabbi Shneerson ran over a black child. And as usual the Jews bought off the blacks who were inciting the mobs against them; if they had been unsuccessful in this they would have had the blacks who dared not be controlled murdered) and at time White Christian adults, butchering them, and draining their blood. They are charged with mixing this blood into their masses (unleaven bread) and using it to practice superstitious magic. They are charged with torturing their victims, especially the children; and during this torture they shout threats, curses, and cast spells against non-Jews. This systematic murder has a special name, it is called,Ritual MurderThe knowledge of Jewish ritual murder is thousands of years old. It is as old as the Jews themselves. Non-Jews have passed the knowledge of it from generation to generation, and it has been passed down to us thorough writings. It is known of throughout the nation. Knowledge of ritual murder can be found in even the most secluded rural villages. The grand-father told his grand children, who passed it on to his children, and his children's children, until we have inherited the knowledge today from them.It is also befalling other nations. The accusation is loudly raised immediately, anywhere in te world, where a body is found which bears the marks of ritual murder. This accusation is raised only against the Jews. Hundreds and hundreds of nations, tribes, and races live on this earth, but no one ever thought to accuse them of the planned murdering of children, or to call them murderers. All nations have hurled this accusation only against the Jews.And many great men have raised such an accusation. Martin Luther wrote in his book "Of The Jews And Their Lies:""They stabbed and pierced the body of the young boy Simon of Trent. They have also murdered other children...The sun never did shine on a more bloodthirsty and revengeful people as they who imagine to be the people of God, and who desire to and think they must murder and crush the heathen. Jesus Christ, the Almighty Preacher from Nazareth, spoke to the Jews: ? Ye are of your father the devil, and the lusts of your father ye will do. He was a murderer from the beginning...""He (Martin Luther) accused them (the Jews) of all those fictitious crimes which had made Europe such a hell for them. He, too, claimed that they poisoned the wells used by Christians, assassinated their Christian patients, and murdered Christian children to procure blood for the Passover. He called on the princes and rulers to persecute them mercilessly, and commanded the preachers to set the mobs on them. He declared that if the power were his, he would take all the leaders of the Jews and tear their tongues out by the roots." (Stranger than Fiction, p. 249)The Struggle of Der Sturmer: The only newspaper in Germany, yes, in the entire world, which often screamed the accusation of ritual murder into the Jewish face, was Der Sturmer. For more than ten yeas Der Sturmer led a gigantic battle against Judaism. Which caused Der Sturmer to be under constant attack by the Jews. Dozens of times it has been confiscated and prohibited.Its workers, most of all its editor Julius Streicher, were dragged into court hundreds of times. They were convicted, punished and locked into prison. Der Sturmer came to know the Jew from the confession which Dr. Conrad Alberti-Sittenfeld, a Jew, wrote in 1899 in No. 12 of the magazine Gesellschaft:"One of the most dangerous Jewish qualities is the brutal, direct barbaric intolerance. A worse tyranny cannot be practiced than that which the Jewish clique practices. If you try to move against this Jewish clique, they will, without hesitating, use brutal methods to overcome you. Mainly the Jew tries to destroy his enemy in the mental area, by which he takes his material gain away, and undermines his civil existence. The vilest of all forms of retaliation, the boycott, is characteristically Jewish."The Der Sturmer was not stopped for several years. Just in Nuremberg alone there have been fought dozens of Talmudic and ritual murder cases in the courts. (Now you know why the Nuremberg trials were held against the German Military leaders, it was retribution by the Jews on their hated enemies the Germans). Because of the Jewish protests the attention of the world was focused on these cases. Thereafter heavy convictions followed. At first no judge had the courage to expose the Jewish problem. Finally in 1932 (court case lasting from October 30th to November 4th) Der Sturmer won its first victory. The jury found the following:1). Der Sturmer was not fighting against the Jewish religion; but against the Jewish people.2). The Talmud and Schulchan aruch are not religious books. They have no right to be protected under the religious paragraphs.3). The laws of the Talmud which are quoted and published in Der Sturmer are exact quotations from the Talmud.4). The laws of the Talmud are in harsh contradiction to German morals.5). The Jews of today are being taught from the Talmud. ( less)
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When Saddam Hussein talked of 'the devil Bush' he may not have been so far from the truth. U.S. president George W. Bush, his father and grandfather are proven initiates of this multi-generational occult lodge. George W. was tapped (initiated) in 1968 at the group's Yale University HQ, a mausoleum ( more)
When Saddam Hussein talked of 'the devil Bush' he may not have been so far from the truth. U.S. president George W. Bush, his father and grandfather are proven initiates of this multi-generational occult lodge. George W. was tapped (initiated) in 1968 at the group's Yale University HQ, a mausoleum known as 'the tomb'. When undergraduates broke in they found that the 'holy of holies' inner sanctum has red velvet walls and carpet, with a large pentagram emblazoned on the wall.Adolf Hitler was obsessed with the occult, in his case the Thule Society, closely inter-connected with German Theosophists. The jolly roger, skull and cross bones, "der Totenkopf" was an emblem worn by Hitler's SS soldiers and was emblazoned on SS armoured cars and tanks (see images on this page). The SS was a religious cult of sworn Hitler/German ancestor worship. If the Nazis' occult lodges had been exposed then shut down, not treated as a taboo, millions of lives could have been saved. A small price to pay for insane racism and the blood of millions of people. The second world war need never have happened. Unless you want the occult fuelling a totalitarian West's Third World War 'on terror' and their 'New World Order' - please - do your bit to expose George W. Bush, the bonesmen and other interconnected lodges round the world. Heinrich Himmler, whose arrest as a traitor Hitler had ordered on 28 April 1945 for negotiating with the Allies, was captured by a British patrol on 23 May. A few hours later he killed himself with cyanide, and, dying as Reichsführer-S.S., set his final seal upon the destruction of the world's most sinister order, which the Third Reich's military defeat had already inflicted. Hitler had sown seeds of the deepest hatred between Nazis and Communists in his teaching and in the cruelty and mass murder he had launched in Russia. Now it was the turn of the Soviets. Nazism reached its end in a Berlin turned into a battleground of unparalleled violence, fire and brutality as the Soviet forces dealt blows of destruc-tion and revenge. It was as if the Satanic essence of Nazism shone through the flames and the ruins.George W Bush was/is a member of the "skull and bones" society. There's even a movie about it. And no, this isn't just another harmless Greek fraternity. It's a secretive, satanic cult for the jaded and self-appointed elites at Yale University. The upper crust of the upper crust -- with only 15 new initiates selected from each graduating class. Bush wrote in his autobiography it was, "so secret, I can't say anything more." But I can: We know that initiates undergo torture, kiss a scull, press a human femur bone to the initiates backside, act out a throat slashing ritual murder, and they pledge allegiance to a figure dressed up as Satan. They are also compelled to relate their entire sexual history while masturbating in a coffin. Bush had the name "Magog" , because he had the most extensive illicit sexual background of all the new initiates. And of course, Gog and "Magog" are names directly connected with Satan and the Antichrist in Revelation (20:8). The following is a short clip from a video taken by investigative journalist Ron Rosenbaum on April 14, 2001: Scull&Bones Clip The words and imagery of the cult are heavily centered on death, as they repeat the same mantra over and over, till it is burned into their conciseness: THE HANGMAN EQUALS DEATH! THE DEVIL EQUALS DEATH! DEATH EQUALS DEATH!' Initiates are instructed to "die to the barbarian world" so that they can be reborn in the "The Order," a brotherhood of Satan. In a new and more recent twist, in addition to being cross examined by Satan, initiates are also being cross-examined by a member dressed up as George W Bush, aka "Magog", who hurls vulgar profanities and says thing like "I'm gonna kill you like I killed Al Gore." Some may want to dismiss all this as somewhere on the extremely poor-taste edge of college hijinks, but it's much more serious than that. Such a darkly obscene and prolonged ritual cannot help but have a lasting impact on the souls of young initiates. Oaths to the devil taken in jest are nevertheless taken in fact. It's also important to point out that scull and bones cult members do not resign after graduation - like born again Christians they consider themselves to be born again into "the order" forever- only they're reborn in Satan, and not the Holy Spirit. They even have their own hideout called Deer Island, where former Bones members bring their families for summer reunions. A secluded hideaway is located in the St. Lawrence River, and owned by the Deer Island Club Corporation, a shell company operated by Skull and Bones members. The Scull and Bones Satanist Elites maintain their cultic relationships their entire lives - mostly by helping each other gain positions of influence and world power, in order to make more money. A satanic mafia for the super-well-connected. Though Bush kept going bust in the oil business, his comrades from scull and bones helped bail him out, and it was they who would later give him his start in politics. Bush was also involved in torture at Delta Kappa Epsilon, at a time when he was President of the fraternity. One pledge recalled how this "compassionate conservative" took great pleasure in branding him with a red hot iron, leaving him with scars which he carries to this day. When the hazing scandal broke in the campus newspaper in the late '60s, Bush tried to defend the illegal torture as a "harmless prank", but the fraternity was fined and the branding practice halted. It's little wonder that he still considers illegal torture a 'harmless prank': When he was a boy he also used to sadistically insert firecrackers into frogs and blow them up for kicks. Little wonder that under his leadership, for the first time Americans are engaging in the shameful and counter-productive practice of torturing prisoners in places like Abu Ghraib Prision.Then there's the Bush family alliance with the greatest evil in history - Adolph Hitler. Bush's grandfather Prescott Bush, also a 'scull and bones' man, got rich first by helping the Nazis come to power, then helping Hitler build the war machine that would decimate the world, and then even benefiting from Nazi slave labor and the extermination of millions of Jews. Auschwitz was built near coal deposits so that slave labor could be used in one of Prescott Bush's holdings, the Silesian American Corporation. Even after the US declared war on Germany, Prescott Bush continued violating the Trading With the Enemy Act, until the government finally shut him down late in 1942 - but not before making him rich, and establishing the Bush family as a power in American politics.Sometime in the early 1830s, a Yale student named William H. Russell—the future valedictorian of the class of 1833- traveled to Germany to study for a year. Russell came from an inordinately wealthy family that ran one of America's most despicable business organizations of the nineteenth century: Russell and Company, an opium empire. Russell would later become a member of the Connecticut state legislature, a general in the Connecticut National Guard, and the founder of the Collegiate and Commercial Institute in New Haven. While in Germany, Russell befriended the leader of an insidious German secret society that hailed the death's head as its logo. Russell soon became caught up in this group, itself a sinister outgrowth of the notorious eighteenth-century society the Illuminati. When Russell returned to the United States, he found an atmosphere so Anti-Masonic that even his beloved Phi Beta Kappa, the honor society, had been unceremoniously stripped of its secrecy. Incensed, Russell rounded up a group of the most promising students in his class-including Alphonso Taft, the future secretary of war, attorney general, minister to Austria, ambassador to Russia, and father of future president William Howard Taft-and out of vengeance constructed the most powerful secret society the United States has ever known.The men called their organization the Brotherhood of Death, or, more informally, the Order of Skull and Bones. They adopted the numerological symbol 322 because their group was the second chapter of the German organization and founded in 1832. They worshiped the goddess Eulogia, celebrated pirates, and plotted an underground conspiracy to dominate the world. Fast-forward 170 years. Skull and Bones has curled its tentacles into every corner of American society. This tiny club has set up networks that have thrust three members into the most powerful political position in the world. And the group's influence is only increasing-the 2004 presidential election might showcase the first time each ticket has been led by a Bonesman. The secret society is now, as one historian admonishes, " 'an international mafia'. . . unregulated and all but unknown." In its quest to create a New World Order that restricts individual freedoms and places ultimate power solely in the hands of a small cult of wealthy, prominent families, Skull and Bones has already succeeded in infiltrating nearly every major research, policy, financial, media, and government institution in the country. Skull and Bones, in fact, has been running the United States for years.Skull and Bones cultivates its talent by selecting members from the junior class at Yale University, a school known for its strange, Gothic elitism and its rigid devotion to the past. The society screens its candidates carefully, favoring Protestants and, now, white Catholics, with special affection for the children of wealthy East Coast Skull and Bones members. Skull and Bones has been dominated by about two dozen of the country's most prominent families—Bush, Bundy, Harriman, Lord, Phelps, Rockefeller, Taft, and Whitney among them—who are encouraged by the society to intermarry so that its power is consolidated. In fact, Skull and Bones forces members to confess their entire sexual histories so that the club, as a eugenics overlord, can determine whether a new Bonesman will be fit to mingle with the bloodlines of the powerful Skull and Bones dynasties. A rebel will not make Skull and Bones; nor will anyone whose background in any way indicates that he will not sacrifice for the greater good of the larger organization.As soon as initiates are allowed into the "tomb," a dark, windowless crypt in New Haven with a roof that serves as a landing pad for the society's private helicopter, they are sworn to silence and told they must forever deny that they are members of this organization. During initiation, which involves ritualistic psychological conditioning, the juniors wrestle in mud and are physically beaten—this stage of the ceremony represents their "death" to the world as they have known it. They then lie naked in coffins, masturbate, and reveal to the society their innermost sexual secrets. After this cleansing, the Bonesmen give the initiates robes to represent their new identities as individuals with a higher purpose. The society anoints the initiate with a new name, symbolizing his rebirth and rechristening as Knight X, a member of the Order. It is during this initiation that the new members are introduced to the artifacts in the tomb, among them Nazi memorabilia—including a set of Hitler's silverware-dozens of skulls, and an assortment of decorative tchotchkes: coffins, skeletons, and innards. They are also introduced to "the Bones whore," the tomb's only full-time resident, who helps to ensure that the Bonesmen leave the tomb more mature than when they entered. Members of Skull and Bones must make some sacrifices to the society—and they are threatened with blackmail so that they remain loyal—but they are remunerated with honors and rewards, including a graduation gift of $15,000 and a wedding gift of a tall grandfather clock. Though they must tithe their estates to the society, each member is guaranteed financial security for life; in this way, Bones can ensure that no member will feel the need to sell the secrets of the society in order to make a living. And it works: No one has publicly breathed a word about his Skull and Bones membership, ever. Bonesmen are automatically offered jobs at the many investment banks and law firms dominated by their secret society brothers. They are also given exclusive access to the Skull and Bones island, a lush retreat built for millionaires, with a lavish mansion and a bevy of women at the members' disposal. The influence of the cabal begins at Yale, where Skull and Bones has appropriated university funds for its own use, leaving the school virtually impoverished. Skull and Bones' corporate shell, the Russell Trust Association, owns nearly all of the university's real estate, as well as most of the land in Connecticut. Skull and Bones has controlled Yale's faculty and campus publications so that students cannot speak openly about it. "Year by year," the campus's only anti-society publication stated during its brief tenure in 1873, "the deadly evil is growing."The year in the tomb at Yale instills within members an unwavering loyalty to Skull and Bones. Members have been known to stab their Skull and Bones pins into their skin to keep them in place during swimming or bathing. The knights (as the student members are called) learn quickly that their allegiance to the society must supersede all else: family, friendships, country, God. They are taught that once they get out into the world, they are expected to reach positions of prominence so that they can further elevate the society's status and help promote the standing of their fellow Bonesmen. This purpose has driven Bonesmen to ascend to the top levels of so many fields that, as one historian observes, "at any one time The Order can call on members in any area of American society to do what has to be done." Several Bonesmen have been senators, congressmen, Supreme Court justices, and Cabinet officials. There is a Bones cell in the CIA, which uses the society as a recruiting ground because the members are so obviously adept at keeping secrets. Society members dominate financial institutions such as J. P. Morgan, Morgan Stanley Dean Witter, and Brown Brothers Harriman, where at one time more than a third of the partners were Bonesmen. Through these companies, Skull and Bones provided financial backing to Adolf Hitler because the society then followed a Nazi-and now follows a neo-Nazi—doctrine. At least a dozen Bonesmen have been linked to the Federal Reserve, including the first chairman of the New York Federal Reserve. Skull and Bones members control the wealth of the Rockefeller, Carnegie, and Ford families.Skull and Bones has also taken steps to control the American media.Two of its members founded the law firm that represents the New York Times. Plans for both Time and Newsweek magazines were hatched in the Skull and Bones tomb. The society has controlled publishing houses such as Farrar, Straus & Giroux. In the 1880s, Skull and Bones created the American Historical Association, the American Psychological Association, and the American Economic Association so that the society could ensure that history would be written under its terms and promote its objectives. The society then installed its own members as the presidents of these associations. Under the society's direction, Bonesmen developed and dropped the nuclear bomb and choreographed the Bay of Pigs invasion. Skull and Bones members had ties to Watergate and the Kennedy assassination. They control the Council on Foreign Relations and the Trilateral Commission so that they can push their own political agenda. Skull and Bones government officials have used the number 322 as codes for highly classified diplomatic assignments. The society discriminates against minorities and fought for slavery; indeed eight out of twelve of Yale's residential colleges are named for slave owners while none are named for abolitionists. The society encourages misogyny: it did not admit women until the 1990s because members did not believe women were capable of handling the Skull and Bones experience and because they said they feared incidents of date rape. This society also encourages grave robbing: deep within the bowels of the tomb are the stolen skulls of the Apache chief Geronimo, Pancho Villa, and former president Martin Van Buren.Finally, the society has taken measures to ensure that the secrets of Skull and Bones slip ungraspable like sand through open fingers. Journalist Ron Rosenbaum, who wrote a long but not probing article about the society in the 1970s, claimed that a source warned him not to get too close."What bank do you have your checking account at?" this party asked me in the middle of a discussion of the Mithraic aspects of the Bones ritual.I named the bank. "Aha," said the party. "There are three Bonesmen on the board. You'll never have a line of credit again. They'll tap your phone. They'll. . . ". . .The source continued: "The alumni still care. Don't laugh. They don't like people tampering and prying. The power of Bones is incredible. They've got their hands on every lever of power in the country. You'll see—it's like trying to look into the Mafia."In the 1980s, a man known only as Steve had contracts to write two books on the society, using documents and photographs he had acquired from the Bones crypt. But Skull and Bones found out about Steve. Society members broke into his apartment, stole the documents, harassed the would-be author, and scared him into hiding, where he has remained ever since. The books were never completed. In Universal Pictures' thriller The Skulls (2000), an aspiring journalist is writing a profile of the society for the New York Times. When he sneaks into the tomb, the Skulls murder him. The real Skull and Bones tomb displays a bloody knife in a glass case. It is said that when a Bonesman stole documents and threatened to publish society secrets if the members did not pay him a determined amount of money, they used that knife to kill him. This, then, is the legend of Skull and Bones.It is astonishing that so many people continue to believe, even in twenty-first-century America, that a tiny college club wields such an enormous amount of influence on the world's only superpower. The breadth of clout ascribed to this organization is practically as wide-ranging as the leverage of the satirical secret society the Stonecutters introduced in an episode of The Simpsons. The Stonecutters theme song included the lyrics:Who controls the British crown? Who keeps the metric system down? We do! We do. . .Who holds back the electric car? Who makes Steve Guttenberg a star? We do! We do.Certainly, Skull and Bones does cross boundaries in order to attempt to stay out of the public spotlight. When I wrote an article about the society for the Atlantic Monthly in May 2000, an older Bonesman said to me, "If it's not portrayed positively, I'm sending a couple of my friends after you." After the article was published, I received a telephone call at my office from a fellow journalist, who is a member of Skull and Bones.He scolded me for writing the article—"writing that article was not an ethical or honorable way to make a decent living in journalism," he condescended —and then asked me how much I had been paid for the story. When I refused to answer, he hung up. Fifteen minutes later, he called back."I have just gotten off the phone with our people." "Your people?" I snickered."Yes. Our people." He told me that the society demanded to know where I got my information."I've never been in the tomb and I did nothing illegal in the process of reporting this article," I replied."Then you must have gotten something from one of us. Tell me whom you spoke to. We just want to talk to them," he wheedled. "I don't reveal my sources."Then he got angry. He screamed at me for a while about how dishonorable I was for writing the article. "A lot of people are very despondent over this!" he yelled. "Fifteen Yale juniors are very, very upset!" I thanked him for telling me his concerns."There are a lot of us at newspapers and at political journalism institutions," he coldly hissed. "Good luck with your career"—and he slammed down the phone.Skull and Bones, particularly in recent years, has managed to pervade both popular and political culture. In the 1992 race for the Republican presidential nomination, Pat Buchanan accused President George Bush of running "a Skull and Bones presidency." In 1993, during Jeb Bush's Florida gubernatorial campaign, one of his constituents asked him, "You're familiar with the Skull and Crossbones Society?" When Bush responded, "Yeah, I've heard about it," the constituent persisted, "Well, can you tell the people here what your family membership in that is? Isn't your aim to take control of the United States?" In January 2001, New York Times columnist Maureen Dowd used Skull and Bones in a simile: "When W. met the press with his choice for attorney general, John Ashcroft, before Christmas, he vividly showed how important it is to him that his White House be as leak-proof as the Skull & Bones 'tomb.'"That was less than a year after the Universal Pictures film introduced the secret society to a new demographic perhaps uninitiated into the doctrines of modern-day conspiracy theory. Not long before the movie was previewed in theaters—and perhaps in anticipation of the election of George W. Bush—a letter was distributed to members from Skull and Bones headquarters. "In view of the political happenings in the barbarian world," the memo read, "I feel compelled to remind all of the tradition of privacy and confidentiality essential to the well-being of our Order and strongly urge stout resistance to the seductions and blandishments of the Fourth Estate." This vow of silence remains the society's most important rule. Bonesmen have been exceedingly careful not to break this code of secrecy, and have kept specific details about the organization out of the press. Indeed, given the unusual, strict written reminder to stay silent, members of Skull and Bones may well refuse to speak to any member of the media ever again.But they have already spoken to me. When? Over the past three years. Why? Perhaps because I am a member of one of Skull and Bones' kindred Yale secret societies. Perhaps because some of them are tired of the Skull and Bones legend, of the claims of conspiracy theorists and some of their fellow Bonesmen. What follows, then, is the truth about Skull and Bones. And if this truth does not contain all of the conspiratorial elements that the Skull and Bones legend projects, it is perhaps all the more interesting for that fact. The story of Skull and Bones is not just the story of a remarkable secret society, but a remarkable society of secrets, some with basis in truth, some nothing but fog. Much of the way we understand the world of power involves myriad assumptions of connection and control, of cause and effect, and of coincidence that surely cannot be coincidence.Most of the speculative lore about the Skull and Bones ritual has centered on its death fixation. Beyond the obvious skull-and-crossbones insignia, of course, the most persistent story is that initiates spend their senior year in the basement crypt of the Bones Tomb taking turns lying in a coffin and, in two long, intense, psycho-drama autobiographical sessions in said coffins, recount their personal and sexual history to the other 14 chosen ones. The better to bond for life with those they know best and prepare for their destiny as stewards of the ruling class. The death-centered imagery, the injunction to initiates that they must "die to the barbarian world" and be reborn in the Elysian company of the elect of "The Order," as they call it, is what makes Skull and Bones as radically different from a college fraternity as the Gambino family is from the "hunting and fishing club" that was their nominal headquarters. The hangman equals death. The devil equals death. Death equals death .... What the hell is going on there? Is it a puzzle in logic, like "All men are mortal. Socrates is mortal ..."? Does it solve out to "The hangman equals the devil?" Could one detect a capital-punishment theme here--the hangman as executioner presaging George W.'s prolific execution rate as Texas governor? "George W. equals death," you might say. And what about the devil? (Well, the figure dressed like the devil.) Is that the secret they've been covering up ever since the society was founded in 1832, the offshoot of a German secret society: devil worship? A fulfillment of the paranoid fantasies of the fundamentalist right, who believe the Eastern establishment is a front for Satanic conspiracy. Probably not, but it made me more eager to participate in this year's caper: the attempt to see as well as hear it, to capture it all on video--for educational, historical and journalistic purposes to document a defining rite of passage of the American ruling class. Oh, yes--before we get to the night-vision videotape, there was one more thing, the embarrassing part of the audiotape, the OOGA-BOOGA part. Part of the ceremony on the tape involved an initiation master ordering the neophytes to fetch bones and uttering the (I guess) fake Tarzan-movie "native" chant "OOGA BOOGA." It left me feeling embarrassed for Skull and Bones. Hard to ever take seriously again anyone whose defining life-mission moment includes an OOGA BOOGA. But as it turned out, "OOGA BOOGA" was not evident in this year's ceremony, as far as we were able to tell. Perhaps it was an improvisation, like this year's impersonation of George W. ("I'll ream you like I reamed Al Gore") was. The Observer Mission Impossible Force met to plot strategy an hour before sunset on initiation night, Saturday, April 12. It is not widely known, but Tap Night, which occurs on Thursday, is not generally the same as initiation night. The good stuff happens on Saturday night, and already limos are cruising the quiet streets that crisscross the Yale campus, conveying initiates of other secret societies to their rituals. Bones initiates come on foot, knock on the massive triple-locked wooden door of the Tomb and are conveyed to the first stage of the ritual. But we are getting ahead of ourselves. Let me just mention how much I admired the intrepid Yale members of the Observer Bones Task Force for displaying the kind of curiosity, initiative and heretical, skeptical impulse apparently absent on most Ivy campuses, if you believe David Brooks' recent Atlantic Monthly cover story on get-along-go-along premature careerists. The guys on my team will make more of a real contribution than any of the smug secret-society types. First on the agenda was a quick examination of the Bones income-tax filings, which an outside consultant to the team had obtained through Freedom of Information Act requests. He and Peggy Adler pointed out to me a couple of dubious assertions on the Form 990's (Return of Organization Exempt from Income Tax), which called into question certain of the grounds for charitable exemption. In particular, there was the assertion in the 1997 RTA Incorporated filing (Part VI, line 80b) that the organization was not "related ... through common membership, governing bodies, trustees, officers etc. to any other exempt or non-exempt organization." Contradicting that assertion is information on the filing of the Deer Island Club Corporation. Deer Island is the private island of the Skull and Bones Society, located in the St. Lawrence River. It is the place where Bones members bring their families for summer get-togethers. It is wholly owned and run by Skull and Bones members, apparently contradicting Bones' claim of "no relationship" to another exempt organization, and appearing to contradict the strictly educational and charitable mission for which RTA gets its exemption for Skull and Bones. The consultant argues in a memo that the purpose of the 80b question on the Bones deduction claim form "is to prevent tax exempt charities from undertaking non-charitable activities by hiding them in another corporation. This is of course precisely what RTA Inc. is accomplishing through the Deer Island Club Corporation. In order to conceal this arrangement however RTA Inc. denies its connection to the DICC." In fact, he goes on, "RTA and the DICC are so closely linked that for all intents and purposes RTA Inc. does own Deer Island despite its claims to the contrary." I'm not going to go into the whole tax issue here. Perhaps the Bones shell corporation has a good and valid reason for claiming that it has no connection to the Bones private-island country club.** Perhaps this sort of thing goes on all the time among the private charities of the privileged. I don't think Deer Island will become George W. Bush's Whitewater. But one might think that a scrupulous White House counsel would want to look at the kind of tax information George W.'s secret society is filing on his behalf. Particularly since he's promising enormous windfalls for the privileged, the tax breaks his secret society takes should be utterly beyond suspicion. Does the President, I'd like to know, claim his Skull and Bones dues as a charitable deduction, when the only charity seems to be providing a club house and country house for the privileged? The RTA filing claims Skull and Bones exists "for the benefit of Yale University." But Yale--which celebrates three centuries of luminous atainments this weekend--ought to question what "benefit" it gets from chants of "lick my bumhole" and the mockery of Abner Louima. Anyway, as night came falling and we choreographed the evening's caper, I felt that we were carrying on an old-fashioned, longstanding tradition: the natural reaction of the democratic (small D) tradition to elitist power that conceals itself within the cloak of privilege and secrecy. And for me, it was a culmination of my own quarter-century quest, one that had become personalized lately by the fact that our Skull and Bones President had been a classmate of mine at Yale. 'Run, Neophyte, Run!' At last, zero hour approached. For two centuries, the outside world had wondered and fantasized about what was about to happen, what actually went on in the fabled Skull and Bones initiation. There's a long tradition of Yale secret societies (including Bones) raiding other secret societies to capture their ritual artifacts. In the 1970's, an all-woman break-in team published photographs of the Bone's Tomb's interior. But tonight, for the first time ever, we would attempt to capture the actual secret initiation ritual and bring it to light for anthropological study. Our team's equipment included three night-vision-capable digital-video cameras, one tape recorder, a stepladder and two walkie-talkies. (I could never get mine to work.) Because of a recent injury which limits my mobility, I was stationed at a listening post with my tape recorder while the video-cam team proceeded to their more perilous perch at the forward base (as those of us in special ops call it). We planned to rendezvous afterward for me to view the tape. We split up just as the whoops and groans, the screams and moans began to emanate from inside the Tomb and the masters of the Skull and Bones initiation began establishing the posts they'd man for the occult psycho-drama to come. From my post, I could see through an open window shadowy figures walking very close above my head. Later I'll put my audio impressions together with the video-cam record the other team obtained for a more complete picture, but first let me transcribe some of the notes I made from listening in. Fragmentary as they are, they capture some of the strangeness, and perhaps the kind of disorientation the initiates themselves experienced there in the courtyard of Skull and Bones. First, there was the guy posing as George W. He seemed to be a bit disgruntled at being given this role--a feeling he expressed by calling out in his George W. drawl to another "Patriarch" (as they're called): "I got the power to bomb the crap out of China and they give me this station." Then someone--one of the initiates?--called out "Uncle Toby!" (Many Bone ritual personae are taken from Laurence Sterne's Tristram Shandy-- you gotta give them credit there for good taste.) "Uncle Toby!" the cry repeated. "Shut up, neophyte." "Take that plunger out of my ass, Uncle Toby." Presumably, this mocking Louima reference was a ploy to scare initiates into thinking Uncle Toby was going to give them the plunger treatment. That cheerful rectal theme was followed up by: "I'm gonna ream you like I reamed Al Gore!" from the George W. imitator. Followed by "Help me! It's the devil!" And then "George W." really getting into it: "I'm gonna kill you like I killed Al Gore." Silence. Then a door opened. Voices--half of them, it seemed, women--were screaming: "Run! Neophyte! Run, neophyte!" (The neophytes are, of course, the new initiates.) From my post, I could only see hooded figures racing about in the darkness above my head, accompanied by cries of: "Run, neophyte!" "Find the femur!" And (again): "Take that plunger out of my ass, Uncle Toby!" Then silence for awhile. The neophyte seemed to have gone back inside the Tomb. After which one of the Patriarchs complained, "We ought to get better blood than this fuckin' syrup, man." It was only later that I learned what the blood was for: the whole throat-slitting "barbarian" tableau after the skull-kissing."Find the femur, neophyte!" Along with the occasional "Lick my bumhole!" "Remove the plunger!"—type outcries. The devil figure pulled them into a white tent in the courtyard where, we think, they found their femurs and emerged with what looked like a thigh bone, although it was impossible to tell whether it once belonged to a human or not. When they reemerged from the tent, they were led to the centerpiece of this part of the ritual. They were forced face-to-face with a shocking tableau: a guy holding what seemed like a butcher knife, wearing a kind of animal-skin "barbarian" look, stood over what seemed to be a woman covered in fake blood and not much else. The neophyte then approached a skull a few feet away from the knife-wielder-and-victim tableau. The neophyte knelt and kissed the skull, at which point the guy with the knife knelt and cut the throat of the prone figure. (Well, pretended to cut the throat.) I'm not sure what it all means. I've yet to decode the mystical significance of this, although I do love to think of former President George Bush kissing the skull. Obviously, it has something to do with subservience. Kiss the skull of power. Bow down to The Order. But what about the "barbarian" cutting the throat of his victim? Does it mean "One dies to the barbarian world"? Does it mean "Death to the barbarians"? Does it endorse cutthroat tactics? Is that how they enforce silence and secrecy? I plan to continue my relentless study of the hermeneutics of the Bones rituals, myths and symbolism based on these new revelations, and perhaps with the help of a Bones graduate who feels the time has come to lift the veil on the silly (and no longer even secret) symbolism of their society. (Contact me privately c/o The Edgy Alliance, 577 Second Avenue, Box 105, N.Y., N.Y. 10016.) All that death imagery, though: Maybe it's meant to be a first ritualistic confrontation with Mortality, the skull as a memento mori designed to instill in the "neophyte" a sense of the gravity of one's mission in life. In that regard, consider the direct relevance of at least one aspect of the ritual to George W. That recurrent phrase: "Run, neophyte, run!" Think about it. When George W. was first considering the fairly serious shift from baseball-team owner (whose major achievement was trading away Sammy Sosa) to governor of Texas, or when he was considering the shift from one-term governor of Texas to President of the United States, what decided him--what made him think he could pull it off, despite years as a semi-permanent neophyte? Could it be that what he heard, echoing in his brain, down the corridors of the years, was the injunction from that long-ago April night when he was a Skull and Bones initiate? When he bent down to kiss the skull and heard, resounding in his ears, the command: "Run, neophyte, run!"Those on the inside know it as The Order. Others have known it for more than 150 years as Chapter 322 of a German secret society. More formally, for legal purposes, The Order was incorporated as The Russell Trust in 1856. It was also once known as the "Brotherhood of Death". In America it is called the 'Skull & Bones' club, The American chapter of this German order was founded in 1833 at Yale University by General William Huntington Russell and Alphonso Taft who, in 1876, became Secretary of War in the Grant ministration. Alphonso Taft was the father of William Howard Taft, the only man to be both President and Chief Justice of the United States. It is a senior year society which exists only at Yale. Members are chosen in their junior year and spend only one year on campus, the senior year, with Skull & Bones. In other words, the organization is oriented to the graduate outside world. The Order meets annually - patriarchies only - on Deer Island in the St. Lawrence River. Senior societies are unique to Yale. There are two other senior societies at Yale, but none elsewhere. Scroll & Key and Wolf's Head are supposedly competitive societies founded in the mid-19th century. We believe these to be part of the same network. Rosenbaum commented in his "Esquire" article, very accurately, that anyone in the Eastern Liberal Establishment who is not a member of Skull & Bones group is almost certainly a member of either the Scroll and Key or the Wolf's Head . The selection procedure for new members of The Order has not changed since 1832. Each year 15, and only 15, never fewer, are selected. In the past 150 years about 2500 Yale graduates have been initiated into The Order. At any time about 500-600 are alive and active. Roughly about one- quarter of these take an active role in furthering the objectives of The Order. The others either lose interest or just change their minds. The most likely potential member is from a Bones family, who is energetic, resourceful, political and probably an amoral team player. ... Honours and financial rewards are guaranteed by the power of The Order,but the price of these honours and rewards is sacrifice to the common goal of The Order.Some have not been willing to pay this price. The Old Line American families and their descendants involved in the Skull & Bones are names such as the following:Whitney,Perkins, Stimson, Harriman, Rockefeller, Lord, Brown, Bundy, Bush and Phelps. The order is not just another Greek letter fraternal society with passwords and handgrips common to most campuses. Chapter 322 is a secret society whose members are sworn to silence. It has rules and ceremonial rites. It is not at all happy with prying, probing citizens - known among initiates as 'outsiders' or 'vandals'. Its members always deny membership. An interesting point is whether the many members in various Administrations or who hold government positions have declared their members in the biographical data supplied for FBI 'background checks'. We doult this fact as test cases along with freemason membership often goes unrecorded.Pressure is now being placed to correct this.Between 1983-1986, the British-born conspiracy theorist Antony Sutton wrote a series of pamphlets about the Order of Skull & Bones. According to informed sources, Sutton was one of several historians who were provided with a large file of the Order's internal documents, including minutes of some meetings, descriptions of rituals, and what would appear to be a rather complete list of its members from its founding through to the early 1980s. The short pamphlets were compiled into one volume and published as a book in 1986.For someone closely following the just-concluded Persian Gulf War and attempting to gain some insight into George Bush's performance during that largely orchestrated affair, one recurring theme in the Sutton volume stands out like a sore thumb: the New World Order.According to the Skull & Bones documents used by Sutton in his somewhat flawed profile of the Order, the creation of a New World Order is a primary goal of the Bonesmen and has been for decades. For the initiates into the Order, the term New World Order has a very specific meaning.It is a world dominated by American military power and American control over all strategic raw materials. Just as the Greek city-state of Sparta provided the Skull & Bones with the image of a WASP warrior caste, the Persian Empire, with its system of coalitions of satrap armies, provides the model for the Bonesmen's New World Order. The image of Secretary of State James A. Baker III traveling from foreign capital to foreign capital demanding military legions or chests of gold to finance the war for a New World Order is an image straight out of the chronicles of the Persian Empire.According to the recent biography of Henry Stimson, the man who inspired President Bush was firmly convinced that it was essential for America to go to war once every generation or so. It was, for Stimson, a spiritually cleansing process which enables the nation to rally behind a cause and overcome its weaknesses and shortcomings in one grand burst of military fervor. The romantic mystique of the purgative powers of combat is key to understanding the political philosophy of Skull & Bones.Although America's Vietnam debacle remains a bitter memory of the Bonesmen's failure in war, the recent Persian Gulf conflict, with its massive overkill and the use of highly advanced weapons and technologies, is now the new glorious symbol of the WASP warrior caste's reincarnation. When President Bush vowed that the Gulf War would not be another Vietnam, he was speaking first and foremost to his fellow Bonesmen -- not to the American people. If such thinking smacks of dangerous fantasy on the part of a major world power in the modern era, it is indeed.On a more practical political level, the Gulf War was a gambit to save the Bush presidency from a mounting pile of domestic financial woes, not the least of which was the savings and loan (S&L) crisis and a pending series of failures of major commercial banks. In the months preceding the Gulf showdown, the president's own son, Neil Bush, came under intense media scrutiny for his role in the failure of a large S&L in Colorado. Neil's photograph, testifying under oath before a congressional committee probing fraud among top S & L managers, became a familiar front-page feature in every major newspaper in America, threatening dangerous popular disillusion with the Yale Bonesman in the White House. With a U.S. federal government deficit projected at nearly a half a trillion dollars for Fiscal Year 1991, in large part because of the S&L crisis and a shrinking business tax base, the Democratic Party majority in the U.S. Congress was pressing for deep cutbacks in defense spending now that the Cold War had ended.On the international stage, the reunification of Germany, clearly the most dramatic event of 1990, posed new challenges to the Bush team. Germany was about to emerge as the dominant power in continental Europe by virtue of its advanced industrial infrastructure and its long tradition of independent political dealings with Moscow. Just months before the outbreak of the Gulf crisis, Germany's Chancellor Helmut Kohl had met with Soviet President Mikhail Gorbachev and signed a long term economic assistance pact. As a result, Gorbachev dropped all remaining objections to the immediate reunification of Germany.At that point, the Bush administration changed its tactics. Previously, in sharp contrast to the Thatcher government in Great Britain, it had been nominally in favor of German reunification. But at the Houston economic summit of the Group of Seven Industrialized Countries in the summer of 1990, the United States blocked (with Britain) Germany's plan of unconditional economic aid to the Soviet Union. President Bush took the position that the Soviet Union must submit to International Monetary Fund requisites as a precondition for any substantive economic assistance.In the Far East, Japan's continuing growth in manufacturing also posed a threat to Washington's desire to retain superpower status. If President Bush and his Bonesmen coterie were unaware of a stunning historical analogy, their British "cousins" were quick to pick up on the parallels between the global strategic situation in July 1990 and the identical international situation that existed 100 years earlier.In the 1890s, France, under the brilliant political leadership of Foreign Minister Gabriel Hanataux, was attempting to forge a Eurasian alliance with Germany, Russia and Meiji Japan. The idea was to link continental Europe with Japan and China through a series of large overland infrastructure projects, beginning with the Trans-Siberian Railroad. Through treaties covering key areas of economic and security matters, Hanataux hoped to create a zone of prosperity, built on a foundation of rapid economic growth and extensive trade.Such a political-economic common interest alliance threatened the imperial hegemony of Great Britain. At the turn of the 20th century, Britain looked to the United States (as its English-speaking ally) to join in sabotaging the Hanataux plan. Through the Spanish-American War of 1898 and the Russo-Japanese War of 1905, Britain and her American junior partner (by then led by Henry Stimson's old mentor Teddy Roosevelt) managed to disrupt the French-German-Russian-Japanese economic axis. Two world wars and the Great Depression were the consequences of that interference.THE PERSIAN GULF WARIt was against this historical backdrop that President Bush, invoking the World War II imagery of his Skull & Bones idol Henry Stimson, went to war against Iraq. There is even speculation that President Bush was personally instrumental in luring Saddam Hussein into invading Kuwait, thereby provoking the American-led military response. Many news accounts have emphasized that a two-hour private meeting between the president and Margaret Thatcher in the Aspen, Colorado vacation chalet of U.S. Ambassador Henry Catto on August 2, 1990 helped finalize Bush's decision to immediately deploy military force.Recently, an astute Japanese analyst drew a disturbing parallel between Bush and FDR, who was greatly influenced by Stimson. According to the writer, FDR lured Japan into World War II through an intricate series of economic warfare maneuvers which left Japan with little choice but to strike-back. In much the same way, said the analyst, Bush had lured Saddam Hussein into Kuwait in order to launch a new Gulf War that would have consequences reaching far beyond Iraq and the Middle East.As a result of the military victory over Iraq, the United States is in the process of establishing a string of permanent military bases throughout the Persian Gulf and Near East. The oil sheikdoms of the region, led by Saudi Arabia, are now thoroughly dependent on the American military presence to ensure the survival of their regimes. The Organization of Petroleum Exporting Countries (OPEC) is effectively captured by Washington. American bankers aided by U.S. gunboats now are setting world oil prices. Thus, one consequence of the Persian Gulf War is that the United States now has an oil weapon -- pointed principally at Germany and Japan. Ironically, America's two chief economic rivals have paid out a total of $27 billion to date to help finance a Bush administration military adventure which put the oil weapon in Washington's hand.Another telling example of how the Order's man in the Oval Office intends to administer a crumbling U.S. domestic economy while imposing the New World Order on the rest of the world is to be found in the recent buyout of the majority of stock in Citicorp, the largest U.S. commercial bank, by Saudi Prince Talal bin Abdul Aziz. Citicorp is one of the major American commercial banks on the verge of collapse, but which is considered by the Bush administration and the Federal Reserve System to be "too big to fall." The stock purchase amounted to a Saudi Royal Family bail-out of Citicorp, using the increased profits being enjoyed by the House of Saud as a result of the massive jump in Saudi oil production since the beginning of the Gulf crisis in August 1990.There points up a striking difference between the role of the United States in World War II and the Bush administration's handling to date of the Middle East crisis. During World War II, the United States went through a genuine economic revival. Skull & Bones historian Samuel Huntington described it as a "neo Hamiltonian" policy, a reference to the first United States Secretary of the Treasury Alexander Hamilton. ( less)
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The third chapter of the Toy Story trilogy tells the story of Sheriff Woody, Buzz Lightyear and the others of the Toy Story cast, when their now teenage owner, Andy, leaves for college, leaving our heroes at a day-care center
The third chapter of the Toy Story trilogy tells the story of Sheriff Woody, Buzz Lightyear and the others of the Toy Story cast, when their now teenage owner, Andy, leaves for college, leaving our heroes at a day-care center
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Phim88.Com
Phim88.Com
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This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series of encounters starts in Pretare d'Arquata, a small sector in the province of Ascoli Piceno, at the ( more)
This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series of encounters starts in Pretare d'Arquata, a small sector in the province of Ascoli Piceno, at the top of the Monte Vettore, a few kilometres after one leaves the road to Salaria. They show, in sequence, a being in a various positions, seated, nearly erected, in seemingly painful physical conditions although this may be only an anthropomorphic impression. The being seems to have small dimensions, rather sturdy, with the skin that in some instantaneous ones appears burnished and thick and in last photograph, completely red, moisted, with the aspect of a badly wounded skin. The photos were published in the weekly magazine "Visto" n. 43 on 28 October 1993, and then produced on TV during the program "I Fatti Vostri" ("Your facts") on Friday, November 5, 1993, hosted by Giancarlo Magalli. The first photo showed a small shadow, as Caponi stated. The effect of the mysterious combustion of the two first pictures, altering the zone where the being was, resulted in this. May 24, 1993.The first investigation was headed by the CUN and consisted of several inspections, interviews of Caponi and his relatives and the answers to their questions to other indirect witnesses. At the end of the investigation, they had a detailed report on the case but drew no firm conclusion whatsoever. At the same time, other investigators approached Caponi and obtained from him similar statements, substantially coinciding with those published by the CUN. Some of them gave their interpretation of the events, such as Massimo Fratini Maximum from the CETI, in Rome, who stated that he has always been convinced by the sincerity of the witness. "In the course of our inquiry and during last the three years, we have had to reconsider, step by step, all the vicissitude, to reconstruct all the details, meeting Filiberto Caponi several more times and trying to collect other testimonies." "We are not still in a position to give the conclusions - today - but we are approaching the possible truth of what happened in the outskirts of Pretare d'Arquata (Marches), on the Monte Vettore, starting in May 1993." Caponi's photograph remain disturbing to this day. There were, however, some contradictions and omissions which emerged when investigations started to put more pressure on Caponi. Yet there seems to be no way to differentiate if these contradictions and omissions are simply caused by the confusion between investigators, and the stress put on Caponi who was literally sieged by Italian and foreign journalists as his photographs were just published in a weekly Magazine in Milan. Essentially, the story told by Filiberto Caponi was quite consistent over time, chronologically always consistent, but some parts of his story was slightly at odds with the photographs themselves. This prompted the chief investigator of the CUN, Roberto Pinotti, to insist that he needs to look at the photographic material in good conditions, first to elucidate some points, and also because CUN thought that the witness should have the right to manage his material. Indeed, in an unprecedented and utterly unexplainable manner, the magistracy of Ascoli Piceno had seized and confiscated the photographs from Caponi, and started a judicial procedure against Caponi under the never heard of motive that his photograph might disturb the civil peace. Because of this confiscation, CUN could only analyze them visually but not instrumentally. Caponi told to CUN's Roberto Pinotti, Gianfranco Lollino and Massimo Angelucci, and Fabio Della Balda of the CROVNI of Saint Marino about his first encounter; "I first thought it was a small cat complaining, trapped in a plastic bag.""It was the evening of 9 May 1993. As usually I re-entered from a ride on my motorbike and I was closing the garage, just near the country, when I heard I complain, different from those typical of usual animals. I was also thinking that it may be a drunk coming down from the same road making noises. Then, in an angle of a house, I saw a "white [palleta,]" it seemed to me that the strange complain came from it. Smiling, as I thought I had found an abandoned cat, wrapped in a plastic bag, I stretched a hand to touch it, but on reflection I stopped because it occurred to me that it might scratch me. So I limited myself give the bag a little kick to see if it would come out on itself. And I was terrified, because the "old plastic bag" jumped on, showing that it had a head, arms and legs. It raised from the ground, and went to the wall that I have shown to you before. Anyway, it was quite fast, it had wrapped legs and it carried something that tripped, it looked like a bag that it had on the back, but it was not skin. I only saw the skin of its head and from its small arms which it did not use and not move.""I thought to myself that what I saw may not have existed, that I have been tired, that it must have been some animal..." However, back home, his mother noticed that something was wrong, as the boy was very pale. She managed to get her son tell what happened, and, with his father, he decided to return on location of the encounter in order to find some trace of the "animal." On the wall, behind which the being disappeared, the father found a "medical gauze covered with blood" but he did not take it home because it was disgusting and instead he put it under an old washing machine in the courtyard, planning to go to Ascoli Piceno in order to have it analyzed. In the night, Caponi still heard the strange complain, went down again to the road, but he saw nothing this time. "Nothing, just nothing, it was impossible," explained Caponi. "...and my father was there so that I could show him, and I have said to him 'I have heard it, but I do not know where it is' and he told me to go up in my room because from there we could see better. We stayed up there for roughly an hour, then my father was tired and went to bed again. Just at that moment 'the thing' reappeared... I called my father and so he has been able to see it too, for a moment, while it went away under that arch, in the blink of an eye, and my father looked at me as if he wanted to say 'so you were not joking!'... anyway he told me to go to bed, because it was late (3 in the morning)."The next morning, Filiberto's sister went to control the gauze, but it had disappeared. "It must have been a dog that smelled the odor of the blood," says Filiberto. "However it has been at that time that I decided to lend a camera from my brother-in-law. I put it right on the bedside table. For a week then I waited there (indicates the night place) thinking that perhaps the being would come again and that I could photograph it."15 days went by and nothing happened, so Caponi decided to forget all about it, when one evening: "It was approximately the two o'clock in the night and I heard the strange scream again. I sent up, I took the camera (a Polaroid 660) and opened the door, - while I felt that something was walking in the alley. I saw it arrive, from far away enough, to not fast, nearly walking. I took a first photo, the Polaroid ejects it, and I take it away, ready to take an other photo. In the light of the flash it had stopped, as if it had noticed the light, maybe but it must have been deaf... because I have made some noise when I opened the door, and it continued to come in my direction. It had stopped and turned around only when I took the photo. I have thought 'I will race with it, take a photo and run after it, this is a unique opportunity' and what I did, I went towards it, advancing a few meters, I photographed it again, and then I escaped screaming 'I have photographed it!', without watching where I went, so I ended against a wall. My father woke up and asked me what had happened. The photos developed under the eyes of my relatives: on the first one only a dark shadow was visible, but on the second, the head and the hanging arms wrapped with something, were visible. I looked at it intensively. I explained that when I have taken the second photo it had slightly turned its head towards me, without turning its body at all. My father felt it was quite a hair riser. My mother said 'My god, what is he?' And then I had calmed down and I told them 'a lot of it in the photos, let's put them in a secured place, let's not have everyone see them' and we decided to put them in a wooden box, in order to study them with calm on the next day."The first picture where the small being is clearly seen, at least as for the head, a hand, and some dark clothing on its back and whitish cover on its lower body. "I found the cover of the box curved, blackened underneath, filled with smoke. I ask what can have happened . Then I opened it I feel a smell of burnt similar to burned plastic's odor. The photo was burned around and where the being was shown, it was swollen and ruined... I detach the second photo and the image was also swollen, only in surface, it was not destroyed."Later, CUN investigators tried to determine if the ruined photos were explicitly attacked, and considered the possibility that the film may have been the Polaroid for a long time and maybe expired. But the hypothesis of a normal deterioration due to expiration revealed not valid, because the following photos were made with the same film and were not ruined at all. The only possible explanation that remained was that of a chemical interaction between the photos and an old past due battery conserved in the wooden box where the images were stored, which is what Caponi also proposed. The problem is that all the material, including the wooden box, have been delivered to the Police officers of the station of Arquata of the Tronto, subsequently to their first publication in a magazine. Moreover it must be emphasized that Caponi had circulated the photos (reproduced in dias) among roman newspapers and press agencies. Back on May 24, 1993. The news by now had been diffused, in because Caponi told about it in confidence to a friend: "I have made a big mistake, the day when I went at a friend who is a carpenter and told him all about it. He had sworn to me that he would not tell a word about it, but one evening he had drunk a glass too much and three days later the whole country knew the story and the "Messagero di Ascoli Piceno" newspaper telephoned, and a few days later they published the burnt photos.""The story still diffused more, even if many did not believe it and created popular legends about me or people hunting in the country. One evening I went to the circle and encountered the friend who had spilled the story out; in spite of that I have made peace with him, and we were walking outside with two others. And then all of us heard 'the scream,' coming from behind the gate of a house which is shown in the published photos. We decide to go check it out and I begin to climb up, while a friend remains a little behind, an the other progress in order, and when we get close to the direction of the complain, it stops immediately. We return to the bar and some sort of expedition gets organized, with others, in all 15 to 20 people, some of them with knives - everyone excited - torches and photographic cameras.An interesting point regarding this first encounter, it that Caponi suffered from an inexplicable cutaneous blackening on the right foot, the foot that he used to touch the entity. The blackening disappeared after three days.The second picture was also damaged, but the being is more distinguishable, although partly covered with "something." The arrow indicates where the head is. Caponi thought that he was the victim of some confusion, but he has been very frightened so he decided to reopen the garage and to rest a little moment on his motorbike and think about it, and to calm his nerves listening to the radio.One them has a hunting dog. We all go back the gate. We here the complain and the dog heads on and leaves us, crosses the gate and begins to bark, nearly as if fighting, and there are more and more screaming. Then the dog 'jumps down the road', throwing itself from a wall, falls on his back, stands up on his legs again and flees to hide in a corner. The other people present begin to look at me speechless. But, when I propose to locate the source of the sound in order to discover what it is they all say no. However from that moment, people in the area begun to believe me a little and I get interviewed from a journalist of 'Stop' magazine, but when he sees the burnt photos he does not think opportune to acquire them."Over time, the feeling that something strange and interesting is really happening spreads in the small country. And then on August 8, Pretare is the location of a new unusual phenomenon: many hens in the country die mysteriously, some enduring amputations of limbs or of the head, but without signs of blood or bites. They have been recovered all piled up. The fact remains stunning, because it is difficult to imagine that a predator, such as a fox or a vixen, can do so much damages in one night. So far Caponi had had two encounters with the being. But on August 11, 1993, when Caponi was somewhere outside on a bench, watching shooting stars: "It was five o'clock in the morning and all at once, in front of the door of my laboratory, I saw again that white pack, moving; at the start I thought that it was my cat, but then, looking with more attention, I understood that it was 'it' again, seated, and watching around. Then I went into the house, took the Polaroid camera, and looked at it through the Window. It was still here, so I went down and made one photo of it. In the light of flash the being turns its head, raises, tilts its back, turns and runs away. Then I said to myself that I have photographed it just right, and I hoped the photo does not get ruined like the others, and I decides not to say anything not even to my parents and I held it in the drawer."The being shown on this picture is apparently still wrapped in its "external protecting covering", and partially covered with gauzes or whitish wraps. Filiberto describes its covering: "it may be pants, in a strange way, and the being had some sort of leather on the shoulders, with some bandage." Nine days passed, and on August 20, another encounter gave Caponi the opportunity two take two new pictures, still using the same Polaroid, in spite of the allegation by the "Visto" weekly magazine that the pictures were made with a professional camera. "No, it was always with the Polaroid, I literally lived with it, while a friend of mine lend me another one, I declined, I gave it back to him without having ever used it. I open the window and I see it seated to the center of the courtyard. I come down and I make one first photo of it. It made the usual movement, turns the head slowly and I take a second picture, moving to the side. At this point it escaped. They are not successful to dirgli nothing, I would have intentional. The being had always appeared with gauze around the legs, and something similar to leather on its back, but this time it did not wear its covering anymore, but appeared with two tubes on the thorax that seemed to slightly move under its skin, like from air or liquid pressure, or some fluid, I don't know, maybe for its respiration. The small tubes both moved rhythmically. And an other important thing: I was convinced that the body was wet, it drained water, it dripped. But not much. From its head, water passed beside the eyes like some sweat. I want to emphasize that that evening my sister had also heard the noises, on the small terrace of our house, where my father had two drums in which he put water for watering the flowers.We have thought that perhaps it had gone to bathe itself. The drums were supposed to be full, but instead one was half empty. Maybe during the night, it had "undressed", dipped in a drum, washed, and jumped from the terrace, producing the noise of a jump in water that my sister heard. They came down, to see if it had left its coveralls, but there was nothing. Except a small hole, under the house, not wider than 25-30 centimetres, that opens on a bulwark. I have illuminated it with a torch, but I have not been able to see correctly within it." An other particular thing, maybe of great importance emerges then, when the enquirers ask Caponi greater details about the physical aspect of the creature and the color of its skin. One assumes that its epiderm, as it appears in the two photos of the seated humanoid, is really in "coveralls" that joins perfectly to the body and wraps it completely. The difference, in the photos handed by Caponi between the humanoid with and without its kind of "protection" appears clearly from the last picture, in which the being is half seated half erected and seems to be "naked." A month passed, and the next encounter was on September 20, 1993. "Every night I waited, by now. I still did not sleep more. So, towards at about 3 o'clock in the morning, I see it under the house. 'Stavolta, I say to myself, before photographing I call someone. I woke up my grandmother, that sleeps in the room besides, but she was not able to see it from her window, although it was just under. It was standing. Then we came down and my grandmother finally saw it in all its splendor - she was frightened because she thought that she was seeing some sort of malignant entity - and she started to scream, while I tried to calm her, I approached and photographed it." Then a scene already wintessed repeated: the being bent, turned the head a little bit, and looked at Caponi. The grandmother, Perla Antonia, told about this experience, explained how frightened she was that the being may hurt her grandson: "Filiberto, let's go away from here, because I am frightened now. But by now I run after it up to the arch, in the country, under the rainy night, I was all wet, in the middle of the grass I have lost it from sight." Other important details emerge from the questions of investigators: "The being made noise when moving, its dorsal structure is rather grip, but its sides seems wide, which is practically the contrary of the way we are made. It seems built to run, the arms are not used, remember how he raced to the nearby door with leaps like those of an ostrich. Its dimensions? It is very small, not more than 70 centimetres, the way it had its feet on the ground, it seems that it weighs the double than it really weighs. It has two nostrils for the nose, but no ears."This is clearly not a human skull, we have been fed a variety of unlogical explanations as to why this skull has this formation. Several like it were found in Peru with small variations. Many artifacts that were clearly of Egyptian origin were also found in Peru dating back to the time of the Ancient Egyptians. However these two cultures and countries were not supposed to have had contact back then being so far from each other. Many odd things are found in Peru, the Nazca lines, a set of animal and geometrical lines engraved onto the ground which extend for miles. Engraving these lines would require a view from above to do them correctly, yet they were not supposed to have aircraft back then. So how did they do it?? This skull gives us a good idea. If they had brains big enough to fit into these skulls they could obviously find ways to fly in aircraft or spacecraft no doubt.US serial number gives clue to mystery of the alien in the attic -Patrick Barkham-Monday February 6, 2006-The Guardian When Barney Broom began renovating his cottage he did not expect to be confronted by a pair of black eyes staring from a cloudy jar. But the mysterious discovery of an alien in his attic has spooked the 54-year-old screenwriter and bewildered extraterrestrial experts, who yesterday suggested the US military could be involved.The delicate 30cm (12 inch) figure of a baby alien is stored in a pungent liquid and has a US serial number painted on its four-toed foot. Possibly sculpted from a clay-like substance and painted grey, the model closely resembles the aliens depicted in a hoax film of an autopsy of the infamous "Roswell incident".Curiously, the alien was discovered stored in an old toffee jar wrapped in a copy of the Daily Mirror dating from October 1947. In July of that year, officials at the American air base of Roswell reported and then denied finding the remains of a flying saucer. The Roswell incident sparked a popular fascination with UFOs and led the US air force to collect data on sightings. One theory is that the alien was left in the loft by a US serviceman working at a nearby US air base. Mr Broom's two-bedroom cottage at Gunthorpe, north Norfolk, which he bought eight months ago, is 45 miles from two large US air bases at RAF Lakenheath and RAF Mildenhall. Many US servicemen and women live and work in the region. Mr Broom told the Guardian he was "a bit spooked" by the discovery but said he was not yet living in fear of being beamed up by aliens."It was stuffed in the corner of the loft with other old newspapers. Before me, an old spinster lived in the house. I don't think anybody had been up there for years. I haven't got three heads and I'm not the sort of eccentric lunatic to think it's an alien but it's a funny thing to find in your loft."Mr Broom reported his finding to the Sci Fi Channel, who called in Professor Adam Roberts, an expert in science fiction literature, to examine the creature. "The easy thing to do is dismiss it all and say it's a hoax. It may be or may not be," said Prof Roberts. "The fact that it was found near a US air base suggests there may be a military component to it." A spokeswoman for the US air force said it had never made such models of an alien, the figure was not government property and the serial number could mean it had been catalogued by a museum. "It's a hoax," the spokeswoman said. Prof Roberts admitted it could be a film prop dating from the 1960s, but said he was not surprised at US denials: "That is the US air force line. They deny these alien encounters. It is quite possible they concoct stories to cover up for more nefarious activities."And the Marcabians don't know everything either. Oh, they think they do. But they only know what they have to do to keep their status. And that's coming down from Marcab. At least they are not doing implanting anymore. But remember it's not all that cleanly cut as I'm saying. You always have Marcabians who are working for the implanters and implanters that are infiltrating the Marcabians, and people that try to take us over and fail. And we are always going inside their lines and look and see what they are doing. But basically you have all the truth here. And you have the decision, and you have now the data with which you can see what it's doing and who is doing it. So without the help of Ron and the beginning of the tech project we could not have done this. And what is the key to all this that he gave us? He didn't just say - Here's the tech project and one or two of you can do it, and maybe you go free. He set up a system where one person could help another. Now that is what differentiates a real games master from interference people and just take-over people. You notice the implanters are not teaching anyone how to help anybody. You heard what they had down there on level 5 and 6 and 7. And the Marcabians are not here to help you, because they still want to maintain the control. They'll let you have a little freedom as long as you conform. But they don't teach you how to help each other, because if you could help each other you might grow big and expand and get free. You might start your own company and make a better car than the Mercedes. Yeah. You see? So they ain't gonna help you either. They will allow you to exist. And the implanters will also allow you to exist. But you won't even know it. OK. So that is the game and that is the control measures and thanks to LRH we have the way out. We never until this moment understood all of what he was saying and how wide it covers. It's a whole intergalactic game and it has something to do with this planet. And now you are in possession of as much truth as we know about at the moment on the intergalactic scenario. You know more than the leaders of your government. You know more than the MJ 12 Committee. If they've heard any rumors about this they're afraid of it. And they can't believe it. The implanters have told them We have all the power, we have all the technology, you know. But they don't, you see? So you have now more truth and knowledge about what is happening on this planet than anyone else. What are you gonna do about it? I think that you might all agree at this point that an idea can influence a whole civilization. And the idea of a free zone planet where everyone can choose for themselves, if they know all the data, I think you'll agree that that's a pretty good idea. You know something? Because of the rules and regulations that have been laid down, decrees about this area, no one can stop you from doing that. They can try to interfere with you and all that. You might find it a little hard to get it done, but you'll also find a lot of cooperation. Because people are tired of being lied to all the time. They really know deep down there is some truth somewhere. So it would be a good idea to get this around on a proper gradient with perhaps the help of the video and so on like that. Invite your friends and so on. Make it into a big thing. And you'll find that all of a sudden you know what that story in the newspaper means. You know when this comes. Oh yeah, I know about that, Yeah. See? You're in a position of power on this datum. And one of the rules of power: Don't disconnect. Use your connections to spread the power. OK? Again I thank LRH for the opportunity and the chance to do this. And I thank all of you for being here, because you have in your hands now the key to the future. Use it well! Thank you very much. OK. Thank you very much for coming. I thank Doro for the translation. Let's give her a hand. Maria and Stephan for helping set up the event. Diane for telling us of Mr. Hamilton. And also before we go I'd like to tell you that we still have some tapes left from the UFO tapes that could be a good introduction to other people. Just listen to these tapes about UFO's. They are actual stories. And they have in there the Free Zone Decree, the Non Interference Decree talked against a background of sort of spacy music and it's very interesting tape, if you want to disseminate a little bit about...what, to go to the event or something. Hear this tape, see what you like about that. It's just stories and music about UFO's. And it can't hurt anybody, if they don't know about it. OK? So thank you very much and have a safe drive home. And let's have a good future.The following is a list of questions that were directed to former Dulce Base Security officer Thomas Edwin Castello approximately a year before his death [or disappearance]. They are followed by his responses:QUESTION - When exactly was the [upper human-occupied level of the] Archuleta installation constructed? ANSWER - I heard Dulce was started in 1937-38 by the Army engineers, enlarged over the years, most recent work was completed 1965-66 to connect tunnels to the Page [Arizona] Base, site of one of the older underground facilities. The four corners base is called PERICA. Most of the Native Americans [the Indians] living in that area are aware of that base, and could tell us about the underground life forms that frequently are spotted near those communities, Bigfoot, etc. (Note: The references to the Dulce base here deal mainly with the upper levels, not the extreme lower levels which include vast natural caverns and, some believe, very ancient tunnel systems as well. This would include the tunnels illuminated by phosphorus pentoxide which the alien grays avoid, and the origin of which is unknown. In fact sources have informed us that some of the underground NORAD facilities of Colorado were constructed within already-existing cavern systems, suggesting that Ray Palmer and Richard Shaver were correct when as early as the mid-1940's they wrote about the government's search for ancient underground cave and tunnel systems to be converted for their own use. - Branton)Q -- By what means was the [upper] installations constructed? Are you familiar with the alleged developments made by the Rand Corporation of a highly-efficient bore or mole machine capable of melting rock using nuclear powered wolfram-graphite tipped 'drill-cones'? A -- According to several senior maintenance workers, part of it was blasted by nuclear devices in the sixties. There are sections, like the shuttle tunnels, that were formed by an advanced tunneling machine that leaves the tunnel walls smooth. The finished walls in those tubes resemble polished black glass.Q -- By WHOM was the Dulce installation originally constructed? A -- Nature started the caverns. The Draco [reptilian humanoids] used the caverns and tunnels for centuries. Later, through RAND Corporation plans, it was enlarged repeatedly. The original caverns included ice caves and sulfur springs that the 'aliens' found perfect for their needs. The Dulce caverns rival Carlsbad caverns in size. (Note: Carlsbad caverns and especially the adjacent Lecheguilla caves are 'officially' among the largest and deepest in the world, with several 'leads' that remain to be explored by professional speleonauts - Branton)Q -- What exactly are the cattle [and human] organs such as blood, anal tissue, eyes, reproductive organs, tongues, etc. used for -- i.e. the organs obtained via cattle and human mutilations? A -- Read the so-called Dulce papers [for more information].Q -- Are the various electromagnetically-controlled air or space craft -- [that have been seen] leaving from and arriving at Mt. Archuleta -- manned by humans, the 'alien entities', or both? A -- Archuleta Mesa is a minor area... the craft leave [and are stored] in five areas. One is SE of DULCE, one near Durango Co., one at Taos, N. M., and the main fleet is stored at LOS ALAMOS [under]. (Note: I believe Thomas Castello is referring to the 'joint-operational' fleet. From combined sources however it appears as if Dulce is absolutely SURROUNDED ON ALL SIDES by 'alien' bases, and that Archuleta peak -- although apparently the central NEXUS of the entire underground network -- is nevertheless just one part of an overall complex that some claim is nearly the size of Manhattan! One source has indicated that there are chambers a few hundred feet below the very town of Dulce itself that are part of level one of the facility. This close proximity may explain why it has usually been described as the 'Dulce Base'. Apparently even with his high-security clearance, Thomas Castello was only familiar with one part of the overall mega-complex which underlies the area. Whatever amount of activity is taking place there, different sources seem to indicate that the town of Dulce nevertheless lies over a major crossroads, convergence or 'intersection' area of alien activity even though the 'core' of alien activity has been extended to Los Alamos. Los Alamos and the mountainous regions east and southeast of it in and around the Santa Fe National Forest seem to be the MAJOR 'nest' of Reptiloid/Gray forces in North America, although there is also a large number of 'dens' scattered throughout the underground networks between Dulce and Area 51. Dulce seems to be a major 'through' point for exterran and subterran reptilian activity, a central 'infiltration' zone for surface operatives, as well as an operational base for abduction-implantation-mutilation agendas and also a major convergence for sub-shuttle terminals, UFO ports, and so on. - Branton)Q -- Others have suggested that some of the entities below Dulce are not of 'extraterrestrial' ORIGIN, and that they are actually descended from saurian or reptiloid beings such as the Velociraptors or Stenonychosaurus Equallus -- a 'serpentine' race or races similar to that hinted at in the third chapter of the book of Genesis? A -- Yes, some 'reptoids' are native to this planet. The ruling caste of 'aliens' ARE reptilian. The beige or white beings are called The Draco. Other reptilian beings are green, and some are brown. They were an ancient race on Earth, living underground. It may have been one of the Draconian beings that 'tempted' Eve in the Garden of Eden. Reptoids rightly consider themselves "native Terrans." Perhaps they are the ones we call the Fallen Angels. Maybe not, either way, we are [considered] the 'squatters' on Earth.Q -- Some have suggested that the so-called underground 'E.T.' bases and tunnels may, for a large part, be literally thousands of years old... constructions of an antediluvian race which attained to a considerable level of scientific complexity, and who were destroyed by a Divinely-initiated cataclysm which took place after they attempted to merge their science with occult/supernatural forces. For instance some have suggested that the Bermuda Triangle phenomena may be the result of an out-of-control Atlantean experiment that led to a space-time disaster which produced "electromagnetic fallout" in the Triangle area and elsewhere after they had accidentally loosed powerful forces and energies into the world that they knew very little about. Do your observations tend to confirm or refute such a possibility? A -- I'm not sure about the Divine part, but these 'aliens' consider themselves 'NATIVE TERRANS.'A -- Where do the little gray Aliens fit in? Q -- They work for, and are controlled by the Draco. There are other gray skinned beings that are not in league with the Draco.Q -- Did you ever talk to any of the 'Aliens' at the Base? A -- Since I was the Senior Security Technician at that base, I had to communicate with them on a daily basis. If there were any problems that involved security or video camera's, I was the one they called. It was the reptilian "working caste" that usually did the physical labor in the lower levels at Dulce. Decisions involving that caste were usually made by the white Draco. When human workers caused problems for the working caste, the reptoids went to the white Draconian 'boss', and the Draco called me. At times, it felt like it was a never ending problem. Several human workers resented the "no nonsense" or "get back to work" attitude the working caste lives by. When needed, intervention became a vital tool. The biggest problem were human workers who foolishly wandered around near the "OFF LIMITS" areas of the "Alien Section." I guess it's human nature to be curious and to wonder what is past the barriers. Too often someone found a way to bypass the barriers and nosed around. The camera's near the entrance usually stopped them before they got themselves in serious trouble. A few times I had to formerly request the return of a human worker.Q -- Are there other sites tied-in to the 'shuttle network' other than those which you mentioned, and if so, where are the entrances? A -- WHERE!?! EVERYWHERE! THEY CRISS CROSS THE WORLD AS AN ENDLESS SUBTERRANEAN HIGHWAY. LIKE A FREEWAY, EXCEPT THIS ONE IS UNDERGROUND... The subterranean highway in America is like a freeway except it's underground. That highway depends on electric motors [for trucks, cars and buses] for the paved roads, and it is for limited travel. There is another style of transit for freight and for passengers that is for rapid travel. That world wide network is called the "Sub-Global System." It has "check points" at each country entry. There ARE shuttle tubes that 'shoot' the trains at incredible speeds using a mag-lev and vacuum method. They travel at a speed that excels the speed of sound. Part of your question involves the location of entrances to that base. The easiest way to answer is to say every state in the U.S.A. has them. Frequently, the entrances are camouflaged as sand quarries, or mining operations. Other complex portals are found on military bases. New Mexico and Arizona have the largest amounts of entrances followed by California, Montana, Idaho, Colorado, Pennsylvania, Kansas, Arkansas and Missouri. Of all the state's Florida and North Dakota have the least amount of entrances. Wyoming has a road that opens directly into the subterranean freeway. That road is no longer in use, but could be reactivated if they decide to do so, with minimal cost. It's located near Brooks Lake.Q -- Are there any 'bases' in the state of Utah? (Note: Thomas mentioned several areas surrounding Utah -- Colorado, New Mexico, Arizona, Nevada and Idaho, where there are 'connections', but little on Utah which according to some sources lies directly over one of the largest NATURAL cavern systems in North America, one that is said to reach deep beneath the Western Rockies as well as beneath the Bonneville basin) Have you heard anything about an alleged underground installation within the Wasatch Mountains...? A -- Salt Lake, Lake Powell Area, Dark Canyon, Dougway Grounds, Modena, Vernal. All have exits there. Others too. (Note: There have been many rumors of ancient 'tunnel' systems being intersected during the excavations of sub-basement levels below major industrial and mall areas in downtown Salt Lake City. Various stories surrounding these tunnels include: explorers who have entered the tunnels and never returned; reports of 'lizard people' down in the labyrinths; reports of grays working with humans on electronic equipment and massive building projects going on in huge caverns beneath the mountains to the east; reports of humans who are part of an Asian-based 'Agharti' kingdom who maintain colonies within the tunnels and caverns below -- and who are in conflict with the reptiloids, grays, and a group collaborating human fascists from a network of massive underground facilities beneath the Neu Shwabenland region of Antarctica; reports of men in suits having been seen pacing back and forth through large underground chambers carrying uzi machine guns; reports of seemingly bottomless shafts; large tunnels strung with lights that are "big enough to drive a semi-truck through"; sections of tunnel walls that looked solid yet which one could put their hands through; rooms which emanate a strange greenish phosphorescent glow; abductees who are taken below and encounter all types of aliens; discs that have been seen emerging from the mountains to the east and attacking incoming UFOs over the valley; Dungeons & Dragons fanatics who have been down in the tunnels and tell wild stories of hundreds of miles of maze-like passages; reports of connections to the tunnel systems via the sewer-drainage network especially underneath the downtown "Crossroads" area; reports of alien activity similar to that which has been described in connection to Dulce New Mexico; and reports of a huge cavern network that reaches beyond the border of the state in all directions -- a huge network that connects the underground systems of Nevada with those of New Mexico. There is a famous story which is not openly talked about -- there are two versions... both may be true. In one version a Mormon Temple worker penetrated an underground tunnel below the 'square' in downtown Salt Lake City and traveled for some distance through a series of underground catacombs until running into a 'lizard' like man. The creature attempted to attack him but the man escaped and managed to find his way back to the surface. He began telling other people what had happened and soon afterwards the 'government' arrived in the area and went in and closed off many of the tunnels leading to the sub-basements of the Temple. Presumably there was some heated debates over how much of the underground system this denomination was allowed to control. A similar dispute apparently occurred to the southwest where the LDS church maintained a large storage facility under Granite Mountain in Little Cottonwood canyon, within the upper levels of a vast network of caverns. Fascist CIA elements and the Grays came in and took control of the larger caverns deeper within the mountain and ordered the 'vault' workers to stay out of the 'forbidden' areas -- and stated that the "U.S. Government" was now using them for "National Security" purposes and that it was their "patriotic duty" to maintain the secret. The other version concerned a custodian who entered a tunnel near the cinemas area below the Crossroads Mall across the street and to the south from the temple square, while excavation was being carried out in a that part of the Mall. The worker entered the tunnel and before long encountered a 'serpent' type man, beat a hasty retreat, and told his fellow workers what he had seen. The FBI and/or the local police soon arrived and sealed the tunnel. Another story involved a young man who, along with a friend, had used a chain tied to his pickup truck to rip-up a manhole cover in the area near the 'Mall' and the 'Square'. They navigated through a maze of sewer passages underneath and came to a shaft that descended in a series of 5 small 'rooms' one below the other, and from the bottom room a tunnel led south into a large chamber wherein they saw a seemingly bottomless shaft, a large southwest tunnel strung with lights and 'large enough to drive a semi through', and the footprints of some type of three-toed bi-pedal creature. Other sources imply that early pioneers and settlers of the area who explored these tunnels came in contact with and in some cases even joined with some of the Telosian-Agharti-Melchizedek-Mayan underground colonies below the Salt Lake Flats, the Salt Lake Valley and the Western Rockies. These subterraneans had formerly established territorial agreements with the Reptiloids and Grays before the aliens begun invading their subterranean lands below the intermountain west en-masse in the early 1900's. The treaties were part of an attempt to stave off a possible inter-species conflict, as skirmishes between the humanoids [Teros] and reptiloids [Deros] within the cavern networks of North America had been increasing since the 1920's, 30's and 40's. Because of a somewhat non-exclusive collective-mind with which these humans interacted, it was decided that one possible way to 'convert' the reptilians into becoming beings of emotion and compassion was to allow them access to the group consciousness. The reptiloids however, once given access, immediately began taking advantage of the collective and used it to CONTROL the humans on a subliminal basis. The ease with which this occurred may have been enhanced by the fact that the Reptiloids and Grays were already operating as part of a collective or group mind, one which was far more complex than the Ashtar or Astarte collective itself which many of the 'Aghartians' depended on. This suggests that the reptilian 'collective' or HIVE itself is absolutely void of any and all care, concern or compassion for human beings. Individual reptiloids operating distinct from the draconian collective might however be 'tamed' by other collective-free humanoids in some cases -- as some have reportedly been 'tamed' by the Andro-Pleiadean worlds. If the non-humans could be severed from the 'collective' they might be deprogrammed and reprogrammed so-to-speak and even attain individual awareness and a degree of emotionalism. In such cases it would not be advisable to give these creatures equal standing among humans, and absolute subservience and monitoring should be enforced even if means were found to sever them from the collective mind network. When dealing with the reptilian forces, unconditional surrender should be first offered, and if this is not accepted than direct military action would be justified especially in light of the many permanent 'abductees' whom the Greys and Reptiloids have taken captive [those who are still alive] to their underground systems. Most of the treaties that the humanoids had made with the reptiloids 'down under' have since been broken... especially following the Groom Wars of 1975 and the Dulce Wars of 1979, during which time much of the underground U.S. base networks [which were funded by American tax dollars by the way] were taken over by the Grays. Some sources have implied that the aliens took advantage of the chaos especially during the Dulce wars and commenced to invade and conquer several of the older underground colonies. This apparently led to a rift in the 'Ashtar' collective, with many humanoids and hybrids splitting off and joining with the Andro-Pleiadean Federation non-interventionists, and many reptiloids and heartless humanoid agents splitting off and joining with the interventionists of the Draco-Orion Empire. The Sirius-B system which -- aside from Arcturus and Sol -- has been the major center of 'Ashtar' activity, has since been shaken by this split between the two opposing Ashtarian factions and war had reportedly raged through the Sirius system for several years, according to some 'contactees'... an apparent reflection of the division within the underground networks of North America between the Pleiadean-backed Sirian humanoids and Orion-backed Sirian reptiloids which both had maintained operations within the underground levels before the "Dulce Wars" broke out. The Dulce wars were just the mere tip of the proverbial iceberg when we consider that the overall events which happened at Dulce had a chain reaction effect throughout this whole sector of not the galaxy. Before the division occurred, the reptiloids were invited to take part in 'peace talks' in Telos and elsewhere as an act of good faith, but the reptiloid-grey collectivists were more interested in expanding their empire and feeding their insatiable appetite for conquest than they were in making peace, although they agreed to peace treaties that they never intended to keep for 'Trojan horse' manipulation purposes. There is a remnant collaboration such as that taking place in the underground facilities near Paradox Nevada where collectivist humanoids and reptiloids from Sirius and Sol still maintain a collaboration of necessity -- in order to establish a global control system, however a large number of humanoids within the underground systems are at war with the collectivist-interventionist Reptilian infiltrators who would otherwise 'assimilate' these humanoids into their collective through deception, espionage and mind control. Now several contactees like Alex Collier, Ray Keller, Stan Johnson and others are claiming that the conflicts in Sirius between the Andro-Pleiadean backed Ashtar forces and the Draco-Orion backed Ashtar forces -- which were infiltrated and commandeered by Draco-Orion agents -- have now spread to the Sol system, as both stellar superpowers have focused on this most strategic system, intent on protecting their respective 'interests' here from being subverted by the other side. - Branton)Q -- Did you notice any involvement of high-level Freemasons, Rosicrucians or Jesuits within the underground installation and/or with the aliens? (This question is based on the assumption made by some researchers that many of the Masonic lodges were, beginning about 1776, infiltrated by the Bavarian Illuminati. Much of the Masonic world is ultimately controlled by the Bavarian-lodge-backed 33+ degrees of Scottish Rite Masonry, a 'Rite' which according to early Masonic authority Rebold can be traced back to the JESUIT college atClermont in Paris -- a Rite which advocates the destruction of national sovereignties in exchange for world government, the destruction of religious and especially Judeo-Christian movements, and the destruction of the family-structure to be replaced by 'State' control of children, etc., as opposed to the more traditional Protestant-Christianized YORK RITE of Masonry which the SCOTTISH RITE has attempted to subvert since its inception into Masonry. This question was also based on claims from a former 33rd degree Mason, James Shaw, that the Scottish Rite headquarters in the "House of the Temple" -- which lies at the northern apex of the pentagram-like street layout of Washington D.C. -- is filled with all kinds of indications of serpent worship in the form of murals, carvings, statues, etc., depicting serpentine figures.Actually, from what my sources tell me, not only are there degrees beyond the 33rd degree, but the 33rd degree itself is made up of two cores, an inner and outer core, the 33rd degree and the 33+ degree.In the past when the 33rd degree initiation was reached a potential initiate might have been given a Bible or a Cross and asked to spit on it or desacrate it in some manner. ( less)
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The Smokers Band ~ Tampa FL
Band Members: Joe Saputo, Lead and Vocals; Rich Castellano. Bass and Vocals; Bill Bryant, Percussion and Vocals,
Genre: Blues-rock, Blues, Jamm Instrumentalm Rock
Years active 1991 - present
The Smokers was formed in Tampa, Florida on March 26, 1991 ( more)
The Smokers Band ~ Tampa FL
Band Members: Joe Saputo, Lead and Vocals; Rich Castellano. Bass and Vocals; Bill Bryant, Percussion and Vocals,
Genre: Blues-rock, Blues, Jamm Instrumentalm Rock
Years active 1991 - present
The Smokers was formed in Tampa, Florida on March 26, 1991 and remain a popular cover band today. Tampa~St. Pete were home before expanding statewide Florida in 2005. Their unique arrangements and fresh rock and roll licks drew a loyal following spanning the state.
Formerly: The Affordables
Booking agent: Joe: 813.681.1330
Sampling Six includes
(1) Rock Me Baby - Written by B B King
(2) Born on the Bayou - Written By Creedence Clearwater Revival
(3) Hard To Handle - By Otis Redding
(-) Introductions to the band - The Smokers
(4) Darlin You Know I Love You - By B.B. King
(5) Long Train Running Lyrics - By The Doobie Brothers
(6) Will It Go Round In Circles - By Billy Preston
(bonus cut) Funky Broadway - By Wilson Pickett -
~~~
Lyrics
Rock Me Baby
B.B. King
Rock me baby, rock me all night long
Rock me baby, honey, rock me all night long
I want you to rock me baby,
like my back ain't got no bone
Roll me baby, like you roll a wagon wheel
I want you to roll me baby,
like you roll a wagon wheel
Want you to roll me baby,
you don't know how it makes me feel
Rock me baby, honey, rock me slow
Yeah, rock me pretty baby, baby rock me slow
Want you to rock me baby, till I want no more
~~~
Born on the Bayou
Creedence Clearwater Revival
Now, when I was just a little boy,
Standin' to my Daddy's knee,
My poppa said, "Son, don't let the man get you
Do what he done to me."
'Cause he'll get you,
'Cause he'll get you now, now.
And I can remember the fourth of July,
Runnin' through the backwood, bare.
And I can still hear my old hound dog barkin',
Chasin' down a hoodoo there.
Chasin' down a hoodoo there.
CHORUS:
Born On The Bayou;
Born On The Bayou;
Born On The Bayou.
Wish I was back on the Bayou.
Rollin' with some Cajun Queen.
Wishin' I were a fast freight train,
Just a chooglin' on down to New Orleans.
CHORUS
Do it, do it, do it, do it. Oh, Lord.
Oh get back boy.
I can remember the fourth of July,
Runnin' through the backwood bare.
And I can still hear my old hound dog barkin',
Chasin' down a hoodoo there.
Chasin' down a hoodoo there.
CHORUS
All right! Do, do, do, do.
Mmmmmmm, oh.
~~~
Hard To Handle - By Otis Redding
Hey
Here I am
I'm the man on the scene
I can give you what you want
But you got to come home with me
I forgot some good old lovin'
And I got some more in store
When I get to throw it on you
You got to come back for more
Toys and things that come by the dozen
That ain't nothin' but drug store lovin'
Hey little thing, let me light your candle'
Cause mama I'm sure hard to handle, now, gets around
Action speaks louder than words
And I'm a man of great experience
I know you got another man
But I can love you better than him
Take my hand, don't be afraid
I'm gonna prove every word I say
I'm advertisin' love for free
So, you can place your ad with me
Once it come along a dime by the dozen
That ain't nothin' but ten cent lovin'
Hey little thing, let me light your candle'
Cause mama I'm sure hard to handle, now, gets around
Yeah, hard to handle, now
Oh, baby
Baby, here I am
The man on your scene
I can give you what you want
But you got to come home with me I forgot some good old lovin'
And I got some in store When I get to throw it on you
You got to come runnin' back for more
Once it come along a dime by the dozen
That ain't nothin' but drug store lovin'
Hey little thing, let me light your candle'
Cause mama I'm sure hard to handle, now,
Get around Hard, hard to handle, now
Oh yeah, yeah, yeah Yeah
Once it come along a dime by the dozen
That ain't nothin' but ten cent lovin'
Hey little baby, let me light your candle'
Cause mama I'm sure hard to handle, now, gets around
Yeah, so hard to handle, now
Oh yeah Baby, good lovin'
Baby, baby, owww, good lovin'
I need good lovin'
I got to have, oh yeah, yeah, yeah
Yeah So hard to handle, now, yeah Um-um-um
~~~
Darlin You Know I Love You
By B.B. King
Darlin', darlin' you know I love you,
I love you, for myself
But you're gone, gone and left me for someone else
I think of you, think of you every morning
I dream of you, every night, and with love,
love to be with you always
When night began to fall,
I cry, cry alone
And I wish, maybe I can hold you in my arms tonight
Oh, darlin', darlin' you know I love you,
I love you, for myself
But you're gone, gone and left me for someone else
~~~
Long Train Running Lyrics
By The Doobie Brothers
Down around the corner half a mile from here
see them both feet run and you watch them dissapear
without love where would you be now
without love
though i saw miss lucy down along the track
she lost her home and her family and she won t be coming back
without love where would you be now
without love
with the feeling always central and the southern central freight
you got to keep on pushing mamma you know there running late
without love where would you be now
without love
when the pistons keep on turning and go round and round
and the steel reels are cold and hard and the moutain ain t no down
without love where would you be now
without love
~~~
Will It Go Round In Circles - By Billy Preston
Will it go round in circles
Will it fly high like a bird up in the sky
Will it go round in circles
Will it fly high like a bird up in the sky ...
~~~
Funky Broadway - By Wilson Pickett -
Every town I go in
There's a street, uh, huh
Name of the street, uh, huh
Funky funky Broadway
Down on Broadway, huh
There's a nightclub, now, now
Name of the nightclub, now baby
Funky Funky Broadway
Down on Broadway
There's a crowd, now, huh
Name of the crowd, baby
Broadway crowd
Down on Broadway, yeah
There's a dancestep, huh
Name of the dance,
Funky Funky Broadway, hey! huh
Wiggle your legs now, baby
Shake your head, ooh, huh
Do the shing-a-ling now baby, now
Shake, shake, shake now
You don't know, huh, baby, now
You don't know, now woman, owww!
Doin' the funky Broadway, hey!
Lord have mercy
Oh, you got me feelin' alright
Dirty filthy Broadway
Don't I like the Broadway, huh
That Broadway, lookit here
Down on Broadway
There's a woman
Name of the woman, huh
Broadway woman, hey!
Down on Broadway, yeah
There's a man, huh
Name of the man (fade)
~~~
Origins of rock and roll
Rock and roll began to emerge as a musical style in United States of America during the late 1940s as a combination of the rhythms of the blues, R&B, African American culture, and from America's country and western music, as well as gospel. Though elements of rock and roll can be heard in country records of the 1930s, and in blues records from the 1920s, rock and roll did not acquire its name until the 1950s. An early form of rock and roll was rockabilly, which combined the above elements with jazz, influences from traditional Appalachian folk music, and Gospel music. Going back even further, rock and roll can trace one lineage to the old Five Points, Manhattan district of mid-19th century New York City, the scene of the first fusion of heavily rhythmic African shuffles and sand dances with melody-driven European genres, particularly the Irish jig.
Rocking was a term first used by black gospel singers in the American South to mean something akin to spiritual rapture. By the 1940s, however, the term was used as a double entendre, ostensibly referring to dancing, but with the subtextual meaning of sex, as in Roy Brown's "Good Rocking Tonight." This type of song was usually relegated to "race music" outlets (music industry code for rhythm and blues stations) and was rarely heard by mainstream white audiences.
During the 1920s and 1930s, many white Americans enjoyed African-American jazz and blues performed by white musicians. They often objected to the music as performed by the original black artists, but found it acceptable when performed by whites. A few black rhythm and blues musicians, notably Louis Jordan, the Mills Brothers, and The Ink Spots, achieved crossover success. While rock and roll musicians increasingly wrote their own material, many of the earliest white rock and roll hits were covers of earlier rhythm and blues or blues songs. Blues would continue to inspire rock performers for decades. Delta blues artists such as Robert Johnson and Skip James also proved to be important inspirations for British blues-rockers such as The Yardbirds, Cream, and Led Zeppelin.
In 1951, Cleveland, Ohio disc jockey Alan Freed began playing this type of music for a multi-racial audience. Freed is credited with coining the phrase "rock and roll" to describe the rollicking R&B music. While working as a disc jockey at radio station WJW in Cleveland, he also organized the first rock and roll concert, called "The Moondog Coronation Ball" on March 21, 1952. The event, attended mainly by African Americans, proved a huge drawing card — the first event had to be ended early due to overcrowding. Thereafter, Freed organized many rock and roll shows attended by both whites and blacks, further helping to introduce African-American musical styles to a wider audience.
There is much debate as to what should be considered the first rock & roll record. Sister Rosetta Tharpe was recording shouting, stomping music in the 1930s and 1940s that in some ways contained major elements of mid-1950s rock and roll. She scored hits on the pop charts as far back as 1938 with her gospel songs, such as "This Train" and "Rock Me", and in the 1940s with "Strange Things Happenin Every Day", "Up Above My Head", and "Down By The Riverside." Another artist who was singing hard-rocking blues/gospel to a boogie piano was Big Joe Turner, whose 1939 recording, "Roll 'em Pete," is almost indistinguishable from '50s rock and roll. Other significant records of the 1940s and early 1950s included Roy Brown ("Good Rocking Tonight", 1947), more Big Joe Turner ("Honey, Hush", 1953, and "Shake, Rattle and Roll", 1954), Paul Bascomb ("Rock and Roll", 1947), Fats Domino ("The Fat Man," 1949) and Les Paul and Mary Ford ("How High the Moon", 1951).
Rolling Stone magazine argued in 2004 that "That's All Right (Mama)" (1954), Elvis Presley's first single for Sun Records in Memphis, was the first rock and roll record[2]. Bo Diddley's 1955 hit "Bo Diddley" backed with "I'm A Man" introduced a new, pounding beat, and unique guitar playing that inspired many artists.
Bill Haley's "Rock Around the Clock" (1954) became the first rock and roll song to top Billboard magazine's main sales and airplay charts, and the door was opened for this new wave of popular culture. Other artists with early rock 'n' roll hits were Chuck Berry and Little Richard, as well as many vocal doo-wop groups. Within the decade crooners such as Eddie Fisher, Perry Como, and Patti Page, who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed.
Both rock and roll and boogie woogie have four beats (usually broken down into eight eighth-notes/quavers) to a bar, and are twelve-bar blues. Rock and roll however has a greater emphasis on the backbeat than boogie woogie. Little Richard combined boogie-woogie piano with a heavy backbeat and over-the-top, shouted, gospel-influenced vocals that the Rock and Roll Hall of Fame says "blew the lid off the '50s." However, others before Little Richard were combining these elements, including Esquerita, Cecil Gant, Amos Milburn, Piano Red, and Harry Gibson. Little Richard's wild style, with shouts and "wooo wooos," had itself been used by female gospel singers, including the 1940s' Marion Williams. Roy Brown did a Little Richard style "yaaaaaaww" long before Richard in "Ain't No Rockin no More."
Early North American Rock and Roll (1953-1963)
Rock and roll appeared at a time when racial tensions in the United States were coming to the surface. African Americans were protesting segregation of schools and public facilities. The "separate but equal" doctrine was nominally overturned by the Supreme Court in 1954, and the difficult task of enforcing this new doctrine lay ahead. This new musical form combining elements of white and black music inevitably provoked strong reactions. From the early 60s, Ike & Tina Turner were big Rock & Roll stars.
On March 21, 1952 in Cleveland, Alan Freed (also known as Moondog) organized an early rock and roll concert, titled "The Moondog Coronation Ball". The audience and the performers were mixed in race. The evening ended after one song in a near-riot as thousands of fans tried to get into the sold-out venue. The record industry soon understood that there was a white market for black music that was beyond the stylistic boundaries of rhythm and blues. Even the considerable prejudice and racial barriers could do nothing against market forces. Rock and roll was an overnight success in the U.S., making ripples across the Atlantic, and perhaps culminating in 1964 with the British Invasion.
From this early-1950s inception through the early 1960s, rock and roll music also spawned a new dance craze. Teenagers found the irregular rhythm of the backbeat especially suited to reviving the jitterbug dancing of the big-band era. "Sock-hops," gym dances, and home basement dance parties became the rage, and American teens watched Dick Clark's American Bandstand to keep up on the latest dance and fashion styles. From the mid-1960s on, as "rock and roll" yielded gradually to "rock," later dance genres followed, starting with the Twist, and leading up to Funk, disco, house and techno.
Rockabilly
In 1954, Elvis Presley recorded the regional hit "That's All Right (Mama)" at Sam Phillips' Sun studios in Memphis. Elvis played a rock and country & western fusion called rockabilly, which was characterized by hiccupping vocals, slapping bass and a spastic guitar style. He became the first superstar rock musician.
Elvis Presley in 1957's Jailhouse RockThe following year's "Rock Around the Clock" by Bill Haley & His Comets really set the rock and roll boom in motion. The song was one of the biggest hits in history, and frenzied teens flocked to see Haley and the Comets perform it, causing riots in some cities. "Rock Around the Clock" was a breakthrough for both the group and for all of rock and roll music. The song's inclusion in the film Blackboard Jungle marked the beginning of a mutually beneficial marriage of the genre to film. It had been recorded in 1954 with limited sales, but exploded in 1955 after the release of the movie, which used it in the opening sequence.
If everything that came before laid the groundwork, "Clock" certainly set the mold for everything else that came after. With its combined rockabilly and R & B influences, "Clock" topped the U.S. charts for several weeks, and became wildly popular with teenagers in places like Britain, Australia and Germany. The single, released by independent label Festival Records in Australia, was the biggest-selling recording in the country at the time. In 1957, Jerry Lee Lewis and Buddy Holly became the first rock musicians to tour Australia, marking the expansion of the genre into a worldwide phenomenon. That same year, Haley toured Europe, bringing rock 'n' roll to that continent for the first time.
Covers
Through the late 1940s and early 1950s, R&B music had been gaining a stronger beat and a wilder style, with artists such as Fats Domino and Johnny Otis speeding up the tempos and increasing the backbeat to great popularity on the juke joint circuit. Before the efforts of Freed and others, black music was taboo on many white-owned radio outlets. However, savvy artists and producers quickly recognized the potential of rock, and raced to cash in with white versions of this black music. White musicians also fell in love with the music and played it everywhere they could. Many of Presley's early hits were covers, like "That's All Right", "Baby, Let's Play House", "Lawdy Miss Clawdy" and "Hound Dog".
Covering was customary in the music industry at the time; it was made particularly easy by the compulsory license provision of United States copyright law (still in effect [4]). One of the first successful rock and roll covers was Wynonie Harris's transformation of Roy Brown's "Good Rocking Tonight" from a jump blues to a showy rocker. The most notable trend, however, was white pop covers of black R&B numbers. Exceptions to this rule included Wynonie Harris covering the Louis Prima rocker "Oh Babe" in 1950, and Amos Milburn covering what may have been the first white rock and roll record, Hardrock Gunter's "Birmingham Bounce," in 1949.
Black performers saw their songs recorded by white performers, an important step in the dissemination of the music, but often at the cost of feeling and authenticity (not to mention revenue). Most famously, Pat Boone recorded sanitized versions of Little Richard songs, though Boone found "Long Tall Sally" so intense that he couldn't cover it. Later, as those songs became popular, the original artists' recordings received radio play as well. Little Richard once called Pat Boone from the audience and introduced him as "the man who made me a millionaire."
The cover versions were not necessarily straightforward imitations. For example, Bill Haley's incompletely bowdlerized cover of "Shake, Rattle and Roll" transformed Big Joe Turner's humorous and racy tale of adult love into an energetic teen dance number, while Georgia Gibbs replaced Etta James's tough, sarcastic vocal in "Roll With Me, Henry" (covered as "Dance With Me, Henry") with a perkier vocal more appropriate for an audience unfamiliar with the song to which James's song was an answer, Hank Ballard's "Work With Me, Annie."
Teen Idols
In 1959, Buddy Holly, Ritchie Valens, and the Big Bopper (J.P. Richardson) were killed when a plane Buddy Holly had chartered from Mason City, Iowa, to Fargo, North Dakota crashed in a corn field, after a performance at the Winter Dance Party.
Buddy Holly, fed up with the conditions on the buses, decided to charter a small plane for himself and the Crickets to get to the next show on time, get some rest, and get their laundry done. After the February 2, 1959 performance at the Surf Ballroom in Clear Lake, Iowa, Holly, Richardson (who pleaded with Waylon Jennings for his seat because he was stricken with flu), and Valens (who had won Tommy Allsup's seat after a coin toss), were taken to Clear Lake airport by the manager of the Surf Ballroom.
The plane, a four-passenger Beechcraft Bonanza, departed into a blinding snowstorm and crashed into farmer Albert Juhl's cornfield shortly after takeoff. The crash ended the lives of all three passengers, as well as the 21 year-old pilot, Roger Peterson. This event inspired singer Don McLean's popular 1971 ballad "American Pie", and immortalized February 3 as "The Day the Music Died". The event also inspired the Tommy Dee song "Three Stars", which specifically mentions Buddy Holly, the Big Bopper, and Valens.
Besides Elvis Presley, Holly, Valens, and Richardson were known as three of the first rock and roll teen idols. They were followed by other artists with massive appeal to a teenaged audience, such as Paul Anka, Ricky Nelson, Frankie Avalon, the Beatles, and later, the Monkees.
Teen idols were not only known for their catchy pop music, but good looks also played a large part in their successes. It was because of this that certain fan magazines, exclusively geared to the fans of teen idols (16 Magazine, Tiger Beat, etc.), were created. These monthly magazines typically featured a popular teen idol on the cover, as well as pin-up photographs, a Q&A, and a list of each idol's "faves" (i.e. favorite color, favorite vegetable, favorite hair color, etc.).
Teen idols also influenced toys, Saturday morning cartoons and other products. At the height of each teen idol's popularity, it was not uncommon to see Beatle wigs, Davy Jones' "love beads", or perhaps even Herman's Hermits lunchboxes for sale.
British Rock and Roll
The trad jazz movement brought blues artists to Britain, and in 1955 Lonnie Donegan's version of "Rock Island Line" began skiffle music which inspired many young people to have a go, including John Lennon and Paul McCartney, whose "The Quarrymen", formed in March 1957, would gradually change and develop into The Beatles. These developments primed the United Kingdom to respond creatively to American rock and roll, which had an impact across the globe. In Britain, skiffle groups, record collecting and trend-watching were in full bloom among the youth culture prior to the rock era, and colour barriers were less of an issue with the idea of separate "race records" seeming almost unimaginable. Countless British youths listened to R&B and rock pioneers and began forming their own bands. Britain quickly became a new center of rock and roll.
In 1958 three British teenagers became Cliff Richard and the Drifters (later renamed Cliff Richard and the Shadows). The group recorded a hit, "Move It", marking not only what is held to be the very first true British rock 'n' roll single, but also the beginning of a different sound — British rock. Richard and his band introduced many important changes, such as using a "lead guitarist" (virtuoso Hank Marvin) and an electric bass.
The British scene developed, with others including Tommy Steele, Adam Faith and Billy Fury vying to emulate the stars from the U.S. Some touring acts attracted particular popularity in Britain, an example being Gene Vincent. This inspired many British teens to begin buying records and follow the music scene, thus laying the groundwork for Beatlemania.
At the start of the 1960s, instrumental dance music was very popular. Hits such as "Apache" by The Shadows and "Telstar" by The Tornados form a British branch of instrumental music.
Social Impact
The massive popularity and worldwide scope of rock and roll resulted in an unprecedented level of social impact. Far beyond simply a musical style, rock and roll influenced lifestyles, fashion, attitudes, and language. In addition, rock and roll may have helped the cause of the civil rights movement because both African American teens and white American teens enjoyed the style of music. It also birthed many other rock influenced styles. Progressive, alternative, punk, and heavy metal/rock are just a few of the genres that sprang forth in the wake of Rock and Roll.
Contributed by
Bill Stoll
StollCo Video - 2007
Tampa FL ( less)
Runtime: 06:51
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This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series of encounters starts in Pretare d'Arquata, a small sector in the province of Ascoli Piceno, at the ( more)
This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series of encounters starts in Pretare d'Arquata, a small sector in the province of Ascoli Piceno, at the top of the Monte Vettore, a few kilometres after one leaves the road to Salaria. They show, in sequence, a being in a various positions, seated, nearly erected, in seemingly painful physical conditions although this may be only an anthropomorphic impression. The being seems to have small dimensions, rather sturdy, with the skin that in some instantaneous ones appears burnished and thick and in last photograph, completely red, moisted, with the aspect of a badly wounded skin. The photos were published in the weekly magazine "Visto" n. 43 on 28 October 1993, and then produced on TV during the program "I Fatti Vostri" ("Your facts") on Friday, November 5, 1993, hosted by Giancarlo Magalli. The first photo showed a small shadow, as Caponi stated. The effect of the mysterious combustion of the two first pictures, altering the zone where the being was, resulted in this. May 24, 1993.The first investigation was headed by the CUN and consisted of several inspections, interviews of Caponi and his relatives and the answers to their questions to other indirect witnesses. At the end of the investigation, they had a detailed report on the case but drew no firm conclusion whatsoever. At the same time, other investigators approached Caponi and obtained from him similar statements, substantially coinciding with those published by the CUN. Some of them gave their interpretation of the events, such as Massimo Fratini Maximum from the CETI, in Rome, who stated that he has always been convinced by the sincerity of the witness. "In the course of our inquiry and during last the three years, we have had to reconsider, step by step, all the vicissitude, to reconstruct all the details, meeting Filiberto Caponi several more times and trying to collect other testimonies." "We are not still in a position to give the conclusions - today - but we are approaching the possible truth of what happened in the outskirts of Pretare d'Arquata (Marches), on the Monte Vettore, starting in May 1993." Caponi's photograph remain disturbing to this day. There were, however, some contradictions and omissions which emerged when investigations started to put more pressure on Caponi. Yet there seems to be no way to differentiate if these contradictions and omissions are simply caused by the confusion between investigators, and the stress put on Caponi who was literally sieged by Italian and foreign journalists as his photographs were just published in a weekly Magazine in Milan. Essentially, the story told by Filiberto Caponi was quite consistent over time, chronologically always consistent, but some parts of his story was slightly at odds with the photographs themselves. This prompted the chief investigator of the CUN, Roberto Pinotti, to insist that he needs to look at the photographic material in good conditions, first to elucidate some points, and also because CUN thought that the witness should have the right to manage his material. Indeed, in an unprecedented and utterly unexplainable manner, the magistracy of Ascoli Piceno had seized and confiscated the photographs from Caponi, and started a judicial procedure against Caponi under the never heard of motive that his photograph might disturb the civil peace. Because of this confiscation, CUN could only analyze them visually but not instrumentally. Caponi told to CUN's Roberto Pinotti, Gianfranco Lollino and Massimo Angelucci, and Fabio Della Balda of the CROVNI of Saint Marino about his first encounter; "I first thought it was a small cat complaining, trapped in a plastic bag.""It was the evening of 9 May 1993. As usually I re-entered from a ride on my motorbike and I was closing the garage, just near the country, when I heard I complain, different from those typical of usual animals. I was also thinking that it may be a drunk coming down from the same road making noises. Then, in an angle of a house, I saw a "white [palleta,]" it seemed to me that the strange complain came from it. Smiling, as I thought I had found an abandoned cat, wrapped in a plastic bag, I stretched a hand to touch it, but on reflection I stopped because it occurred to me that it might scratch me. So I limited myself give the bag a little kick to see if it would come out on itself. And I was terrified, because the "old plastic bag" jumped on, showing that it had a head, arms and legs. It raised from the ground, and went to the wall that I have shown to you before. Anyway, it was quite fast, it had wrapped legs and it carried something that tripped, it looked like a bag that it had on the back, but it was not skin. I only saw the skin of its head and from its small arms which it did not use and not move.""I thought to myself that what I saw may not have existed, that I have been tired, that it must have been some animal..." However, back home, his mother noticed that something was wrong, as the boy was very pale. She managed to get her son tell what happened, and, with his father, he decided to return on location of the encounter in order to find some trace of the "animal." On the wall, behind which the being disappeared, the father found a "medical gauze covered with blood" but he did not take it home because it was disgusting and instead he put it under an old washing machine in the courtyard, planning to go to Ascoli Piceno in order to have it analyzed. In the night, Caponi still heard the strange complain, went down again to the road, but he saw nothing this time. "Nothing, just nothing, it was impossible," explained Caponi. "...and my father was there so that I could show him, and I have said to him 'I have heard it, but I do not know where it is' and he told me to go up in my room because from there we could see better. We stayed up there for roughly an hour, then my father was tired and went to bed again. Just at that moment 'the thing' reappeared... I called my father and so he has been able to see it too, for a moment, while it went away under that arch, in the blink of an eye, and my father looked at me as if he wanted to say 'so you were not joking!'... anyway he told me to go to bed, because it was late (3 in the morning)."The next morning, Filiberto's sister went to control the gauze, but it had disappeared. "It must have been a dog that smelled the odor of the blood," says Filiberto. "However it has been at that time that I decided to lend a camera from my brother-in-law. I put it right on the bedside table. For a week then I waited there (indicates the night place) thinking that perhaps the being would come again and that I could photograph it."15 days went by and nothing happened, so Caponi decided to forget all about it, when one evening: "It was approximately the two o'clock in the night and I heard the strange scream again. I sent up, I took the camera (a Polaroid 660) and opened the door, - while I felt that something was walking in the alley. I saw it arrive, from far away enough, to not fast, nearly walking. I took a first photo, the Polaroid ejects it, and I take it away, ready to take an other photo. In the light of the flash it had stopped, as if it had noticed the light, maybe but it must have been deaf... because I have made some noise when I opened the door, and it continued to come in my direction. It had stopped and turned around only when I took the photo. I have thought 'I will race with it, take a photo and run after it, this is a unique opportunity' and what I did, I went towards it, advancing a few meters, I photographed it again, and then I escaped screaming 'I have photographed it!', without watching where I went, so I ended against a wall. My father woke up and asked me what had happened. The photos developed under the eyes of my relatives: on the first one only a dark shadow was visible, but on the second, the head and the hanging arms wrapped with something, were visible. I looked at it intensively. I explained that when I have taken the second photo it had slightly turned its head towards me, without turning its body at all. My father felt it was quite a hair riser. My mother said 'My god, what is he?' And then I had calmed down and I told them 'a lot of it in the photos, let's put them in a secured place, let's not have everyone see them' and we decided to put them in a wooden box, in order to study them with calm on the next day."The first picture where the small being is clearly seen, at least as for the head, a hand, and some dark clothing on its back and whitish cover on its lower body. "I found the cover of the box curved, blackened underneath, filled with smoke. I ask what can have happened . Then I opened it I feel a smell of burnt similar to burned plastic's odor. The photo was burned around and where the being was shown, it was swollen and ruined... I detach the second photo and the image was also swollen, only in surface, it was not destroyed."Later, CUN investigators tried to determine if the ruined photos were explicitly attacked, and considered the possibility that the film may have been the Polaroid for a long time and maybe expired. But the hypothesis of a normal deterioration due to expiration revealed not valid, because the following photos were made with the same film and were not ruined at all. The only possible explanation that remained was that of a chemical interaction between the photos and an old past due battery conserved in the wooden box where the images were stored, which is what Caponi also proposed. The problem is that all the material, including the wooden box, have been delivered to the Police officers of the station of Arquata of the Tronto, subsequently to their first publication in a magazine. Moreover it must be emphasized that Caponi had circulated the photos (reproduced in dias) among roman newspapers and press agencies. Back on May 24, 1993. The news by now had been diffused, in because Caponi told about it in confidence to a friend: "I have made a big mistake, the day when I went at a friend who is a carpenter and told him all about it. He had sworn to me that he would not tell a word about it, but one evening he had drunk a glass too much and three days later the whole country knew the story and the "Messagero di Ascoli Piceno" newspaper telephoned, and a few days later they published the burnt photos.""The story still diffused more, even if many did not believe it and created popular legends about me or people hunting in the country. One evening I went to the circle and encountered the friend who had spilled the story out; in spite of that I have made peace with him, and we were walking outside with two others. And then all of us heard 'the scream,' coming from behind the gate of a house which is shown in the published photos. We decide to go check it out and I begin to climb up, while a friend remains a little behind, an the other progress in order, and when we get close to the direction of the complain, it stops immediately. We return to the bar and some sort of expedition gets organized, with others, in all 15 to 20 people, some of them with knives - everyone excited - torches and photographic cameras.An interesting point regarding this first encounter, it that Caponi suffered from an inexplicable cutaneous blackening on the right foot, the foot that he used to touch the entity. The blackening disappeared after three days.The second picture was also damaged, but the being is more distinguishable, although partly covered with "something." The arrow indicates where the head is. Caponi thought that he was the victim of some confusion, but he has been very frightened so he decided to reopen the garage and to rest a little moment on his motorbike and think about it, and to calm his nerves listening to the radio.One them has a hunting dog. We all go back the gate. We here the complain and the dog heads on and leaves us, crosses the gate and begins to bark, nearly as if fighting, and there are more and more screaming. Then the dog 'jumps down the road', throwing itself from a wall, falls on his back, stands up on his legs again and flees to hide in a corner. The other people present begin to look at me speechless. But, when I propose to locate the source of the sound in order to discover what it is they all say no. However from that moment, people in the area begun to believe me a little and I get interviewed from a journalist of 'Stop' magazine, but when he sees the burnt photos he does not think opportune to acquire them."Over time, the feeling that something strange and interesting is really happening spreads in the small country. And then on August 8, Pretare is the location of a new unusual phenomenon: many hens in the country die mysteriously, some enduring amputations of limbs or of the head, but without signs of blood or bites. They have been recovered all piled up. The fact remains stunning, because it is difficult to imagine that a predator, such as a fox or a vixen, can do so much damages in one night. So far Caponi had had two encounters with the being. But on August 11, 1993, when Caponi was somewhere outside on a bench, watching shooting stars: "It was five o'clock in the morning and all at once, in front of the door of my laboratory, I saw again that white pack, moving; at the start I thought that it was my cat, but then, looking with more attention, I understood that it was 'it' again, seated, and watching around. Then I went into the house, took the Polaroid camera, and looked at it through the Window. It was still here, so I went down and made one photo of it. In the light of flash the being turns its head, raises, tilts its back, turns and runs away. Then I said to myself that I have photographed it just right, and I hoped the photo does not get ruined like the others, and I decides not to say anything not even to my parents and I held it in the drawer."The being shown on this picture is apparently still wrapped in its "external protecting covering", and partially covered with gauzes or whitish wraps. Filiberto describes its covering: "it may be pants, in a strange way, and the being had some sort of leather on the shoulders, with some bandage." Nine days passed, and on August 20, another encounter gave Caponi the opportunity two take two new pictures, still using the same Polaroid, in spite of the allegation by the "Visto" weekly magazine that the pictures were made with a professional camera. "No, it was always with the Polaroid, I literally lived with it, while a friend of mine lend me another one, I declined, I gave it back to him without having ever used it. I open the window and I see it seated to the center of the courtyard. I come down and I make one first photo of it. It made the usual movement, turns the head slowly and I take a second picture, moving to the side. At this point it escaped. They are not successful to dirgli nothing, I would have intentional. The being had always appeared with gauze around the legs, and something similar to leather on its back, but this time it did not wear its covering anymore, but appeared with two tubes on the thorax that seemed to slightly move under its skin, like from air or liquid pressure, or some fluid, I don't know, maybe for its respiration. The small tubes both moved rhythmically. And an other important thing: I was convinced that the body was wet, it drained water, it dripped. But not much. From its head, water passed beside the eyes like some sweat. I want to emphasize that that evening my sister had also heard the noises, on the small terrace of our house, where my father had two drums in which he put water for watering the flowers.We have thought that perhaps it had gone to bathe itself. The drums were supposed to be full, but instead one was half empty. Maybe during the night, it had "undressed", dipped in a drum, washed, and jumped from the terrace, producing the noise of a jump in water that my sister heard. They came down, to see if it had left its coveralls, but there was nothing. Except a small hole, under the house, not wider than 25-30 centimetres, that opens on a bulwark. I have illuminated it with a torch, but I have not been able to see correctly within it." An other particular thing, maybe of great importance emerges then, when the enquirers ask Caponi greater details about the physical aspect of the creature and the color of its skin. One assumes that its epiderm, as it appears in the two photos of the seated humanoid, is really in "coveralls" that joins perfectly to the body and wraps it completely. The difference, in the photos handed by Caponi between the humanoid with and without its kind of "protection" appears clearly from the last picture, in which the being is half seated half erected and seems to be "naked." A month passed, and the next encounter was on September 20, 1993. "Every night I waited, by now. I still did not sleep more. So, towards at about 3 o'clock in the morning, I see it under the house. 'Stavolta, I say to myself, before photographing I call someone. I woke up my grandmother, that sleeps in the room besides, but she was not able to see it from her window, although it was just under. It was standing. Then we came down and my grandmother finally saw it in all its splendor - she was frightened because she thought that she was seeing some sort of malignant entity - and she started to scream, while I tried to calm her, I approached and photographed it." Then a scene already wintessed repeated: the being bent, turned the head a little bit, and looked at Caponi. The grandmother, Perla Antonia, told about this experience, explained how frightened she was that the being may hurt her grandson: "Filiberto, let's go away from here, because I am frightened now. But by now I run after it up to the arch, in the country, under the rainy night, I was all wet, in the middle of the grass I have lost it from sight." Other important details emerge from the questions of investigators: "The being made noise when moving, its dorsal structure is rather grip, but its sides seems wide, which is practically the contrary of the way we are made. It seems built to run, the arms are not used, remember how he raced to the nearby door with leaps like those of an ostrich. Its dimensions? It is very small, not more than 70 centimetres, the way it had its feet on the ground, it seems that it weighs the double than it really weighs. It has two nostrils for the nose, but no ears."This is clearly not a human skull, we have been fed a variety of unlogical explanations as to why this skull has this formation. Several like it were found in Peru with small variations. Many artifacts that were clearly of Egyptian origin were also found in Peru dating back to the time of the Ancient Egyptians. However these two cultures and countries were not supposed to have had contact back then being so far from each other. Many odd things are found in Peru, the Nazca lines, a set of animal and geometrical lines engraved onto the ground which extend for miles. Engraving these lines would require a view from above to do them correctly, yet they were not supposed to have aircraft back then. So how did they do it?? This skull gives us a good idea. If they had brains big enough to fit into these skulls they could obviously find ways to fly in aircraft or spacecraft no doubt.US serial number gives clue to mystery of the alien in the attic -Patrick Barkham-Monday February 6, 2006-The Guardian When Barney Broom began renovating his cottage he did not expect to be confronted by a pair of black eyes staring from a cloudy jar. But the mysterious discovery of an alien in his attic has spooked the 54-year-old screenwriter and bewildered extraterrestrial experts, who yesterday suggested the US military could be involved.The delicate 30cm (12 inch) figure of a baby alien is stored in a pungent liquid and has a US serial number painted on its four-toed foot. Possibly sculpted from a clay-like substance and painted grey, the model closely resembles the aliens depicted in a hoax film of an autopsy of the infamous "Roswell incident".Curiously, the alien was discovered stored in an old toffee jar wrapped in a copy of the Daily Mirror dating from October 1947. In July of that year, officials at the American air base of Roswell reported and then denied finding the remains of a flying saucer. The Roswell incident sparked a popular fascination with UFOs and led the US air force to collect data on sightings. One theory is that the alien was left in the loft by a US serviceman working at a nearby US air base. Mr Broom's two-bedroom cottage at Gunthorpe, north Norfolk, which he bought eight months ago, is 45 miles from two large US air bases at RAF Lakenheath and RAF Mildenhall. Many US servicemen and women live and work in the region. Mr Broom told the Guardian he was "a bit spooked" by the discovery but said he was not yet living in fear of being beamed up by aliens."It was stuffed in the corner of the loft with other old newspapers. Before me, an old spinster lived in the house. I don't think anybody had been up there for years. I haven't got three heads and I'm not the sort of eccentric lunatic to think it's an alien but it's a funny thing to find in your loft."Mr Broom reported his finding to the Sci Fi Channel, who called in Professor Adam Roberts, an expert in science fiction literature, to examine the creature. "The easy thing to do is dismiss it all and say it's a hoax. It may be or may not be," said Prof Roberts. "The fact that it was found near a US air base suggests there may be a military component to it." A spokeswoman for the US air force said it had never made such models of an alien, the figure was not government property and the serial number could mean it had been catalogued by a museum. "It's a hoax," the spokeswoman said. Prof Roberts admitted it could be a film prop dating from the 1960s, but said he was not surprised at US denials: "That is the US air force line. They deny these alien encounters. It is quite possible they concoct stories to cover up for more nefarious activities."And the Marcabians don't know everything either. Oh, they think they do. But they only know what they have to do to keep their status. And that's coming down from Marcab. At least they are not doing implanting anymore. But remember it's not all that cleanly cut as I'm saying. You always have Marcabians who are working for the implanters and implanters that are infiltrating the Marcabians, and people that try to take us over and fail. And we are always going inside their lines and look and see what they are doing. But basically you have all the truth here. And you have the decision, and you have now the data with which you can see what it's doing and who is doing it. So without the help of Ron and the beginning of the tech project we could not have done this. And what is the key to all this that he gave us? He didn't just say - Here's the tech project and one or two of you can do it, and maybe you go free. He set up a system where one person could help another. Now that is what differentiates a real games master from interference people and just take-over people. You notice the implanters are not teaching anyone how to help anybody. You heard what they had down there on level 5 and 6 and 7. And the Marcabians are not here to help you, because they still want to maintain the control. They'll let you have a little freedom as long as you conform. But they don't teach you how to help each other, because if you could help each other you might grow big and expand and get free. You might start your own company and make a better car than the Mercedes. Yeah. You see? So they ain't gonna help you either. They will allow you to exist. And the implanters will also allow you to exist. But you won't even know it. OK. So that is the game and that is the control measures and thanks to LRH we have the way out. We never until this moment understood all of what he was saying and how wide it covers. It's a whole intergalactic game and it has something to do with this planet. And now you are in possession of as much truth as we know about at the moment on the intergalactic scenario. You know more than the leaders of your government. You know more than the MJ 12 Committee. If they've heard any rumors about this they're afraid of it. And they can't believe it. The implanters have told them We have all the power, we have all the technology, you know. But they don't, you see? So you have now more truth and knowledge about what is happening on this planet than anyone else. What are you gonna do about it? I think that you might all agree at this point that an idea can influence a whole civilization. And the idea of a free zone planet where everyone can choose for themselves, if they know all the data, I think you'll agree that that's a pretty good idea. You know something? Because of the rules and regulations that have been laid down, decrees about this area, no one can stop you from doing that. They can try to interfere with you and all that. You might find it a little hard to get it done, but you'll also find a lot of cooperation. Because people are tired of being lied to all the time. They really know deep down there is some truth somewhere. So it would be a good idea to get this around on a proper gradient with perhaps the help of the video and so on like that. Invite your friends and so on. Make it into a big thing. And you'll find that all of a sudden you know what that story in the newspaper means. You know when this comes. Oh yeah, I know about that, Yeah. See? You're in a position of power on this datum. And one of the rules of power: Don't disconnect. Use your connections to spread the power. OK? Again I thank LRH for the opportunity and the chance to do this. And I thank all of you for being here, because you have in your hands now the key to the future. Use it well! Thank you very much. OK. Thank you very much for coming. I thank Doro for the translation. Let's give her a hand. Maria and Stephan for helping set up the event. Diane for telling us of Mr. Hamilton. And also before we go I'd like to tell you that we still have some tapes left from the UFO tapes that could be a good introduction to other people. Just listen to these tapes about UFO's. They are actual stories. And they have in there the Free Zone Decree, the Non Interference Decree talked against a background of sort of spacy music and it's very interesting tape, if you want to disseminate a little bit about...what, to go to the event or something. Hear this tape, see what you like about that. It's just stories and music about UFO's. And it can't hurt anybody, if they don't know about it. OK? So thank you very much and have a safe drive home. And let's have a good future.The following is a list of questions that were directed to former Dulce Base Security officer Thomas Edwin Castello approximately a year before his death [or disappearance]. They are followed by his responses:QUESTION - When exactly was the [upper human-occupied level of the] Archuleta installation constructed? ANSWER - I heard Dulce was started in 1937-38 by the Army engineers, enlarged over the years, most recent work was completed 1965-66 to connect tunnels to the Page [Arizona] Base, site of one of the older underground facilities. The four corners base is called PERICA. Most of the Native Americans [the Indians] living in that area are aware of that base, and could tell us about the underground life forms that frequently are spotted near those communities, Bigfoot, etc. (Note: The references to the Dulce base here deal mainly with the upper levels, not the extreme lower levels which include vast natural caverns and, some believe, very ancient tunnel systems as well. This would include the tunnels illuminated by phosphorus pentoxide which the alien grays avoid, and the origin of which is unknown. In fact sources have informed us that some of the underground NORAD facilities of Colorado were constructed within already-existing cavern systems, suggesting that Ray Palmer and Richard Shaver were correct when as early as the mid-1940's they wrote about the government's search for ancient underground cave and tunnel systems to be converted for their own use. - Branton)Q -- By what means was the [upper] installations constructed? Are you familiar with the alleged developments made by the Rand Corporation of a highly-efficient bore or mole machine capable of melting rock using nuclear powered wolfram-graphite tipped 'drill-cones'? A -- According to several senior maintenance workers, part of it was blasted by nuclear devices in the sixties. There are sections, like the shuttle tunnels, that were formed by an advanced tunneling machine that leaves the tunnel walls smooth. The finished walls in those tubes resemble polished black glass.Q -- By WHOM was the Dulce installation originally constructed? A -- Nature started the caverns. The Draco [reptilian humanoids] used the caverns and tunnels for centuries. Later, through RAND Corporation plans, it was enlarged repeatedly. The original caverns included ice caves and sulfur springs that the 'aliens' found perfect for their needs. The Dulce caverns rival Carlsbad caverns in size. (Note: Carlsbad caverns and especially the adjacent Lecheguilla caves are 'officially' among the largest and deepest in the world, with several 'leads' that remain to be explored by professional speleonauts - Branton)Q -- What exactly are the cattle [and human] organs such as blood, anal tissue, eyes, reproductive organs, tongues, etc. used for -- i.e. the organs obtained via cattle and human mutilations? A -- Read the so-called Dulce papers [for more information].Q -- Are the various electromagnetically-controlled air or space craft -- [that have been seen] leaving from and arriving at Mt. Archuleta -- manned by humans, the 'alien entities', or both? A -- Archuleta Mesa is a minor area... the craft leave [and are stored] in five areas. One is SE of DULCE, one near Durango Co., one at Taos, N. M., and the main fleet is stored at LOS ALAMOS [under]. (Note: I believe Thomas Castello is referring to the 'joint-operational' fleet. From combined sources however it appears as if Dulce is absolutely SURROUNDED ON ALL SIDES by 'alien' bases, and that Archuleta peak -- although apparently the central NEXUS of the entire underground network -- is nevertheless just one part of an overall complex that some claim is nearly the size of Manhattan! One source has indicated that there are chambers a few hundred feet below the very town of Dulce itself that are part of level one of the facility. This close proximity may explain why it has usually been described as the 'Dulce Base'. Apparently even with his high-security clearance, Thomas Castello was only familiar with one part of the overall mega-complex which underlies the area. Whatever amount of activity is taking place there, different sources seem to indicate that the town of Dulce nevertheless lies over a major crossroads, convergence or 'intersection' area of alien activity even though the 'core' of alien activity has been extended to Los Alamos. Los Alamos and the mountainous regions east and southeast of it in and around the Santa Fe National Forest seem to be the MAJOR 'nest' of Reptiloid/Gray forces in North America, although there is also a large number of 'dens' scattered throughout the underground networks between Dulce and Area 51. Dulce seems to be a major 'through' point for exterran and subterran reptilian activity, a central 'infiltration' zone for surface operatives, as well as an operational base for abduction-implantation-mutilation agendas and also a major convergence for sub-shuttle terminals, UFO ports, and so on. - Branton)Q -- Others have suggested that some of the entities below Dulce are not of 'extraterrestrial' ORIGIN, and that they are actually descended from saurian or reptiloid beings such as the Velociraptors or Stenonychosaurus Equallus -- a 'serpentine' race or races similar to that hinted at in the third chapter of the book of Genesis? A -- Yes, some 'reptoids' are native to this planet. The ruling caste of 'aliens' ARE reptilian. The beige or white beings are called The Draco. Other reptilian beings are green, and some are brown. They were an ancient race on Earth, living underground. It may have been one of the Draconian beings that 'tempted' Eve in the Garden of Eden. Reptoids rightly consider themselves "native Terrans." Perhaps they are the ones we call the Fallen Angels. Maybe not, either way, we are [considered] the 'squatters' on Earth.Q -- Some have suggested that the so-called underground 'E.T.' bases and tunnels may, for a large part, be literally thousands of years old... constructions of an antediluvian race which attained to a considerable level of scientific complexity, and who were destroyed by a Divinely-initiated cataclysm which took place after they attempted to merge their science with occult/supernatural forces. For instance some have suggested that the Bermuda Triangle phenomena may be the result of an out-of-control Atlantean experiment that led to a space-time disaster which produced "electromagnetic fallout" in the Triangle area and elsewhere after they had accidentally loosed powerful forces and energies into the world that they knew very little about. Do your observations tend to confirm or refute such a possibility? A -- I'm not sure about the Divine part, but these 'aliens' consider themselves 'NATIVE TERRANS.'A -- Where do the little gray Aliens fit in? Q -- They work for, and are controlled by the Draco. There are other gray skinned beings that are not in league with the Draco.Q -- Did you ever talk to any of the 'Aliens' at the Base? A -- Since I was the Senior Security Technician at that base, I had to communicate with them on a daily basis. If there were any problems that involved security or video camera's, I was the one they called. It was the reptilian "working caste" that usually did the physical labor in the lower levels at Dulce. Decisions involving that caste were usually made by the white Draco. When human workers caused problems for the working caste, the reptoids went to the white Draconian 'boss', and the Draco called me. At times, it felt like it was a never ending problem. Several human workers resented the "no nonsense" or "get back to work" attitude the working caste lives by. When needed, intervention became a vital tool. The biggest problem were human workers who foolishly wandered around near the "OFF LIMITS" areas of the "Alien Section." I guess it's human nature to be curious and to wonder what is past the barriers. Too often someone found a way to bypass the barriers and nosed around. The camera's near the entrance usually stopped them before they got themselves in serious trouble. A few times I had to formerly request the return of a human worker.Q -- Are there other sites tied-in to the 'shuttle network' other than those which you mentioned, and if so, where are the entrances? A -- WHERE!?! EVERYWHERE! THEY CRISS CROSS THE WORLD AS AN ENDLESS SUBTERRANEAN HIGHWAY. LIKE A FREEWAY, EXCEPT THIS ONE IS UNDERGROUND... The subterranean highway in America is like a freeway except it's underground. That highway depends on electric motors [for trucks, cars and buses] for the paved roads, and it is for limited travel. There is another style of transit for freight and for passengers that is for rapid travel. That world wide network is called the "Sub-Global System." It has "check points" at each country entry. There ARE shuttle tubes that 'shoot' the trains at incredible speeds using a mag-lev and vacuum method. They travel at a speed that excels the speed of sound. Part of your question involves the location of entrances to that base. The easiest way to answer is to say every state in the U.S.A. has them. Frequently, the entrances are camouflaged as sand quarries, or mining operations. Other complex portals are found on military bases. New Mexico and Arizona have the largest amounts of entrances followed by California, Montana, Idaho, Colorado, Pennsylvania, Kansas, Arkansas and Missouri. Of all the state's Florida and North Dakota have the least amount of entrances. Wyoming has a road that opens directly into the subterranean freeway. That road is no longer in use, but could be reactivated if they decide to do so, with minimal cost. It's located near Brooks Lake.Q -- Are there any 'bases' in the state of Utah? (Note: Thomas mentioned several areas surrounding Utah -- Colorado, New Mexico, Arizona, Nevada and Idaho, where there are 'connections', but little on Utah which according to some sources lies directly over one of the largest NATURAL cavern systems in North America, one that is said to reach deep beneath the Western Rockies as well as beneath the Bonneville basin) Have you heard anything about an alleged underground installation within the Wasatch Mountains...? A -- Salt Lake, Lake Powell Area, Dark Canyon, Dougway Grounds, Modena, Vernal. All have exits there. Others too. (Note: There have been many rumors of ancient 'tunnel' systems being intersected during the excavations of sub-basement levels below major industrial and mall areas in downtown Salt Lake City. Various stories surrounding these tunnels include: explorers who have entered the tunnels and never returned; reports of 'lizard people' down in the labyrinths; reports of grays working with humans on electronic equipment and massive building projects going on in huge caverns beneath the mountains to the east; reports of humans who are part of an Asian-based 'Agharti' kingdom who maintain colonies within the tunnels and caverns below -- and who are in conflict with the reptiloids, grays, and a group collaborating human fascists from a network of massive underground facilities beneath the Neu Shwabenland region of Antarctica; reports of men in suits having been seen pacing back and forth through large underground chambers carrying uzi machine guns; reports of seemingly bottomless shafts; large tunnels strung with lights that are "big enough to drive a semi-truck through"; sections of tunnel walls that looked solid yet which one could put their hands through; rooms which emanate a strange greenish phosphorescent glow; abductees who are taken below and encounter all types of aliens; discs that have been seen emerging from the mountains to the east and attacking incoming UFOs over the valley; Dungeons & Dragons fanatics who have been down in the tunnels and tell wild stories of hundreds of miles of maze-like passages; reports of connections to the tunnel systems via the sewer-drainage network especially underneath the downtown "Crossroads" area; reports of alien activity similar to that which has been described in connection to Dulce New Mexico; and reports of a huge cavern network that reaches beyond the border of the state in all directions -- a huge network that connects the underground systems of Nevada with those of New Mexico. There is a famous story which is not openly talked about -- there are two versions... both may be true. In one version a Mormon Temple worker penetrated an underground tunnel below the 'square' in downtown Salt Lake City and traveled for some distance through a series of underground catacombs until running into a 'lizard' like man. The creature attempted to attack him but the man escaped and managed to find his way back to the surface. He began telling other people what had happened and soon afterwards the 'government' arrived in the area and went in and closed off many of the tunnels leading to the sub-basements of the Temple. Presumably there was some heated debates over how much of the underground system this denomination was allowed to control. A similar dispute apparently occurred to the southwest where the LDS church maintained a large storage facility under Granite Mountain in Little Cottonwood canyon, within the upper levels of a vast network of caverns. Fascist CIA elements and the Grays came in and took control of the larger caverns deeper within the mountain and ordered the 'vault' workers to stay out of the 'forbidden' areas -- and stated that the "U.S. Government" was now using them for "National Security" purposes and that it was their "patriotic duty" to maintain the secret. The other version concerned a custodian who entered a tunnel near the cinemas area below the Crossroads Mall across the street and to the south from the temple square, while excavation was being carried out in a that part of the Mall. The worker entered the tunnel and before long encountered a 'serpent' type man, beat a hasty retreat, and told his fellow workers what he had seen. The FBI and/or the local police soon arrived and sealed the tunnel. Another story involved a young man who, along with a friend, had used a chain tied to his pickup truck to rip-up a manhole cover in the area near the 'Mall' and the 'Square'. They navigated through a maze of sewer passages underneath and came to a shaft that descended in a series of 5 small 'rooms' one below the other, and from the bottom room a tunnel led south into a large chamber wherein they saw a seemingly bottomless shaft, a large southwest tunnel strung with lights and 'large enough to drive a semi through', and the footprints of some type of three-toed bi-pedal creature. Other sources imply that early pioneers and settlers of the area who explored these tunnels came in contact with and in some cases even joined with some of the Telosian-Agharti-Melchizedek-Mayan underground colonies below the Salt Lake Flats, the Salt Lake Valley and the Western Rockies. These subterraneans had formerly established territorial agreements with the Reptiloids and Grays before the aliens begun invading their subterranean lands below the intermountain west en-masse in the early 1900's. The treaties were part of an attempt to stave off a possible inter-species conflict, as skirmishes between the humanoids [Teros] and reptiloids [Deros] within the cavern networks of North America had been increasing since the 1920's, 30's and 40's. Because of a somewhat non-exclusive collective-mind with which these humans interacted, it was decided that one possible way to 'convert' the reptilians into becoming beings of emotion and compassion was to allow them access to the group consciousness. The reptiloids however, once given access, immediately began taking advantage of the collective and used it to CONTROL the humans on a subliminal basis. The ease with which this occurred may have been enhanced by the fact that the Reptiloids and Grays were already operating as part of a collective or group mind, one which was far more complex than the Ashtar or Astarte collective itself which many of the 'Aghartians' depended on. This suggests that the reptilian 'collective' or HIVE itself is absolutely void of any and all care, concern or compassion for human beings. Individual reptiloids operating distinct from the draconian collective might however be 'tamed' by other collective-free humanoids in some cases -- as some have reportedly been 'tamed' by the Andro-Pleiadean worlds. If the non-humans could be severed from the 'collective' they might be deprogrammed and reprogrammed so-to-speak and even attain individual awareness and a degree of emotionalism. In such cases it would not be advisable to give these creatures equal standing among humans, and absolute subservience and monitoring should be enforced even if means were found to sever them from the collective mind network. When dealing with the reptilian forces, unconditional surrender should be first offered, and if this is not accepted than direct military action would be justified especially in light of the many permanent 'abductees' whom the Greys and Reptiloids have taken captive [those who are still alive] to their underground systems. Most of the treaties that the humanoids had made with the reptiloids 'down under' have since been broken... especially following the Groom Wars of 1975 and the Dulce Wars of 1979, during which time much of the underground U.S. base networks [which were funded by American tax dollars by the way] were taken over by the Grays. Some sources have implied that the aliens took advantage of the chaos especially during the Dulce wars and commenced to invade and conquer several of the older underground colonies. This apparently led to a rift in the 'Ashtar' collective, with many humanoids and hybrids splitting off and joining with the Andro-Pleiadean Federation non-interventionists, and many reptiloids and heartless humanoid agents splitting off and joining with the interventionists of the Draco-Orion Empire. The Sirius-B system which -- aside from Arcturus and Sol -- has been the major center of 'Ashtar' activity, has since been shaken by this split between the two opposing Ashtarian factions and war had reportedly raged through the Sirius system for several years, according to some 'contactees'... an apparent reflection of the division within the underground networks of North America between the Pleiadean-backed Sirian humanoids and Orion-backed Sirian reptiloids which both had maintained operations within the underground levels before the "Dulce Wars" broke out. The Dulce wars were just the mere tip of the proverbial iceberg when we consider that the overall events which happened at Dulce had a chain reaction effect throughout this whole sector of not the galaxy. Before the division occurred, the reptiloids were invited to take part in 'peace talks' in Telos and elsewhere as an act of good faith, but the reptiloid-grey collectivists were more interested in expanding their empire and feeding their insatiable appetite for conquest than they were in making peace, although they agreed to peace treaties that they never intended to keep for 'Trojan horse' manipulation purposes. There is a remnant collaboration such as that taking place in the underground facilities near Paradox Nevada where collectivist humanoids and reptiloids from Sirius and Sol still maintain a collaboration of necessity -- in order to establish a global control system, however a large number of humanoids within the underground systems are at war with the collectivist-interventionist Reptilian infiltrators who would otherwise 'assimilate' these humanoids into their collective through deception, espionage and mind control. Now several contactees like Alex Collier, Ray Keller, Stan Johnson and others are claiming that the conflicts in Sirius between the Andro-Pleiadean backed Ashtar forces and the Draco-Orion backed Ashtar forces -- which were infiltrated and commandeered by Draco-Orion agents -- have now spread to the Sol system, as both stellar superpowers have focused on this most strategic system, intent on protecting their respective 'interests' here from being subverted by the other side. - Branton)Q -- Did you notice any involvement of high-level Freemasons, Rosicrucians or Jesuits within the underground installation and/or with the aliens? (This question is based on the assumption made by some researchers that many of the Masonic lodges were, beginning about 1776, infiltrated by the Bavarian Illuminati. Much of the Masonic world is ultimately controlled by the Bavarian-lodge-backed 33+ degrees of Scottish Rite Masonry, a 'Rite' which according to early Masonic authority Rebold can be traced back to the JESUIT college atClermont in Paris -- a Rite which advocates the destruction of national sovereignties in exchange for world government, the destruction of religious and especially Judeo-Christian movements, and the destruction of the family-structure to be replaced by 'State' control of children, etc., as opposed to the more traditional Protestant-Christianized YORK RITE of Masonry which the SCOTTISH RITE has attempted to subvert since its inception into Masonry. This question was also based on claims from a former 33rd degree Mason, James Shaw, that the Scottish Rite headquarters in the "House of the Temple" -- which lies at the northern apex of the pentagram-like street layout of Washington D.C. -- is filled with all kinds of indications of serpent worship in the form of murals, carvings, statues, etc., depicting serpentine figures.Actually, from what my sources tell me, not only are there degrees beyond the 33rd degree, but the 33rd degree itself is made up of two cores, an inner and outer core, the 33rd degree and the 33+ degree.In the past when the 33rd degree initiation was reached a potential initiate might have been given a Bible or a Cross and asked to spit on it or desacrate it in some manner. ( less)
Runtime: 04:00
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Este hombre tan aburrido pensó que era buen idea sacarse fotocopias de su trasero, así que lo intentó...
Watch this bored man caught on a cam..he\'s trying to spice up his day from work by photocopying his ass... but then he did not succeeded because he surpirisingly destroyed the xerox ( more)
Este hombre tan aburrido pensó que era buen idea sacarse fotocopias de su trasero, así que lo intentó...
Watch this bored man caught on a cam..he\'s trying to spice up his day from work by photocopying his ass... but then he did not succeeded because he surpirisingly destroyed the xerox machine... haha! ( less)
Runtime: 00:26
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This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series of encounters starts in Pretare d'Arquata, a small sector in the province of Ascoli Piceno, at the ( more)
This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series of encounters starts in Pretare d'Arquata, a small sector in the province of Ascoli Piceno, at the top of the Monte Vettore, a few kilometres after one leaves the road to Salaria. They show, in sequence, a being in a various positions, seated, nearly erected, in seemingly painful physical conditions although this may be only an anthropomorphic impression. The being seems to have small dimensions, rather sturdy, with the skin that in some instantaneous ones appears burnished and thick and in last photograph, completely red, moisted, with the aspect of a badly wounded skin. The photos were published in the weekly magazine "Visto" n. 43 on 28 October 1993, and then produced on TV during the program "I Fatti Vostri" ("Your facts") on Friday, November 5, 1993, hosted by Giancarlo Magalli. The first photo showed a small shadow, as Caponi stated. The effect of the mysterious combustion of the two first pictures, altering the zone where the being was, resulted in this. May 24, 1993.The first investigation was headed by the CUN and consisted of several inspections, interviews of Caponi and his relatives and the answers to their questions to other indirect witnesses. At the end of the investigation, they had a detailed report on the case but drew no firm conclusion whatsoever. At the same time, other investigators approached Caponi and obtained from him similar statements, substantially coinciding with those published by the CUN. Some of them gave their interpretation of the events, such as Massimo Fratini Maximum from the CETI, in Rome, who stated that he has always been convinced by the sincerity of the witness. "In the course of our inquiry and during last the three years, we have had to reconsider, step by step, all the vicissitude, to reconstruct all the details, meeting Filiberto Caponi several more times and trying to collect other testimonies." "We are not still in a position to give the conclusions - today - but we are approaching the possible truth of what happened in the outskirts of Pretare d'Arquata (Marches), on the Monte Vettore, starting in May 1993." Caponi's photograph remain disturbing to this day. There were, however, some contradictions and omissions which emerged when investigations started to put more pressure on Caponi. Yet there seems to be no way to differentiate if these contradictions and omissions are simply caused by the confusion between investigators, and the stress put on Caponi who was literally sieged by Italian and foreign journalists as his photographs were just published in a weekly Magazine in Milan. Essentially, the story told by Filiberto Caponi was quite consistent over time, chronologically always consistent, but some parts of his story was slightly at odds with the photographs themselves. This prompted the chief investigator of the CUN, Roberto Pinotti, to insist that he needs to look at the photographic material in good conditions, first to elucidate some points, and also because CUN thought that the witness should have the right to manage his material. Indeed, in an unprecedented and utterly unexplainable manner, the magistracy of Ascoli Piceno had seized and confiscated the photographs from Caponi, and started a judicial procedure against Caponi under the never heard of motive that his photograph might disturb the civil peace. Because of this confiscation, CUN could only analyze them visually but not instrumentally. Caponi told to CUN's Roberto Pinotti, Gianfranco Lollino and Massimo Angelucci, and Fabio Della Balda of the CROVNI of Saint Marino about his first encounter; "I first thought it was a small cat complaining, trapped in a plastic bag.""It was the evening of 9 May 1993. As usually I re-entered from a ride on my motorbike and I was closing the garage, just near the country, when I heard I complain, different from those typical of usual animals. I was also thinking that it may be a drunk coming down from the same road making noises. Then, in an angle of a house, I saw a "white [palleta,]" it seemed to me that the strange complain came from it. Smiling, as I thought I had found an abandoned cat, wrapped in a plastic bag, I stretched a hand to touch it, but on reflection I stopped because it occurred to me that it might scratch me. So I limited myself give the bag a little kick to see if it would come out on itself. And I was terrified, because the "old plastic bag" jumped on, showing that it had a head, arms and legs. It raised from the ground, and went to the wall that I have shown to you before. Anyway, it was quite fast, it had wrapped legs and it carried something that tripped, it looked like a bag that it had on the back, but it was not skin. I only saw the skin of its head and from its small arms which it did not use and not move.""I thought to myself that what I saw may not have existed, that I have been tired, that it must have been some animal..." However, back home, his mother noticed that something was wrong, as the boy was very pale. She managed to get her son tell what happened, and, with his father, he decided to return on location of the encounter in order to find some trace of the "animal." On the wall, behind which the being disappeared, the father found a "medical gauze covered with blood" but he did not take it home because it was disgusting and instead he put it under an old washing machine in the courtyard, planning to go to Ascoli Piceno in order to have it analyzed. In the night, Caponi still heard the strange complain, went down again to the road, but he saw nothing this time. "Nothing, just nothing, it was impossible," explained Caponi. "...and my father was there so that I could show him, and I have said to him 'I have heard it, but I do not know where it is' and he told me to go up in my room because from there we could see better. We stayed up there for roughly an hour, then my father was tired and went to bed again. Just at that moment 'the thing' reappeared... I called my father and so he has been able to see it too, for a moment, while it went away under that arch, in the blink of an eye, and my father looked at me as if he wanted to say 'so you were not joking!'... anyway he told me to go to bed, because it was late (3 in the morning)."The next morning, Filiberto's sister went to control the gauze, but it had disappeared. "It must have been a dog that smelled the odor of the blood," says Filiberto. "However it has been at that time that I decided to lend a camera from my brother-in-law. I put it right on the bedside table. For a week then I waited there (indicates the night place) thinking that perhaps the being would come again and that I could photograph it."15 days went by and nothing happened, so Caponi decided to forget all about it, when one evening: "It was approximately the two o'clock in the night and I heard the strange scream again. I sent up, I took the camera (a Polaroid 660) and opened the door, - while I felt that something was walking in the alley. I saw it arrive, from far away enough, to not fast, nearly walking. I took a first photo, the Polaroid ejects it, and I take it away, ready to take an other photo. In the light of the flash it had stopped, as if it had noticed the light, maybe but it must have been deaf... because I have made some noise when I opened the door, and it continued to come in my direction. It had stopped and turned around only when I took the photo. I have thought 'I will race with it, take a photo and run after it, this is a unique opportunity' and what I did, I went towards it, advancing a few meters, I photographed it again, and then I escaped screaming 'I have photographed it!', without watching where I went, so I ended against a wall. My father woke up and asked me what had happened. The photos developed under the eyes of my relatives: on the first one only a dark shadow was visible, but on the second, the head and the hanging arms wrapped with something, were visible. I looked at it intensively. I explained that when I have taken the second photo it had slightly turned its head towards me, without turning its body at all. My father felt it was quite a hair riser. My mother said 'My god, what is he?' And then I had calmed down and I told them 'a lot of it in the photos, let's put them in a secured place, let's not have everyone see them' and we decided to put them in a wooden box, in order to study them with calm on the next day."The first picture where the small being is clearly seen, at least as for the head, a hand, and some dark clothing on its back and whitish cover on its lower body. "I found the cover of the box curved, blackened underneath, filled with smoke. I ask what can have happened . Then I opened it I feel a smell of burnt similar to burned plastic's odor. The photo was burned around and where the being was shown, it was swollen and ruined... I detach the second photo and the image was also swollen, only in surface, it was not destroyed."Later, CUN investigators tried to determine if the ruined photos were explicitly attacked, and considered the possibility that the film may have been the Polaroid for a long time and maybe expired. But the hypothesis of a normal deterioration due to expiration revealed not valid, because the following photos were made with the same film and were not ruined at all. The only possible explanation that remained was that of a chemical interaction between the photos and an old past due battery conserved in the wooden box where the images were stored, which is what Caponi also proposed. The problem is that all the material, including the wooden box, have been delivered to the Police officers of the station of Arquata of the Tronto, subsequently to their first publication in a magazine. Moreover it must be emphasized that Caponi had circulated the photos (reproduced in dias) among roman newspapers and press agencies. Back on May 24, 1993. The news by now had been diffused, in because Caponi told about it in confidence to a friend: "I have made a big mistake, the day when I went at a friend who is a carpenter and told him all about it. He had sworn to me that he would not tell a word about it, but one evening he had drunk a glass too much and three days later the whole country knew the story and the "Messagero di Ascoli Piceno" newspaper telephoned, and a few days later they published the burnt photos.""The story still diffused more, even if many did not believe it and created popular legends about me or people hunting in the country. One evening I went to the circle and encountered the friend who had spilled the story out; in spite of that I have made peace with him, and we were walking outside with two others. And then all of us heard 'the scream,' coming from behind the gate of a house which is shown in the published photos. We decide to go check it out and I begin to climb up, while a friend remains a little behind, an the other progress in order, and when we get close to the direction of the complain, it stops immediately. We return to the bar and some sort of expedition gets organized, with others, in all 15 to 20 people, some of them with knives - everyone excited - torches and photographic cameras.An interesting point regarding this first encounter, it that Caponi suffered from an inexplicable cutaneous blackening on the right foot, the foot that he used to touch the entity. The blackening disappeared after three days.The second picture was also damaged, but the being is more distinguishable, although partly covered with "something." The arrow indicates where the head is. Caponi thought that he was the victim of some confusion, but he has been very frightened so he decided to reopen the garage and to rest a little moment on his motorbike and think about it, and to calm his nerves listening to the radio.One them has a hunting dog. We all go back the gate. We here the complain and the dog heads on and leaves us, crosses the gate and begins to bark, nearly as if fighting, and there are more and more screaming. Then the dog 'jumps down the road', throwing itself from a wall, falls on his back, stands up on his legs again and flees to hide in a corner. The other people present begin to look at me speechless. But, when I propose to locate the source of the sound in order to discover what it is they all say no. However from that moment, people in the area begun to believe me a little and I get interviewed from a journalist of 'Stop' magazine, but when he sees the burnt photos he does not think opportune to acquire them."Over time, the feeling that something strange and interesting is really happening spreads in the small country. And then on August 8, Pretare is the location of a new unusual phenomenon: many hens in the country die mysteriously, some enduring amputations of limbs or of the head, but without signs of blood or bites. They have been recovered all piled up. The fact remains stunning, because it is difficult to imagine that a predator, such as a fox or a vixen, can do so much damages in one night. So far Caponi had had two encounters with the being. But on August 11, 1993, when Caponi was somewhere outside on a bench, watching shooting stars: "It was five o'clock in the morning and all at once, in front of the door of my laboratory, I saw again that white pack, moving; at the start I thought that it was my cat, but then, looking with more attention, I understood that it was 'it' again, seated, and watching around. Then I went into the house, took the Polaroid camera, and looked at it through the Window. It was still here, so I went down and made one photo of it. In the light of flash the being turns its head, raises, tilts its back, turns and runs away. Then I said to myself that I have photographed it just right, and I hoped the photo does not get ruined like the others, and I decides not to say anything not even to my parents and I held it in the drawer."The being shown on this picture is apparently still wrapped in its "external protecting covering", and partially covered with gauzes or whitish wraps. Filiberto describes its covering: "it may be pants, in a strange way, and the being had some sort of leather on the shoulders, with some bandage." Nine days passed, and on August 20, another encounter gave Caponi the opportunity two take two new pictures, still using the same Polaroid, in spite of the allegation by the "Visto" weekly magazine that the pictures were made with a professional camera. "No, it was always with the Polaroid, I literally lived with it, while a friend of mine lend me another one, I declined, I gave it back to him without having ever used it. I open the window and I see it seated to the center of the courtyard. I come down and I make one first photo of it. It made the usual movement, turns the head slowly and I take a second picture, moving to the side. At this point it escaped. They are not successful to dirgli nothing, I would have intentional. The being had always appeared with gauze around the legs, and something similar to leather on its back, but this time it did not wear its covering anymore, but appeared with two tubes on the thorax that seemed to slightly move under its skin, like from air or liquid pressure, or some fluid, I don't know, maybe for its respiration. The small tubes both moved rhythmically. And an other important thing: I was convinced that the body was wet, it drained water, it dripped. But not much. From its head, water passed beside the eyes like some sweat. I want to emphasize that that evening my sister had also heard the noises, on the small terrace of our house, where my father had two drums in which he put water for watering the flowers.We have thought that perhaps it had gone to bathe itself. The drums were supposed to be full, but instead one was half empty. Maybe during the night, it had "undressed", dipped in a drum, washed, and jumped from the terrace, producing the noise of a jump in water that my sister heard. They came down, to see if it had left its coveralls, but there was nothing. Except a small hole, under the house, not wider than 25-30 centimetres, that opens on a bulwark. I have illuminated it with a torch, but I have not been able to see correctly within it." An other particular thing, maybe of great importance emerges then, when the enquirers ask Caponi greater details about the physical aspect of the creature and the color of its skin. One assumes that its epiderm, as it appears in the two photos of the seated humanoid, is really in "coveralls" that joins perfectly to the body and wraps it completely. The difference, in the photos handed by Caponi between the humanoid with and without its kind of "protection" appears clearly from the last picture, in which the being is half seated half erected and seems to be "naked." A month passed, and the next encounter was on September 20, 1993. "Every night I waited, by now. I still did not sleep more. So, towards at about 3 o'clock in the morning, I see it under the house. 'Stavolta, I say to myself, before photographing I call someone. I woke up my grandmother, that sleeps in the room besides, but she was not able to see it from her window, although it was just under. It was standing. Then we came down and my grandmother finally saw it in all its splendor - she was frightened because she thought that she was seeing some sort of malignant entity - and she started to scream, while I tried to calm her, I approached and photographed it." Then a scene already wintessed repeated: the being bent, turned the head a little bit, and looked at Caponi. The grandmother, Perla Antonia, told about this experience, explained how frightened she was that the being may hurt her grandson: "Filiberto, let's go away from here, because I am frightened now. But by now I run after it up to the arch, in the country, under the rainy night, I was all wet, in the middle of the grass I have lost it from sight." Other important details emerge from the questions of investigators: "The being made noise when moving, its dorsal structure is rather grip, but its sides seems wide, which is practically the contrary of the way we are made. It seems built to run, the arms are not used, remember how he raced to the nearby door with leaps like those of an ostrich. Its dimensions? It is very small, not more than 70 centimetres, the way it had its feet on the ground, it seems that it weighs the double than it really weighs. It has two nostrils for the nose, but no ears."This is clearly not a human skull, we have been fed a variety of unlogical explanations as to why this skull has this formation. Several like it were found in Peru with small variations. Many artifacts that were clearly of Egyptian origin were also found in Peru dating back to the time of the Ancient Egyptians. However these two cultures and countries were not supposed to have had contact back then being so far from each other. Many odd things are found in Peru, the Nazca lines, a set of animal and geometrical lines engraved onto the ground which extend for miles. Engraving these lines would require a view from above to do them correctly, yet they were not supposed to have aircraft back then. So how did they do it?? This skull gives us a good idea. If they had brains big enough to fit into these skulls they could obviously find ways to fly in aircraft or spacecraft no doubt.US serial number gives clue to mystery of the alien in the attic -Patrick Barkham-Monday February 6, 2006-The Guardian When Barney Broom began renovating his cottage he did not expect to be confronted by a pair of black eyes staring from a cloudy jar. But the mysterious discovery of an alien in his attic has spooked the 54-year-old screenwriter and bewildered extraterrestrial experts, who yesterday suggested the US military could be involved.The delicate 30cm (12 inch) figure of a baby alien is stored in a pungent liquid and has a US serial number painted on its four-toed foot. Possibly sculpted from a clay-like substance and painted grey, the model closely resembles the aliens depicted in a hoax film of an autopsy of the infamous "Roswell incident".Curiously, the alien was discovered stored in an old toffee jar wrapped in a copy of the Daily Mirror dating from October 1947. In July of that year, officials at the American air base of Roswell reported and then denied finding the remains of a flying saucer. The Roswell incident sparked a popular fascination with UFOs and led the US air force to collect data on sightings. One theory is that the alien was left in the loft by a US serviceman working at a nearby US air base. Mr Broom's two-bedroom cottage at Gunthorpe, north Norfolk, which he bought eight months ago, is 45 miles from two large US air bases at RAF Lakenheath and RAF Mildenhall. Many US servicemen and women live and work in the region. Mr Broom told the Guardian he was "a bit spooked" by the discovery but said he was not yet living in fear of being beamed up by aliens."It was stuffed in the corner of the loft with other old newspapers. Before me, an old spinster lived in the house. I don't think anybody had been up there for years. I haven't got three heads and I'm not the sort of eccentric lunatic to think it's an alien but it's a funny thing to find in your loft."Mr Broom reported his finding to the Sci Fi Channel, who called in Professor Adam Roberts, an expert in science fiction literature, to examine the creature. "The easy thing to do is dismiss it all and say it's a hoax. It may be or may not be," said Prof Roberts. "The fact that it was found near a US air base suggests there may be a military component to it." A spokeswoman for the US air force said it had never made such models of an alien, the figure was not government property and the serial number could mean it had been catalogued by a museum. "It's a hoax," the spokeswoman said. Prof Roberts admitted it could be a film prop dating from the 1960s, but said he was not surprised at US denials: "That is the US air force line. They deny these alien encounters. It is quite possible they concoct stories to cover up for more nefarious activities."And the Marcabians don't know everything either. Oh, they think they do. But they only know what they have to do to keep their status. And that's coming down from Marcab. At least they are not doing implanting anymore. But remember it's not all that cleanly cut as I'm saying. You always have Marcabians who are working for the implanters and implanters that are infiltrating the Marcabians, and people that try to take us over and fail. And we are always going inside their lines and look and see what they are doing. But basically you have all the truth here. And you have the decision, and you have now the data with which you can see what it's doing and who is doing it. So without the help of Ron and the beginning of the tech project we could not have done this. And what is the key to all this that he gave us? He didn't just say - Here's the tech project and one or two of you can do it, and maybe you go free. He set up a system where one person could help another. Now that is what differentiates a real games master from interference people and just take-over people. You notice the implanters are not teaching anyone how to help anybody. You heard what they had down there on level 5 and 6 and 7. And the Marcabians are not here to help you, because they still want to maintain the control. They'll let you have a little freedom as long as you conform. But they don't teach you how to help each other, because if you could help each other you might grow big and expand and get free. You might start your own company and make a better car than the Mercedes. Yeah. You see? So they ain't gonna help you either. They will allow you to exist. And the implanters will also allow you to exist. But you won't even know it. OK. So that is the game and that is the control measures and thanks to LRH we have the way out. We never until this moment understood all of what he was saying and how wide it covers. It's a whole intergalactic game and it has something to do with this planet. And now you are in possession of as much truth as we know about at the moment on the intergalactic scenario. You know more than the leaders of your government. You know more than the MJ 12 Committee. If they've heard any rumors about this they're afraid of it. And they can't believe it. The implanters have told them We have all the power, we have all the technology, you know. But they don't, you see? So you have now more truth and knowledge about what is happening on this planet than anyone else. What are you gonna do about it? I think that you might all agree at this point that an idea can influence a whole civilization. And the idea of a free zone planet where everyone can choose for themselves, if they know all the data, I think you'll agree that that's a pretty good idea. You know something? Because of the rules and regulations that have been laid down, decrees about this area, no one can stop you from doing that. They can try to interfere with you and all that. You might find it a little hard to get it done, but you'll also find a lot of cooperation. Because people are tired of being lied to all the time. They really know deep down there is some truth somewhere. So it would be a good idea to get this around on a proper gradient with perhaps the help of the video and so on like that. Invite your friends and so on. Make it into a big thing. And you'll find that all of a sudden you know what that story in the newspaper means. You know when this comes. Oh yeah, I know about that, Yeah. See? You're in a position of power on this datum. And one of the rules of power: Don't disconnect. Use your connections to spread the power. OK? Again I thank LRH for the opportunity and the chance to do this. And I thank all of you for being here, because you have in your hands now the key to the future. Use it well! Thank you very much. OK. Thank you very much for coming. I thank Doro for the translation. Let's give her a hand. Maria and Stephan for helping set up the event. Diane for telling us of Mr. Hamilton. And also before we go I'd like to tell you that we still have some tapes left from the UFO tapes that could be a good introduction to other people. Just listen to these tapes about UFO's. They are actual stories. And they have in there the Free Zone Decree, the Non Interference Decree talked against a background of sort of spacy music and it's very interesting tape, if you want to disseminate a little bit about...what, to go to the event or something. Hear this tape, see what you like about that. It's just stories and music about UFO's. And it can't hurt anybody, if they don't know about it. OK? So thank you very much and have a safe drive home. And let's have a good future.The following is a list of questions that were directed to former Dulce Base Security officer Thomas Edwin Castello approximately a year before his death [or disappearance]. They are followed by his responses:QUESTION - When exactly was the [upper human-occupied level of the] Archuleta installation constructed? ANSWER - I heard Dulce was started in 1937-38 by the Army engineers, enlarged over the years, most recent work was completed 1965-66 to connect tunnels to the Page [Arizona] Base, site of one of the older underground facilities. The four corners base is called PERICA. Most of the Native Americans [the Indians] living in that area are aware of that base, and could tell us about the underground life forms that frequently are spotted near those communities, Bigfoot, etc. (Note: The references to the Dulce base here deal mainly with the upper levels, not the extreme lower levels which include vast natural caverns and, some believe, very ancient tunnel systems as well. This would include the tunnels illuminated by phosphorus pentoxide which the alien grays avoid, and the origin of which is unknown. In fact sources have informed us that some of the underground NORAD facilities of Colorado were constructed within already-existing cavern systems, suggesting that Ray Palmer and Richard Shaver were correct when as early as the mid-1940's they wrote about the government's search for ancient underground cave and tunnel systems to be converted for their own use. - Branton)Q -- By what means was the [upper] installations constructed? Are you familiar with the alleged developments made by the Rand Corporation of a highly-efficient bore or mole machine capable of melting rock using nuclear powered wolfram-graphite tipped 'drill-cones'? A -- According to several senior maintenance workers, part of it was blasted by nuclear devices in the sixties. There are sections, like the shuttle tunnels, that were formed by an advanced tunneling machine that leaves the tunnel walls smooth. The finished walls in those tubes resemble polished black glass.Q -- By WHOM was the Dulce installation originally constructed? A -- Nature started the caverns. The Draco [reptilian humanoids] used the caverns and tunnels for centuries. Later, through RAND Corporation plans, it was enlarged repeatedly. The original caverns included ice caves and sulfur springs that the 'aliens' found perfect for their needs. The Dulce caverns rival Carlsbad caverns in size. (Note: Carlsbad caverns and especially the adjacent Lecheguilla caves are 'officially' among the largest and deepest in the world, with several 'leads' that remain to be explored by professional speleonauts - Branton)Q -- What exactly are the cattle [and human] organs such as blood, anal tissue, eyes, reproductive organs, tongues, etc. used for -- i.e. the organs obtained via cattle and human mutilations? A -- Read the so-called Dulce papers [for more information].Q -- Are the various electromagnetically-controlled air or space craft -- [that have been seen] leaving from and arriving at Mt. Archuleta -- manned by humans, the 'alien entities', or both? A -- Archuleta Mesa is a minor area... the craft leave [and are stored] in five areas. One is SE of DULCE, one near Durango Co., one at Taos, N. M., and the main fleet is stored at LOS ALAMOS [under]. (Note: I believe Thomas Castello is referring to the 'joint-operational' fleet. From combined sources however it appears as if Dulce is absolutely SURROUNDED ON ALL SIDES by 'alien' bases, and that Archuleta peak -- although apparently the central NEXUS of the entire underground network -- is nevertheless just one part of an overall complex that some claim is nearly the size of Manhattan! One source has indicated that there are chambers a few hundred feet below the very town of Dulce itself that are part of level one of the facility. This close proximity may explain why it has usually been described as the 'Dulce Base'. Apparently even with his high-security clearance, Thomas Castello was only familiar with one part of the overall mega-complex which underlies the area. Whatever amount of activity is taking place there, different sources seem to indicate that the town of Dulce nevertheless lies over a major crossroads, convergence or 'intersection' area of alien activity even though the 'core' of alien activity has been extended to Los Alamos. Los Alamos and the mountainous regions east and southeast of it in and around the Santa Fe National Forest seem to be the MAJOR 'nest' of Reptiloid/Gray forces in North America, although there is also a large number of 'dens' scattered throughout the underground networks between Dulce and Area 51. Dulce seems to be a major 'through' point for exterran and subterran reptilian activity, a central 'infiltration' zone for surface operatives, as well as an operational base for abduction-implantation-mutilation agendas and also a major convergence for sub-shuttle terminals, UFO ports, and so on. - Branton)Q -- Others have suggested that some of the entities below Dulce are not of 'extraterrestrial' ORIGIN, and that they are actually descended from saurian or reptiloid beings such as the Velociraptors or Stenonychosaurus Equallus -- a 'serpentine' race or races similar to that hinted at in the third chapter of the book of Genesis? A -- Yes, some 'reptoids' are native to this planet. The ruling caste of 'aliens' ARE reptilian. The beige or white beings are called The Draco. Other reptilian beings are green, and some are brown. They were an ancient race on Earth, living underground. It may have been one of the Draconian beings that 'tempted' Eve in the Garden of Eden. Reptoids rightly consider themselves "native Terrans." Perhaps they are the ones we call the Fallen Angels. Maybe not, either way, we are [considered] the 'squatters' on Earth.Q -- Some have suggested that the so-called underground 'E.T.' bases and tunnels may, for a large part, be literally thousands of years old... constructions of an antediluvian race which attained to a considerable level of scientific complexity, and who were destroyed by a Divinely-initiated cataclysm which took place after they attempted to merge their science with occult/supernatural forces. For instance some have suggested that the Bermuda Triangle phenomena may be the result of an out-of-control Atlantean experiment that led to a space-time disaster which produced "electromagnetic fallout" in the Triangle area and elsewhere after they had accidentally loosed powerful forces and energies into the world that they knew very little about. Do your observations tend to confirm or refute such a possibility? A -- I'm not sure about the Divine part, but these 'aliens' consider themselves 'NATIVE TERRANS.'A -- Where do the little gray Aliens fit in? Q -- They work for, and are controlled by the Draco. There are other gray skinned beings that are not in league with the Draco.Q -- Did you ever talk to any of the 'Aliens' at the Base? A -- Since I was the Senior Security Technician at that base, I had to communicate with them on a daily basis. If there were any problems that involved security or video camera's, I was the one they called. It was the reptilian "working caste" that usually did the physical labor in the lower levels at Dulce. Decisions involving that caste were usually made by the white Draco. When human workers caused problems for the working caste, the reptoids went to the white Draconian 'boss', and the Draco called me. At times, it felt like it was a never ending problem. Several human workers resented the "no nonsense" or "get back to work" attitude the working caste lives by. When needed, intervention became a vital tool. The biggest problem were human workers who foolishly wandered around near the "OFF LIMITS" areas of the "Alien Section." I guess it's human nature to be curious and to wonder what is past the barriers. Too often someone found a way to bypass the barriers and nosed around. The camera's near the entrance usually stopped them before they got themselves in serious trouble. A few times I had to formerly request the return of a human worker.Q -- Are there other sites tied-in to the 'shuttle network' other than those which you mentioned, and if so, where are the entrances? A -- WHERE!?! EVERYWHERE! THEY CRISS CROSS THE WORLD AS AN ENDLESS SUBTERRANEAN HIGHWAY. LIKE A FREEWAY, EXCEPT THIS ONE IS UNDERGROUND... The subterranean highway in America is like a freeway except it's underground. That highway depends on electric motors [for trucks, cars and buses] for the paved roads, and it is for limited travel. There is another style of transit for freight and for passengers that is for rapid travel. That world wide network is called the "Sub-Global System." It has "check points" at each country entry. There ARE shuttle tubes that 'shoot' the trains at incredible speeds using a mag-lev and vacuum method. They travel at a speed that excels the speed of sound. Part of your question involves the location of entrances to that base. The easiest way to answer is to say every state in the U.S.A. has them. Frequently, the entrances are camouflaged as sand quarries, or mining operations. Other complex portals are found on military bases. New Mexico and Arizona have the largest amounts of entrances followed by California, Montana, Idaho, Colorado, Pennsylvania, Kansas, Arkansas and Missouri. Of all the state's Florida and North Dakota have the least amount of entrances. Wyoming has a road that opens directly into the subterranean freeway. That road is no longer in use, but could be reactivated if they decide to do so, with minimal cost. It's located near Brooks Lake.Q -- Are there any 'bases' in the state of Utah? (Note: Thomas mentioned several areas surrounding Utah -- Colorado, New Mexico, Arizona, Nevada and Idaho, where there are 'connections', but little on Utah which according to some sources lies directly over one of the largest NATURAL cavern systems in North America, one that is said to reach deep beneath the Western Rockies as well as beneath the Bonneville basin) Have you heard anything about an alleged underground installation within the Wasatch Mountains...? A -- Salt Lake, Lake Powell Area, Dark Canyon, Dougway Grounds, Modena, Vernal. All have exits there. Others too. (Note: There have been many rumors of ancient 'tunnel' systems being intersected during the excavations of sub-basement levels below major industrial and mall areas in downtown Salt Lake City. Various stories surrounding these tunnels include: explorers who have entered the tunnels and never returned; reports of 'lizard people' down in the labyrinths; reports of grays working with humans on electronic equipment and massive building projects going on in huge caverns beneath the mountains to the east; reports of humans who are part of an Asian-based 'Agharti' kingdom who maintain colonies within the tunnels and caverns below -- and who are in conflict with the reptiloids, grays, and a group collaborating human fascists from a network of massive underground facilities beneath the Neu Shwabenland region of Antarctica; reports of men in suits having been seen pacing back and forth through large underground chambers carrying uzi machine guns; reports of seemingly bottomless shafts; large tunnels strung with lights that are "big enough to drive a semi-truck through"; sections of tunnel walls that looked solid yet which one could put their hands through; rooms which emanate a strange greenish phosphorescent glow; abductees who are taken below and encounter all types of aliens; discs that have been seen emerging from the mountains to the east and attacking incoming UFOs over the valley; Dungeons & Dragons fanatics who have been down in the tunnels and tell wild stories of hundreds of miles of maze-like passages; reports of connections to the tunnel systems via the sewer-drainage network especially underneath the downtown "Crossroads" area; reports of alien activity similar to that which has been described in connection to Dulce New Mexico; and reports of a huge cavern network that reaches beyond the border of the state in all directions -- a huge network that connects the underground systems of Nevada with those of New Mexico. There is a famous story which is not openly talked about -- there are two versions... both may be true. In one version a Mormon Temple worker penetrated an underground tunnel below the 'square' in downtown Salt Lake City and traveled for some distance through a series of underground catacombs until running into a 'lizard' like man. The creature attempted to attack him but the man escaped and managed to find his way back to the surface. He began telling other people what had happened and soon afterwards the 'government' arrived in the area and went in and closed off many of the tunnels leading to the sub-basements of the Temple. Presumably there was some heated debates over how much of the underground system this denomination was allowed to control. A similar dispute apparently occurred to the southwest where the LDS church maintained a large storage facility under Granite Mountain in Little Cottonwood canyon, within the upper levels of a vast network of caverns. Fascist CIA elements and the Grays came in and took control of the larger caverns deeper within the mountain and ordered the 'vault' workers to stay out of the 'forbidden' areas -- and stated that the "U.S. Government" was now using them for "National Security" purposes and that it was their "patriotic duty" to maintain the secret. The other version concerned a custodian who entered a tunnel near the cinemas area below the Crossroads Mall across the street and to the south from the temple square, while excavation was being carried out in a that part of the Mall. The worker entered the tunnel and before long encountered a 'serpent' type man, beat a hasty retreat, and told his fellow workers what he had seen. The FBI and/or the local police soon arrived and sealed the tunnel. Another story involved a young man who, along with a friend, had used a chain tied to his pickup truck to rip-up a manhole cover in the area near the 'Mall' and the 'Square'. They navigated through a maze of sewer passages underneath and came to a shaft that descended in a series of 5 small 'rooms' one below the other, and from the bottom room a tunnel led south into a large chamber wherein they saw a seemingly bottomless shaft, a large southwest tunnel strung with lights and 'large enough to drive a semi through', and the footprints of some type of three-toed bi-pedal creature. Other sources imply that early pioneers and settlers of the area who explored these tunnels came in contact with and in some cases even joined with some of the Telosian-Agharti-Melchizedek-Mayan underground colonies below the Salt Lake Flats, the Salt Lake Valley and the Western Rockies. These subterraneans had formerly established territorial agreements with the Reptiloids and Grays before the aliens begun invading their subterranean lands below the intermountain west en-masse in the early 1900's. The treaties were part of an attempt to stave off a possible inter-species conflict, as skirmishes between the humanoids [Teros] and reptiloids [Deros] within the cavern networks of North America had been increasing since the 1920's, 30's and 40's. Because of a somewhat non-exclusive collective-mind with which these humans interacted, it was decided that one possible way to 'convert' the reptilians into becoming beings of emotion and compassion was to allow them access to the group consciousness. The reptiloids however, once given access, immediately began taking advantage of the collective and used it to CONTROL the humans on a subliminal basis. The ease with which this occurred may have been enhanced by the fact that the Reptiloids and Grays were already operating as part of a collective or group mind, one which was far more complex than the Ashtar or Astarte collective itself which many of the 'Aghartians' depended on. This suggests that the reptilian 'collective' or HIVE itself is absolutely void of any and all care, concern or compassion for human beings. Individual reptiloids operating distinct from the draconian collective might however be 'tamed' by other collective-free humanoids in some cases -- as some have reportedly been 'tamed' by the Andro-Pleiadean worlds. If the non-humans could be severed from the 'collective' they might be deprogrammed and reprogrammed so-to-speak and even attain individual awareness and a degree of emotionalism. In such cases it would not be advisable to give these creatures equal standing among humans, and absolute subservience and monitoring should be enforced even if means were found to sever them from the collective mind network. When dealing with the reptilian forces, unconditional surrender should be first offered, and if this is not accepted than direct military action would be justified especially in light of the many permanent 'abductees' whom the Greys and Reptiloids have taken captive [those who are still alive] to their underground systems. Most of the treaties that the humanoids had made with the reptiloids 'down under' have since been broken... especially following the Groom Wars of 1975 and the Dulce Wars of 1979, during which time much of the underground U.S. base networks [which were funded by American tax dollars by the way] were taken over by the Grays. Some sources have implied that the aliens took advantage of the chaos especially during the Dulce wars and commenced to invade and conquer several of the older underground colonies. This apparently led to a rift in the 'Ashtar' collective, with many humanoids and hybrids splitting off and joining with the Andro-Pleiadean Federation non-interventionists, and many reptiloids and heartless humanoid agents splitting off and joining with the interventionists of the Draco-Orion Empire. The Sirius-B system which -- aside from Arcturus and Sol -- has been the major center of 'Ashtar' activity, has since been shaken by this split between the two opposing Ashtarian factions and war had reportedly raged through the Sirius system for several years, according to some 'contactees'... an apparent reflection of the division within the underground networks of North America between the Pleiadean-backed Sirian humanoids and Orion-backed Sirian reptiloids which both had maintained operations within the underground levels before the "Dulce Wars" broke out. The Dulce wars were just the mere tip of the proverbial iceberg when we consider that the overall events which happened at Dulce had a chain reaction effect throughout this whole sector of not the galaxy. Before the division occurred, the reptiloids were invited to take part in 'peace talks' in Telos and elsewhere as an act of good faith, but the reptiloid-grey collectivists were more interested in expanding their empire and feeding their insatiable appetite for conquest than they were in making peace, although they agreed to peace treaties that they never intended to keep for 'Trojan horse' manipulation purposes. There is a remnant collaboration such as that taking place in the underground facilities near Paradox Nevada where collectivist humanoids and reptiloids from Sirius and Sol still maintain a collaboration of necessity -- in order to establish a global control system, however a large number of humanoids within the underground systems are at war with the collectivist-interventionist Reptilian infiltrators who would otherwise 'assimilate' these humanoids into their collective through deception, espionage and mind control. Now several contactees like Alex Collier, Ray Keller, Stan Johnson and others are claiming that the conflicts in Sirius between the Andro-Pleiadean backed Ashtar forces and the Draco-Orion backed Ashtar forces -- which were infiltrated and commandeered by Draco-Orion agents -- have now spread to the Sol system, as both stellar superpowers have focused on this most strategic system, intent on protecting their respective 'interests' here from being subverted by the other side. - Branton)Q -- Did you notice any involvement of high-level Freemasons, Rosicrucians or Jesuits within the underground installation and/or with the aliens? (This question is based on the assumption made by some researchers that many of the Masonic lodges were, beginning about 1776, infiltrated by the Bavarian Illuminati. Much of the Masonic world is ultimately controlled by the Bavarian-lodge-backed 33+ degrees of Scottish Rite Masonry, a 'Rite' which according to early Masonic authority Rebold can be traced back to the JESUIT college atClermont in Paris -- a Rite which advocates the destruction of national sovereignties in exchange for world government, the destruction of religious and especially Judeo-Christian movements, and the destruction of the family-structure to be replaced by 'State' control of children, etc., as opposed to the more traditional Protestant-Christianized YORK RITE of Masonry which the SCOTTISH RITE has attempted to subvert since its inception into Masonry. This question was also based on claims from a former 33rd degree Mason, James Shaw, that the Scottish Rite headquarters in the "House of the Temple" -- which lies at the northern apex of the pentagram-like street layout of Washington D.C. -- is filled with all kinds of indications of serpent worship in the form of murals, carvings, statues, etc., depicting serpentine figures.Actually, from what my sources tell me, not only are there degrees beyond the 33rd degree, but the 33rd degree itself is made up of two cores, an inner and outer core, the 33rd degree and the 33+ degree.In the past when the 33rd degree initiation was reached a potential initiate might have been given a Bible or a Cross and asked to spit on it or desacrate it in some manner. ( less)
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By James Casbolt- former MI 6 agent- 18/2/07The British and US government are stirring an atmosphere of animosity and hatred between white and Asian people in the UK, US and around the world. Whites verses Asians invents the excuse for the invasion of the Middle East. They are also looking ( more)
By James Casbolt- former MI 6 agent- 18/2/07The British and US government are stirring an atmosphere of animosity and hatred between white and Asian people in the UK, US and around the world. Whites verses Asians invents the excuse for the invasion of the Middle East. They are also looking for a minority to blame for the terrorism in the UK and US that the governments themselves are responsible for.This is known as 'false flag' terrorism. 'Al Qaeda' is an MI- 6, CIA organisation utilising Middle Eastern assets. These are big claims but this is backed up with evidence from my MI 6 contacts. My friend below was briefed in detail regarding what really happened on 7/7 and how the British Government were responsible.James Casbolt- " So you are saying the bombs were planted into the bus several days before the 7/7 London bombings"X10- " Yes, the British government switched the safety checking team. When they went into the bus depot a few days before hand a trade union spokesman who was asked about this said he couldn't understand who the security was. He didn't recognise anybody. These were people who come into check the buses. They normally check the buses for things like suspension, braking systems and the security cameras. Instead of staying what is usually an hour or so these people were there for the entire day. When workers approached them and started making small talk they wrere basically ignored . So they had the feeling that these people were not regular security.James Casbolt- "So they were probably MI 5?"X10- "They were MI 5. They were there primarily to make sure the video camera went off at a certain time. Which is of course what happened. Isn't it is amazing that on that day, this was similar to what happened with the cameras prior to the death of Princess Diana. All the security cameras that counted on 7/7, not the ones that didn't count, the ones that really counted weren't working. The security camera on that bus wasn't working on that particular day.James Casbolt- "So where did they plant the bombs on the bus?"X10- "Inside the seats and under the floor. I know that the eye witness accounts of what happened were all at variance with one another. The BBC relied exclusively on a testimony given by a Scottish guy. The Scottish guy contradicted himself so many times and yet no one in the media asked him about these contradictory statements. He said in one report that he got off the front of the bus and in another report he said he left through the rear door. One report said he was the first out and another report he said was the last off the bus. So there appears to be a lot of confusion in terms of the report"James Casbolt- "So the four Asian lads were they MI 5 assets?"X10- "They were stooges"James Casbolt- "Do you think they consciously knew they were working for MI5?"X10- "No they weren't working consciously for MI 5. They would just be a shadow team lured into London to be part of a covert programme of simulated attacks. They were paid to be in a certain place at a certain time to take part in a simulated attack. A company was running a simulated terror attack at the time. Those boys were part of that. They were told "Your backpacks represent explosive devices but of course they aren't explosives"James Casbolt- "So they were told 'this is just a dummy run"X10- "It was a dummy run. They were part of the dummy run. They stopped their car just outside of Luton and they were briefed by somebody. When they left Luton of course, they didn't leave Luton at the time described because there was a cock up with train times. So whether they managed to get to London or not is an unknown because the video camera evidence has been shown to be faulty. There is a problem with the timing on some of the videofootage.James Casbolt- "So they bought return tickets?"X10 - "Yea, they bought return tickets. Of course you wouldn't but return tickets if you knew you were on a one way journey to hell. Some of the other reports that were briefly mentioned in the quality, alternative media and not the tabloid media. Then they were completely ignored by the controlled tabloid media, was one eye witness who was talking about the fact that as she was coming off the train were the bomb exploded. The police officer said "Mind the hole!" and he pointed to a huge blast which showed the metal structure of the under carriage facing upwards as if the bomb had blown upwards. This was the security services taking the extra insurance that in case any of the bombs that their agents had left on the train and those were ex MI 5, ex SAS people, that they would have had a back up, a contingency to make sure those explosions did take place. A number of reports reported more bombs than there were alleged terrorists.James Casbolt- "Why is it ex MI 5 doing it? Why is it not active MI5 agents?X10- "In a way there is no such thing as ex MI 5. Once your MI 5 you're always MI 5 (I would have to disagree with that statement as I managed to get away from my involvement with MI 6- James Casbolt). A lot of MI 5 people get jobs with other organisation that are similar in structure when they leave the security services. These organisations are usually part of the private sector. There have been a number of these organisations over the years. A very, very famous intelligence unit that used to work under Peter Mandelson involved in the oil business, and they announced a disclosure about three years ago. Norton Taylor who works for the intelligence part of the Guardian. He pointed out then that such organisations often announce their demise and its nothing of the sort. Its just disinformation or they just change into another company with exactly the same brief. There a lot of these little private organisations that soak up people who have left these intelligence services and they have them working on a private basis but more often than not they are contracted and they get work contracted out to them from the government"James Casbolt- "So the four Asian lads, they were probably having their strings pulled by MI 5 officers"X10- Oh yea, absolutely without a doubt. They were runners, a dummy team. I've spoken to a few people about the way in which dummy teams are run. They interest lads like that, what MI5 do is they say something like "We want you to be part of a film, part of a dummy run working with the government and also working with BBC producers on developing scenarios in which terrorist attacks in the UK could take place. You get to London and then you do this, meet us at a certain place and we give you a thousand quid". That's easy money and its easy money for what? Travelling to London, sitting on a train with a backpack for about half an hour or so and you collect your loot"James Casbolt- "Do you think Mohammad Sidique Khan would have been aconscious MI 5 agent?"X10- "He may have been paid by MI 5 to go through that on the TV. The same way as, there is another guy who is a known MI 5 agent. He used to be the sidekick of Abdul H the Muslim preacher. He was no 2. He was a 'Mr fixer' and had links to all sorts of exotic quasi terrorist organisations, which are of course almost all run by British intelligence. I wish I could remember his name"James Casbolt- "You said one of the ex SAS men who was responsible for the bombings was called Mcgreagor and he was disguised as a homeless person."X10- "That's what they do to blend in, well not blend in but to make them look conspicuous. If you've got a homeless person clutching an old Tesco's bag or something you don't tend to look at him and say the guy looks like security threat"James casbolt- "Can you explain what he did"X10- "He was on the train and left a package with explosives in. The man who told me this, I developed a close relationship in the past and trusted him"James Casbolt- "And this man was an MI 6 officer?"X10- "Ex MI 6. He longer worked for them. Even in the days when I knew him he had already left the service. As far as the bus operations were concerned that was not his main topic. He was talking mostly about the people in the tube bombings. When all of the eye witness statements came up later on talking about the possibility that the bombs may have been placed under the buses, what the government did was put in a fail safe to make sure that even if some thing went wrong on the day with those people who were involved in the bombings themselves, they would at least have a secondary system to ensure the bombs exploded at exactly the time they wanted"James Casbolt- "So would they have been set on timers?"X10- "They were set on timers"James Casbolt- "So they wouldn't have needed to remotely detonated?"X10- "No. This whole remote system is quite strange because on the day itself Ian Blair took down all of the mobile phone communications. Everything was switched off. You couldn't make a mobile phone call. He knew in any event that there were no remote detonators and he was just covering his arse in case any curious journalists asked him a pertinent question later on. There were no remote detonations on the day at all. They were all personally delivered to the destinations"James Casbolt- "What happened on the tube then?"X10- "The agents were there at the exactly the right time they were supposed to be. If it was the actual case that those guys actually did get the train from Luton. I don't believe they got the train from Luton because apparently that train never turned up. But if they had got to London before hand which s probably the case, they would have had plenty of time to receive the briefing in London. They would have got on train. They would have then been followed by these ex MI 5, SAS officers so that they were actually in the same cart as the so-called juvenile bombers. It would have taken place as scheduled"James Casbolt- "So the guys on the train who were ex MI 5, ex SAS, they left the explosives on the train and then got off. What were their names again?"X10- "The ex MI 5 man was codenamed 'J-boy' and Mcgreagor was the ex SAS guy"James Casbolt- "And then you say they escaped in a Vauxhall cabriolet?"X10- "Yes and they were driven away from the scene"James Casbolt- "So your MI 6 contact confirmed it was a Vauxhall cabriolet?"X10- "Yes"James Casbolt- "So J-boy and Mcreagor left explosives in bags under the seats but there were secondary explosives under the train carriage in case they didn't go off"X10- "Yes"James Casbolt- "Do you know were the safe house was were Mcgreagor and J-boy went afterwards"X10- "The safe house was in South London. This is a very unfortunate event that is going to churning around in people's minds for a long time to come. We need a proper public enquiry"To the government factions who were involved in this act of mass killing I say this. How dare you blow up and murder my British people! All those who are accountable will be held fully accountable when the time comes! That time is coming soon. In my vision I see Asian and white brothers and sisters coming together in love and harmony in this country. We will confront the government peacefully for their terrorist crimes.James CasboltWhistleblower Dies in Suspicious Circumstances on Stage at UFO ConferenceOn Saturday October 7th I attended a UFO conference in Blackpool called'Probe international'. I planned to meet former US government official DeanWarwick who was the last speaker of the afternoon and try to convince him toblow the whistle about his experiences and knowledge regarding the NSA,missing children and Extra-terrestrials.At this time Dean had already gone public and completed an interview acouple of weeks earlier with my friend, investigative journalist DaveStarbuck. The fact of the matter was that Dean had only talked about afraction of what he really knew. Therefore it was my intention to appeal tohim and try to convince him to fully blow the whistle.When Dean was only minutes into his talk on stage he collapsed unconsciouson the floor. The crowd was stunned and mass confusion ensued. He hadstopped breathing and an ambulance was called but Dean had died on stage.When Dean collapsed on the floor a woman witnessed a man with dark hair slipout of the hall. She followed this man who then proceeded to walk down thestairs whistling merrily to himself, get into a car and make a phone call.He was then seen laughing down the phone to whoever he was speaking to. Whowalks out of a hall whistling happily to themselves and then starts laughingdown the phone after a man has just collapsed and stopped breathing onstage?All of these events point to the fact that this was an Intelligence agency'hit' using an E.L.F (Extremely low frequency) weapon. These E.L.F weaponscan be set on a 'Delta wave' and are able to shut a person's nervous systemdown.Much of this technology has been perfected on the 4th level of the CIAunderground Dulce facility in the New Mexico desert. The fourth level ofthis underground base deals with technological aspects of Human auraresearch, dream manipulation, hypnosis, telepathy and advanced mind control.The E.L.F weapons 'suck' the life out the victim's body and Dean literally'fell asleep' on his feet.I was in tears and I walked past my friend Ellis who stared me right in theeyes with a look that said "We both know exactly what happened then". DeanWarwick was a very brave man who died fighting for our freedom. Thoseresponsible will be held fully accountable when the time comes. That time iscoming soon. The same holds true for the '5th column' agents who were tryingto convince the people at Probe they were one of us. You know who you areand so do I.The following are excerpts from the interview Dean Warwick completed withDave Starbuck a couple of weeks before his death. This regards missingchildren, military/Extra-terrestrial involvement and the planned Americanholocaust.Dean Warwick- "I want to come to something which has perturbed me for sometime and that's to do with the killing of the children. A release from thedepartment of statistics of the United states government said that everyyear 150,000 children will in the United states, never be heard of again.Three months later I got a similar report which said that in central andsouthern America there will be 350,000. I did mathematics, I specialised inpure and advanced maths in university. That's not a coincidence. We've got0.5% of the population in North America, 0.5% in central and southernAmerica, that can't be a coincidence"Dave Starbuck- "No not at all"Dean Warwick- "So one day I've got a suit that walks into my showroom and weget talking and he says that he's got a meeting at the DSS offices. I say'You'd be interested in this and I tell him that I've got these reports andwhat the figures showed. I say we don't have anything that like that in theUK. He says 'Oh yes we do'. He says ' I will tell you who I am, I've beenwith this department for 30 years I'm now the head of it'. He says ' There's20 to 25,000 children a year in the UK'. Sometime later I was watchingtelevision, it was the middle of the day and I see it as a news item and thelady comes on who's a part of a group in London, I think there name was 'Themothers of the disappeared'. She says that each year in the UK 120,000children between the age of 10 and 23 will leave home and 80% will be foundagain. In other words 20% will be missing. Well 20% of a 120,000 makes20,000 and confirms the figure this man had told me. So what's happening tothese kids? I'm talking to a chief of police and he says 'Your right aboutthese kids, Dean! He says 'One year we recorded 40 (thousand) something hadgone missing. He said 'The government came back at us and said, no you'vegot it wrong it's 60 (thousand) something this year. I have it from a policeofficer involved direct from Dorset police. Every week they find 7 to 8children in the New forest that have been slit around there necks, downthere shoulders, their skin has been peeled off their backs and there fleshhas been eaten into whilst they are alive. Now I think this has to do withwhat my grandfather warned me I would learn about later on (Earlier in theinterview Dean had said his grandfather had warned him that when Dean wasolder he would come across a secret and it would destroy him) and it bringsme to the Jessica and Holly event. Anybody who believes that Ian Huntley hadanything to do with the killing of those kids wants their head examined"Dave Starbuck- "Four years ago I did a presentation 'Who really murderedHolly Wells and Jessica Chapman' and the response I had was so tremendous,which included two solicitors and a Barrister"Dean Warwick- "What we have is Ian Huntley was there because, found in thetucks of his trousers were seeds from plants that were in this forest. Hecould have got them from anywhere, they could have been planted. This man isso dumb that he takes these bodies to this place, he strips them of theirclothes and pours petrol on them to burn them. Well anybody who's got half abrain knows that you would leave the clothes on to soak up the petrol andmake the fire burn more. He takes the clothes back to the school, he getsout a bin from underneath the stage, puts the clothes in the bin andsprinkles petrol on them and sets them alight waits until there burned sofar and puts the fire out with a hose. This is nonsense! We have the case ofthe lady who has tried to get a newspaper or to get any form of media toprint her story. Whether it's true or not I don't know. The line is that shewalked her dog in that forest everyday for 2 weeks before Jessica and Hollywere discovered. She said military police were blocking the road"Dave Starbuck- "That's correct, yes I heard that from another source aswell"Dean Warwick- "And then we have the case of the runner who was interviewedoutside the court whilst the case was proceeding against Huntley and he saidfor 3 nights he had been running and ran past those woods and he had heardgirls screaming in those woods. Now my information of what happened toJessica and Holly is as follows and it comes from high-ranking Americanmilitary intelligence whom as far as I am concerned I believe. They arewithin government, they are deep within government, who they are what theyis another story. Those girls bodies where treated with a set of talons andthey were raped. Now whether this was part of a cult or it is a part of atransmutation of a presence is open to argument. I personally think thatDavid Icke has got a point but he actually misses the point slightly andsome of what we have got to do with reptilians and other entities issomewhere there but we're not getting to it. But when we bring this back tothe event of 7 to 8 (bodies) being found in the New forest and Dorset andthis police officer tells that one his associates is one who has to inspectthe bodies, each time he is nearly suicidal with what he is finding"Dave Starbuck- "I can believe that"Dean Warwick- "It brings me back to a piece which occurs many, many times inthe bible, 'And they ate the flesh of the children in those days' and thereis a reason for that. I am fortunate in that I have a series of productswhich I do and I get into the homes of a lot of people. One client forexample is fairly high up in British government scientific research. Now itis that in the biblical record and much of what Zacharia Sitchen has writtenof, he tells the story of how 'Those who from Heaven to Earth came' theNephilem or the Annunaki which are refereed to in some parts of the Bible.They ate the menstrual fluid of there woman because from that they couldderive the ability to read the mind of the person confronting them, theycould communicate without speech and I will go along with and I want toexplain later a little bit of what I did at university in New Zealand. Whenthere comes the time for these people to leave and there are those who havecome down to Earth and entered unto man's woman and woman have begat giantsand they have died in the process of giving birth, these people were leftwith a problem. That was where did they get the ingredient to give them theability their woman had got. They had no ability to derive from Man's womenthe ingredients by consuming the menstrual fluid of Man's woman but theydiscovered that a terrorised human child whose flesh was eaten and this Ihave from this prominent scientific base and I won't say where in the UnitedKingdom that "Yes, that is the answer to it Dean". If that flesh is consumedit is flushed with the serotonin and adrenaline and it gives similaringredients to allow them the ability they had of reading the mind andcommunication without speech. There are so many references to it in theBible and the references should taken absolutely as written. It doesn't saythey ate from the bones of children, it doesn't say they ate the skin of thechildren, it says 'And they ate the flesh' and that means they had beenskinned. It's like the reference in the Bible, which is that supposedly Kainslew his brother Able. That's not true, it does not say that. It says Kainate Able and as a result he was banished. Now I can't think of anythingworse than a child being terrorised to the extent that they would be andthen consumed as I have confirmed by police forces who actually do theinvestigating. This may have something to do with what my grandfather toldme when I was a child, that which I would learn later on in life andcertainly I can't think of anything worse than the experience a child wouldfeel and think of when being subjected to this. Similar to this I publicrecently in documents that I have put out through Nexus that we have theinventing the guillotines appearing which is quoted in revelations 24.Thousands of them being brought into American military bases. What for? Asenator stating this is a wonderful way to execute the death penalty, excusethe pun. But they don't kill a hundred people a year in America so what dothey need thousands of guillotines for? The congresswoman for San Diegowhose publicly stated she has been to Japan and watched in the factory inJapan where they have been making these things"Dave Starbuck- "Yes I have heard a report of this from elsewhere"Dean Warwick- "Well it was actually reported on BBC radio in the middle ofJanuary in 2004 that a container load was being shipped into warehouse inthe US at the rate of 300 per container load. Now I do have a theory, I canquite see that the callings some of the world's so called top leaders likeKissinger has said publicly that we need to reduce the population of theplanet by six and a half billion from seven billion. How are you going toget that number of people? Yes okay we can play games with the weather, wecan do all sorts of things that we will have massive flooding and peoplewill lose there lives because of global warming and the raising of sealevels etc. I have it that a farmer in Yorkshire was threatened by thepolice. Now I have to stop there and go back a bit because it was Gundersonwho was the biggest metals fabricator in the world and he was interviewed ontelevision about the fact that he had this contract with the Americangovernment to supply thousands of railway boxcars and that in each of thesecars was room for 150 people. There is also the case of this British doctorand his family who were walking in a forest in Canada close to the Americanborder and come upon a railway yard that has not been used for at least 10years and there are 50 railway box cars. They open the doors and inside ofeach one there are the shackles with a gull tine at the head. Now I put itto you, just consider that you and I are shackled and I am put to theguillotine and you are left waiting to the following day. You're going to beterrified"Dave Starbuck- "You're damn right!"Dean Warwick- "So we get the similar condition as you are terrified theadrenalin the serotonin is running and we have in the ingredients in thebody parts. Which is what this senator spoke of that it was a good way ofexecution and great way for getting body parts. But six and half billionpeople all over the world to be exterminated, it is such a big thing thatthe majority of people would say it is just nonsense. But that's the point.You put something strait in front of somebody and that is the easiest way toconceal it. It was like the Germans re-arming for the Second World War. Theycould make guns, armament parts and bullets and they could dig holes in theground and bury them but one thing they couldn't hide was the gun barrel. Sowhat did they do? They had them erected sticking through the roofs ofpeoples sheds out the back of their houses and told them to light paperunderneath them everyday. So the gun barrel was right there in plain viewnobody released it was gun barrel they thought it was a smokestack"Dave Starbuck- "Well this has been a policy of the New World order brigadefor a long time. If you are going to hide anything hide it in plain view. Ican speak with some authority on that. Before I got into journalism I usedto earn my living a professional comedy magician. So I'm quite used tohiding things in plain view"More evidence that British Intelligence and the CIA recruit Satanists, psychopaths, and are connected to serial killings By James CasboltThe following shocking information regarding MI5/6 and the CIA's role in Satanism and even serial killings has been researched over the last year by myself and other journalists. I have to protect the identity of these journalists for obvious reasons.MI5 agent Jack Harmes AKA Steve HedgesMI5 ASSASSIN/SATANIST/ CATEGORY- 1 PAEDOPHILE PROTECTOR / E.L.F RADIATION WEAPONS OPERATOR / AGENT PROVOCATEUR Last Known Address:26 Treetops CloseAbbey WoodLondonExtracts from letters sent to Project Freedom from Agent Harmes, several weeks prior to Project Freedom's House of Commons campaign in London:............."We studied hard in the areas of philosophy and psychology as well as rigorous physical training. We soon found ourselves surrounded with firearms, bomb-making equipment, throwing knives and detailed instructions on the quiet execution of humans".............."When I found out that a person who lived in the same house as me had broken into my room. He was found dead two weeks later from unknown causes".............."A man I work with once described me as evil through to my black heart after I told a man who was rude to me without provocation that if he didn't watch his mouth I'd cut off his head and send it to his family in a bag".............. "I have knowledge of all manner of weapons"............. "Occasionally my temper still surfaces but oddly without the accompanying anger. I no longer use weapons after several years ago when a friend stopped me killing some young men who deliberately provoked me in a very public place". ............."I had a complete nervous breakdown, ten seconds later I was fine". (This man is under Intelligence agency/Satanic mind control).............."and we were arrested by the terrorist squad. As unbelievable as it may seem they caught us armed with small firearms but appeared to overlook the raw bomb-making chemicals as we had taken the precaution of storing them where they would most likely be found under normal conditions. Even more unbelievable than ignoring massive amounts of evidence they released us without fingerprinting or photographing us, and they even offered to return our illegal equipment. To this day, neither of us has a record"........... "If I were them I would consider your actions a gift and would be killing myself laughing while my finger bore down on the button to irradiate you all". (Referring to supporters being irradiated via Frequency Weapons during Project Freedom's first protest at the House of Commons.)............."I have an inordinately high tolerance to pain and can at once appear hugely striking or almost invisible". (Not so invisible now are you Jack?)As regards this last statement from MI5 agent Jack Harmes. I was recently contacted by a certain a secret society connected to the global intelligence community. This is their symbol.The following are extracts from a letter I received on May 30 explaining some of the details of their blood rituals: ........."3 - UNASSUMING POSEThe subject uses this power to blend into virtually any crowd, no matter what size. Anyone seeking the character simply fails to see her, automatically assuming that the Vampire belongs there. System: If successful, people simply do not notice the Assamite, no matter how hard they might be looking. Observers using technological means of surveillance, like video cameras, can still see him, though. This power lasts for one scene".........."5 - GHOST BODYThe Assamite triggering this power can move through solid objects, without being seen or heard. For all intents and purposes, the Assamite becomes intangible. The side effect of this power is that the Assamite cannot affect anything material around him/her any more than it can affect him/her". ........."System:This power requires three blood points instead of the usual one. Once in the Ghost Body the subject cannot be seen, heard or touched. Despite the name, this power does not actually place the character within the realms of the dead, and does not allow interaction with the ghosts from the Underworld. Some Assamites have reported seeing very strange things while in this form, however, and most are very cautious about attaining the Ghost Body. Once the character decides to affect the physical world again, he/she is once again visible and solid. No other Disciplines work while the Assamite uses this power he/she may not dominate anyone, activate Celerity or even use Auspex, if he/she has it". ........."Assamite RitualsMany Assamite rituals revolve around contact between the reclusive viziers and worldly assassins. The latter exchange vitae/blood for magical services. Also, invoking rituals requires one to ingest at least one point of vitae/blood from a vessel under the influence of kalif, or to actively inhale large quantities of the smoke itself and consciously move it through one's body by forcing blood to circulate". ........."System:The player rolls Intelligence + Occult (difficulty 3 + level of the ritual, maximum 9). Success brings the desired result; nothing happens in the event of failure.Some effects last until the next inauspicious night, as set out by the 473,000-year Mesopotamian calendar. The Storyteller rolls a die for each night, as needed. Each time she rolls a 1, the night is inauspicious. Storytellers, keep track of these inauspicious nights on a scratch-paper calendar, to keep them consistent."The following are extracts from a letter I received on July 15. I must protect this woman's identity..........First of all I have had ET experiences and suffered from PTSD (post traumatic stress disorder) my whole life. Secondly I lived with a serial killer that was hired by the CIA and has killed hundreds of people. Without getting into it all, we have both had ET experiences. I feel I have lived on a small scale what you are saying on a huge scale. I totally believe you and have tried to pass this along to those that can make a difference"........."I had a visitation this year on my birthday. Mine are with the good entities, I believe descendants of Sirius".........."Also the missing children's site, the centre for missing children in the USA does not list one quarter of those really reported missing. I noticed this when looking for victims of my ex, who practised Satanism with his mother and was hired by the CIA. I pray this gets through to you. What can we really do? Who can you really trust? Maybe you can answer and I pray you are OK".Extracts from second letter. Received July 15 2006-........."My ex is not Wayne Cox. In fact he has not had a trial yet and I am working on a book about it. It should be breaking in the next few months. However if you think people are not going to believe you (the majority anyway), most people do not even think Satanism is real!"........."I used psychics to help me with his murder cases. He has himself murdered over 700 people (many are children). It is unreal. But because of his CIA connections and if I understand you right they are a Satanic offshoot too. He was let go as they considered him a loose cannon".........."His name is James Cuneo. James is now around 44. There is a website called www.earson.com and they are the worst serial killings in CA history. A few months ago I found it and there is a sketch of him in a mask. Unbelievably there is a voice mail he left a rape victim in the 70's. You click on the mask and it is HIM talking with his mom in the background."........."I have worked very hard to get people to see the truth and struggled to want to live even. I know I have work to do here yet my life has been awful and isolating".........."Both of us as I said have had ET experiences. He told me they did not like him because he was so violent. Which leads me to believe that both of us had experiences with kind beings. In fact they have come to me in my dreams and they look at me with love. However my memory as a child is confused because I had no memory of them as a family, which they are (Sirians I think). In fact I have a daughter somewhere that they have. They are not Greys or Reptilians. I remember crinkly greenish skin, but they are kind."........."When I saw the UFO my birthday it was huge and beautiful to look at. It was a wake up call to get out of the dumps because I have huge things ahead and I have to be strong. Living in xxxxxxx I have seen all sorts of craft type things in the sky that are not planes".........."Look at Whitley Streiber and John Mack and how they were ridiculed. How do you think we can possibly get people to see the truth? My own family has thought I am crazy when I tried to tell them what happened to me. A mistake. I know I had an implant. I have memories of them taking it out of my ear and telling me it was made of Teflon".........."Actually when I lived with my ex they were watching over me. We heard one of them over his mother's house in the middle of nowhere in Mississippi. James said "Your little friends were here last night" and he slept with a gun"........."I must be monitored because in about 89' with my then boyfriend (not James), we were at our friends house and he saw two strange looking men dressed in black, peering into windows of the neighbouring houses"........"Whether you believe this or not I am spiritually protected. I know this and that is why I am alive. I do not believe any bad entity can get to me. My ex could not kill me (though he tried for years) and trust he had the force of an entire satanic cult and negative energies he sent my way. I survived that too and it took years for me to figure out what was going on. I was hallucinating spiders and he was astrally hacking at my body in my sleep. I have scars from it now. True evil".........."If I put the whole true story in a book even though it is non-fiction, nobody will believe it! What do you think? I have nothing to lose. Thank you again for telling your incredible story."Friends and Star Kids,I just received information from a key informant, with affiliation to a three-letter government agency, that a Cabal-controlled installation, which has been manufacturing and then mentally programming Hybrid-Human clones to operate as its Super Soldiers, has been eliminated. The details.In early 2006 an enormous underground installation, 16 miles long by one mile wide, began operation some kilometers distant from the Icelandic village of Djupidalur ( see photo at bottom ). It took 13 years to build, having been authorized in 1993 by the U.S. National Security Council, who had been duped into believing it would be a research facility concerned with nuclear, biological and chemical weapons.Instead, this facility was a key part of Cabal plans to build a super army of mostly Human clones whose genetics had been upgraded with just enough retrieved Star Visitor genetic material to give these clones enhanced physical, mental and psychic abilities.This cloning project is what Colonel/Dr. Michael Wolf (Kruvant) of NSC's Special Studies Group was so incensed about when he told me several years ago that he had learned that his work in human cloning was being perverted by (Cabal) military into creating the Super [hybrid] Soldier who would then receive mental programming to get the clone to mindlessly follow immoral orders. This caused him to resign from government research work.This weekend, a crack counter-insurgency team (CIT), operating independent of military control, and disgusted by Cabal takeover of key positions in government, undertook a mission to penetrate the Djupidalur installation.The CIT located where the hapless, misinformed Hybrids were being held, liberated them, and escorted them to the surface, where their safe extraction would be arranged for by an individual with friendly ties to Star Nations and legitimate compartments within the U.S. National Security community. During the escorting, CIT came under fire from Cabal security forces, and in the ensuing firefight, (Cabal) Brigadier General Frank Dougherty and a number of his security troops were killed.The Counter-Insurgency Team then set off munitions they had emplaced, and destroyed the clone factory installation, after setting off an alarm to give non-security personnel an opportunity to leave for the surface.When Dr. Wolf was working on cloning, he told me that it took a year to create a human clone from test tube to walking, talking adult. So, if Djupidalur went on-line in early 2006, and went off-line in early 2007, there must have been only one "batch" of Hybrids graduating from that mill. And the CIT team got them all. The complete success of extraction of the Hybrids and destruction of the installation is a signal moment in the incremental retaking of Earth from Cabal control.But we are not yet at final victory. Many other light workers are doing what they can, from wherever they are located within society and its structures, to take back Human society from the control of the Cabal monsters.Look for your opportunity. Although most will not be as spectacular as the CIT's, opportunities to reform and transform our society are all around you.in the light,Richard Boylan, Ph.D.By Val ValerianThe first type [of Gray] is the short gray humanoids with the large heads, which resemble embryos and average about four and a half feet in height. They are from a solar system that revolves around Rigel. Rigel is a double bluish-white star on the left foot of Orion...It is this type of humanoid that is performing most of the animal mutilations and human mutilations, which has made a secret deal with our government, and which was in contact with Hitler [Nazis]. They derive nourishment from the glandular secretions and the enzymes they extract from the animals they mutilate, which they absorb through their pores. Our 'government' permits such activities partially because of its acute fear of these beings, and partially because it isunder the delusion that they will give us technical information enabling us to attain military superiority over the Russians inexchange for our permitting the mutilations and abductions.The Stealth Bomber and Star Wars technologies are being obtained from them. However, our government does not appear to realize that when it comes to the crunch the technology they are transmitting will not work as it is supposed to (Note: More advanced technologies have been obtained via crash-retrievals, an aspect that the aliens may haveunderestimated. - Branton). It is not in their interest to give us decisive military superiority over the Russians, or vice versa. It is in their interest to keep us in a state of unresolved conflict with each other, the old game of divide and conquer...Working under the instructions of the humanoids from Rigel, CIA and former NAZI scientists have developed and deployed malignant strains of bacteria and viruses, including AIDS. The rationale from the fascist point of view is to exterminate portions of the population considered to be undesirable. The rationale from the Rigelian point of view is to decimate the human population to such an extent that the survivors would accept [not resist] open control by the Rigelians...The humanoids that have been nick-named 'Swedes' are on the average between six and six and a half feet tall. They [some] are from a solar system that revolves around Procyon, a binary yellow-white and yellow star system that rises before Sirius in Canis Minoris [in the body of the Lesser Dog], about 11.4 light years from Earth. They are from thefourth planet in orbit around the Procyon double star system. The tall blond humanoids from Procyon and the short gray humanoids from Rigel have been enemies for thousands of years.The tall Blonds from Procyon have a benign attitude toward humanity, except for their strong disapproval of our inhumanity to each other. This strong disapproval is further intensified by our government having made a secret alliance with their hereditary enemies, in order to obtain even more destructive weapons systems than those already inexistence. Our 'government' is not interested in negotiating with the Procyonians, as they would not provide us with weapon systems...Their motivation for breeding with humans is to tune-up the frequency of our species, in order to help us to help ourselves. Their concern is for the well-being of all forms of life, not just humanity. The entire biosphere will benefit if we fulfill our positive potential, instead of self-destructing our planet's biosphere in the process.It would be a mistake to count on them to clean up the mess we have made of our polluted planet, or to bring peace by dismantling our nuclear weapons. It is up to us to solve the problems that we have ourselves created...In order to extricate ourselves from the covert alliance the CIA (and their Nazi SS predecessors. - Branton) had made with Rigel, without our knowledge or consent, we must first regain control of our government...Valerian then quotes the following words of one Procyonese star-traveler by the name of KHYLA, who revealed the following to an un-named earth woman with whom he had established contact:"...Tyrants have been defeated many times on many planets, in countless solar systems and galaxies. How strange it is that as soon as one tyrant of any species is thought to be banished forever another always, but ALWAYS, takes his place. The idealistic revolutionaries who defeated King George III in America went on to oppress the Indiansand Blacks. ( less)
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S4 E21 -->hqmovies.wordpress.com<---
S4 E21 -->hqmovies.wordpress.com<---
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Porno Adult Clip... The day after some serious partying, clothes come off and 3 Horny girls get into bed with one hung lucky guy! Sexy, Hot, XXX, Must see!
Porno Adult Clip... The day after some serious partying, clothes come off and 3 Horny girls get into bed with one hung lucky guy! Sexy, Hot, XXX, Must see!
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| by: gd5gd |
| Views: 85749 |
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| Added: 31 months ago |
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